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Still at it ... but not for much longer?

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The 'full-time employment' itch may have me decamp from printmaking to 'web editor' once more. We'll see. Meanwhile I'm working still on different approaches to getting colour onto a print of an ancient tree: monoprint mess at home without a large enough roller, painting onto acetate with a brush, or just a cloth dipped in thinners. 

Six different ways to add colour to a print of an ancient beech tree and companion oak

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Hi Jonathan,

I really like your pictures of trees. 

Best wishes