Personal Blogs

As well as being a tutor, and a staff tutor, I’m also a student. At the moment, I’m studying the arts and humanities, and I’m part way through the equivalent of my first year. I’m really enjoying it, and I can certainly say that I have learnt a few things.

This short post summarises some really helpful hints and tips about responding to a TMA question. These key points have been taken from from the A111 Discovering the arts and humanities study skills materials, written by Judith Rice. During my studying of this module, these points have really stood out in terms of being helpful. These tips may be relevant for other subjects and disciplines, not just the arts and humanities. 

Question words: how, why and what?

This tip emphases that “questions like these are asking you to make a judgement of some kind”. For the arts and humanities modules, there is “the expectation is that you use evidence from the sources or module book to support your answer”, so make sure that you reference module materials, and quote judiciously to demonstrate your understanding, and to show your reading. 

Compare and contrast

The essence of this tip is as follows: “if an assignment asks you to compare two sources, you are expected to look at ways in which they are similar and ways in which they are different. If the word ‘contrast’ is in there too, you should look especially hard for differences between them”. This is all about demonstrating your thinking as well as demonstrating your knowledge of the materials. 

Describe

This keyword “indicates that you are being asked to talk about what you see in a picture, hear in a piece of music, or read in a text; it could also indicate that you should give an account of what happened over a period of time.”

Explore

Explore isn’t a word that I’ve seen very regularly in TMAs, but when explore is used “you are being asked to look at an issue or an idea in a balanced manner, probably across a number of different examples. A definite ‘answer’ is not required but you will need to examine the evidence to look out for patterns.”

Consider

Like explore, this isn’t a TMA word that I’m very familiar with. The module materials offers a bit of guidance: “the task here is very similar to the one signalled by the word ‘Explore’, but there is slightly more emphasis on weighing up the evidence in order to reach some kind of balanced assessment in your conclusion.”

Assess

Simply put, assess is all about making “some kind of judgement or measurement, and to think about various aspects of a source or collection of sources.” Again, do reference any appropriate module resources.

Explain

Finally, “explain” is all about giving “reasons for something.”

Preparing to answer TMA questions

When answering a TMA question, I have started to adopt a particular way of working. 

I begin by flicking through all the module materials, making a note of the significant headings. I then take a bit of time to review some of the key bits of module materials to make sure that I haven’t missed anything. When I have reacquainted myself with everything with the main themes that the module team are trying to convey, I then have a good look at the key words to get a feel for what they are fishing for.

Another approach that I’ve adopted, depending on the question, is to make sure that I have all the references in order before starting the writing. To do this, I do a bit of digging into the CiteThemRight website to remind myself how to reference everything I might need to reference, such as module materials, set texts and anything else.

Other tips, resources and blogs

TMA questions are connected to module learning outcomes. In addition to focussing on the TMA questions themselves, it is sometimes useful to have a good look into what the module team are looking to assess. Put another way, by looking at the learning outcomes and the accompanying activities may well help you to “get into the head of the module team”.

There are a range of other resources that can be useful. Some of these are summarised in earlier blogs about study skills. I also regularly recommend the Good Study Guide (pdf).

1 May 21

It was a quiet day, so I settled down to read the final two chapters of the final book: the chapter about Buddhism and the chapter about philosophy. I got part way through the Buddhism one, and then needed a sleep! I don’t think this any reflection on the quality of the writing or the topic, but rather that I was tired from a very busy week.

I also noticed an interesting article in the Saturday newspaper: Germany first to hand back Benin bronzes looted by British. Although I expected I would focus on the theatre and music question, I feel drawn to the history and art question. I think I’ve made my mind up about what I’m going to do for TMA 6.

2 May 21

I finished my first read of the final two chapters of the Crossing Boundaries book. I’m a little unsure about what “the noble eightfold path” in Buddhism means in a practical sense, but the chapter was more about informing students about different traditions and leading students onto a chapter on philosophy. I enjoyed the section which described Hume, and the descriptions about rationalism and empiricism.

It’s got to a point where I need to be strategic. 

My next steps are to work through the online materials that relate to the history of Benin, and art history, and make a bunch of notes. I then need to make a TMA plan and start writing since I need to submit my TMA 6 early. Although I understand that I may have technically passed the module due to my averages, going through the TMA writing process may well help me learn a few more things (and develop a few more skills). I’ve decided to set myself a target: to get everything done in two weeks, which is a week before the cut-off date.

13 May 21

I’ve read though the online materials, with the exception of listening to the audio materials.

Today I’m going back over some of the printed materials whilst on a short holiday in Dorset. As well as reading a couple of chapters, I’ve managed to get a couple of walks in. Although I didn’t read very much, it was helpful remember what bits I can find where when I begin to pull everything together.

16 May 21

After a day and a bit of marking TMAs, it’s back to study again.

I have five objectives today: to listen to the audio material, to listen to a video that was shared on the A111 Facebook group, to finish my re-reading, re-read the TMA question a couple of time, and then to start the essay. I’ll also have a look around to see if there are any recordings of tutorials that might be useful too. 

Just before I settled down to write my TMA, I decided to have a quick look at the module website just to make sure I had ticked everything off, and there wasn’t anything further I needed to look at. I realised I had missed a unit! I worked through the materials, made a bunch of notes, revisited my previous TMA feedback, and looked at some notes about preparing the final TMA. Finally, I had a good look at the EMA question again, making a couple of notes about what I need to include.

I had planned on writing the whole TMA in a day, but instead, I was scuppered by finding more materials to study. It was time well spent. Now that I worked through the additional audio and video material, I feel as if I’m just about ready to go with the writing.

18 May 21

The writing begins. 

Writing directly into the word processor, I laid out a set of headings that related to the broad structure of the essay, ticking off some points I had written on a physical piece of paper as I go. 

When the broad structure was settled, I crafted the opening paragraph, the introduction. I then started to flesh out different sections, and asked myself the question: “why didn’t I bookmark the chapters with post-it notes?”

I turned my attention to an important aspect of the essay: describing one of the artworks that were mentioned in the module materials. After a couple of hours of editing, writing and re-writing, I started to get tired, so I decided to call it a day.

19 May 21

The writing continues. 

I reminded myself of the headings I had set out, and then tackled the historical text bit of the essay, reviewing one of the primary sources from the module materials. I then moved onto referring some of the materials that were features on the module website. After a bit of restructuring, I wrote the conclusion. I hope I wasn’t going too far, but I also shared a personal opinion. My thinking was that an opinion would help to personalise the essay, and also express some of the ideas I had been learning.

After a few more hours, I felt that my TMA 6 was pretty much there and ready to go.

20 May 21

A bit of proof reading, and a small number of corrections. I’m about 100 words short of the word count, but I’m happy with what I’ve written, so it’s going in.

It’s done. A111 finished.

What’s next?

I need to buy the set texts for A112. That’s going to be my summer reading.

6 March 21

I didn’t make it to the TMA tutorial, but I did work through the online materials for Remembering and Forgetting in Ireland.

Since the clock is now ticking quite loudly, it’s time to get strategic.

I have two things to do during this session: go to a recording of an online tutorial about the Gothic Revival, and go straight onto the online activities.

I found the recorded tutorial interesting. Our tutor spoke about Catholicism, Protestantism, the Palace of Westminster, and the Gothic revival. He also touched on broader aspects of architecture such as modernism (specifically mentioning Le Corbusier) and the design of the Reichstagsgebäude building by Foster.

My next step was to actually look at the TMA question: “’Writing may be as important as designing for an architect.’ Discuss”. I found this immediately puzzling, but maybe the reason what I hadn’t yet been through the online materials, and had only very briefly read the module materials that had been presented in the course text.

To try to fill this gap, it is back to the materials, where I soon learnt more about the difference between a classical arch, and a gothic arch.

12 March 21

A few days earlier, I worked through the printed module materials again, making notes, in pencil, in the margins of the book. This gave me some good ideas, and a bit of focus about what to write about.

I gave the TMA a good go; I re-wrote my essay plan and then set out all the key points I wanted to make. I felt that I was responding to the question, whilst also drawing on the sources that were presented in the module materials. I was able to quote some of the phrases and terms I had identified from my re-reading of the materials. 

I got up to approximately 1200 words, which suggests that there is a little more I might be able to write about. I have some ideas.

13 March 21

I’ve done it! I’ve submitted TMA 4.

I found it difficult to answer the essay question and write about the materials that were presented within the module. I found it easier to go outside, but I hope the external materials that I’ve drawn upon are appropriate and useful, and connect well to the context (and themes) that were presented within the module materials. I tried to “bring myself back” to the examples in the module materials to try to show that I had understood everything.

Next bit: a section called Moving Forward. I can also see there’s a discussion forum that I need to have a good look at. These resources are all about making a choice about the next module, and answering the question: “what bits did I enjoy the most?” I also listened to these short audio clips of students talking about their experiences.

The moving forward section offered a strong steer towards the optional further study activities. I’m going to look at Revival of the Gothic Tradition materials (if I have the time, of course).

Having a quick look through the websites, I think the next module is going to be (providing I finish this one, of course) A112 Cultures.

16 March 21

I went to a module wide event, which was called “moving forward”, whilst I was doing a bit of multi-tasking in my day job. I was surprised to see that there must have been over 450 students attending. 

20 March 21

I have started to start reading the first chapter of the next book, Crossing Boundaries. This chapter was about Antigone (an-tig-on-nee, apparently), a Greek tragedy written by Sophocles.

21 March 21

I’ve finished Antigone. I’m don’t really know whether I liked it or not. I think I did. Spoiler alert: everyone dies.

1 Jan 21

I have a few things I want to finish off before having a good look at the TMA questions again. The first thing is the online section about the set text: The Faber Book of Beasts.

We were set an activity: to create a mini anthology of five poems. I went over the table of contents of the book a number of times, and looked at a few, before settling on an animal related theme. 

The next bit was a discussion about the concept of conceit, and what it means in the context of poetry. I had never heard this term before (other than within the word conceited). One poem was used to demonstrate the idea that a conceit is a “turn of thought” or an “artistic device or concept” (p.182) 

The final bit was a return to the online materials, where we were introduced to the Oxford English Dictionary, Oxford Dictionary of National Biography and Oxford Art Online. I had once used a physical version of the OED, but I hadn’t heard of the other two. 

That’s enough for today.

2 Jan 21

I’ve been misunderstanding things! I thought we had to answer two questions for this TMA; instead, we’ve just got to answer one of them!

In some ways, I’m relieved, but I’m also slightly disappointed that the course isn’t forcing me (in a good way) to really look at another topic in detail.  This said, there’s nothing stopping me from carrying out some independent study.

I’ve made good progress today; I’ve made a rough plan, I’ve started a story, and I’ve made some notes about what I’ve been thinking as I progress. 

9 Jan 21

It seems like I’ve had an accidental short break from everything, which coincides with my first week back at work, following the new year break.

Today is the day of a tutorial. Unfortunately, I arrived half an hour late to a session on Roman and Greek sculpture. I made a note of the phrase that it isn’t about just copying the forms of the sculpture, but recreating and engaging in a symbolic dialogue with the artefacts. There was also a discussion about how the sculptures may have been used, and what they symbolised.

Next up was a section about poetry. 

We were asked the question: what is poetry? And also: how do we recognise a poem when we wee one? We were put into breakout rooms, and asked to discuss some short poems from the set texts. A quite enjoyed this activity, and was quite surprised at the range of different interpretations everyone came up with.

I took away an important point from this tutorial: do remember to include an essay plan for TMA 3.

13 Jan 21

Another day, another tutorial. This time it was a session about creative writing and The Blues. Unfortunately, due to internet connectivity issues, the session had to be cut short. Our tutor dropped out a few times, and there was sometimes a bit of audio lag.

Key points I took away was that there are different ways to define a short story, and there are different definitions for the terms story and plot; a story relates to what happens, an event or circumstance whereas a plot is all about why something happens.

Points to bear in mind when writing a short story includes what happens (story), who things happen to (character), where things happen (place), how and why things happen (plot), and why everything matters.

23 Jan 21

For TMA 3 we have to choose a tradition and make a short post to a discussion forum. Before making my choice, I did a bit of reading, on a popular online encyclopaedia. I became quite engrossed in the subject, and started to look at the references at the bottom of each of the articles. I ended up choosing a subject that I hadn’t really thought of as a tradition before. I remembered that the tradition that I focussed on was also very briefly addressed in the previous tutorial. I’m now looking forward to seeing what other students submit.

It’s back onto my short story. I had completely forgotten where I got to. Before I begin my writing, I prepare a cup of tea to keep me going. I find that tea always helps. There’s something in it that helps you (one) to concentrate.

30 Jan 21

I’ve finished my story. I’m pretty pleased with it. A friend has kindly read it. He has given me a few comments which I’m very grateful for. The process of reflecting on those comments will feed into the reflective bit of the TMA.

I’ve spent a couple of hours revisiting the chapter on creative writing, and rereading the TMA questions just to make sure I’ve got a thorough handle on what is required. 

Although I have done some planning for my writing, it was all very informal – and I think I’m going to have to say this in the TMA. I’m also going to have to have a think about the effect of what my formal planning had on my final version of my story.

Looking back on what I’ve written, I think I’ve managed to address the key ingredients that the TMA was asking for. I’ve also managed to include a couple of surprises too.

On Monday I’m going to send a couple of replies to posts other students have made about the theme of 'tradition', choose the reply I like best, and start to pull together my TMA 3 submission.

1 Nov 20

I got stuck into the writing of the TMA, beginning with Cleopatra. I got quite far. I made a start on the second part, which is about Queen Elizabeth. I think it’s harder since the question may be ‘getting at’ something that I might be missing.

3 Nov 20

I have another go at writing the TMA in the morning, but I don’t get very far. I’ve identified another point that I can mention in my answer about Cleopatra, but the Elizabeth section remains a bit of a mystery.

7 Nov 20

Three days before the TMA 1 submission deadline. Today I’m going to finish it and the move to the next section. I’ve got the whole of the morning to look through the Elizabeth materials again and edit together my answer. I’m hoping that a bit of time away from the question might have helped. 

I’ve submitted TMA 1! 

After a couple of days away, I had noticed some things that I hadn’t noticed before. A question that I have been asking myself was: “why is the module team telling me this?” I’m not sure whether the form of my TMA answers is what the module team are looking for. This said, I’ll get a steer from my tutor soon enough.

At the start of the next unit, I was asked about what I thought about Mozart. I listened to 4 different tracks before being introduced to the terms: pitch, range, timbre and dynamics (I knew what pitch and timbre was from other studies). I then read something about his sister, Nannerl, before learning the definitions of new terms for genres: symphony, concerto, aria and sonata. Although I vaguely understood what these were, I couldn’t define them with confidence.

I feel I’ve achieved quite a bit today. Time to turn off the laptop.

8 Nov 20

I read about the sonata, and aspects of its structure (that it usually has 3 or 4 movements).

I also read that Mozart toured around different countries and adopted musical styles of the places that he visited and the composers that he met. I also learnt about Joseph Boulogne Chevalier de Saint Georges, who I had never heard of before. I took a few moments to listen to some tracks of his work on Spotify; this is something that I’m definitely going to go back to do.

Next up was the introduction of new(ish) terms: tutti (all), and solo (alone), and an introduction of the piano, and an activity that encouraged us to consider the difference in the tibre between the harpsichord and this new-fangled piano instrument.

My study day concluded with a couple of listening activities: figuring out the genre of a piece of music and the listening to Mozart’s 9th concerto for keyboard.

9 Nov 20

Mozart in Vienna.

In this section of the module, we had a few more listening activities. There was an activity to identify different musical genres, and an activity to listen to the interplay between soloists and the orchestra. There was also a quick look at Haydn, who I didn’t really know anything about (other than knowing his name).

The section ended with a video that explored different perceptions of Mozart’s genius, and how this is portrayed in the 1984 film Amadeus, which I have seen a couple of times (a film I recorded from television using a video recorder over 30 years ago). 

A key point appeared to be the way that he applied his talents as a musician.

11 Nov 20

Time for a tutorial. I attended part 2 of the online day school (since the face to face day school had been cancelled), which focussed on two topics: Dickens and Van Gogh. I was initially a bit confused about the tutorial schedule, since part 2 was presented before part 1, and I’ve not got through these chapters yet.

Key points that I picked up from the Dickens bit was the way you could begin to describe a text: you could refer to the genre, description, the role of the narrator, the themes, who the reader is, sentence length, and a whole host of other aspects. It’s been at least 30 years since I studied literature.

Next up was a section about Van Gogh. Some key terms (or things to think about) included: composition, brush work, tone, genre, colour, medium, modelling. An aspect of the tutorial was considering how a particular image may relate to the artists reputation.

Although I haven’t got to these sections in the module material yet, I’m finding that I’m being drawn to section about art rather than literature, which has surprised me. Things might change as I do more study.

12 Nov 20

It’s the first thing in the morning.

There’s a few more things I need to look at to complete the Mozart chapter: a read through of the summary, and two study skills section. The first study skills section is about close listening to music.

Key topics includes rhythm and metro, timbre, melody, harmony and texture. I’m introduced to a whole range of descriptive terms which could be used with each other, such as, such as contour, range, steps and jumps, pitch and transparency.

I’m not going to finish it all today, so I’m going to save the reflective task, review, and further study sections for another day.

15 Nov 20

It looks like I’ve missed the goals that I should have set during week 1. I notice there’s another activity that I need to complete, so I answered the questions about which learning outcome I feel is the most surprising, which skills or abilities I already have, and which skills I think I’ll most improve. The skill I thought would be most useful to develop is the skill of engaging critically with familiar and unfamiliar points of view; I’m not (yet) sure what “engaging critically” means in the arts and humanities. 

There’s another activity I need to complete: looking ahead to book 1, which individual are you most looking forward to studying? My answer is: Mary Wollsonecraft, for the simple reason is that I know more about the other figures than I do of her.

The last part of the Mozart: the optional further study bit. I did completed these tasks quite quickly, but I might return to them. There was a surprise at the end: we could access something called the Naxos Music Library to listen to entire piano concertos, sonatas and symphonies. I’m not sure whether this is a gift or a distraction!

After quite a bit of distraction, I finally made it onto the Mark Wollstonecraft unit, which is really topical due to the unveiling of a statue.

It wasn’t long before I got to the main section, which described her writing of “the vindication” and then got to the section about her reputation. I’ve learnt quite a few things: a bit of history, something about her link to Shelly, and the way that reputations can change over time. The next bit is going to be the online material and the additional reading before moving onto the next unit.

18 Nov 20

It’s tutorial time. I arrived late, but just in time to note down two abbreviations which relate to literature analysis: GAP, and LIST. I’m going to have to return to the recording to catch up on the bit that I missed. For the section on Van Gogh, we looked at two contrasting portraits; a self-portrait, and another portrait by Gainsborough. I liked how the tutor discussed the differences and used some of the terms from the module materials.

20 Nov 20

A day off! Back to the final sections of Wollstonecraft. I completed the final activities, read a skills section on reading, made some notes, and listened to the In our Time recording, which connected really nicely with her biography which was summarised in the module materials. There was a lot in that recording, and talk about other figures and ideas that I had not encountered before.

In other news, I’ve got my TMA 1 back! I did better than I expected.

22 Nov 20

I finally start the next unit, which is about Dickens. 

I was soon directed to a reading activity by the set text: the reading of A Christmas Carol. I’ve heard the story many times (in various different forms). It was interesting to read the . I felt that the final section (stave, as it was called) was quite short in comparison to the others.

23 Nov 20

Before a day of work, I read sections 4 and 5 in the unit text, where I noticed the following terms were written in bold: narrative voice, first person, realism, modes, and personification. One thing that I found really interesting was a reference to literature and realism, where it describes “the physical details of everyday life through precise, factual language”.

25 Nov 20

I seem to have found a habit now; studying in the morning before work.

I finished reading the Dickens unit, and have started the Van Gogh chapter. I really liked the activity where we were asked to edit a portion of text, as if we were going to read it to an audience. We were then encouraged to compare our edits, to some edits that had been made by Dickens himself. I’m not comparing myself to Dickens or anything, but I was surprised that we had edited out very similar sections. 

The unit emphasised the importance of writing and rewriting, and concluded with a question about the themes that Dickens had been drawing upon. We were also directed to optional further study work in OpenLearn: Charles Dickens: Celebrity Author.

Onto Van Gogh; who I know very little about. 

We were shown a painting, and asked to consider colour, subject matter, brushwork, lifelike qualities (or not), design, pattern and shape, and any personal associations that we may bring to the viewing of an image. Next up is the unit chapter. 

I think that’s it for today; I need to return to my day job.

26 Nov 20

I enjoyed finishing reading the Van Gogh unit.

I learnt about his link with other artists, particularly Gauguin, and how he admired a painter called Millet. I liked the activity where we had to compare and contrast the use of how Van Gogh and Monet used colour in two paintings which had a different theme. There as also an activity where we had to read a transcription and translation of a letter that he wrote to his brother, Theo. Although I had heard somewhere that he had cut off his ear, I didn’t know about the extent of his mental illness. The module materials suggested that he painted despite mental illness, not because of it (but that is, of course, a huge simplification).

Next up: the materials on the module website, and then the writing of TMA 2. I feel as if I’m keeping to the module calendar pretty closely.

29 Nov 20

I finish reading through the Van Gogh module materials and complete the activities. I quite enjoyed the online activity where we had to use some of the terms from the module to describe and analyse a selection of paintings.

I’m now faced with a choice; I need to write about two of the four disciplines that I’ve briefly studied. My choice is: music, philosophy, literature or art.

I look through the TMA.

I rule out the Mary Wollstonecraft question, not because of the subject or her philosophy, but the wording of some of the questions put me off.

I’ve decided to do the Dickens question simply because it’s been such a long time since I’ve studied literature, and that tackling the literature option might do me good.

The final choice: Mozart or Van Gogh; music or art.

Although I found the materials really interesting, there’s something about Van Gogh that annoys me that I can’t quite put my finger on. Whilst I think I can answer the question using the terms and language in the module, I quite like the idea of analysing and writing about music.

My choice: Mozart and Dickens.

Over the last couple of weeks I've started to study A111 Discovering the arts and humanities, which is a foundation module for degrees in the arts and humanities. Other than having a couple of English GCSEs, I've never formally studied the arts and humanities. 

One of the recommendations is to begin what is called a learning journal. There are many different ways to keep one: long form notes that you keep in an A4 file, or a Word document. I've decided to go one step further and share parts of my learning journal on a blog, and make my posts visible by the A111 tag. I plan to post one of these a month.

I got my books in early September, and having a busy day job, I got stuck in before the official module start date. Here's what I've been up to.

12 Sep 20

I started reading about Cleopatra and quickly realised that I don’t know anything. I didn’t know about Caesar was assassinated, and that there were connections to Greece, Rome and Egypt. I was introduced to the point about different perspectives. I read the FAQ on the module website. A thought is: get a regular study pattern in the morning, and try to get ahead!

26 Sep 20

Getting ahead of myself, I started reading the chapter about Mary (the mother of Jesus). I didn’t know that the story of the nativity comes from different gospels (Luke and another one) and that there were these other texts that were not included into the bible. I learnt about the origins of the word ‘polemic’ and also didn’t know that there were so many references to Mary in the Quran. All this stuff is new to me.

30 Sep 20

Finished reading section 4 of Mary, which was about how Mary is worshipped and can appear in apparitions. After reading the section, I realised that the different chapters of this first book relate to different disciplines. It’s really obvious now that I’ve noticed it. 

After finishing section 4, I went back to the website, and noticed that there were further module materials to go through that I hadn’t seen before.

I enjoyed the videos ‘Cleopatra in Hollywood’ and ‘Cleopatra on TV’. I had a quick look through the skills section about using sources (I must return back to this), and spent a bit of time working through the section on notes. 

A note to self: I need to figure out a way to start to make notes whilst I read stuff. I need to listen to the In Our Time clip from BBC Radio 4 that is linked to from the module materials. I learn better by listening than by reading.

Next blog takes me to the start of October.