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John Baglow

Feedback on Feedback

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Edited by John Baglow, Saturday, 7 Nov 2015, 12:53

I have just been giving some of my students feedback on their written work about good feedback practice. I used screencast-o-matic to give spoken feedback with the students' submitted work on the screen.

Several things occur to me:

  • whether feedback is written, face-to-face (synchronous) or via a podcast or screencast (asynchronous) is a matter of student and tutor choice, but something tells me that using a variety of approaches is likely to be best practice
  • some of my students expressed a preference for one mode of feedback without having experienced the others. 
  • in any case, some research has pointed out that what students prefer is not necessarily what is most effective!
  • the time taken to produce feedback is an important consideration. After about half a dozen recordings I feel the time required was acceptable. I did not write any feedback. Instead I highlighted things I wanted to talk about
  • in an effort to get a 'feedback loop' or 'feedback conversation' going, I raised points which I asked the students to respond to in their journals
  • I have also asked them to give me feedback on my feedback, so watch this space for the results of that request.

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John Baglow

Feedback for All

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I think I had a bit of a eureka moment today. Instead of seeing feedback as something which is given by the tutor at various points in a course, I am beginning to realise that it can become an integral and continuous part of the teaching and learning process involving the whole group.

Feedback has traditionally been seen as something passed from tutor to student. Best practice has sometimes involved an attempt to get a dialogue going between tutor and student. 
Yang and Carless (2013) extend the definition by seeing feedback as “all dialogue to support learning in both formal and informal situations” but they are well aware of the “imbalanced power relationship between tutor and student”, in which the student may well experience negative emotions. 
How can we avoid this imbalance and achieve a real dialogue or a “conversational framework”?

Just as “assessment for learning” is all about using assessment as a formative activity throughout a course, feedback can also be seen as pervading almost every aspect of a teaching programme. Some ideas for achieving this:
   + peer feedback can be more effective as it has the potential to avoid the power relationship issue and it results in a different    type of feedback
   + opportunities for dialogue occur as students interact 
   + collaborative assignment production would incorporate continuous peer (and tutor) feedback 
   + the tutor could show all students all their feedback (not just each individual’s) which they then discuss in small groups
And there is scope for making the dialogue between tutor and student more of a formative conversation:
   + offer students choice about the form of feedback they prefer (Nicol 20010)
   + podcasts and video casts offer alternatives modes of feedback
   + students can make requests for specific feedback about aspects of the topic when submitting work
   + students can submit a note in which they are asked to say what their main points are, to highlight what they see as the strongest and weakest sections and to say what questions they have for the tutor.

My next task is to look at how this kind of conversation can be achieved online. 

Nicol, David. "From monologue to dialogue: improving written feedback processes in mass higher education." Assessment & Evaluation in Higher Education 35.5 (2010): 501-517.

Yang, Min, and David Carless. "The feedback triangle and the enhancement of dialogic feedback processes." Teaching in Higher Education 18.3 (2013): 285-297.

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