OU blog

Personal Blogs

Design Museum

The 'professional' TV 'production team

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 12:30

There was a point, certainly when the industry was unionised, when you could only specialise in one function. Production teams, even for something as simple as a 'talking head' interview cutting to a presenter might need six or seven people: producer, production assistant, director, camera, assistant camera, sound, assistant sound and a runner. This doesn't even include the presenter!

Tvprodution role pyramid

With thanks to Neil Anderson for directing me towards the Dia software.

This represents two things, a hierarchical division of roles in TV production, but also as you come towards the base the 'multi-tasking' of the various specialist roles.

When the unions lost influence in the 1980s the technology wasn't there to divide roles too much, but we settled into producer, director, camera, camera assistant and sound as the basic team. Then the producer/director roles merged. With lighter kit with fewer parts the camera assistant or runner would be dropped. Then along came the 'Video Journalist,' basically the self-operating producer/director/camera person with the sound engineer required as a second person and expected to carry kit, set lits etc: too. Meanwhile in post-porduction the editor is gradually taking on the mixing of sound, the creation of title and graphics (one a separate job/function). And then our producer/director/camera person, who can to a basic level edit using software built into the camera, takes on the editing role too - not just what we called 'off-line' editing, but the whole business to finished product. i.e. In broadcast TV, as well as for a wedding video, the production 'team' might be a one man band.

The relevance to H808 regards professionalism and the 'jack of all trades' syndrome that might see or expect a subject matter expert or tutor to have within a portfolio of skills, a growing number of other technical and craft skills. In other words, might a 'professional' be less so as and if they are expected to take on more tasks. If professionalism requires x hours of experience and y amount of technical proficiency, at what point is a subject matter expert tripped up or denied a 21st dialogue with their students because their skills with HTML are poor or non-existent?

From a TV and Film production point of view, with exception, the more roles the producer takes on the small the budget ... and the potential for amateurism.  At the base is any of us with a webcam and some basic software. In every one of these functions if you have the budget, then hire someone who has the kit, 3-10 years experience and who knows their 'craft.'

 

Permalink Add your comment
Share post
Design Museum

A variety of e-learning journeys

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 13:43

6e9399373764315ab877e7689d27a708.JPG

The point being that people learn a great deal that improves their knowledge and ability to carry out tasks, however this does not receive formal recognition so is not able to contribute to any professionalisation of their occupation.

Daft. The paradigm must shift. Or be ignored.

I'm spending time with a mate and colleague next week (weather permitting) who has put mobile learning into the Middle East and now has the financing to do more in 3D.

His qualifications?

A great mind and practical delivery of learning as linear, then interactive video and CD, to websites with a good deal of programming in between over the last twenty years.

There is a time to ditch the gaining of a further qualification.

Indeed, when I took up a version of this MA course in February 2001 it was for me nothing more than a piece of CPD on top of another post-graduate course I was doing in the production of cross-platform multimedia, the only person to be doing this through the EU funded programme EAVE ... all of this to feed into a full-time job producing innovative, cutting edge and online learning. I was studying at my expense to improve or tweak my practical application of all of this.

Surely the collobartive exercises of the last two weeks have shown that several people can do more than one person on their own? Why do teachers and educators operate in isolation trying to re-invent the wheel for the thousandth time when a learning experience or product shared is going to deliver something effective and fantastic?

CPD, which is the OU's MAODE, does not turn me into an e-learning professional.

I'm not interested in letters after my name; I have the M.A. and have put a couple of other post-graduate courses under my belt too.

The ONLY thing that counts is how I apply this learning.

The letters or professional tag mean diddly-squat.

All us of should be willing to be judged by our peers as to our professional status ... are we employed in this capacity? Do with have clients to serve or clients to win?

Don't get me wrong, for me this course is invaluable, a treat and indulgence, like grated Truffle on pasta.

I guess my mate and I will be back on Skype if the roads look poor. I'm not going to waste a hour of my life, let alone a day stuck in traffic on the M23, M20 or M40 trying to get to Bath on Tuesday.

My motivation? A good idea, a sponsor ... then do it.

Then pick up from what I've learnt in TV, have 26 ideas on the go with various grants, sponsors and clients supporting further development.

My next course, or refresher course?

Sales

REFERENCE. Professional Development fo Elearning. A Framework for the NEw Zealand Tertiary Education Sector. 2009.

Permalink 2 comments (latest comment by Jonathan Vernon, Monday, 6 Dec 2010, 10:35)
Share post
Design Museum

H808 activity 7.2 Anyone played Twister?

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 18:42

Anyone played Twister

This is how I see ca7.2 in H808.

Twister

Table 7.1


Learning requires something from each of the quartiles (if I can call them that).

To study something you are familiar with in comfortable surroundings is one thing, but to study something with which you are not familiar in an unfamiliar setting has its values too because you have to make more effort, you gain insights, you may make mistakes and learn from them, or achieve something unexpected and feel rewarded for that. All of this can be planned for by your tutor. Why else the school-trip? Why else the brain-storming trip of business managers? How else did a team of advertising creatives come up with the line 'Refreshers the parts other beers cannot touch?'

 

Table 7.1

Depending on the group and the course, or the desired outcome I see the value in putting a task or unit in any or each one of these


Permalink Add your comment
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 13153427