OU blog

Personal Blogs

Design Museum

My Mind Bursts

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:22

It is 10 years since I last registered a domain name.

Here I am

My Mind Bursts

It's the mirror of all that goes on here +

A good deal or reading and writing (fiction)

And in time a good deal more

Like my favourite blog entries of the last 12 years.

& Digital Marketing

 

 

 

Permalink Add your comment
Share post
Design Museum

On blogging vs keeping a diary or are they the same thing?

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 18:18

Maketh up a quote at ye beginning of thy book; it will make people think thou art clever.

Christopher Marlowe ‘The Obscure Tragedie’ Act II, Scene ii.

The following comes from a seminal book on diary keeping by Tristine Rainer.

Here are some key thoughts

Some of this thinking can be brought up to date in the context of keeping a diary online; the essential principals remain the same.

A dairy is many things:

‘Everything and anything goes. You cannot do it wrong. There are no mistakes. At any time you can change your point of view, your style, your book, the pen you write with, the direction you write on the pages, the language in which you write, the subjects you include, or the audience you write to. You can misspell, write ungrammatically, enter incorrect dates, exaggerate, curse, pray, write poetically, eloquently, angrily, lovingly. You can past in photographs, newspaper clippings, cancelled checks, letters, quotes, drawings, doodles, dried flowers, business cards, or labels. You can write on lined paper or blank paper, violet paper or yellow, expensive bond or newsprint.’

Tristine Rainer, ‘The New Diary’ 1976.

‘Flow, spontaneity and intuition are the key words. You don’t have to plan what you are going to do. You discover what you have done once you have set it down.’ Tristine Rainer.

Keep it all in one place

‘When the dreams like next to the fantasies, and political thoughts next to personal complaints, they all seem to learn from each other.’

This works for blogging:

Write Spontaneously

Write quickly so that you don’t know what will come next. How the unexpected can happen. Surprise yourself.

Write Honestly

Be open about what you really feel. Few diaries actually lie to themselves in a dairy, but many out of shyness with themselves avoid writing about the most intimate aspects of a situation.

Write Deeply

Anais Nin, disappointed with her childhood diaries, developed the practice of sitting quietly for a few minutes before beginning to write. She would close her eyes and allow the most important incident or feeling of the day or of the period of time since she last wrote to surface in her mind. That incident or feeling became her first sentence.

Write Correctly

Expressive language is not a science. There are no rules. You are writing for yourself, so self-expression is the key. Test the range of your natural voice – it will develop. Errors are part of the form of the diary, as they are part of life.

Choose your audience

Your best audience is your future self. In ten years time you won’t remember the situation unless you capture all its sensual vitality now.

Value contradictions

In time they will develop towards a larger truth; leave them in.

‘Some diarists find when they go several weeks without writing they begin to feel off balance and take it as a signal that they are avoiding the inner self.’

Those of us who keep a diary regularly are stuck with it; whether it appears online, and which bits of appear online is another matter.

‘We taught the diary as an exercise in creative will; as an exercise in synthesis; as a means to create a world according to our wishes, not those of others; as a means of creating the self, of giving birth to ourselves.’

Anais Nin, December 1976.

There’s more to follow from Tristine Rainer on basic diary devices and special techniques.

P.S. The Marlowe quote is John O’Farrel’s invention and appears in ‘I blame the scapegoats.’

Permalink Add your comment
Share post
Design Museum

LT2:4 Learning Technologies. Telling Storis.

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 05:38

Once upon a time ...

Did you here about ...

Three men went into a bar ...

Stories and humour work.

In the 1980s for a training film that told a story you went to Melrose for humour you went to Video Arts.

Video Arts were at Learning Technologies. I went to their presentation twice. Everything they are doing I applaud. They are reinventing themselves.

Melrose fell 15 years ago (or so). The market couldn't sustain the expense and somehow we always find ways to tell a new story. Whereas comedy never changes. All Video Arts need to do is to re-shoot with fresh actors on a fresh set.

Meanwhile I do Epic No.2 too.

DSC00626.JPG

I don't need convincing that stories work.

Get up to make a presentation and you will hold your audience if you say, 'a funny thing happened to me on the way here ...'

You are about to tell a story (or a bad joke), but hopefully something true, or convincing.

With a child 'once upon a time ... ' can lead to anything you like. As a parent you make up bedtime stories and you find a way to keep them awake.

(Which is why my wife long ago banned me from bedtime stories. Too exciting, too long ... kept them awake).

So to the value of Storytelling.

I love the way Epic handled the BBC Guidelines challenge.

I have a copy.

How would I describe this fat, pack A5 arch-lever file manual of don't and don'ts and more don'ts?

(I'll dig it out and take a picture)

It's about as engaging as a brick wrapped in last week's Sunday Newspapers.

Trainspotting for creatives?

Coming from advertising you see that a story can be told in 30 seconds.

I was on Kit-Kat. 'Have a break. Have a Kit-kat.' This was the era of epics in microcosm, classic adds such as 'Middle of the road.'

Ask. Do ask.

'Like all good learning we're going to be interacting.' Said Naomi Norman.

And we did, to a degree.

DSC00630%20%281%29.JPG

I love the science. I cannot get enough on how the mind retains and uses information.

DSC00625.JPG

is not rocket science, it is obvious. Human kind have spent far longer sitting around fires telling tales than watching TV.

Academics in education recommend the use of narrative.

‘Stories are the method by which people impose order and reason upon the world.’ Fisher. (1987)

‘By framing events in a story it permits individuals to interpret their environment, and importantly it provides a framework for making decisions about actions and their likely outcomes.’ Weller. (2009:45)

‘Narrative … is a useful means of imposing order and causality on an otherwise unstructured and unconnected set of events, but it also means that some detail is omitted in order to fit into the narrative, and other factors are only considered in the limited sense in which they can be accommodated with the narrative.’ Weller (2009:48)

* spontaneous inclination to engage in a dialogue with material

* to improve some form of organisation upon it

* to make comparison with it

Bruner (1996.97)

DSC00624.JPG

 

But what I look forward to is the story.

 

DSC00623.JPG

As I boy I was sent to boarding prep school.

The 'dormitory captain' an older boy who supervised Ihe younger ones (i was eight) would tell a ghost story.

I could still tell 'the Monkey's Paw,' or 'The Mist,' or the 'Broken Stair.'

 

DSC00367.JPG

 

I've been telling stories every since.

 

REFERENCE

Bruner, J.S. (1996) ‘Frames of thinking: ways of making meaning.’ In Olson, D and Torrance, N (eds) Modes of thought. Explorations in culture and cognition, pp. 93-105.

Fisher, W.R. (1987) Human communication as Narration: toward philosophy of reason, value and action.

Weller, M. (2007) Virtual Learning Environment. using, choosing and developing your VLE.

P.S.

More on Epic in due course. I've found a second page of notes. In the meant time yo can contact them yourselves:

DSC00623.JPG

 

Permalink
Share post
Design Museum

Gobbets

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 11:54

Chunky assets, often hard to swallow. Insightful or irritating, they should be peppered across a blog like seasoning.

If a gobbet looked like something I fancy it (she/he) would look like this:

 

Gobbet%201.JPG

 

Gobbet came up on Seaford Beach nine years ago. He has a precarious existance as my wife has wanted him in the bin from day one. I'm glad at last he serves a purpose; everything about him says 'gobbet' - he makes you smile or squirm in equal measure.

If you are new to blogging then might I suggest that you try the odd gobbet, once a week would do.

Permalink Add your comment
Share post
Design Museum

Printing of and pasting up

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 04:23

I would title a talk on writing for the web, 'There's nothing new about new media' in 2011 as I did in 1999. Or I might say 'It changes nothing.'

The web, via this QWERTY keyboard is merely the final expression of something that has been going on somewhere else, mostly in your head. For me I have to get it out on paper.

As it is pelting down with rain I cannot peg my EVIDENCE for the ECA to the washing line as I plannes, so instead (to my wife's delight) I have Sellotaped some Wallpaper Backing paper to the bedroom wall. I have laid across the bed individual piles from each unit and I am selecting my evidence.

My favourite is a report on eportfolios which opens with the line '500 words on eportfolios. I need only one. Don't.'

You see it is why I wrote that, not what I wrote that matters.

How many authors write longhand on paper then move to the computer for some Word Processing?

I love the fact that I've printed off diddley-squat these last few months; I can handle reading it on a laptop as I have at least upgraded my computer so that it will handle the software.

So, a washing line DRAWN on this paper around the bedroom wall, sheets of paper stuck to it ... then I'll dwell on it. I may make notes into a digital recorded.

The issue I have is with the context for my thinking as this now splits three ways: sports, leadership and movie production. I am currently moving from one, to the other.

And I wonder why four hours sleep is good going?

I'll catnap during the day, but once I'm conscious I have to get to work. That's me.

 

Permalink Add your comment
Share post
Design Museum

This is the e-century, the 21st century things are different, very different indeed.

Visible to anyone in the world
Edited by Jonathan Vernon, Sunday, 8 Jul 2012, 08:06

This is the e-century, the 21st century things are different, very different indeed.It has taken me a decade to get round to thinking this.

In 1999 one of my very first blogs was also the basis of a workshop I gave to ABB Communications Managers on 'How to write for the web.'

My title was, 'There's nothing's New about New Media.'

In one respect I was right, writing comes in many forms and writing online needs to tailor itself less to the online experience than to the space, time, audience, purpose, just as you would write each of the following in a different way:

• Letter to your mum.

• Christmas Shopping list.

• Footnote to a speech a colleague is giving.

• To camera presenter.

• Voice over presenter.

• Technical 'how to'.

• Writer's journal.

• Stream of consciousness on the state of your relationship.

• Dream analysis.

• Geography essay.

• Aggitated response to the local planning department who are knocking down the houses opposite to widen the road into a dual-carriageway.

• Threaded discussion on a popstars dress-sense.

• Notes to a lawyer regarding your step-mother's cliam on your late father's estate.

  • Notes from a report you've read.
  • The first draft of an essay your are writing.
  • The transcript of a council meeting.
  • A short story.
  • An obituary.
  • A commercial selling yoghurt drinks
  • A campaign message from a politician

Keep adding.

Parameters help.

is a writer's trick. Twitter shouldn't be the only place to deny the freedom to pontificate in this way without any intention of editing.

Though I've slipped up occasionally my rule in OU Land has been 250 words for a threaded discussion, 500 words in the blog and anything more either break the blog up into seperate entries, offer it as an attachment or link away to a different site.

1000 words min per entry was a rule some of use early bloggers agreed to in 2002 to cut out those who would put in a line, twenty times a day, to get their page numbers up.

My longest single entry ran to over 10,000 words, written as I travelled 800 miles by train and ferry across Southern England, the English Channel and France sad

Guaranteed to stop any reader on the second paragraph.

Though it works broken into 30 pages with illustrations.

So in this respect it worked, all I posted was an early draft. Had I been a co-author I would not have needed to do anything else. And my notes would have been better off in a wiki.

Put everything that has been written, and everything that is going to be written, or expressed in the spoken or written word and put it in the e-blender. This is the web for the first decade. Now add photos and music. This is the last decade. Now add everything else, all moving images, video, every film, every corporate training film, anything and everything anyone ever records, or films, or has transferred or will transfer from film, or tape to a digital format.

Put it in this blender and leave the lid off. If you've ever blended the partially cooked ingredients for leek and potatoe soup you know what is going to happen.

Now look around your kitchen.

This is the web for the insider's point of view. There'll be some tastey bits - stuck to the ceiling, if you can reach them.

Now do the same with a vast blender in the middle of the Albert Hall.

Splat

Or should I be kinder, and imagine the 21st web to be like visiting the Planetarium armed with my own laser so that I can interact.

The mind boggles; mine does, relentlessly.

 

Permalink Add your comment
Share post
Design Museum

90% of users are lurkers

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 18:06

The 90-9-1 Rule


90% of users are "lurkers" (i.e. they read or browse but don't contribute)

9% of users contribute from time to time, but other priorities dominate their time

1% of users participate very often and account for most of the contributions

From Jakob Nielson


So don't feel bad about. Enjoy lurking. We all lurk, we all contribute from time to time ... and I dare say there are places where we all contribute very often.Just not here.

Permalink 1 comment (latest comment by Neil Anderson, Thursday, 6 Jan 2011, 20:03)
Share post
Design Museum

H808 Interview with Dr Z A Pelczynski on teaching, essay style and leadership

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 24 Feb 2012, 05:24

ZAP

Interview with Dr Z.A.Pelczynski

How does teaching differ between school and university?

What do you look for in an essay?

Can leadership be taught?

Could leadership be taught online?

 

Permalink Add your comment
Share post
Design Museum

Reflection - personal, extended

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 7 Feb 2014, 13:39

I am undergoing Cognitive Behavioural Therapy. For the last 18 months, initially every two weeks and now every month I see a therapist. I pay for this myself as the NHS could only offer 20 minutes every six weeks and said I was just 'a bit depressed,' - 'like most people.'

Five years ago I was temporarily diagnosed A.D.H.D.

This was turned on its head by specialists in London who couldn't distract me and found that as the tasks I was giving to do got harder my concentration improved. Ritlan had been fun. My problem was boredom. Always has been. Whenever there is a family gathering should we discuss the first words of various nieces and nephews, let alone the adults, one of my siblings or my mother will say my first word was 'why?' and my first phrase was 'I'm bored.'

I'm still bored and I'm still asking why. I was 49 last week.

I think too much. Rather than thinking less, please can someone put me in a situation where I can think until my brain hurts.

A best moment for me, outside the exam room ... a TV programme than was going to go live in 90 mins. The MD pulls the entire theme and my producer looks at me and says let's do something new from scratch. It was that or waste the expense of presenters, camera crews (live, multi-camera, galley staff, support staff etc: etcsmile No rewrites, no rehearsals, that script was handed out with minutes to go. Unprepared the interviewees were fresh. it worked. I'm good at doing 'from the top of my head.'

By reflecting on how I behave in certain situations, coming to understand the situations and my upbringing I am changing some of my behaviour - much of the time. This 'reflection' has at times been recorded, transcribed and chewed over - just like this. More often I treat the moment, the hour for what it is> I do wonder if I dwelt on it more often, whent back over these discussions if I would embed the change?

My late father when in his mid-twenty to mid-thirties ( I am told and believe) would spend an hour or so with his mother coming home. (That or he was having an affair - more likely?) Something of a matriarch my grand-mother, I could imagine this regular reflection facilitating and guiding my father's success. Reflection or dictation, being told what to do or coming to yor own decisions? I wonder. It's value, doubtful beyond building a substantial PLC. In terms of his relationships (catastrophic he went through four marriages). I was staying with him as marriage three collapsed. He was attending Relate. He enjoyed these sessions, admitted he was probably mad and came out of these sessions rationalising who he was without any intention of changing. It gave him an excuse.

If any component of this was reflection, then it was reflection reinforced a modus operandi, rather than changing it.

Wherein lies my issue with reflection and blogging. Is it necessarily something that results in change, or even something for the better?

Didn't Hitler write Mien Kampf while gaoled? This is narcissistic, self-indulgent reflection that gave him the opportunity to develop self-belief in his warped ideas.

See, reflection can back-fire, bringing the worst out of people, not necessarily the best.

The desired outcome of reflection as a form of thinking in an academic context is to help embed ideas and facts.

It is an aid to a neurological process, by using the information in a variety of ways it comes to matter more, priorities are made, choices taken, you form you own view of what matters and what does not. However, you share this reflection and immediately it is being written for an audience; you reflect and submit this as evidence in an assignment and the first thing you do is to check the requirements of the paper, and how it will be marked and then you adjust, edit and as a consequence contort the truth that reflection should try to uncover.

If reflection has worked then I can see a need to return to live or as-live TV. I thrive on pressure - head pressure.

 

Permalink Add your comment
Share post
Design Museum

Reflection on IT skills

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:04

There are several software packages I need to familiarise myself with.

This is the consequence of being a freelance, a one man band. If I cannot communicate the way I would wish without a better knowledge of various tools, then I must grasp the IT nettle.

I'm learning Outlook by using it

A 1000 member swimming club, its swimmers, parents, committee, teaching and coaching staff is my material. As I coach or teach five days a week there are a myriad opportunities to create groups, build profiles and get in touch to make things happen.

I prefer Filemakerpro over Excel, but need both.

Having someone who can make Excel sing I've decided to catch up on my knowledge of Filemaker Pro, after all, I can merge all Excel files in Filemaker then build templates from there. It is this ability to build a multitude of bespoke templates that appeals to me, it gives me as many ways as I want and can imagine into the information I store there.

This I will use for the swimming club, performance records of swimmers, tracking coaches too ... and collating data for the club's Swim21 submissions. I trust it will also become part of my e-portfolio for the OU, even a way, yet again, to tackle 90,000 word long fiction.

Let alone a place to gather client and project details.

On verra.

Permalink Add your comment
Share post
Design Museum

On Blogging

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 15:47

With thanks to a fellow OU student who asked 'why?'

I’ve blogged since Sept 1999.

More importantly I’ve kept a diary since March 1976 (I was 14 1/2)  ... with substantial two or three year breaks I should add in the 80s, 90s and 00s ... and only on a few occasions ‘every day of every year.’

The diary was never read by others and never of interest to them. Except on one occasion I was aware my girlfriend was looking at it so I wrote some especially nice things about her and she did likewise. A comment, you could say. That was a one off. (She also read that on our first date I thought she had bad breath. Lesson learnt. If you are going to express your mind, keep it private or lie, or jsut leave things out ... and keep it under lock and key).

The appeal in the early days of blogging was to have an electronic form of the ‘journal’ I kept, however this gradually changed into something quite different with the then new additions of ‘friends’ and ‘favourites’ and all the other ‘sticky things’ (technical web term) that are common-place. 

Two things start to happen

1) you make a couple of ‘friends’ you relate to really well and find you’re only truly interested in them and you can develop ideas, support each other and so on i.e. collaboration. (We formed a successful writers group).

2) you go crazy for the statistics and start to wonder why certain pages are read and which get the most hits ... and what you have to do or say to get more hits.

This OU Blog-a-long-a-thon scroll is better for the lack of the many tools, quirks and quasi-personalisation tools that commercial blogsites now offer. 

At this stage the realisation is that you are no longer keeping a journal, nor is it private. Indeed you very quickly find there is a considerable amount of fiction, flaming and writing gibberish simply to fill a page and have your profile picked up in some blog rank-a-thingy somewhere.

I call this turning into an 'e-j'.

It's value is ephemeral. It is not a journal anymore. There's no value in privacy, indeed 'disclosure' and 'exposure' become the way to deliver a high ranking blog. My tactic was to circumvent the entire blog premise by removing any sense of it being a 'log,' writing entries that are tagged or stored by theme, rather than the day they are written on.

I try not to do it in what I call ‘OU Land’ where I am increasingly trying to be more professional and circumspect.

The temptation to write to provoke, or to intrigue is still there which will cause me trouble when it gets to submitting anything for ‘reflection’ because there may not be anything there ... which is why I am starting to post the ‘bland, objective, reflective kind of thing required’ but keeping it private.

There’s a piece on the addictive nature of games and the Internet in the New Scientist. (See below. I wrote about it last week).

I would say between 2002 and 2006 I probably spent far, far too long blogging. When you post 10,000 words on one day and have 1.6 million words online (largely unpublishable farting into cyberspace) I think you could say there was a problem.

Most of this serves no good purpose at all, other than tinkering at the QWERTY keyboard, the piano equivalent of playing chop-sticks. i.e. you quicklky find you are getting the same, repetitive tune.

I never, or rarely read over my old, hand written diaries (a decade is the right kind of timespan to afford them any worth), yet reading a page in a blog is a click away, a search word away. It's as if very day and any day is given equal value. But is it of value to learn that I tend to wash my hair on a Thursday?

Feedback is like gold, it is recognition, and in a tiny way rewarding and flattering.

Once again, there can be an obsessive hankering for comment, to the degree that your views and what you write is geared to nothing else, whilst in OU Land, a type of blogging experience, within the context of academic study, 'hits' count for nothing, whereas there is the potential to gain marks through objective reflection.

And finally ...

Blogging transmogrified through comments, friends and favourites away from being an online journal, to being a form of social networking. The blogging landscape is now so varied and vast that it often ceases to be blogging at all.

Facebook is the equivalent of blogging onto a Post it note that you then stick to the side of a bus.

Permalink Add your comment
Share post
Design Museum

Author Steven Pressfield on overcoming resistance by being professional

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 10 Sep 2010, 23:31

The War of Art: Winning the Inner Creative Battle

by Steven Pressfield

The key word through-out ‘The War of Art’ is ‘Resistance’ – i.e. that which prevents us from doing.

Steven Pressfield’s advice is to sit down and do it like a pro.

That’s the book in two lines.

Professionals and amateurs

‘The word amateur from the Latin root meaning 'to love'.

The conventional interpretation is that the amateur pursues his calling out of love, while the pro does if for money.

Not the way I see it. In my view, the amateur does not love the game enough. If he did, he would pursue it as a sideline, distinct from his real vocation. The professional loves it so much he dedicates his life to it. He commits full-time’. Pressfield (2002)

This is familiar territory.

I heard it first from Richard Nelson E Bolles in ‘What Color’s Your Parachute?’ (New editions most years 1970-2011)

His advice is:

‘You become a professional by behaving like one.’ Bolles (1970)

Pressfield is derogatory about amateurs who toy with their art and blame the way they toy around for their failure.

‘We're all Pros already’ he encourages us to believe.

‘Resistance knows that the amateur composer will never write his symphony because he is overly invested in its success and over terrified of its failure. The amateur takes it so seriously it paralyses him’.
Pressfield (2002)

A Professional is patient

Resistance outwits the amateur with the oldest trick in the book: It uses his own enthusiasm against him. Resistance gets us to plunge into a project with an over ambitious and unrealistic timetable for its completion. It knows we can't sustain that level of intensity.

We will hit the wall. We will crash.

‘A professional accepts no excuses’
Pressfield (2002)

He knows if he caves in today, no matter how plausible the pretext, he'll be twice as likely to cave in tomorrow.

‘A professional does not take failure (or success) personally’ Pressfield (2002)

Resistance uses fear of rejection to paralyse us and prevent us, if not from doing our work, then from exposing it to public evaluation.

‘Starting is not my problem.' Pressfield (2002)

Starting something else is my problem. Being distracted is my problem.

I need to be behave like a professional BECAUSE I am not paid ... and then I will be.

REFERENCE

Pressfield, S (2002) The War of Art.

Permalink Add your comment
Share post
Design Museum

How talking to yourself makes you smarter. What about writing such a stream of consciouness into a blog though?

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 1 Nov 2012, 19:01

Anais%2520Nin%2520SNIP.JPG

Your inner voice.

How talking to yourself makes you smarter.

 

The Voice of Reason. Robson. (2010)

 

I was initially attracted to this edition of the New Scientist as the cover story offered to shed light on the value (or otherwise) of  what some term ‘stream of consciousness’ others ‘this voice in our heads.’ Of what value is it?  And if I can type as fast as I can think it is this a true reflection of what I am thinking, at the pace at which I am thinking it – or does the process lose something in translation? Using how we think and what we verbalise is given value here, which ought to bolster the views of H.E. institutions that ‘reflection’ has a purpose. The article also explains why we need to give things terms, though I’m also always curious to know why certain words last while others do not. If I’ve understood the ideas correctly then there is a suggestion that loose terminology, words for concepts that are not clear or still debated, are counter-productive, we need to be clear that our interpretation of a word, even something as simple as the colour yellow compared to orange, or hues of the colour blue, match the understanding that others have.

 

‘On average, 70 per cent of our total verbal experience is in our head.’ Boroditsky (2010)

 

Language helps us to think and perceive the world.

 

Naming objects helps us categorise and memorise them. Lupyan (2010)

 

i.e. things (concepts and objects) are more easily thought about if ‘verbalised’ through having a name.

 

However, labelling can also bury the detail. Lupyan (2010)

 

i.e. we humans work best at the macro rather than the micro level of terminology?

 

‘Labelling objects helps our minds build a prototype of the typical object in the group at the expense of individual features.’

 

Language shapes perception, argues Gabriella Vigliocca of University College London. Vigliocca. (2010)

 

The pumpkin test. 80% got the object from seeing it alone. 85 % of those who saw it and were told its name got it. While those who had what they could see in one eye ‘scrambled’ only achieved 75% suggesting that a visual with a verbal clue helps to anchor the object in the mind.

 

‘It seems that words prime the visual systems of our brain, conjuring up a mental image when it is seen’. Vigliocca (2010:32)

 

Boroditsky (2010b) recently found that Russian speakers, who have two words for different shades of blue, really are faster at discriminating between the different shades than English speakers. (The once discredited Whorfian hypothesis). The effect disappeared when they repeated a long number to themselves, as this interfered with their linguistic capacities.

 

Fundamentally, knowing the name for something helps identify it. Lupyan (2010)

 

‘It seems that our inner voice changes the way we experience the world. Language is like augmented reality – an overlay that changes how we think, reason and see’. Clark (2010:33)

 

With the above in mind I started the following list with a view to developing reasons for not using the word ‘stakeholder.’ With no end of this list in sight I may need to change my opinion, I may not like the word, but it works. But does it? Whilst ‘stockbroker’ I can see embodies a specific group of people, ‘stakeholder’ for shifts constantly, like a cloud forming under a summer sun.

  • employee
  • shop floor worker
  • management
  • owner
  • director
  • boss
  • line manager
  • people
  • brother
  • colleagues
  • stakeholders
  • staff
  • McWorkers
  • office staff
  • blue collar
  • white collar
  • sisters
  • champions
  • participants
  • slave labour
  • sweat-ship workers

‘Up to 80% of our mental experiences appear to be verbal rather than visual or emotional.’ Hurburt (2010) from the University of Nevada, Las Vegas.

‘It’s like a guidebook that has been developed by thousands of people before you, who have figured out what is important for to survive and adapt to our environment.’ Clark (2010)

 

Do you work with the radio on or off?

With the TV on or off? Or in an Open Plan office? Do you prefer a library or study? Can you work as you commute? Or on holiday?

 

Based on what we have learnt above what impact might this have on what you are thinking?

 

Does it depend on how easily distracted you are, how focussed? Work (study) in an environment that is relevant to the task and this enhances it whereas work (study) where verbal noise is a constant distraction and you cannot (or could not) work so well?

 

REFERENCE

Clark, A (2010) Language and Cognition, University of Edinburgh. Interview for New Scientist. 2776 (4 Sept  2010)

 

Boroditsky, L (2010a) Interview for New Scientist. 2776 (4 Sept  2010)

 

Boroditsky, L (2010b) Quoted in the New Scientist. 2776 (4 Sept  2010) from Proceedings of the National Academy of Sciences, vol 104, p7780

 

Hurburt, R (2010) Quoted in the New Scientist. 2776 (4 Sept  2010) from Psychological Medicine, vol 24 p385.

 

Lupyan, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Psychological Science, Vol 18, p1077.

 

Lupyan, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Journal of Experimental Psychology: General, vol 137, p348.

 

Robson, D. The Voice of Reason. pp30-33 Cover Story. New Scientist. 2776 (4 Sept 2010).

 

Vigliocca, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Psychological Science, vol 18, p1007.

 

 

 

Permalink Add your comment
Share post
Design Museum

New blog post

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 11 Aug 2010, 13:56

...............................................................................................

‘The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow. It eliminates the vice of procrastination, failed communications, failed communions. This thought has made me more and more attentive to all encounters, meetings, introductions which might contain the seed of depth that might be carelessly overlooked. This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a great amount of people, more people, more countries. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us. The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.

Nin (1946)

...............................................................................................

My obsession of the last decade has been my life on-line. My life in words. My life with people I have never met and will never meet.

I found the above in a journal entry I wrote in 1992; I am regurgitating it on-line, in bite-size form, elsewhere - the 2,000 words or more I would write not right for this on-line sheet of OU soft paper on a roll that tears about where people get bored with my say and want to get a word in edge ways.

.................................................................................................

REFERENCE

Nin, A. (1946) Vol 4, Journals, May 1946.

................................................................................................

So here's the edge of the paper -

Permalink 3 comments (latest comment by Jonathan Vernon, Wednesday, 11 Aug 2010, 18:58)
Share post
Design Museum

I've learnt something!

Visible to anyone in the world

You'd hope after 19 weeks!

TMA01 the first draft of this 3000 word report was somewhere around 12000 words, too over 20 draft to cut down and looked dreadful in what might have been the final version.

Then I started again, off the top of my head, as if writing under exam conditions.

Success after much pain.

TMA02 the first draft was around 8000 words. Adopting the same process of putting everything in, then precising, prioritising, was still the approach. i.e. why use one quote when six will do sad

Before submitting I felt there was a misalignment between the question and what I had written. Trying to weave a tapestry to someone else's design isn't my style. Six re-writes to the final version. Happy.

TMA03 got me to the stage where I thought I was writing like an academic - I had nailed an 80% score on a thoroughly researched, well researched and justified piece. It needed a day or two to subtle, and someone else's eyes to point out that I had forked away from the question in the second part. Unspotted, the TMA went in. Disaster. From my perspective. And major disillusionment. In the 'real world' this doesn't happen because you are working with colleagues and collectively you are far more likely to stay on brief.

ECA. Still to complete, but the huge suprise was when I broke it into three parts having assembled it over the last month or so ... I came in several hundred words UNDER the required word count. i.e. I am now building something, rather than taking away.

Perhaps I should adopt the Graham Greene approach to writing. 500 carefully chosen words a day, rather than my preferred approach of the last decade, which is, as here, to write a stream of consciousness, at a jog, never looking back, except to spellcheck.

Permalink
Share post
Design Museum

With special thanks to ...

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 15:56
All writers thank a person or several people who have helped bring to fruition a new piece of work. I am looking for someone I can thank, to help me get through the last barrier with a novel. To finish the thing! Several choices, I've worked for around two years each on three novels and a screenplay. My last chance. Possibly. I know this is a journey I should never have set out on alone.
Permalink
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 11504822