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Jim McCrory

Smultronställe: The Wild Strawberry Place

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Edited by Jim McCrory, Wednesday 22 October 2025 at 08:21

 

“I have made this letter longer than usual because
I have not had time to make it shorter.”

Blaise Pascal

 

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 Why Are You a Christian?

Someone asked me last night if I could explain why I am a Christian in 100 words.
For you students on Creative Writing modules, you’ll know how challenging concise writing can be — but here goes:

As a boy on the island of Bute, far from Glasgow’s dark slums, I would sit in my secret place — my smultronställe, as the Swedes would say — and gaze at the night sky, wondering who made the moon and stars. In time, I learned it was the Lord: The Maker of galaxies and of man, crafted in His own image.

Then came Jesus, walking among us, showing what it truly means to be human — to mirror the Father’s light, to forgive, to serve, to love one’s neighbour even unto death.
In Him, I found grace, purpose, and peace. I found my way

When I behold Your heavens,
the work of Your fingers,
the moon and the stars,
which You have set in place —
what is man that You are mindful of him,
or the son of man that You care for him?

Psalm 8:3–4 (BSB)


Note

The Swedish phrase “smultronställe” literally means “wild strawberry place,” but it carries a much deeper, emotional meaning in Swedish culture. A smultronställe is a personal, often hidden spot that holds special significance, peace, or nostalgia. It might be a place from childhood, a quiet lakeside, or simply somewhere that makes you feel wholly yourself.

 

 

 

 

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Jim McCrory

Time and Memory

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"I can only note that the past is beautiful because one never realises an emotion at the time. 

It expands later, and thus we don't have complete emotions about the present, only about the past."

Virginia WoolfDiary Entry




Time and Memory

Yesterday, I revisited the site of my childhood summers on the island of Bute, where my parents once had a cabin at Bogany Farm in the 1950s and '60s. Walking along those familiar paths, I spoke with the farmer and captured photos of the field that once hosted around 40-50 cabins. Each snapshot seemed to echo with the laughter of campfires, songs, and the cherished camaraderie of summer friends—fleeting escapes from the grey life in Glasgow.

This journey stirred a deep philosophical reflection within me. I pondered the whereabouts of those summer companions. Some have departed this life; others persist, our shared memories lingering like ghosts, even though our paths might never cross again. Life is a mosaic of such transient connections—from those we laughed with under the summer sun to strangers who offered fleeting smiles amidst the hustle of a city.

In the grand march of millennia, these moments are mere specks, yet profoundly significant. We are each a memory, held in the minds of those we've met, a reminder of our shared existence on this earth at the same point in time. This thought is both humbling and elevating, a testament to our brief yet impactful presence in the tapestry of human experience.



When I behold Your heavens,

the work of Your fingers,

the moon and the stars,

which You have set in place—

what is man that You are mindful of him,

Psalm 8: 3,4 (BSB).


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Jim McCrory

Good Evening Cambodia! I like your word, Kâmtéa (កំទេរ)

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Edited by Jim McCrory, Friday 28 June 2024 at 09:23

Image by https://unsplash.com/@owen_was


 

The first time I felt the concept of Kâmtéa  was back when I was twelve years old. I spent the summer on The Island of Bute, we had a cabin on Bogany Farm. There were around sixty cabins, and families would visit on two-week vacations.

The year in question I met new friends whom we shared many hours with. We made a tree swing in the woods, and we would talk for hours on end. Bonds would form, but when you are twelve years old, such bonds are so easily broken when we are under the authority of our guardians.

You see, my friends would have to return home, and I would be left as lonely as an empty pocket with only the moon and stars for company.

The song, Cottonfields by Creedence Clearwater Revival played frequently on the radio that year and every time I hear it now, I still feel that sense of Kâmtéa welling up.

 

Kâmtéa in the Khmer language captures a deep emotional state, often associated with sadness, mourning, or the experience of loss.

 


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