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Ex 2.2 A844 Block3 Gender & space: Elizabeth Wilson Into the Labyrinth

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Edited by Steve Bamlett, Monday, 21 Jan 2019, 21:44

Ex 2.2 A844 Block3 Gender & space: Elizabeth Wilson Into the Labyrinth

Once you have finished the extract go back and make a list in the box below of as many of the paired characteristics or contrasting terms as you can which Wilson discusses as framing our understanding of the urban. What do you think the impact is of this way of defining the city?

The ’list’ given by Wilson is on p. 152;

NATURAL

MONOLITHIC

PUBLIC

PITILESS

RICH

BEAUTIFUL

UNNATURAL

FRAGMENTED

SECRET

ENVELOPING

POOR

SUBLIME

MALE

CULTURE

CITY

FEMALE

NATURE

COUNTRY

But I started making antinomies like this as I read and before getting to p. 152 and knowing it was there. This is what I got.

Living

Beautiful

Familiar

Self

Normal

Legal

Non-criminal

Same

Stasis

Still

Full

MINOTAUR

Dead

Ugly

Strange

Other

Abnormal

Illegal

Criminal

Different

Change

Moving

Empty

SPHINX

 

Of course the last one is the culmination of the essay.

One impact is to set up a preferred and not preferred option, but it isn’t always clear on which side this falls. We could say that these binaries express socio-cultural determined preferences and what becomes subordinated to these.  These issues are obviously to the fore in doppleganger myhs such as Jekyll and Hyde, or Dorian Gray.

For Wilson the issue is to explain how left radicalism often damns the city because of its alliances in this binary. However she then insists that this is at a contrary to the experience of her life as a woman – that women and the city have a hidden connection other than at the level of male otherness or repository for his unacknowledged desires – the prostitute stereotype.

She sees that ‘making strange’ as a function of cities has a role in freeing women from patriarchal norms that may be akin to the experience of her own longing and desire despite men not because of them (149f.)

Steve

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