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Robert Cutillo

On Reading & Writing

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I've been having problems finishing books lately, and I'm confused as to why. For example, I recently began reading The Moviegoer by Walker Percy. It's an interesting book and highly philosophical, but after finishing the first part of the novel, I've now moved on to The Iliad.

Sigh.

Perhaps it's a lack of discipline. Perhaps there's something about the book that's not grasping me. Perhaps I only enjoy the idea of reading something like The Moviegoer but don't actually enjoy reading it.

I'm also indecisive about what I should be writing. I've just had a poetry phase where I've churned out around 40 poems over the past 6 months. But now, suddenly, I want to write a pulp novel. I want to create my own private investigator with a no-nonsense attitude. But I can guarantee within in 3 months I will think, 'No, literary fiction is the way to go instead. Get to it!'

I need to read more pulp literature to be good at writing it, anyway. I think I've only read a handful of stories, with the only one that springs to mind being The Big Sleep by Raymond Chandler. The Mike Hammer books look good too, so I think I will give them a go after The Iliad. If I can finish it, that is.

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Robert Cutillo

The Custom of the Country

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Edited by Robert Cutillo, Monday, 23 Sep 2019, 19:12

I've just started reading The Custom of the Country by Edith Wharton, which was next on my reading list for A233, and it is much better than Far From the Madding Crowd. Although I'm only a few chapters in, Undine Spragg seems to be a very interesting character. I prefer Wharton's writing style too, which is much plainer and more direct than Hardy's. The sentences seem to flow better, as well, with Wharton.

Just an interesting note: I really struggle to imagine American accents when reading a novel based in America. It's always British speakers that pop into my head. Isn't that strange? I wonder if anyone else has that problem too?

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Robert Cutillo

A New Module

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Edited by Robert Cutillo, Friday, 6 Sep 2019, 20:30

For the 2018/19 academic year, I did two thirty-credit modules: English for academic purposes online (L185) and Exploring languages and cultures (L161). Neither were particularly interesting to me. I suppose I chose those two modules instead of the recommended one (which was Voices, texts and material culture) because I thought they might benefit me more – which they did, to a certain degree. But it is literature and creative writing I thrive for. Which is why I'm very excited for my new module: Telling stories: the novel and beyond (A233).

I have already received one of the textbooks, which is titled Realism. I love new textbooks. There are no creases; it has the new-book smell; and every time I touch the textbook, I handle it with care, in fear I'll damage it somehow.

I believe there are about ten novels to read over the course of the module, with five being realist novels and five being fantasy. I have already begun reading one of the realist novels: Far from the Madding Crowd by Thomas Hardy. It is proving to be a bit of a slog. There is far too much description and exposition for my liking, and far too little action. That said, it is beautifully written in places. But at the moment, I could not care less who wins Bathsheba Everdine's heart.

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Robert Cutillo

Taking Notes

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Edited by Robert Cutillo, Friday, 18 May 2018, 20:05

It's always advised you take notes in your own words, but for some reason I've always resisted doing this. I tend to copy everything out ad verbatim, which I know is hindering my learning. So from now on, I'm making a big effort to take notes in my own words. I'm also going to make the notes shorter.

I'm always undecided on whether or not I should plan my stories. I've tried both and yet still can't settle. I wonder why this is? Actually, I think it's because I'm unsure on whether I'm a good writer or not. I suspect I'm OK but not great. There's a lot of room for improvement. I think the best way to speed this up is to write more. Lately, I haven't been writing as much. I think it's because the last few short stories I wrote have been garbage. They're too simple, and the writing style is awful. I write my fiction with too many loose sentences, my ability to describe needs improving, and don't get me started on the dialogue.

I began reading Stephen Pinker's The Sense of Style: The Thinking Person's Guide to Writing. It has some interesting stuff in it, but he goes on and on about certain things. I think I'll put it down and read something else.

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