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“The darker the night, the brighter the stars.”

Fyodor Dostoevsky

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Restless Stars, Restless Hearts

 

Recently, in the ordinary intimacy of a conversation with a contractor working in my home, something unexpected surfaced. Somewhere between measurements and polite small talk, we discovered a shared fault line: we had both lost our parents in our teenage years. The discovery didn’t arrive dramatically—it simply settled between us, quiet and heavy. As we spoke, it became clear that this kind of loss doesn’t diminish with time. It ripens. Age does not soften it; it teaches it new ways to echo.

That exchange carried me backward to a cold evening in the mid-1990s, aboard the Princess of Scandinavia, cutting its slow path from Newcastle to Gothenburg. My head was clouded with vodka and restless thoughts, so I climbed to the top deck to breathe. Above me, the northern sky stretched clear and uncompromising, scattered with stars that felt arranged solely for that moment. It was a private spectacle—one that could never be repeated, only remembered.

Standing there, surrounded by sea and silence, I felt an unexpected kinship with Ingmar Bergman and the way he wrote of his inner darkness in The Magic Lantern. That same sense of being trapped inside oneself pressed in on me. And, as it often does, my mind returned to my adopted father, who had left this world when I was twelve. In that vast, quiet night, grief didn’t shout; it whispered—and it whispered in verse:

Meet me amidst the ocean,
Under my Northern sky,
To the light of constellations,
As our restless stars pass by.

That moment helps explain why I hold so dearly to the Swedish idea of sambovikt—a word that gestures toward balance, toward the fragile but essential equilibrium of human connection. It also sharpens a harder truth: far too many children grow up in the long shadow of an absent parent. I carry deep empathy for that pain—for the version of it that hurts in childhood, and for the quieter, more complicated version that follows into adulthood.

What I’ve come to understand is that happiness is not a sudden arrival, nor a solitary achievement. It grows slowly from stable, long-term, trusting relationships. This matters for couples, yes—but its deepest consequences are felt by the children within those bonds. When my father closed his eyes for the last time, something vanished with him: guidance, reassurance, the ritual of bedtime stories—David Copperfield, Oliver Twist, Pinocchio—tales that don’t just entertain, but quietly teach a child how to imagine a future.

Many single parents carry this burden with extraordinary strength, doing the work of two hearts with one exhausted body. Yet even in the best of circumstances, absence leaves a shape behind. Children often feel it as a low, persistent loneliness—a sense that something essential is missing, though they may not yet have words for it.

Children thrive in the warmth of praise from both parents, just as they grow through correction offered with care. When that balance is gone, what remains is often an unresolved longing—a hunger not easily named, but faithfully carried.

When I reflect on sambovikt, I’m reminded that our search for meaning is inseparable from our need for connection. It is within these foundational bonds that we hear the deepest echoes of ourselves. And it is there, too, that we come closest to understanding what it truly means to be human.

 

Sambovikt: The quiet balance created when two people share the weight of life with steady presence and long-term commitment, forming a stabilizing ground from which others—especially children—can safely grow.

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Jim McCrory

Happiness Comes From Sambovikt

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Edited by Jim McCrory, Thursday 28 August 2025 at 11:46

Sambovikt : The contentment derived from long-term trusting relationships

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On the Loss of Parents | learn1

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Jim McCrory

On Travel Writing

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Edited by Jim McCrory, Thursday 12 September 2024 at 17:59


As iron sharpens iron, so one man sharpens another.

Proverbs 27:17



Image kindly provided by https://unsplash.com/@raphaeldas


The art of travel is only a branch of the art of thinking

                                                        Mary Wollstonecraft


On Travel Writing

I awoke early; that time when thoughts rush in and fill the senses with sharp anxiety. It was June 24, the Ayrshire forecast of sunshine and dark cloud reflected the conflicting mood of the nation. ‘The British people have voted to leave the European Union, and their will must be respected.’ The politician’s carefully written statement sent shock waves throughout Europe. It was like living in a village after the Vikings had raided.

A film emerged, a captured memory in time that took me back to July 1995 and a sleepy little village tucked away in the small commune of Målsryd. A Swedish girl who had been my daughter’s pen-pal since youth, visited us in ‘94 and her family wished to reciprocate the hospitality. I never needed much persuasion to accept. I was fourteen when I first fell for the country. The influence of my teacher who painted images alongside the music of Sibelius and Grieg created a love affair with a mistress I never met. Unlike the poet, Yeats, I am not rooted in this ‘perpetual place’ where I grew up. No, Scandinavia affected me in such a way that it felt like my proper home; an emotion the Germans call fernweh, the strange and paradoxical longing for a place never visited.

So, we spent the year learning Swedish and on July 16, before sunrise, we packed up the Ford Granada with the usual tartan kitsch; a tin of shortbread, Tartan Special Ale, placemats, and a bottle of Laphroaig and made our way to the North Shields Ocean Terminal to board the Princess of Scandinavia for the overnight journey with a plan to stay a few days with Elisabeth’s family and then tour the country, including Stockholm.

Our onboard cabin was the size of a box room with four bunks. After some negotiating, my wife and I had the lower bunks whilst my son and daughter slept on top. We then set out to survey the vast vessel with a sense of excitement and finally to emerge on the top deck to watch the North-East coastline disappear in the wake.

The family went to explore the shop while I retired to a cosy corner in the sitting area to get more sense of the culture by reading Ingmar Bergman’s, The Magic Lantern.

Some of the Swedes looked eager to communicate. A look, a smile, a nod. I hadn’t been this popular since my adopted family received me back in ‘56. Likely they were suffering from vemod; a pensive melancholy triggered, on this occasion, by post-vacation blues. By clinging to a Brit, they were prolonging the adventure like a nicotine addict has that ‘last’ cigarette.

Collective roars emerged from the lounge. Sweden was beating Bulgaria in the FIFA World Cup. The mood among the Swedes was one of… well, overlyckliga (overjoyed). Swedes are characterised by the social mores of lagome (not too much, not too little). Overjoyed in their culture would amount to a subdued euphoria as no one dare stand out in the crowd. Myth reports that lagome originated from the Vikings. The celebratory horn filled with mead would be passed around and partook in such a way that every Norseman took only his fair share. Lagome presses in on modern culture and dictates that no one dare overdo it. Unlike the Midwestern Swedes in Garrison Keillor’s Prairie Home Companion who see their women as strong, men handsome and children, above average, the fatherland natives modestly bottle such pretentiousness as they would a jar of lingonberry preserve. I feel a deep respect for such modesty in a world where positive values are on a downhill piste.

I wondered if we, raised in the second city of the empire, would have traits that would appear strange to Swedes. As a child, my mother would step on a bus, lay her shopping down, turn to everyone on the bus and sigh, saying, ‘that’s been me all day’. Immediately, a conversation would begin, with strangers participating enthusiastically, behaviour that would make Swedes freeze with social anxiety, I’m assured. I wonder with my confident extroversion if I can irritate foreigners in the same way a loud tourist at the breakfast table in a Highland B & B can vex me. It was time for self-reflection. Other cultures teach us who we are. Their characteristics, like a raised mirror, help us compare ourselves, our values, albeit we look through the glass darkly.


Writing:  © 2024 Jim McCrory


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