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Jim McCrory

Should We Feel Free to Examine the Religion We Were Taught?

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Edited by Jim McCrory, Sunday, 29 June 2025, 08:57

Therefore everyone who confesses Me before men, I will also confess him before My Father in heaven.

Matthew 10:32.

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Should We Feel Free to Examine the Religion We Were Taught?

There comes a time in many people’s lives when a quiet, persistent question rises to the surface: Is what I was taught about God, Christ  and truth really true? It can be an uncomfortable question, one we might push aside for years, even decades. Yet when it comes, it often brings with it not just a crisis of faith, but a crisis of identity, belonging, and relationship.

For some, like me, the cost of this questioning has been high. My own journey led to estrangement from family, people I love deeply, but who could not accept my departure from the religious path they still walk. It is a pain that leaves no visible scars but cuts deep all the same. So, the question becomes more than academic: Should we feel free to examine the religion we were taught—even when doing so risks losing everything? This is not about religion. It goes deeper. This is about loyalty to God and Christ which reach far beyond religion; a religion which is in a state of constant updates and flux.

Psychologists describe what’s known as cognitive dissonance—the mental discomfort experienced when holding two conflicting beliefs. For those raised in tightly bound religious communities, beginning to question core doctrines can feel like betrayal, not only of God but of family and self. The inner voice of inquiry is often met with a chorus of guilt, shame, and fear.

What’s more, the fear isn’t always irrational. In many religious contexts, dissent is met not with curiosity but condemnation. The cost isn’t just internal—it’s relational. Parents, siblings and adult children may interpret your doubts as rebellion. Friends may withdraw, go silent. In these moments, the exile is not metaphorical. You feel it in every unanswered message, every family gathering you’re no longer invited to.

Yet psychologically, asking questions is a sign of maturity. It shows that we are taking responsibility for what we believe. Faith inherited is not the same as faith owned. Questioning, in the deepest sense, is not rejection—it is seeking. It says, "I want to know the truth, not just believe it because I was told to."

To question your religion is, in many ways, to face the void. When you remove the scaffolding of inherited belief, what remains? For a time, it may feel like nothing. There’s a disorienting space where answers used to be. But in that space, something sacred can happen—an authentic search.

Existentially, 

 this is where the deepest human questions live: What does it mean to be good? What is the purpose of life? Is there a God—and if so, what is He really like? These questions cannot be silenced forever. Even if the answers are difficult, even if they cost us everything, they are worth pursuing. As Kierkegaard said, “The greatest hazard of all, losing oneself, can occur very quietly in the world, as if it were nothing at all.”

Leaving a religion doesn’t just affect you; it reverberates through every relationship formed within that faith. This is especially true in high-control religious groups, where identity and loyalty are fused tightly with doctrinal conformity. To question is to unsettle the equilibrium. To walk away is to disturb the system.

And yet, must we always bear the responsibility for others’ reactions to our honesty? Is it truly love to pretend in order to maintain peace? Jesus himself warned that his message would divide families (Matthew 10:34-36). Sometimes truth drives a wedge not because we wield it like a weapon, but because it reveals who is truly willing to love us unconditionally.

Ultimately, for those of us who still believe in God and Christ, the final authority must be the Bible—not tradition, not religious hierarchy, and not the expectations of others. The Bereans were called “noble” because they examined the Scriptures daily to see if Paul’s teachings were true (Acts 17:11). Jesus rebuked the religious leaders of his day not for lack of faith, but for placing human traditions above God’s word (Mark 7:6-9).

We are commanded to test every spirit (1 John 4:1), to work out our own salvation with fear and trembling (Philippians 2:12), and to be transformed by the renewing of our minds (Romans 12:2). These are not passive acts. They require courage, discernment, and above all, honesty.

So, should we feel free to examine the religion we were taught? Not only should we—we must. The freedom to question is not a threat to true faith; it is the soil in which real conviction grows. Yes, the cost can be high. You may lose relationships, social belonging, even the image others held of you. But in return, you gain something that cannot be taken away: a faith that is your own, anchored not in fear or inheritance, but in truth and conscience before God. And why would family, fellow Christians and former friends not rejoice in my action to follow scripture? Why indeed.

And for me, though it has cost dearly, I can say this: the path of integrity, even when lonely, is the only one I can walk. I trust the God who sees the heart and holds every tear. I follow Christ, who never condemned the seeker, but always made space for the honest question.

Some thoughts to ponder on:

John 6, Colossians 2, Matthew 10

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Jim McCrory

Where the Small Names Sleep

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Edited by Jim McCrory, Saturday, 28 June 2025, 19:44

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“A voice is heard in Ramah,

weeping and great mourning,

Rachel weeping for her children

and refusing to be comforted,

because they are no more.”

Matthew 2:18 (BSB).

Where the Small Names Sleep

I walked through the Glasgow Necropolis as I often have. It was one of those bright Scottish mornings that softens even the hardest thoughts. The Necropolis, that city of the dead perched above Mother Glasgow; the city of the living, where space not only for memory but for quiet conversation with time itself exists. 

As I made my way among the gravestones, I found myself counting years, not just my own sixty plus but those etched into stone: the tiny, abbreviated lifespans of children lost long ago in a Dickensian age to epidemics like cholera, diphtheria, typhus. Names barely had time to settle and establish into the world before they were carved in stones suggesting they were here.

It’s a strange thing to be old in a place filled with the young who died. I felt not so much survivor’s guilt as survivor’s wonder. I’ve had decades of travel, of reading, of walking beaches at sundown, of writing, of grieving and healing, of faith evaluated and restored. What would any one of these children have become with even half of my years?

My cancer, in that moment, seemed less like an ending and more like a milestone. I don’t know how many more years are allotted to me, but I know now how many I’ve already been given, and I know what a privilege it is to reach an age where you look both forward and back.

The graves made me think of God’s purpose—not as a tidy doctrine, but as a question folded into every name worn smooth by wind, moss, and rain. What becomes of children who never had a chance to choose faith, to assess goodness, to wrestle with meaning? Where are they in the great scheme of things?

Jesus once said, “Let the little children come to me... for the kingdom of heaven belongs to such as these.” I must believe that children taken early are held in a mercy deeper than we can grasp. They are not forgotten; they are not lost to God . If anything, it is we who are still lost, walking among headstones trying to make sense of the living and the dead.

There’s a sobering democracy in cemeteries. All names are equal here, whether child or elder, rich, or poor, known, or unknown. We all close our eyes and rest with our forebears. And yet, those of us still walking have something the dead do not: time. Time to reflect, to forgive, to change. Time to be grateful. My cancer has made me aware of time—not just its scarcity, but its richness.

So, I keep walking, not just through the Necropolis, but through each day, carrying with me the invisible company of children who never saw their coming-of-age birthdays or perceived  the invisible grace of a God.

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Jim McCrory

Windows to the West.

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Edited by Jim McCrory, Saturday, 28 June 2025, 08:25

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Nothing eventful happened on April 2, 1956—except that I was born. My mother passed me on to another family just a few weeks later. So, I was adopted. And so, sometime that April, I found myself in a makeshift cradle, a drawer with four people staring down at me. Two older girls and a middle-aged couple who would become my new family, for reasons I still don’t fully understand.

My new home was a tenement in Govan, overshadowed by the towering shipyards that dominated the skyline. From our third-story window came the sounds of riveters, the pounding of angry hammers, and the erratic sizzle of torches flaring like fireworks as they sculpted metal into majestic vessels. The reasons for my arrival in that household remain a mystery, obscured by time and tangled threads of secrecy.

Govan, in those days, was a claustrophobic maze of crumbling tenements. The buildings leaned close, conspiring to shut out the light, leaving the streets as drab and shadowed as sepia-toned photographs from the Victorian era. In narrow side streets, stray dogs roamed freely while vermin scurried in the darkness, always foraging for scraps. Life there was governed by the harsh economics of survival, a place where razor gangs, loan sharks, and corner pubs shaped the rhythm of daily existence. Ambition struggled to breathe in that stifling atmosphere, and every corner whispered of escape, of a better life elsewhere.

Decades later, during a routine dental visit, I came across Avril Paton’s painting Windows to the West. It struck a deep chord, transporting me back to a winter’s day in my ninth year. Full of youthful curiosity, I had crossed the Clyde with friends, eager to explore Kelvin’s Museum. But as boys do, we wandered off track and into an old, condemned tenement.

Windows In the West by Avril Paton and the story behind one of Glasgow's most iconic paintings - Glasgow Live

Lost in the adventure, we meandered through Glasgow’s West End until dusk crept in, catching us unawares on Saltoun Street—the very one Paton captured in her painting. Though her inspiration came from a blizzard in 1993, her depiction mirrored my own memory. I peered into warmly lit windows and saw families gathering for meals, decorating for Christmas. Two old men, mirror images of each other, dozed beneath their moustaches. The scene stirred something in me—a longing, a recognition of something missing in my own life.

If I could name what was absent in my early years, it was a sense of home—stability, warmth, belonging. Paton’s image of Saltoun Street, transformed by snow, became a metaphor for my own fleeting joys and the elusive permanence I had yearned for since childhood. As the snowflakes in her painting settled, so too did my thoughts, revealing a life woven from threads of adventure, displacement, and an enduring search for a place to truly call home. A weight I have carried all my life.

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Jim McCrory

The blessed Noise-cancelling Headphones

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Edited by Jim McCrory, Friday, 27 June 2025, 13:10

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Ten days in hospital. That’s enough to make anyone long for a cave in the Highlands, or at least a pair of noise-cancelling headphones.

Don’t get me wrong. The NHS staff are wonderful, saints, if you don’t mind me saying.  But the challenge isn’t just the illness, it’s the endless noise. Groans in the night, alarms pinging like a malfunctioning pinball machine, and televisions blaring mind-numbing chat shows and repeats of Bonanza that could erode your will to live faster than the illness itself. It seems every patient is tuned in to the same channel, hypnotised by daytime soaps where everyone shouts, cries, or throws fits of anger. Why do they expose themselves to this stuff. Is life not bad enough without action replays at leisure time?

I remember thinking, not for the first time: Is peace and quiet too much to ask for when you’re unwell? My idea of healing involves being pain-free and reading a good book in silence.

The same plea rises in me when I board a flight. Please, no hen nights. No lads on tour. Let me sit beside someone who reads—someone who appreciates silence as an art form.

Once, I dared to hope. I was flying somewhere peaceful (or so I thought), and there they were—The Over 50s women after divorce club. Don’t be fooled by the name. I thought I’d dodged a bullet. “At last,” I told myself, But alas, they were a force to be reckoned with. Loud, swearing, knocking back miniature gin bottles like it was Blackpool on a Friday night. And the steward? Instead of calming them down, he joined in—winding them up further, rewarding their air bound riot with extra snacks and applause.

And there I was, clutching my book, praying for a parachute.

One day—yes, one day—I’ll invest in those blessed noise-cancelling headphones. I may not have peace on Earth, but at least I’ll have it in my ears. But here I am, back in my inner sanctum, in my comfortable chair in silence.

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Jim McCrory

Coffee, Music, and a Quiet Admiration

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Edited by Jim McCrory, Saturday, 28 June 2025, 09:39

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Coffee, Music, and a Quiet Admiration

Sometimes, when I sit down with a coffee, I turn on YouTube and listen to one or two pieces of music. It’s a quiet ritual, a kind of modern sobremesa for the soul. One of my favourites is a small Filipino Christian family whose channel I stumbled across by chance. Their music is eclectic—ranging from gospel harmonies to gentle folk tunes to rock presented in warmth and sincerity. You can feel the unity, the love, and the joy of simply making music together.

https://www.youtube.com/watch?v=DlIUwQ46AZo

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Jim McCrory

Delayed Empathy

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Edited by Jim McCrory, Wednesday, 25 June 2025, 19:26

"Empati väntar inte på det perfekta ögonblicket."

(Empathy doesn’t wait for the perfect moment).

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It was a summer in the late nineties, a weekend where time felt unrushed and the world was a gentler, more mysterious place. I was with my son and two of his friends, heading from Göteborg toward Stockholm. Somewhere along the way, we decided to stop in Hjo, a quiet, picturesque town perched at the edge of Lake Vättern, where the blue water simmered like something out of a postcard.

We sat together in the town square, enjoying snacks and the peculiar sweetness of Swedish summer light. That’s when you appeared—a girl of perhaps fourteen—so naturally present, as if you had been there all along, as if you belonged in the centre of our small world, yet you weren’t quite part of it.

You chose a seat close to us and stayed where you were, how do you say,  tjuvlyssnade på vårt samtal? Maybe you were curious about these boys who had come into your town, strangers with strange accents and easy laughter. Maybe you were lonely, aching for a connection, someone to talk to beyond the borders of your usual days.

When we left Hjo, I thought little of the fleeting moment at first. But as we drove off toward the highway, my thoughts kept circling back to you. The gentle way you made your presence known. The quiet possibility you held in your hands, as though hoping we might offer you a tiny bridge to another world.

And I felt it then—that ache that arrives too late: I could have invited you to write to my daughter back home or a young friend, to anyone who might have kept a warm thread of connection running between you and some faraway place. I could have reached out in that simple human way that says, you matter.

Yet at the time, I had not thought to do it. The thought came too slowly, after we had left Hjo behind us. The owl of Minerva flies at dusk, as they say—we rarely grasp the fullness of a moment until it’s already gone.

Decades have passed since then, but you still dance in my memory, a small and radiant reminder of what it means to be human. To long for contact. To matter to someone. Perhaps you have long since forgotten us, or perhaps our visit was tucked away into your own summer memories, like a fragile photograph in an album.

And perhaps too, across all this time and distance, my delayed empathy reaches you in some unspoken way. Perhaps we are all like that—constantly crossing paths with strangers who need to be seen, to be invited into our circle for a moment, to feel they belong.

That summer day in Hjo taught me that empathy cannot wait for perfect timing. It cannot wait for dusk.

And still, you dance forever in my head.

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Jim McCrory

Can You Support Why You Believe What You Believe?

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Edited by Jim McCrory, Wednesday, 25 June 2025, 09:36

There is a God-shaped vacuum in the heart of every man which cannot be filled by any created thing, but only by God the Creator made known through Jesus Christ.”
                                                     — Blaise Pascal

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As a Christian, I often encounter challenges from those who demand that I "prove" my beliefs—as if faith could be demonstrated with the same kind of empirical certainty one uses to verify a chemical reaction. Many of these critiques come from a materialistic worldview, one that assumes only what can be measured or observed can be considered real. And I’ll grant this much: I cannot present a proof for my beliefs as though they were an equation on a blackboard. Yet the absence of absolute proof does not equate to the absence of meaningful evidence. Our experience as human beings is never reducible to mere data, and what I find profoundly telling is that some of the most important aspects of existence resist our attempts to fully understand them.

Consider the very basics of reality as we know it. What, at its core, is energy? We might invoke Einstein’s famous equation, E = mc², but this is a relational formula, not a definitive answer to energy’s essence. Even our most brilliant physicists cannot truly say what energy is—only describe its behaviour.

Or take consciousness. Neuroscience can map the activity of a brain, trace its electrical pulses, and explain certain correlations between brain states and behaviour. But consciousness itself—the inward experience, the awareness that you are you—eludes full scientific definition. We cannot extract it, weigh it, or look at it under a microscope. It is the most familiar thing to us as living beings, and yet the most mysterious.

And what about life itself? Even after decades of research into DNA and the building blocks of cells, we cannot explain exactly why a particular collection of chemicals “becomes alive.” The origin of life remains an open question. In fact, the deeper we look into these things, the more we see the vast complexity and interconnectedness of the systems sustaining life, and the less we can say with certainty about their ultimate cause.

This is what drives me to an existential reckoning. Whether one approaches these questions as a Christian or an atheist, one must acknowledge that some mysteries sit at the heart of existence. Energy is, consciousness is, life is. But why? Why do we believe what we believe when our empirical knowledge reaches its limit? Could it be that these mysteries invite us into a deeper understanding of ourselves, one that cannot be satisfied by materialistic assumptions alone?

As a Christian, I believe that God—the Creator—exists outside of space and time. This is not an arbitrary assertion; it is precisely what science suggests when it points to a beginning of time, matter, and energy at the Big Bang. To believe that a personal God initiated this unfolding universe is to embrace a view that speaks to the deep questions that pure materialism cannot answer.

Why do I hold these beliefs? Let me offer a few observations that bear existential weight for me:

  1. The transformative power of the Bible. Throughout history, people have had their lives turned around by its teachings. These are not just superficial changes—they often involve profound inner shifts toward compassion, humility, and honesty. That kind of moral renewal is difficult to explain if we are merely the sum of our biology.

  2. The evidence of design in nature. Walking the hills of Arran or Rothesay, I notice cairns—those simple, human-placed stones that say, "Someone was here with intention." How much more intricate is DNA, the blueprint of all life? It’s not just complexity; it is specified complexity. That suggests an intelligence at work. Scientists themselves marvel at this and often speak of DNA as “information,” as if some mind had written the code.

  3. The enigma of consciousness. Our capacity for thought, beauty, imagination, and conscience cannot be measured, yet these are what most profoundly shape our humanity. Genesis describes humans as bearing the image of God; that resonates with my existential experience of myself as someone who loves, hopes, dreams, and grieves. Could this inner world really have arisen from random processes?

And there’s the moral dimension: we intuitively believe some things are right and some wrong, despite materialism telling us these are mere evolutionary adaptations. But if there is no higher purpose—no personal God behind reality—on what basis can we call anything truly evil or good? Why do we feel responsible for more than our own survival? Even the most ardent materialist cringes at injustice and feels awe at beauty, sensing that life is more than blind mechanism.

Finally, a child is born with the capacity to learn any language. The software is there before the experience arrives. How do we account for this intricate design? Why do we feel a deep desire for meaning and relationship? These existential questions whisper that we are not mere accidents swirling through a purposeless cosmos.

Of course, this is not “proof” in the strictest sense. Proofs belong to mathematics or geometry; they cannot capture the full depth of being. What we can do is acknowledge these mysteries, listen to what they imply about our world, and respond honestly. The Bible paints a picture of human life as loved, intended, and redeemed. It speaks of a future where suffering and evil will be undone, and it invites us to live according to a higher moral and spiritual vision.

When I look at this universe and my own experience as a human being, I find that belief in God, as revealed in Jesus Christ, not only makes sense—it fits the deep contours of my existence. In a world of shifting uncertainties, my belief is not a blind leap into darkness, but a measured response to the light I see shining through these existential mysteries.

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Jim McCrory

We Cannot Go on Like This

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Edited by Jim McCrory, Tuesday, 24 June 2025, 20:59

“And each man will sit under his own vine and under his own fig tree,

with no one to frighten him.  — Micah 4: 4

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"We Cannot Go on Like This."

When Chekhov’s Vanya utters those heart-breaking words, “We cannot go on like this” He speaks for more than one disillusioned soul on a rural Russian estate. His cry reflects a deeper, ageless anxiety that we recognize today as well; one that has only grown louder in our modern world.

Chekhov wrote Uncle Vanya at a time when Europe had embraced the ideals of reason and progress but still felt the shadows of spiritual emptiness and human cruelty. Vanya’s lament is not just personal, but prophetic: a symbol of humanity at a crossroads, hands on the door to an uncertain future.

The Enlightenment, with all its light and logic, declared that God was unnecessary, even dead, as Nietzsche famously put it. Humanity crowned itself sovereign over its own destiny. Confident that reason alone would make the world safer, freer, and happier, society hoped for a new dawn. But in discarding the divine, we also invited unforeseen troubles into our world: wars of unprecedented scale, ideologies that crushed millions, and a world spinning faster into chaos and fear.

And so, Vanya’s exhausted plea, “We cannot go on like this,” becomes a metaphor for the human soul left hollow when it places too much faith in human intellect and too little in humility, compassion, or higher purpose. What Chekhov’s story reminds us of is that reason without Godly wisdom is light without warmth; it can dazzle as much as it can destroy.

Yet in Uncle Vanya, after his desperate cry, Sonya offers a gentle, steadfast reply: they will go on. They will work. They will wait for a better world they may never live to see. Even when all seems lost, one treasure remains — hope.

And so too for us. Even as our modern world groans under the weight of its troubles, environmental, moral, and technological, we need not collapse into cynicism or despair. True hope invites us to embrace our humanity anew, to rekindle compassion in a time of chaos, and to look to God’s Kingdom as the only real and enduring solution. It is this Kingdom — as promised in Scripture — that will wipe away every tear and put an end to every cry of anguish. Only then will the exhausted soul of humanity find its lasting peace.

“During the time of those kings, the God of heaven will set up another kingdom. It will never be destroyed. And it will not be given to another group of people. This kingdom will crush all the other kingdoms. It will bring them to an end. But that kingdom itself will continue forever.”

                                                           Daniel 2:44

 

Scripture quotations taken from the International Children’s Bible®. Copyright © [1986] by Thomas Nelson. Used by permission. All rights reserved.

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Jim McCrory

A Heart That Yearns for Truth

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Edited by Jim McCrory, Tuesday, 24 June 2025, 20:57

"The wind blows where it wishes, and you hear its sound,

but you do not know where it comes from or where it goes.

So it is with everyone who is born of the Spirit.”

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There is a deep, trembling need in every human soul that cannot be satisfied by mere creeds, policies, or someone else’s definition of righteousness. Beneath all our questions, beneath all the struggle and weariness, lies a profound ache, a sense that we were made for something more real, more personal, more eternal. This is where I found myself some years ago. 

If you have left a high-controlled religion, or if you are searching for truth, you already know this ache. You’ve felt the pull of something truer than what you were told. Perhaps you felt imprisoned — not by a lack of devotion, but by the weight of a system that left little room for your soul to breathe as you were whirling like a Dervish trying to find something central to life.

And here is the beautiful, liberating reality: Jesus, whom God appointed as judge, looks directly at your heart. Not at the labels pinned on you. Not at whether you can recite doctrines or impress other people.

Consider Cornelius, a Roman centurion in Acts 10. A soldier. A Gentile. Every religious insider of the day would have thought, He cannot possibly belong to God. Yet what moved God was not Cornelius’ pedigree, but his sincerity, his reverence, his goodness, his quiet prayers.

And God broke into his life with a radiant message:

“Your prayers and your acts of compassion have come up as a memorial offering before God.”

That was enough. Cornelius was already seen. Known. Loved.

Peter himself had to let go of inherited assumptions and marvel, “God has shown me that I should not call anyone impure or unclean.” Here was a man who had nothing but sincerity and a heart willing to receive — and that was more than enough.

That’s the wonder of Jesus. He meets you where your humanity is most tender,  in your hunger for authenticity, in your longing for something enduring in a world of shifting sands. Jesus calls Himself “the way, the truth, and the life,” knowing full well that all our questions and searching originate in the soul’s ache for the one unchanging centre.

When you strip away the noise, the fear of men, the need to fit into someone else’s expectations, what remains is a simple desire to be truly seen. To matter. To touch the eternal.

And that is exactly what Jesus promises:

“Whoever comes to me I will never drive away.” — John 6:37

He looks into the soul’s hidden places, the wounds, the fears, the unspoken longings, and welcomes you as you are, calling you into deeper life.

That is the radical heart of the gospel. Jesus is not demanding that you submit to a human structure that makes you feel uncomfortable and robs you of freedom of conscience. He is drawing you into friendship with God and Himself — into a life that transcends all the brittle rules of men.

And what happens when you embrace that? You begin to taste what John called “the light of life” — an unquenchable light that shines into every dark corner of your soul and reminds you that you were never truly alone.

That light says to you:

Your honesty matters more than perfection.
Your trust matters more than having all the answers.
Your desire to do good and just in this world matters.
And your aching questions — all those trembling whys and what-ifs — matter too, because they mean you care.

When you step away from control, you step toward authenticity, toward a life grounded in your own soul’s experience of Christ. Many who have walked this path describe a dizzying sense of freedom. Don't get me wrong, I also have an ache to be with devoted Christians, but alas, I have searched.

Meantime, I pray without fear. Read scripture as if hearing a personal letter written just for God. And discover Jesus and God present in quiet, honest places, around the dinner table, under the stars, in whispered hopes and tears. In fellow Christians I meet in life's pathways. Because Christ sends people, writers, apologists my way with specific words that direct and fill my needs.

That is what it means to live by the Spirit, alive to the voice of Christ calling your name.

So take heart. Wherever you are on your journey, whoever you are, Jesus already sees you, not through a lens of suspicion or legalism, but with deep, tender compassion.

You needn’t strive to earn what was given freely, nor hide the most fragile, honest parts of yourself, nor chase some polished image of religious acceptability. You were made for more. You were made for Him. And when you lean into that deep, soul-level hunger,  that quiet pull toward what is real and good, you will find Him already leaning toward you in return. And he will lead you to where you should go in life.  That is salvation. That is belonging. That is Christ, to the glory of the Father. 

“The wind blows where it wishes, and you hear its sound, but you do not know where it comes from or where it goes. So it is with everyone who is born of the Spirit.”
— John 3:8 (ESV)

 

“Scripture quotations are from The Holy Bible, English Standard Version (ESV), copyright © 2001 by Crossway Bibles, a publishing ministry of Good News Publishers. Used by permission. All rights reserved.”

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A Future Redress

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Edited by Jim McCrory, Tuesday, 24 June 2025, 06:51

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A Future Redress 

In the previous blog I wrote about my visit to the Glasgow Necropolis and the small graves that dot its hillsides. Many of these graves belong to children who perished because of one simple, tragic reason: the lack of clean water and decent sanitation. Crowded into damp, narrow tenements and surrounded by overflowing drains, they succumbed to epidemics that we now know could have been prevented by the most basic of public health measures. Behind those early deaths lies a heart-breaking lack of foreknowledge, decisions made by city fathers who failed to look past their own moment into the futures they were shaping.

And as I reflect on that loss, I cannot help but see a new kind of crisis unfolding — one equally born of short-sighted invention and careless enthusiasm. The very material that once promised to make our lives easier and more affordable, plastic, is slowly becoming a kind of invisible weapon. Microplastics now accumulate in our bodies, including in our brains — carried into us by the food we eat, the water we drink, and the air we breathe. Where Glasgow’s insecure slums fostered cholera and typhus, we face a more diffuse and lasting threat, a kind of low-dose toxicity leaking into every cell.

And so, I wonder, much as I do when I look up at those weathered stones in the necropolis: did those inventors ever truly foresee the human cost of their innovations? Did Leo Baekeland, who gave us Bakelite in 1907, have any inkling that more than a century later his plastic descendants would drift into our oceans and be found embedded in the tissues of our children? Could the designers of the atom bomb have imagined that nuclear power would also leave behind a legacy of waste that defies the lifespan of civilisations? In both cases, the power to make and to destroy arrived hand in hand — and in both, the darker consequences took decades to come into focus.

The difference is that Glasgow’s cholera was visible in its suffering, forcing reform. Plastic’s contamination is more subtle, more insidious. It’s a slow constriction, an “unintentional weapon,” lodged in the most private spaces of the human body. And because we cannot see it as we once saw the foul water or crowded rooms, we are tempted to ignore the evidence. But like those long-gone children and their unmarked graves, this new toll will one day demand a reckoning. Future generations may look back on us and wonder how we failed to foresee the cost of the choices we embraced so eagerly.

What this moment requires is the kind of care and forethought that was too long delayed in Glasgow. If we want to spare those who come after us from a new necropolis, one built not of stone and soil, but of invisible particles and mounting illness, we must recognize that progress cannot simply mean invention. It must also mean responsibility, and the will to act before today’s brilliance becomes tomorrow’s burden. Interestingly, the Bible speaks of a judgement period that comes at a time when man is in the process of ruining the planet:

“And the nations were enraged, and Your wrath came, and the time for the dead to be judged, and to give the reward to Your servants, the prophets, and to the saints, and to those fearing Your name, the small and the great, and to destroy those who are destroying the earth." Revelation 11:18 BSB.

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Reflections from the Necropolis on the Loss of Children

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Edited by Jim McCrory, Saturday, 28 June 2025, 19:38

Updates : Where the Small Names Sleep | learn1

“Those places most densely inhabited, by the poorest of the people, have suffered most severely. The epidemic, having once got into a densely crowded land or close, never ceased until it had visited every house, and in many of the houses every inmate.”
Doctor Robert Perry

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Why Can't I find God?

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Edited by Jim McCrory, Sunday, 22 June 2025, 13:27

"Do you think that just believing there’s one God is going to get you anywhere?

 The demons believe that, too, and it terrifies them!"

James 2:19 — The Voice

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How Do You See Yourself?

“I’m a good person,” we often say. Perhaps we donate to charity, give up our seat for an elderly passenger on the bus, or offer a kind word when someone looks downcast. And these are good, important things. But what if we look deeper? What lies beneath these outward gestures of goodness?

There’s a sobering conversation in John 3 between Jesus and a man named Nicodemus. They talk about judgment — and as a foregone conclusion, condemnation. It’s not a comfortable discussion. But let’s look closely at a small part of it. Here’s a version of that passage from The Voice Bible:

“Why does God allow for judgment and condemnation?” Jesus asks. Then continues, “Because the Light, sent from God, pierced through the world’s darkness to expose ill motives, hatred, gossip, greed, violence, and the like. Still some people preferred the darkness over the light because their actions were dark. Some of humankind hated the light.”

That’s a jarring truth to take in. The words draw a clear picture — two choices before every one of us: Light or darkness. And this isn’t about surface-level goodness or manners. It’s deeper. It’s an invitation to hold ourselves up to the light and let it show us who we really are.

You might say, “That’s for other people; people who hate or hurt.” But the passage reminds us that darkness can be subtle. Ill motives, gossip, hatred, greed — these can hide even behind a kind smile or a weekly visit to church. The issue is not about the appearance of being good; it’s about what we allow to live unchallenged in our hearts.

And that can feel uncomfortable. Even for those who have been part of a faith community for years, who feel they are “saved” simply by attending church, a Kingdom Hall, or a house meeting, there can be a false sense of security. Going through motions isn’t a cure for darkness. It’s what we do with the light that matters.

This is a call for self-scrutiny, not condemnation. It’s an opportunity. A chance to recognize where we might still “love the dark,” however subtly, and to make a move toward something better. Many pray but never feel God’s presence; often, that’s because they haven’t yet opened the hidden corners of their hearts to the light.

So, let this be an encouragement. The light is here, waiting. It’s an invitation to live in the light fully and to face those hidden places honestly and make room for a deeper kind of goodness, one that shines through our hearts as well as our hands.

Of course, here’s a warm and practical concluding thought you could add to the end of the essay:

Are we willing to pray to God like one person who was willing to say, “Search me, and show me where my heart still leans toward the dark.”

That kind of prayer opens the way for real change. It’s not about wallowing in guilt or fear of condemnation; it’s about stepping into the light with a heart that’s ready to grow.

Perhaps this week, take a quiet moment to reflect and ask yourself, “What habits, thoughts, or attitudes have I overlooked or excused that don’t belong in the light?” Write them down if it helps. Then, one by one, offer them up in prayer, choosing to let God’s light exposes and heals.

And don’t walk this path alone. Reach out to someone you trust: a mentor, a close friend — someone who can encourage you as you move toward the light. Transformation is a process, and every small, sincere step matters. You can contact me at when2aregathered@proton.me if you need any support.

Remember, the light is not there to shame you; it’s there to set you free. The very fact you’re seeking it is proof that your heart is open. That’s where change begins.

Scriptures taken from The Voice Bible.
Copyright © 2012 by Ecclesia Bible Society.
Used by permission. All rights reserved.

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Happiness and the Soul of a Nation

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Edited by Jim McCrory, Sunday, 22 June 2025, 10:04

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Happiness and the Soul of a Nation

It was clear: people sense something deeper happening. Unhappiness  mirrors a broader shift in our culture, a friction between freedom without restraint and the inner peace that moral boundaries bring.

I don’t speak as a psychologist or sociologist. I speak as someone who has lingered long enough in life’s rhythms to see how unchecked habits grow into unchecked hearts. And one of the foundations we’ve steadily eroded is the moral and spiritual infrastructure once upheld by faith communities.

Centuries ago, churches weren’t merely buildings, they were pillars of conscience, spaces where communities formed around shared purpose. The Bible was not just a text; it was a guide, a teacher, an anchor. Through its words, people learned accountability, humility, the weight of choices. There was comfort in tradition, in confession, in communal reflection.

As society shifted toward a more “enlightened” individualism, we began trading external anchors for internal certainty. But that trade came with a cost. In the pursuit of autonomy and self-expression, we’ve seen a rise in loneliness, anxiety, and moral drift. It’s not that people today are unfeeling—they’re unmoored.

Yet in the lives of practicing Christians, I still see something different. I see steadiness, moral clarity, and quiet joy. And research backs up this lived experience:

  • A comprehensive review of 224 studies found that in 78% of cases, religious participation was associated with higher life satisfaction, happiness, or morale (pewresearch.org).

These aren’t perfect statistics—there are always exceptions—but they suggest a strong correlation: intentional faith and community often bring gratitude, purpose, and resilience.

That inner joy, that rootedness—it makes life richer.  When families gather to pray or read Scripture, they practice gratitude and accountability. And when communities worship together, they weave bonds that protect against isolation.

So here’s my invitation to you, gently offered:

Set time aside today in a moment of quiet. Open one of the Gospels—or the Book of Acts. Read not as a critic, but as a seeker. Let the stories and letters wash over you. If your heart is open, you may encounter something profound—not in words alone, but in a presence that speaks beyond explanation. You’ll know it. And that knowing may be the anchor our collective life is quietly thirsting for.

God intended that they would seek Him and perhaps reach out for Him and find Him,

though He is not far from each one of us.

Acts 17:27 (BSB).

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Justice, Woven Through Us

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Edited by Jim McCrory, Thursday, 19 June 2025, 13:49

He has shown you, O man, what is good. 

And what does the LORD require of you but to act justly, 

to love mercy, and to walk humbly with your God?

Micah 6: 8 BSB.

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Justice, Woven Through Us

When I was young—long before I could articulate why—I had a deep instinct for justice. Not just the punitive kind, but something gentler, older, more beautiful: the kind that rights wrongs not by vengeance but by restoring balance, by lifting the bowed head, by speaking truth softly but firmly into the world. It was around that time that I came across a passage from the English jurist William Blackstone, whose name still lingers with quiet gravity in the history of law.

He wrote:

“The Creator has so inseparably interwoven the laws of eternal justice with the happiness of each individual, that the latter cannot be attained but by observing the former.”

—William Blackstone, Commentaries on the Laws of England, Book 1, Section 2

That struck me with force. I didn’t understand it in full then, but something in me responded. It was as though he’d named what I had already begun to feel—that justice is not an external code imposed from above, but something woven into us. A thread of divine order stitched through our conscience and joy, reminding us that real happiness cannot be had without honouring what is right.

That quote stayed with me for decades. Through my own experiences of injustice and mercy, through times when I failed to act justly, and through moments when I was on the receiving end of kindness that tilted the scales in my favour.

I’m lying on top of the bed now, under the weight of cancer and the flu. The body is aching, but the spirit still listens. I’ve been moved this morning by the reflections of the Scottish Judge, Rita Rae on the BBCs Desert Island Discs. Her justice rings with the same conviction Blackstone voiced centuries earlier. Her stories of courtroom moments and moral insights into justice reminded me again that justice is never just about rules or verdicts—it’s about people. Broken, hopeful, sometimes guilty people. People who need to be seen with both clarity and compassion like the man whose acquittal changed his life as he moved on an academic career

Perhaps that’s what Blackstone meant. That justice, insight and compassion are not strangers. That one leads to the other, like daylight following the turning of the earth. And maybe that’s why it moved me so deeply as a boy: because justice, when it’s real, feels like the world being mended.

Desert Island Discs - Rita Rae, Lady Rae, lawyer and judge - BBC Sounds

 

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The Screaming Child Grows Up

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Edited by Jim McCrory, Sunday, 22 June 2025, 10:05

 

The Tantrum That Grows Up

 "There’s a profound difference between expressing honest feeling and using feeling as leverage."

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We’ve all seen it. A child in a supermarket throws a fit—shouting, stamping, maybe even collapsing to the floor. This is not a baby. This is a child who is old enough to begin to realise that life has limits. They want a toy or some sweets, and they’re not taking no for an answer. Nearby, a parent looks weary or flustered as he sits on the centre of the supermarket isle, refusing to budge. Unsure how best to respond. We glance over, perhaps with sympathy, perhaps with relief it’s not our child, and we carry on.

What we don’t often think about is this: that child will grow up.

Tantrums are part of childhood. Every child tests limits. Most parents do their best in the moment, often in public, while juggling fatigue, pressure, and a host of other responsibilities. But if certain patterns—especially ones that revolve around getting one’s way through emotional pressure—are never gently addressed, they don’t always disappear. Sometimes they simply shift form.

As children mature, they learn to adapt. If early on they discover that raising their voice, making a scene, or pulling at emotions brings results, they may carry those lessons forward—though often in subtler ways. A teenage version of the tantrum might look like guilt-tripping a sibling. An adult version might involve emotional manipulation, passive-aggressive behaviour, or even playing one person off another. The core dynamic—struggling with limits—can persist.

Psychologists have long observed that children need boundaries to thrive. Boundaries are not about control, but about safety, love, and preparing for real life. Sociologist Erving Goffman once said that life is like a stage—we learn how to behave by watching others. And when certain behaviours bring rewards, we tend to repeat them.

We sometimes see the echoes of unlearned boundaries later in life. A grown-up child who constantly asks for money. Another who creates conflict when they feel overlooked. On social media, in workplaces, even within families, we see emotional pressure used to influence outcomes. What began as a frustrated outburst in aisle three becomes a pattern for navigating adulthood.

The Bible, which speaks deeply to human behaviour, offers a wise reminder: that children left without guidance may bring distress, not only to others but to themselves. And that growing up means putting aside childish ways—not emotions themselves, but the misuse of them. There’s a profound difference between expressing honest feeling and using feeling as leverage.

Of course, not every tantrum is a sign of trouble. Children are learning. And many outbursts pass quickly with love, reassurance, and time. But if we shy away from saying no, or avoid teaching how to handle disappointment, we risk raising adults who find it hard to hear “no” too. And life, inevitably, brings its share of no’s.

Discipline, in its truest sense, is not about punishment. It’s about teaching. Helping a child understand their place in the world, consider others, and learn how to respond when things don’t go their way. That’s how they grow into resilient, gracious adults.

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The Burden of Memory

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Edited by Jim McCrory, Monday, 16 June 2025, 09:51

“The sea gave up its dead…” Revelation 20:13

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I stepped out of the Titanic Museum in Belfast into the daylight yesterday, but it didn’t feel like the world I had entered a couple of hours earlier. There was a hush in the air, not just among the people, but within me, a kind of spiritual quietness I’ve only ever known after visiting Auschwitz.

Two very different places. One, a triumph of engineering and opulence that ended in catastrophe; the other, a calculated factory of death. Yet both have become sacred in the way graves are sacred, not because they preserve the past, but because they insist on not letting us forget it.

What is this heaviness we carry when we leave such places? It’s not just sorrow. It's something deeper. A sense that we have been handed a memory that doesn’t belong to us, and yet we are somehow responsible for carrying it. That’s what I mean by the burden of memory.

I didn't know the people who drowned in the Atlantic, nor those who perished in the camps. But in walking the corridors of their stories, hearing their laughter caught in letters, seeing their faces frozen in photographs, something passes from them to us. We become keepers. Not of their suffering, perhaps, but of their dignity.

I consider the petty arguments, unkindness, and fallouts that families and friends visit upon one another. And yet, our links to humans of past generations connect us inexorably to our human family—so why not to those in our immediate midst? There’s a tragedy in closing our eyes while someone—or we—nurse some small issue.

Memory, when it is real, demands something of us. The Bible speaks of remembering not as a passive act. In Hebrew, the word zakar—to remember—is deeply active. When God remembers His covenant, He acts. When we remember the poor, the afflicted, the broken, we’re not meant to be spectators in history’s theatre. We’re called to be participants in its repair.

It’s tempting to think that remembering is enough. That by standing in front of a glass case, reading the names etched in steel or carved in wood, we’ve fulfilled some moral obligation. But memory that doesn’t shape our character is little more than nostalgia in funeral clothes.

I think that’s why these places stay with us. They won’t let us walk away unchanged. They whisper: Live more gently. Speak more truthfully. Pay attention. Honour the living by remembering the dead. The burden of memory becomes a kind of moral inheritance. We carry it forward—not as guilt, but as resolve.

And so I walked away slowly from this Belfast Museum of tragedy. Not because I was tired, but because I didn’t want to hurry back into the noise of things. I needed to honour the silence. To let the burden settle into place. Because some memories aren’t meant to be put down. They are meant to be lived with; in order that we live differently.

We are reminded that those who passed away in the tragedy have hope, albeit they are not aware:

“The sea gave up its dead, and Death and Hades gave up their dead, and each one was judged according to his deeds."   Revelation 20:13 (BSB).

 

 

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A Moment of Émerveillement on the Road to Braemar

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Edited by Jim McCrory, Friday, 13 June 2025, 13:03

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A Moment of Émerveillement on the Road to Braemar

The road from Blairgowrie to Braemar climbs gently into the mountains, winding through a landscape that feels both vast and intimate. As we drove, the world opened up around us. A wide, breathless beauty that invited  us to stop.

At a viewpoint along the way, my wife and I stepped out into stillness. Before us stretched rolling hills and distant valleys, cloaked in that soft, shifting Scottish light; a kind of quiet majesty that words struggle to hold. We stood there for a while, not needing to speak, only breathing in the silence and letting the moment settle around us.

Then, as if drawn by the same pull of wonder, a French family from Martinique stood beside us. Conversation came easily, warm and light, bridging our worlds. And in that shared pause —, strangers beneath the same sky. We found a kind of kinship.

It was just a few minutes, yet something in it lingered: the wonder of the land, the grace of encounter, the feeling that beauty, when shared, binds us more than words ever could.

As I drove away, I felt like Mary Wollstonecraft who once spoke of parting with newfound friends as a “melancholy, death‑like idea – a sort of separation of soul; for all the regret which follows those from whom fate separates us, seems to be something torn from ourselves.”

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Where To Begin? The Writing Life

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Edited by Jim McCrory, Friday, 13 June 2025, 18:57

 

"Most male writers start from the beginning. Try and break that mould."

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It was one of those remarks that feels small at the time but grows in significance the more you sit with it. The kind of advice you don’t ask for but end up quoting years later. It came from a friend of mine with a PhD in English Literature, sharp-eyed, kind-hearted, and not easily impressed. She knew I was thinking about writing a biography of sorts. Not the sweeping, all-inclusive life story. I haven’t climbed Everest or led a rebellion, but a quieter excavation of a life lived with intent, trial, and a fair amount of stumbling. About being human.

Her words startled me in their simplicity. Most male writers start from the beginning. I knew exactly what she meant. The birth certificate, the childhood, the schooldays. The endless march from A to B, from boyhood to manhood, as though life were a straight line, and we just had to trace it neatly across the page. There’s something comfortable about chronology. Something expected. It’s where we all begin when we’re unsure. But as she pointed out, that’s precisely the problem—it’s often where we hide.

I nodded at her advice, filed it away like a receipt I knew I’d need later, and carried on trying to write in a way that pleased no one—not even me. But now, months later, I find myself overwhelmed not by a lack of material, but by choice. If not the beginning, then where?

Do I start with the year I moved to Norway, chasing the ghost of a childhood melody that had once stirred in me a longing for mountains and trolls and the melancholic music of Grieg? That year was golden. Stavanger’s light still lives inside me. But would that be too far in, too random, for someone meeting me on the page for the first time?

Or should I begin with a my diagnosis that reinforced my mortality?

Or maybe the night on my childhood island when I saw stars, many of them that triggered an epiphany?

Each of these could be a doorway. Each tells the truth, just not the whole truth. But perhaps that’s the point. A life is not a train timetable; it’s a mosaic. And sometimes the broken tile in the corner tells more about the whole than the neat ones in the centre.

My friend’s advice wasn’t just about writing. It was about freedom. About giving myself permission to walk into my own story from the side entrance, even the window if I had to. It was a reminder that the reader doesn’t need everything in order. They need honesty. They need movement. They need the sound of a real voice, not a résumé.

So maybe I begin here—mid-thought, mid-life, mid-sentence. Because the truth is, we never really start from the beginning. By the time we sit down to write, we’re already knee-deep in the story.

Where to begin? Wherever the pulse is strongest. Wherever the truth taps you on the shoulder and says, “Start here.”

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These People Mattered.

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Edited by Jim McCrory, Wednesday, 11 June 2025, 21:49


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From the ash-covered ruins of Pompeii, from a wall painted nearly two thousand years ago, the faces of a man and a woman meet ours with startling directness. The fresco is modest in size, unpretentious in its technique, and yet it holds a rare power—an invitation to peer not only into history, but into the private minds of two long-dead souls.

https://en.wikipedia.org/wiki/Portrait_of_Terentius_Neo#/media/File:Pompeii-couple.jpg

The man, believed to be Terentius Neo, was a baker. His face is broad, his beard carefully trimmed, his expression solemn but not cold. He wears a white toga, a scroll clasped in one hand—a symbol perhaps of civic duty or aspiration. Beside him, his wife holds a stylus to her lips and a wax tablet in her other hand. Her gaze is composed, intelligent, unwavering. Together, they project something we seldom associate with ancient portraits: presence.

What were they thinking?

It’s easy to see their faces as just another artifact—catalogued, explained, admired in passing. But if we slow down and really look, we might begin to wonder: were they anxious? Hopeful? Tired from running a household or keeping a business alive in a Roman world that rewarded status and punished missteps? Were they thinking of the artist at work, or of the guests who might see the finished image? Were they proud? In love? Bored?

Her eyes—especially hers—seem to hold questions.

There is an intensity to her that cannot be ignored. She is not an ornament to her husband’s success. Her expression suggests literacy, yes—but also self-possession. The stylus is poised at her lips, as if she were about to speak, or perhaps hesitating to. Does she wonder if the world beyond their walls will ever see her for who she is? Does she know how rare it is to be captured as an equal?

His face is more guarded. Perhaps he is aware of the expectations on a man in his position—a baker, a provider, maybe even a local official. His gaze is firm but not boastful. There is no arrogance in him. Perhaps a hint of fatigue. Of responsibility. He seems to be saying: this is who I am, and I stand by it.

Together, they share a certain stillness. A dignity that outlives them.

What they thought as they posed may never be known, but what we project into their faces tells us something about ourselves. We look at them and imagine a marriage, a shared table, disputes about bills or family, hopes for their children. We imagine them moving through life with the same blend of wonder and weight that we do. And in doing so, they cease to be “figures from the past.” They become fellow travellers.

Perhaps that is the deeper lesson of the fresco. Not just that time is fragile or that death is certain—we know that—but that even in an age of emperors, it is the faces of ordinary people that endure. Not mythic heroes, not sculpted gods, but a baker and a woman whose name we don’t know.

And isn’t that what it means to be human? To be seen. To wonder if anyone will remember us. To live lives that seem small until someone looks closely, deeply, and says: these people mattered.

Terentius and his wife may not have known what Vesuvius would bring. But they gave us a gift. Not in their wealth or status, but in their gaze—a mirror through which we can glimpse the quiet nobility of simply being alive.

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Parents: Who Would Have Them?

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Edited by Jim McCrory, Friday, 27 June 2025, 20:04

 

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Parents: Who Would Have Them?

It’s the 1970s. I’m up during the night, half-asleep, checking on our firstborn. The newspapers are full of stories about cot deaths, and sleep doesn’t come easy when you’re watching for the rise and fall of your baby’s little chest in the quiet hours. She’s in the cot beside our bed, wrapped in peace, happy in her own little world.

We take out an endowment policy to ensure she has a gift waiting for her when she turns eighteen. A token of love, a whisper from the past saying, “We were thinking of you, even then.”

But this isn’t about us.
It’s about her.

Daughter number two has a sparkle in her eyes whenever a musical plays. One day she asks, “Can we go on the Sound of Music tour in Austria?” And so, we go—no hesitation. A thousand-mile drive, the car filled with the laughter with my daughter, mum, and my daughter’s friend. And we listen to the banjo-picking, knee slapping uplifting blue grass music of Alison Krauss and Union Station ringing through the speakers. “Play the CD again, “they say. We pause in Innsbruck for the night, buy pizza, then on to Salzburg for the tour do the thousand miles back again. Pewww!

But this isn’t about the mileage, or the cost, or the weariness.
It’s about her.
We want her to be happy.

It’s the Christmas holidays. Our son is flying to visit friends in Sweden. I take him to the airport with my usual mix of excitement and fatherly worry. I give him instructions, go over every detail. Hours later, we get the call—he never arrived. Panic sets in. The airline doesn’t know where he is. Finally, we find out he’s stuck in Amsterdam without a passport. He left it in the glove compartment and he was not allowed to return and get it.

I arrange for a flight back—Newcastle is the only option. I’m on the four hour road trip to collect him. We stay the night with friends, and when I see the look in his eyes, I book another flight the next day. This time, he gets there.

But this isn't about us.
It’s about him.
We want our children safe. We want them happy. At any cost.

If I’ve learned anything through the years, it’s that parenthood is full of moments no one sees. Quiet sacrifices. Unseen miles. Sleepless nights. Heart-in-mouth phone calls. And yet, we wouldn’t change a thing.

Because this isn’t about us.

It’s about you—our children.

 

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The Cost of a Good Day

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Edited by Jim McCrory, Monday, 9 June 2025, 11:02



A vagrant wanders empty ruins.

Suddenly he’s wealthy.

Rumi



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We were just kids, only eleven, growing up in the Glasgow slums in the sixties. Without two pennies to rub together, my two pals and I used to spend our days exploring derelict buildings, poking around the rubble with sticks, always on the lookout for treasure—or anything that might spark our curiosity. 

One afternoon, I think it was Harry who spotted an old, weather-beaten jacket lying in the corner of a half-collapsed room. He rummaged through the pockets, and to our amazement, pulled out three five-pound notes and a ten-bob note. We stared in disbelief, then broke into wild cheers, dancing around as if we’d won the lottery.

With the ten-bob note, we treated ourselves to a slap-up meal from the chippy, and with the rest we each bought a tin of Creamola Foam. We mixed it with water in old jam jars and spent the rest of the day fizzing with delight, laughing and burping in the sunshine.

But looking back now, I sometimes wonder who that jacket belonged to. Three fivers and a ten-bob note; that could’ve been a man's wages for a week. Maybe he lost it on his way home, or maybe he never made it there at all. 

We were just boys, caught up in the thrill. But someone, somewhere, might have paid dearly for that joy. But eleven-year-olds don't think that far down the road.



Note: Creamola Foam,

https://en.wikipedia.org/wiki/Creamola_Foam



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Life Lessons in Short Stories: Tobias Wolff’s “The Liar”

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Edited by Jim McCrory, Sunday, 8 June 2025, 10:31


“The child who is not embraced by the village will burn it down to feel its warmth.”

Traditional proverb


Life Lessons

on Tobias Wolff’s “The Liar”

There are stories we tell, and stories we live. Some are shaped by memory, others by longing, and still others by the desperate need to make sense of pain. In Tobias Wolff’s short story The Liar, we meet James, a teenage boy adrift in the emotional fog that follows the death of his father. James lies—not in the typical adolescent way to avoid trouble, but in a much more troubling, theatrical fashion. He lies about death, illness, and suffering. His stories are elaborate, even  disturbing. In James, Wolff gives us a character who dramatizes the emotional turmoil that grief often silences.

The central irony is that James’s lies are a form of honesty. They express what he cannot say outright: that he feels abandoned, angry, and helpless. The death of his father has destabilized his inner world, and his outward behaviour mirrors this inner rupture. In a society that prizes facts and frowns upon deceit, James's fabrications seem pathological. But beneath his falsehoods lies a longing for connection and understanding. Perhaps he wants someone to notice—not just his behaviour, but the wound beneath it.

This resonates with a truth that runs through many of our lives: people often behave badly when they are hurting. Grief, especially when left unspoken, can twist into strange shapes. Wolff’s story reminds us that behaviour is a kind of language. What looks like rebellion might be sorrow in disguise. What we call manipulation might, in some cases, be the only way a young heart knows how to cry for help.

James’s mother, worn down and baffled, tries to control her son’s lies, to correct them with reason. She calls in a psychologist. She attempts gentle firmness. She threatens. But none of it works. Her failure is not for lack of trying—it’s that grief doesn’t respond to rules. You can’t discipline sadness out of a child. You can only accompany it. And that is the painful lesson many parents learn too late: that listening matters more than managing.

One of the most moving moments in the story is when James meets an old family friend—a woman who listens to one of his strange, dark fictions without judgment. She doesn't correct him. She doesn't scold. She simply lets the story be. And in that moment, something shifts. James is seen—not just as a boy who lies, but as a boy who feels deeply and needs space to express what he doesn't yet understand. In her quiet acceptance, we glimpse a path forward—not through punishment, but through presence.

The Liar is not about morality in the usual sense. It’s about what truth looks like when life becomes unbearable. It challenges the assumption that truth is always found in facts. Sometimes, truth hides in the fictions we tell, the ones that reveal more about our inner world than any literal account ever could. It’s a humbling reminder to listen closely—not just to what people say, but to what they mean beneath the words.

Wolff’s story offers life lessons not only for parents and teenagers, but for all of us who have ever used language to cover, reshape, or survive pain. It invites compassion in place of condemnation. It suggests that to truly understand another person, we must be willing to sit with their story—especially when it makes us uncomfortable.

In the end, James is not cured. The story leaves us with no tidy resolution. But it leaves us with something better: the recognition that to lie, in his case, was to grieve. And to listen—to truly listen—is to love.

 


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Jim McCrory

Return to Innocence: Life's Fleeting Moment

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I see McDonald’s is using Enigma’s Return to Innocence. Every time I hear it, a film begins to roll in my head.

In 1999, I found myself in a Norwegian Hytte (cabin) overlooking the  serene landscapes of Norway, amidst the rugged beauty of its fjords. One evening, as I sat in a spiritual moment, gazing out over the stillness, a profound sense of melancholy washed over me. Enigma’s haunting melody played softly in the background, as if narrating an unspoken drama that had long been waiting to unfold.

In that moment, an image and a sensation collided. It was something deeper than any golden-hour photograph or carefully rendered painting could capture. The sun, a radiant ball of compressed energy, began to descend, casting its golden light across the water. The world seemed to slow. The evening glow became sacred, almost eternal. As the sun kissed the fjord, the heaviness I had felt gave way to a deep, all-encompassing peace.

For that fleeting moment, I felt completely at one with creation. The boundary between myself and the world seemed to dissolve, leaving only the quiet hum of life. It was an experience that words can barely contain, yet it has never left me—a reminder of the stillness and connection we so rarely encounter in our busy lives.

I have longed to return to that place. But I never will. Still, I have returned to it in quiet moments of memory.


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Jim McCrory

You Cannot Hide From a Bad Conscience

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“If you know the write way to live and you ignore it, it is a sin—plain and simple.”

James 4: 17 (The Voice Bible).



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Here is how the story goes. Peter Rabbit is warned not to go near Mr McGregor’s Garden. And what does he do? The opposite. So, Mr M returns and Petter is trembling like a …like a …well, bunny rabbit. He eventually gets home and is given some treats to shake off the fright and the bad conscience.

But, in real life, ban conscience doesn’t go away with treats. In fact, if you ignore a bad conscience, it will come and get you.

David, the Bible character tried to ignore his conscience after committing adultery. However, along came phase two, a local man, Nathan, came and told King David an interesting story. We can read about it

“There were two men in a certain city, one rich and the other poor.  The rich man had a great number of sheep and cattle, but the poor man had nothing except one small ewe lamb that he had bought. He raised it, and it grew up with him and his children. It shared his food and drank from his cup; it slept in his arms and was like a daughter to him.

Now a traveler came to the rich man, who refrained from taking one of his own sheep or cattle to prepare for the traveler who had come to him. Instead, he took the poor man’s lamb and prepared it for his guest.” https://biblehub.com/bsb/2_samuel/12.htm

David burned with anger against the man and said to Nathan: “As surely as the LORD lives, the man who did this deserves to die! Because he has done this thing and has shown no pity, he must pay for the lamb four times over.”

You see, David never saw himself in the illustration. He was the man, but it wasn’t a sheep; it was another man’s dear wife.


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Jim McCrory

The Empty Words of the Gossiper: A Universal Story

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Edited by Jim McCrory, Thursday, 5 June 2025, 09:11



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The Empty Words of the Gossiper: A Universal Story

I have blogged now and again about the subject of of Gossip and slander. It gets a considerable amount visitors which indicates many are hurting out there. So, I return to this matter.

Gossipers wear many masks—some colourful, some clever, some cunning—but beneath each is the same crooked smile. Across languages and cultures, the act of speaking ill of others behind closed doors (or wide-open mouths) has a universally negative connotation. Whether passed on in whispers or laughter, gossip’s damage is rarely denied, only disguised.

In Urdu, the word khabarcheen captures the essence of a “news-spreader”—but it is not the noble herald of truth. Rather, the khabarcheen is a figure of mistrust, lurking in social corners with ears pricked and mouth eager. In Cuban Spanish, the phrase Radio Bemba—“lip radio”—offers a biting metaphor: our mouths become unwelcome broadcasters, tuned into the private lives of others and transmitting with no regard for truth or tenderness. The names change, but the ugliness stays.

Even in the warmth of friendship or familial settings, gossip sneaks in during sobremesa, the Spanish term for that leisurely time after a meal when stories are shared. Yet how quickly sweetness sours. The shift from connection to cruelty is subtle, like honey left too long on the tongue.

Gossip rarely presents itself as evil. Like she­momedjamo, the Georgian word for “I accidentally ate the whole thing,” it is indulgence disguised as innocence. One might begin with a simple observation—harmless, surely—and before long, the feast of someone else’s misfortunes is consumed with relish.

Children are taught early to beware of the sharp tongue. Snow White’s downfall is plotted not through swords but through whispers—“Who is the fairest of them all?” The Queen’s envy finds voice long before it finds poison. In The Emperor’s New Clothes, it is not just the emperor who is mocked, but an entire society complicit in falsehood, gossiping behind closed doors rather than speaking with courage.

The brothers Grimm were moral cartographers, warning of wolves not only in forests but also in hearts. Little Red Riding Hood is taught to beware the stranger—but in many ways, the more insidious danger lies in the idle chatter that leads her off her path, that lulls her into complacency.

Gossip is the wolf in slippers.

In Hinglish, we call it badmouthing, a hybrid term that bridges two cultures, neither of which approves of it. In Inuit, iktsuarpok describes the anticipation of someone’s arrival—a word not for gossip, but akin to it in the way we itch for updates, unable to sit still until the latest scandal walks through the door. We act as though we await news, but often we await blood.

Even languages known for restraint, like Swedish, cloak criticism in civility. Lagom, meaning “just the right amount,” suggests balance and moderation—but someone who gossips disturbs this harmony. They upset the balance of the room, the respect in the air. In Japanese, wabi-sabi reminds us to accept the imperfections of others. Gossip is its antithesis: it rejects grace and replaces it with scrutiny.

From Easter Island, we have tingo, meaning to slowly borrow things from a neighbour and never return them. It mirrors gossip’s theft: taking someone’s reputation, piece by piece, and never giving it back.

Even in drag culture, where humour and drama dance hand in hand, the word kiki—a gathering for laughter and gossip—is only joyful until someone becomes the punchline. The smile fades when it is your name under their tongue.

Gossip is a virus disguised as a voice.
It is smoke from a fire you didn’t light—yet it chokes you all the same.
It is a feather pillow torn open in the wind—impossible to gather once released.

The Bible itself warns that the gossiper isolates themselves by losing close friends.

A perverse person stirs up conflict, and a gossip separates close friends.” (Proverbs 16:28)

The Hebrew tongue calls the gossiper a rachil, literally a merchant—peddling information for social currency. It is telling that gossip is treated like trade: a transactional act, not a relational one.

Every culture knows it. Every language finds a word for it. And every word is, whether wrapped in humour or habit, an ugly one. There is no beautiful term for gossip, because gossip is, at heart, the betrayal of beauty. It mocks all that is good. It fractures trust. It takes what is private and parades it as entertainment.

As a child I was told, “If you don’t have something nice to say, don’t say anything at all.” A nursery saying, but a profoundly grown-up truth.

Because in the end, the tongue can set fire to a forest (James 3:5), and we must choose—daily, deliberately—whether we will be arsonists or architects.

Make the world a better place and walk away from those who gossip. When we listen to them, we reward them and it becomes their addiction. 


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