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Workshop: The Mechanics of Good Writing

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Edited by Christopher Douce, Wednesday 18 March 2026 at 12:11

The full title of this workshop was: The Mechanics of Good Writing in the Arts and Humanities. Although my English degree is now coming to an end, I thought I would go along to a programme wide lunchtime workshop about writing, which took place on 3 March 2026, facilitated by Cindy Benton. This was one of a series of workshops that I attended with the intention of picking up any potential useful tips. I’m really glad I went, since there were some very good tips to be gathered.

What follows are some notes I made, which I’m sharing with permission. When I use quotes, I’m either quoting directly from Cindy, or from the resource that she shared during her session. I would also like to add that the tips shared here may be useful to students who are studying subjects other than the humanities. These notes may also be especially useful for students studying the Computing and IT undergraduate project module, who have to submit a significant report during the end of their degree.

The workshop aim was to focus “on the skills needed to develop good academic writing at the sentence and paragraph level, including how to avoid common sentence structure errors, constructing effective paragraphs, signposting, and using an appropriate academic tone.” Cindy shared an interesting quote from Bourdieu and Passeron (1994); “academic languguage is no-one’s first language”, which I have since tracked down to the following source: Bourdieu, P., Passeron, J.C., & De Saint Martin, M. (1994). Academic discourse, linguistic misunderstanding, and professorial power. Stanford University Press.

I really like this quotation, since it reminds me of some related research that relates to the idea of academic literacies (ORO), that was published by a former OU colleague. From memory, the point is that you’re not just learning about something, you’re also writing about how that subject is discussed or expressed. Put another way, there are a bunch of these hidden rules that you need to figure out.

In computing modules, writing isn’t something that is foregrounded. Students are not typically expected to write essays. Students are, however, expected to write reports, and include short discussions within TMA submissions. Whatever the subject, writing is important.

If you’re a computing student, you might want to skip over the following section about the essay, and start on the section that highlights the importance of the introduction.

The essay

I understand an essay to be a formal piece of writing that is “structured, evidence based, balanced and formal”. It is something that “gives an opportunity to evidence understanding”.

We were asked a question: what makes a good essay?

I noted down three elements of a good essay: presentation, content, structure.

Presentation is important, since it helps the readability. Presentation can be helped by the use of correct use of language, appropriate use of paragraphs which have a clear structure, and correct referencing.

In terms of content, what you include should be relevant. You need to include evidence to support any claims you make and analyse any evidence that you share. Everything that you include should relate back to the essay question.

Turning to structure, there should be a clear introduction, a set of related paragraphs which uses signposts and transitional sentences to move between them, a clear conclusion, and a set of references.

There are things you should avoid: basic language errors (punctuation and word choice), overly personal language, contractions, colloquial language, emotive language, generalisations, and rhetorical questions. The point that we were implicitly returning to is that essays are formal and dispassionate.

Introductions

It is stating the obvious that essays and dissertations should contain introductions.

An introduction sets out the main points you are going to cover. It shares some context to outline what a piece of writing is all about. A rule of thumb is that an introduction should take up between 5 and 10% of a document.

During an introduction, offer a sketch of your conclusion. A practical suggestion is to avoid restating the essay question but instead aim to give an answer to your question. You may write what is called a thesis statement (which is a phrase I’ve not heard of before). A thesis statement should give your answer direction and focus. It should tell the reader about the topic and point out what will be discussed.

In an introduction to a report, you should say something about what you have done or what you have found out. You may also say something about why and how you have done what you have done, whilst also sharing some pointers to sections that follow.

Paragraphs

Each paragraph should share one main point before moving onto the next point. A paragraph should open with a sentence that relates to the thesis statement, or what the paragraph is going to cover. This opening sentence is called a topic sentence.

An effective paragraph has relevance (it has cohesion, which means that it addresses a single point), it has unity and completeness (it develops a point fully before moving on), and coherence (sentences should flow from one to the other and organised in a logical order). An important point to remember is that if your paragraph contains detail that is not related to the aim of the paragraph, leave it out.

A well-known approach to working with paragraphs goes by the abbreviation PEEL: make a point, give evidence from your readings, explain how evidence relates to your point, and then add a linking sentence. Your linking sentence helps with flow and readability. It ensures a clear connection between everything that you have discussed, and can relate back to the question being answered. The explain bit is the analysis bit; it is the part of your paragraph that does a lot of the heavy lifting.

Reflecting on the application of PEEL, a bit of advice I was told by my own tutor was: “don’t end on a quote”. You need to explain what that quote it all about to your reader.

To conclude this section, a very practical tip was: if you’re struggling with your word count, ask whether every paragraph contributes to the overall argument. If not, then consider cutting it.

Signposting

Signposts guides a reader through your argument, essay or report. They can show how points and paragraphs are connected together. They can work at different levels: within sections, at the start of paragraphs (to highlight the point that is going to be addressed), and within sentences. Sentence level signposting makes use of words such as however, alternatively, additionally (adding more ideas). Signposts can also be used within the conclusion, which can offer a reminder of where you got to at the end of the report or essay. They can also work within your conclusion to offer a reminder to the reader about the route they took to get to the end.

Conclusions

Reflecting the introduction, the conclusion to an essay should be anything between 5 to 10% of the total word count. The aim of the conclusion is to bring different threads together, which are expressed in the paragraphs. A conclusion should also show how your essay has addressed the question, and state points that have been identified or shared. Don’t introduce anything that is new. Present your main point or points. Don’t surprise your reader.

A set of questions to ask were shared. These are: is our conclusion related to our essay question? Is it based on evidence? Does it bring thread and points together? Does it avoid adding anything new?

Sentence level errors

The next bit was a quick summary of some small errors that could come up in your writing.

Run on sentences: "are two (or more) sentences that could, and should, stand alone, but that have been spliced together without the proper punctuation or conjunctions" (the word ‘and’). (Thank you Cindy for that precise definition!)

Comma splices: This is where commas, rather than full stops, are used to connect entire sentences together. It can be solved be adding a full stop, or by using a semicolon. A semicolon is used to show that two separate sentences are closely related.

I find all this low level language stuff quite difficult, especially when terms such ‘clause’ and ‘conjunction’ are used. The following resource from the University of Waterloo, Run-on Sentences and Comma Splices offers some helpful guidance.

Another topic that was mentioned was the dreaded apostrophe. I have no shame in declaring that it took me a long time to properly figures this out, although it is inherently very simple. Essentially, the apostrophe relates to possession or ownership. This blog is Chris’s blog. It is my blog. The University of Sussex has a helpful page on The Apostrophe.

This resource is from a wider set of pages on the topic of punctuation, which is worth looking through.

Resources

The PowerPoint resource that accompanied the workshop contained a number of useful resources. I’ve pulled a number of them together and summarise them below:

And finally:

Reflections

Even though I’m an experienced student who has been around the block a few times, this session reminded me that attending events, however familiar, still helps me to pick up new ideas. I came out of this session learning the terms: thesis statement, topic sentence, and comma splices. I still struggle with the idea of an argument when it comes to English essays, but I think I’m getting there.

Acknowledgments

Acknowledgments are duly given to the Arts and Humanities team that set up this programme of workshops, and to Cindy Benton (whose excellent suggestions for edits spared my grammatical blushes).

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Christopher Douce

Skills for Careers in Arts and Humanities

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Edited by Christopher Douce, Monday 6 October 2025 at 12:02

Whilst wearing my student hat I went to a careers event that took place on 12 June 2025 for students who were studying arts and humanities modules. I attended because I was curious; I wanted to know what would be covered in sessions like these.

What follows is a set of rough notes I made during the session. The aim of the session was to explore and to find ways to identify what skills employers look for, to learn more about career options for students studying arts and humanities qualifications, and to share resources.

Activities

The session began with an activity, where we were asked a question: what skills do you think employers want from you? This was linked to some research by an organisation called the Bright Network. In their most recent survey (at the time of writing) the top three ‘skills’ identified were: ‘interest in the business’, resilience, commercial awareness.

The next activity we were asked to create what is called a ‘skills calling card’. The idea was that we choose an image, list our top 3 employability skills, and rate them out of 100. In other words, imagine creating your own card for a game of ‘skills top trumps’.

This led to some questions, namely, how might you demonstrate or evidence your top skills by way of examples? This being, of course, being linked to how you pitch yourself within a job applications, CVs and interviews.

Careers

The activities led to the question: what can you do an arts and humanities qualification? There was a discussion about job roles and employers. I was stuck by a particular statistic, that 85% of jobs are open to students who have any degree, which was attributed to an organisation called the institute of student employers.

We were directed to some useful resources: Prospects, which as a section about ‘what you can do with your degree, and the OU jobs platform, opportunity hub. I like Prospects. It is through Prospects that I gained an opportunity for doctoral study, which eventually took me to the OU.

We were encouraged to carry out some further activities in our own time. One was to look through job adverts to identify what skills employers are looking for, what examples can you draw upon to evidence the skills that you might have. Another activity was to look at career paths of OU Alumni through LinkedIn.

Resources

We were introduced to a number of useful resources:

It is interesting that these attributes have been only related to Faculty of Arts and Social Sciences modules. They can, of course, also be applied to modules from other faculties.

A reminder was given that all students have access to the Careers and Employability Service, which can be found through the Help Centre. The services provides advice for about writing of your CV and preparing for an interview. You can also book in an appointment with a professional career advisor.

Acknowledgements

Many thanks to the presenter and the facilitator, and the careers team who devised this session up.

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Christopher Douce

Arts and humanities day school 2023

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Edited by Christopher Douce, Monday 10 November 2025 at 08:50

On 14 October 23, I went to part of an OU Arts and humanities day school, organised by the Faculty of Arts and Social Science (FASS) which took place at the London School of Economics.

There are a couple of reasons to write this short piece. The first is to remember what happened during the event and to be able to share some of the points from the session with fellow students. The other purpose is to share with other faculties and schools what the FASS faculty has managed to do.

Although the session was run for the whole of the day, I only attended the afternoon session, which was all about literature. The morning session was all about study skills. For students who need advice of study skills, I do recommend the OU skills for study website.

Part 1: Things to know about literature

There were two parts to the English Literature strand. The first session was all about discussing what literature was all about, what is it for, and how is it studied. It was facilitated by staff tutors and cluster managers, Tim Hammond and Liz Ford.

During this session, we were asked some questions, and were encouraged to speak with fellow students to attempt to answer the question, or arrive at some definitions.

What follows is a summary of those questions, and some of the key bullet, or takeaway points that emerged from both the group and plenary discussions.

What is literature?

It is about storytelling; there are characters, plots and narrative.

It is about words, texts and the structure of language, but it can also be about oral communication, such as drama and plays.

It is also about responding to and interpreting texts. Also, a point of view is important.

Literature can be used to create new worlds.

It can also be used to develop and maintain culture.

Also, the notion of THE CANON was mentioned. There will be more of this a bit later.

What is literature for?

To entertain, to educate, and to suggest or facilitate change, to consider different worlds, and to make a record of something.

There are also some negative reasons: it can be used for propaganda.

Literature can be used to share experiences, and to expand horizons.

One point was emphasised: entertainment. Although it sounds frivolous, entertainment is important!

Why do we study literature?

To understand different ways of communication, to understand what is considered to be important (which links back to The Canon).

Through studying literature, we become more critically aware, become better writers, and can more readily contribute to academic debates.

It allows us to gain a deeper understanding of texts, and how they are constructed.

Understand different points of view.

How do we study literature at the OU?

The OU approach is to have interpretive journeys through texts. I made a note of something called reception theory, which will be explored in level 3 modules in more detail.

During the modules, there will be texts that you have never heard of, and texts that have been translated.

Students will understand how books (text) may come into being, in the sense that books exist within a context and within an economy. Texts now exist within a digital world.

Within the modules, there is a lot of optionality and choices when it comes to the assessment, leading to more flexibility in level 3.

What can you do with literature?

One of the points made in just was: you could (potentially) become a bestselling novelist! (This was made in jest, since it is very difficult to become a best selling novelist).

Due to time was short, a key point was made: do speak with the careers office; they have a wealth of advice to offer.

Part 2: Evaluating negative responses to reading in life and in fiction

The second bit of the day, presented by Shafquat Toweed, who is the chair of A334 (and has written some of the materials for A233, which I’m currently studying) had the feel of being a research talk.

Shaf’s research is all about reading in literature (which does gets mention in A233). In an EU project he mentions, members of the public are invited to send in post cards that relate to their experiences of reading.

I found Shaf’s presentation fascinating since I have never been to a research talk about literature before. I have heard that ‘presenting a paper’ in the discipline of literature is a little different to ‘presenting a paper’ in the sciences.

I learnt that there is something called the UK Reading Experience database. Shaf also mentioned an EU project, called Read-it: Reading Europe Advanced Data Investigation Tool.

Towards the end of his presentation, he took us through the plot of a story, where reading of fiction led one of the main characters to an untimely demise. One must emphasise that this was fiction, about fiction, and this isn’t anything we should be unduly worried about.

Reflections

I went to this event since I needed to give myself a motivation boost.

I have a lot on at the moment and I worry about my studying of A233 will become subsumed under everything else I need to do. I’m studying literature for a number of reasons: it may add something to the other work I’m doing, it is something that I’ve always wanted to do.

During the first session, I won an OU pencil! 

Admittedly, I won it for being “arrogant”, and was encouraged to “join the scientists” for claiming that I was able to define, without any difficulty, what literature was all about.

Upon reflection, the answers that everyone shared in the plenary discussions were a whole lot more nuanced than the answers that I gave. Whilst I do predominantly align myself with the scientists, I am aware that I need to be more comfortable with nuance and opinion.

There was a real buzz about this face-to-face event. It was also something that got booked up really quickly, which suggests that there was a lot of demand for events like these. It was also notable that these events only take place in two locations: London and Glasgow. I really liked that I was able to chat with fellow students; we spoke about levels and texts, and shared some practical study skills.

It was also notable that students who were not able to attend this event have been asking what happened during the day school. In some senses, this blog aims to act as a bit of bridge. Sharing online what happened during face-to-face sessions underlines my belief that face-to-face, when done well, has the potential to help all students, irrespective of whether or not they are able to attend.

Well done FASS for running such a useful event. One day, I hope that I will be able to run an induction session for all our new computing students. Face-to-face is important. We need it to come back.

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Christopher Douce

Unpacking a TMA question: tips from A111

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Edited by Christopher Douce, Wednesday 16 February 2022 at 15:34

As well as being a tutor, and a staff tutor, I’m also a student. At the moment, I’m studying the arts and humanities, and I’m part way through the equivalent of my first year. I’m really enjoying it, and I can certainly say that I have learnt a few things.

This short post summarises some really helpful hints and tips about responding to a TMA question. These key points have been taken from from the A111 Discovering the arts and humanities study skills materials, written by Judith Rice. During my studying of this module, these points have really stood out in terms of being helpful. These tips may be relevant for other subjects and disciplines, not just the arts and humanities. 

Question words: how, why and what?

This tip emphases that “questions like these are asking you to make a judgement of some kind”. For the arts and humanities modules, there is “the expectation is that you use evidence from the sources or module book to support your answer”, so make sure that you reference module materials, and quote judiciously to demonstrate your understanding, and to show your reading. 

Compare and contrast

The essence of this tip is as follows: “if an assignment asks you to compare two sources, you are expected to look at ways in which they are similar and ways in which they are different. If the word ‘contrast’ is in there too, you should look especially hard for differences between them”. This is all about demonstrating your thinking as well as demonstrating your knowledge of the materials. 

Describe

This keyword “indicates that you are being asked to talk about what you see in a picture, hear in a piece of music, or read in a text; it could also indicate that you should give an account of what happened over a period of time.”

Explore

Explore isn’t a word that I’ve seen very regularly in TMAs, but when explore is used “you are being asked to look at an issue or an idea in a balanced manner, probably across a number of different examples. A definite ‘answer’ is not required but you will need to examine the evidence to look out for patterns.”

Consider

Like explore, this isn’t a TMA word that I’m very familiar with. The module materials offers a bit of guidance: “the task here is very similar to the one signalled by the word ‘Explore’, but there is slightly more emphasis on weighing up the evidence in order to reach some kind of balanced assessment in your conclusion.”

Assess

Simply put, assess is all about making “some kind of judgement or measurement, and to think about various aspects of a source or collection of sources.” Again, do reference any appropriate module resources.

Explain

Finally, “explain” is all about giving “reasons for something.”

Preparing to answer TMA questions

When answering a TMA question, I have started to adopt a particular way of working. 

I begin by flicking through all the module materials, making a note of the significant headings. I then take a bit of time to review some of the key bits of module materials to make sure that I haven’t missed anything. When I have reacquainted myself with everything with the main themes that the module team are trying to convey, I then have a good look at the key words to get a feel for what they are fishing for.

Another approach that I’ve adopted, depending on the question, is to make sure that I have all the references in order before starting the writing. To do this, I do a bit of digging into the CiteThemRight website to remind myself how to reference everything I might need to reference, such as module materials, set texts and anything else.

Other tips, resources and blogs

TMA questions are connected to module learning outcomes. In addition to focussing on the TMA questions themselves, it is sometimes useful to have a good look into what the module team are looking to assess. Put another way, by looking at the learning outcomes and the accompanying activities may well help you to “get into the head of the module team”.

There are a range of other resources that can be useful. Some of these are summarised in earlier blogs about study skills. I also regularly recommend the Good Study Guide (pdf).

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Christopher Douce

A111 Journal - September 2020

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Edited by Christopher Douce, Wednesday 20 April 2022 at 08:29

Over the last couple of weeks I've started to study A111 Discovering the arts and humanities, which is a foundation module for degrees in the arts and humanities. Other than having a couple of English GCSEs, I've never formally studied the arts and humanities. 

One of the recommendations is to begin what is called a learning journal. There are many different ways to keep one: long form notes that you keep in an A4 file, or a Word document. I've decided to go one step further and share parts of my learning journal on a blog, and make my posts visible by the A111 tag. I plan to post one of these a month.

I got my books in early September, and having a busy day job, I got stuck in before the official module start date. Here's what I've been up to.

12 Sep 20

I started reading about Cleopatra and quickly realised that I don’t know anything. I didn’t know about Caesar was assassinated, and that there were connections to Greece, Rome and Egypt. I was introduced to the point about different perspectives. I read the FAQ on the module website. A thought is: get a regular study pattern in the morning, and try to get ahead!

26 Sep 20

Getting ahead of myself, I started reading the chapter about Mary (the mother of Jesus). I didn’t know that the story of the nativity comes from different gospels (Luke and another one) and that there were these other texts that were not included into the bible. I learnt about the origins of the word ‘polemic’ and also didn’t know that there were so many references to Mary in the Quran. All this stuff is new to me.

30 Sep 20

Finished reading section 4 of Mary, which was about how Mary is worshipped and can appear in apparitions. After reading the section, I realised that the different chapters of this first book relate to different disciplines. It’s really obvious now that I’ve noticed it. 

After finishing section 4, I went back to the website, and noticed that there were further module materials to go through that I hadn’t seen before.

I enjoyed the videos ‘Cleopatra in Hollywood’ and ‘Cleopatra on TV’. I had a quick look through the skills section about using sources (I must return back to this), and spent a bit of time working through the section on notes. 

A note to self: I need to figure out a way to start to make notes whilst I read stuff. I need to listen to the In Our Time clip from BBC Radio 4 that is linked to from the module materials. I learn better by listening than by reading.

Next blog takes me to the start of October.

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