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"The Student's Guide to Writing"

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Edited by William Justin Thirsk-Gaskill, Monday, 25 Oct 2010, 12:26

I have now finished reading "The Student's Guide to Writing" by Peck and Coyle, published by Palgrave (2005).

I deliberately read this book out of curiosity about the approach and the dating of the material about style.  It is by no means the first book about correct English that I have read.  As I expected, it taught me virtually nothing that I did not know already.

The authors have taken an approach which is simple, stepwise, and uncontroversial.  They refer to their own experiences of teaching at Cardiff University, and the weight of this experience is reflected in the way the book is written.  The most obvious example of this is the complete absence of any exercises.  There is a brief explanation of this, which is the simple observation that nobody would ever do them - which is true.

If you are a student (from any discipline) who feels nervous about writing essays, or has problems with disentangling the things you want to express from the words you use to express them, or if you think that your written work is not as correct as it might be, then this is the book for you.  If you already know the difference between a preposition and an adverb of place, then you are unlikely to gain anything from it. 

The book, while written in a highly competent manner, in my opinion lacks the majesty of "The Complete Plain Words" (the original version of which is now somewhat dated, but which has been revised several times). 

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Audio CD Part 3*

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Edited by William Justin Thirsk-Gaskill, Saturday, 16 Oct 2010, 13:59

This part is also introduced by Cuthbert Dry-Monotone.

“Hello.  Welcome to Part 3 of this audio CD which goes with Open University course A17B Start Talking Bollocks.   Today I will be talking to Harry Struggler, a typical member of the class taking this course.  We are going to examine how Harry organises his studies.  Good evening, and welcome, Harry… Harry?”

[Sound of cats meowing and fighting.]

“BUGGER OFF, YOU HORRIBLE CREATURES!  Ahem.  Sorry.  Were you talking to me?”

[Irritated.] “Yes!  We’ve started recording.  We’re working to a deadline, you know.”

“Sorry.  I’m with you now.  What…”

[Sound of door opening and clumping footsteps.]

“Da-aad?”

“What is it, Jonathan?  I’m busy.”

“Can I have a pound to go to the shop with?”

“What about that money your mum gave you last week for half-term?”

“I’ve spent it.”

“Well, I…”

[Angry.] “Look, I’ll give him a bloody pound.  Here you are!  Please leave us in peace.  We’re trying to make a recording.”

[Sound of footsteps and door closing.]

“Now…”

[Sound of footsteps returning and door opening.]

“This isn’t a pound: it’s a euro.”

“WHAT?”

“You’ve given me a euro, you cheating bastard.”

“Oh, god.  Here!  Here!  Look!  It’s got Queen Elizabeth the Second on it.  See?”

“Is it real?”

“What do you mean, ‘is it real?’”

“It looks fake to me.  Passing counterfeit money is a very serious offence, you know, punishable by…”

“Yes, I know.  Here.  Here’s a fiver, now fuck off.”

“Language!”

[Sound of a mild physical struggle and door closing.]

“Right.  I thought the first thing we would do would be to look at your study, and get a feel for your creative environment.”

“I don’t have a study.  Does this flat look as if it has room for a study?”

“Well, no.  I suppose not, now that you mention it.  Where do you work then?”

“With my notebook and my laptop on my knee.”

“In which room?”

“In here.”

[Sound of door opening.  Sound of loud TV set.]

“This is my partner, Sarah.”

“Are you two going to be making a noise?  I’m trying to watch ‘X Factor’.”

“Do you honestly work in here?”

“Yes.  Where else am I supposed to work?”

“Cut!” [Muttering.] “They’ll never broadcast this.  Even the bloody OU will never broadcast this… I shouldn’t be here: I’ve got an MA in Media Studies.”

“Would you like some Ovaltine?”

*You can decide for yourself if this is true.

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Audio CD Part 2*

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Edited by William Justin Thirsk-Gaskill, Thursday, 21 Jul 2011, 14:54

“Hello.  Welcome to Part 2 of this audio CD which goes with Open University course A17B Start Talking Bollocks.  My name is Cuthbert Dry-Monotone, and I am here with well-known Scottish novelist, Callum MacIrnbru.  His gritty and realistic books explore themes such as conflict, loss, bereavement, dislocation, and dental decay.  We are here to talk about how he creates an atmosphere which is conducive to creativity and productive writing.”

[Sound of footsteps on a gravel path.]

“Where are we going now?”

“To my shed.”

[Sound of a door creaking and rain on a wooden roof.]

“Aha.  Now here we have quite an array of objects.  What have we got?  We have a rusty bicycle frame; a Wellington boot which seems to have a hole in it; a number of child’s dolls, each with a limb or head missing; a zinc bath; a hurricane lamp; a leather suitcase with the handle broken off; a twin-tub washing machine; an old electric fan; a large box full of empty jam jars; a wooden tennis racket; a tea-chest containing various - how shall I put it? - 'top-shelf' magazines, and assorted buckets, plant pots and watering-cans.”

“Indeed.”

“And how would you characterise this collection?”

“It’s shit.”

[Uncertainly.] “Aah.  And how do you use it in your preparation for writing?”

“I don’t.  I’d take it all to the dump if I could be arsed.”

"Er...And the noise of the rain drumming on the roof...What effect do you find that rhythmical sound has on your psyche?"

"It really makes me want to do a wee-wee."

“Cut!”  [Muttering.]  “Ian Rankin was never like this.”

*None of this is true, either. 

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Audio CD for A17B*

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Edited by William Justin Thirsk-Gaskill, Monday, 11 Oct 2010, 14:07

“Hello.  Welcome to this audio CD which goes with Open University course A17B Start Talking Bollocks.  My name is Jenny Artydrone.”

“And my name is Penny Mousewhisper.”

“I am going to talk very, very slowly, in a kind of vaguely ecclesiastical Irish voice which sounds ethereal, and other-worldly.  I am going to use a selection of literary terms, which I never bother to define, such as ‘inscape’, to make me sound really clever.” 

“I am also going to talk slowly, but not as slowly as you.  I am going to make myself sound clever by talking in a very clipped, upper-class English voice, which will give the impression that I am reserved but also delicate and complex.  I will occasionally create a contrast in what I am saying by unexpectedly uttering a rude word such as ‘bugger’.”

“Referring to ‘buggery’ is very cutting-edge.”

[Slightly off-mike]  “Doing it can feel like that as well.”

“During this conversation, we invite you, the student listening at home, to try to decide which of us is the more irritating.  I don’t wish to pre-judge, but I think I’ve got this one in the bag already.  I recently visited a Buddhist retreat in Nepal, where the monks have been meditating and fasting for years in spiritual contemplation.  I got them so riled up they didn’t know whether they were coming or going.  They threw me out of a second-storey window, and said that if I ever went back there, they’d set fire to me.”

“That is as may be, but I have a powerful weapon I can use.  I’m an upper-class, educated English person, and so I can create as much irritation as I want simply by trying to do a bad impersonation of a regional accent.  I only have to get it slightly wrong, and it will grate on the ear worse than brass nails scraping down a blackboard.”

“That is an interesting example of how we can re-use personal experiences to get up people’s noses.”

“I think that is one of our foremost duties as writers and teachers.”

*None of this is true.

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"The Student's Guide to Writing" by Peck and Coyle.

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After starting A215 Creative Writing, I have today taken delivery of "The Student's Guide to Writing" by Peck and Coyle, published by Palgrave.

I will post a review of this book when I have finished reading it.  So far, I have read about the first ten pages, about sentence construction. The approach seems standard and uncontroversial, and the presentation lively but free from distractions. 

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Vocabulary Rant

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Why do people over-use the word "brew" when they mean "tea or coffee"?  I know "brew" is only one syllable, but in nearly every example of this usage, it is intended to convey something about the speaker which I find utterly unnecessary and nauseating. 

"Tea" and "coffee" are scientific terms to do with infusions made with hot water.  "Brew" imports extraneous emotional connotations.  The person who asks, "Would you like some tea?" is offering to do you a favour.  On the contrary, the twister who asks, "Would you like a brew?" expects something in return. 

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Election Rant (No 1 of a series)

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Edited by William Justin Thirsk-Gaskill, Friday, 9 Apr 2010, 00:56
Election Rant No 1: Let us first put a stop to this ignorant, unfounded drivel about immigrants putting a strain on the NHS. If every immigrant in the UK were re-patriated this instant, the NHS would collapse, probably within a matter of hours. The "strain" is the other way round. The NHS recruits doctors and nurses from the developing world faster than the developing world can train them.
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AA100 End of term party

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Edited by William Justin Thirsk-Gaskill, Wednesday, 29 Sep 2010, 16:56
The atmosphere is tense at the AA100 end of term party, where the music will be provided by The Who and the Beach Boys, whose rival fans have already started eying each other suspiciously.   It is striking how the seating arrangements in the bar seem to reflect the popularity of the guests.  The table with the most celebrity is the one occupied by Cleopatra, Madonna, Maria Callas and – somewhat incongruously – the Dalai Lama.  At the opposite end of the room are Stalin, Shostakovich, Cézanne, and Michael Faraday.  After a disagreement about formalism in music, Stalin and Shostakovich are not speaking to each other.  Faraday is looking with some concern at the rapid accumulation of empty vodka glasses.   He would probably be better employed in studying the pickups on Pete Townsend’s electric guitar, the principle of which he discovered.   The literary table seems the most animated.  Paul Muldoon, W. B. Yeats, Seamus Heaney and Alan Sillitoe are having a lively but, as yet, only slightly inebriated debate about What Shakespeare’s Work Really Means, upon which Christopher Marlowe is attempting to adjudicate on the grounds that he is the only person present who ever met him.   Plato and Aristotle are complaining that the piped music is too loud, and the weather is too cold for comfortable philosophising alfresco.  Pugin is wandering around on his own, and lamenting the fact that the building seems to bear no ornamentation other than a large number of decorative plaques cast in brass (the ownership of which seems to be contested, judging by the argument going on next to them).  John Locke, with apparent indifference to his position as the founder of modern liberalism, is appalled by the immodesty of what some people are wearing.  Epicurus says it doesn’t matter as long as they know how to derive pleasure from simple things.  Paul Lafargue has given up trying to organise a strike among the roadies, and is remarking that he might get a kebab on the way home…and a curry…and a pizza…and some chips. 
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BBC programme about native vs migrant workers

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I hope that a long, thick, sharp, rust-proof nail has been driven into the coffin lid of the BNP by this documentary. 

The BNP has been described as the party of white, working-class, disaffected, unemployed youth.

I say that the BNP is the party of a bunch of lazy idiots who are pathologically incapable of understanding the requirements of the flexible labour market. 

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A breakthrough against the BNP

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It appears I have succeeded in communicating with the Asian community, via my workplace, about how important it is to oppose the BNP. 

I had a conversation with a work colleague who has many connections in the Asian community in a certain town whose name I decline to mention. 

He photocopied an article I showed to him which was from "Searchlight".  He distributed it to his friends and associates, and he said that they showed considerable interest in it.  He had spoken to them about some of the things that I had mentioned, including how important it is for the BNP to lose its deposit in as many constituencies as possible. 

One of these friends had heard about a BNP march in Nottingham, and decided to organise some transport to attend the counter-demonstration.  He organised a coach, two minibuses, two 7-seater people carriers and a car full of British Asians to attend it. 

In spite of much more colourful episodes when I was a student, this is probably the biggest single contribution to anti-fascism in England that I have ever (however indirectly) made.

I fight on.  

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The Church of England disagrees

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Edited by William Justin Thirsk-Gaskill, Sunday, 17 Jan 2010, 01:23

The Right Reverend John Packer, Bishop of Ripon and Leeds has disagreed with the opinion expressed by Lord Carey about immigration, and I definitely agree with Ripon and Leeds.

I wrote to the Right Reverend John Packer about 6 years ago to congratulate him on his statement to his congregation that, as Christians, they should not vote for the BNP. 

He was kind enough to respond to my letter in an encouraging way. 

Therefore, I am not surprised to find that the Rt Rev John Packer realises certain things that Lord Carey doesn't.  For example:  bringing new immigrants into the UK does not necessarily increase the burden on our infrastructure.  If they are of tax-paying age, and are immediately employable, and are brought within the purview of the State straight away, then they represent an asset rather than a liability.  This certainly accounts for all those who are brought in to work for the NHS (whose loss represents a catastrophe for the countries in the developing world from where they came). 

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"Fuck You" by Lily Allen

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Edited by William Justin Thirsk-Gaskill, Sunday, 17 Jan 2010, 01:21
"Fuck You" is my step-son's favourite song.  I listen to the lyrics, line-by-line, and I cannot fault it.  He is 9 years old.  He doesn't get to swear as much as I did at his age (my father was a scholar of English language).   I suppose he finds it a liberating experience.  To those who do not sympathise with this I say: fuck you
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"Avatar" in 3D

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Edited by William Justin Thirsk-Gaskill, Friday, 18 Dec 2009, 21:50

Last night, my partner and I took our 9 year old son to see "Avatar" in 3D.  All three of us thoroughly enjoyed it.

I would not have mentioned this, but it continues from the theme of my previous post, because one of the main subjects the film deals with is racial violence.  The Na'vi (the goodies) seemed to be a kind of pastiche of various indigenous peoples from Africa, Australia and America (plus whatever influence caused them to be blue, have tails, and be ten feet tall). 

The baddies are the security division of an American mining company.  Don't let this put you off: the film does contain a lot of explosions, but it is by no means just explosions.  I have an inherent dislike of films which rely entirely on special effects, but this is not one of them.  The effects are used to create scenes of beauty and contemplation as well as to depict conflagration. 

I think the film would have been much more interesting if it had derived from British Imperialism rather than American Imperialism.  The Na'vi are divided into clans, which is an arrangement that the British Empire's representatives would have recognised and latched onto immediately.  Rather than sending in hundreds of helicopter gunships, they would have taken steps to find out what the structure of these clans was and which of them was the strongest.  Some pretext would then have been found to incite violence between this one and some of the others, armaments would have been shipped in, and eventually a deal struck whereby the strong tribe would police the others, and they would all be left in relative peace as long as the mineral shipments were delivered on time.

I am not suggesting that British Imperialism was more humane than its American offspring - just more efficient. 

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A message to people reading this blog

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Some of you may have noticed that I have not posted anything for some time.  The reason for this is that, as well as working on AA100 assignments, and doing a full-time job, and family and relationship commitments, and contributing to AA100 forums, I have been working on an essay about the BNP (about how much I despise the BNP and how important it is to oppose it).

I considered the idea of posting sections of that essay in this blog.  I am undecided about this, because I am unsure about whether this blog is a suitable forum for an openly political essay about the BNP. 

I will say a few more words about this particular essay.  I work in an office where there are a great many people who stand to lose a great deal by any success that the BNP may achieve.  Most, but not all, of these people are British Asians.  I have spoken to a selected few of these colleagues, and enlisted their help in sounding out the rest of the group, and I find a surprising degree of indifference towards what the BNP does.  (When I say it is surprising, I mean that it is surprising both to me and to others.) 

This essay is therefore not simply an exercise in writing all that I know about the BNP.  Its purpose is to convince a certain group of people (a) to believe my argument (b) to take certain simple measures (such as going out to vote - for any constitutional party) (c) to be more vigilant in future.

This is what I propose:

  1. If an official of the Open University tells me that openly political essays are not allowed here, I will immediately comply with any instruction.  I would never knowingly do anything that would jeopardise my standing as a student of the Open University.
  2. In the absence of such an instruction, I would be interested to hear any comments that anybody can be bothered to make.
  3. Any-one who is not an official of the Open University who tells me not to go ahead will almost certainly encourage me to go ahead.
  4. Any-one (of any standing) who tells me to go ahead will definitely encourage me to go ahead. 

 

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A Message to "Parents Outloud"

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Edited by William Justin Thirsk-Gaskill, Wednesday, 25 Nov 2009, 13:00

I read in today's Times and on the BBC website that the PSHE (Personal, Social, Health and Economic) curriculum is to be expanded to include lessons intended to reduce the amount of domestic violence committed against girls and women. 

I further read that Margaret Morrissey of a pressure group called "Parents Outloud" said: "The Government should focus on teaching children to read, write and all those things they need to get a career.  This political correctness is turning our children into confused mini-adults."

I disagree.  I suggest that a teenage boy who (a) thinks it is permissible to hit his girlfriend, and possibly other female persons as well and (b) goes on to commit such acts of violence is already a "confused mini-adult" and needs tuition and therapy to enable him to develop into a healthy teenager. 

One of the greatest changes that our society has undergone in the last 100 years is to do with the economic role of women.  The increase in participation of women in the paid labour market is absolutely irreversible for a number of complex reasons.  For the first time in history, women in the UK are now the majority of the (paid) labour force. 

This is a change that a considerable number of males are unable to cope with.  (One body of such males has banded together to form an organisation called 'The British National Party', or BNP.)  One of the ways that such inadequate individuals use to sublimate their feelings of confusion and frustration is violence.  This is unhealthy, aberrant, and preventable. 

The Government is entirely right to intervene in this situation.  Apart from the humanitarian cost of domestic violence (dealing with which on its own is enough to justify spending public money) there are economic benefits which will arise from girls and women having a more confident belief in their own worth, and more equitable and better-articulated relations between male and female adolescents. 

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