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Words are not for everyone

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Edited by Martin Cadwell, Tuesday 8 September 2026 at 08:23

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser. There is a space between my name and the minus sign and NO space before 'caldwell' to eliminate the name 'caldwell' in the Google listings

I am not on YouTube or social media

Cadwell NOT Caldwell

Those ticklish words

[ 4 minute read ]

Opinion 

I sometimes like to watch YouTube reaction videos and I often have a hankering to listen to Pink Floyd's album 'Animals'; in particular the tracks 'Pigs' and 'Dogs'. There is one reaction video in which the woman listens to 'Dogs' and seems genuinely stunned at the end. She is speechless and eventually says it is uncomfortable and brutal. Her reaction is priceless. 'Dogs' is seventeen minutes and twenty five seconds long though, and there are long periods in which to drift into the music. However, I soon realised that she had been listening to the words, something I have only just started to do when I listen to songs and tunes. Pink Floyd songs are really quite depressing. I had heard a lot of people say that but thought they were talking about the album 'Wish You Were Here' which along with 'Dark Side of The Moon', I think, mourns the demise of Syd Barrett, one of their former band-mates. 

I have some of the lyrics for 'Dogs' ready to include here but, really? They might be indicative of a time, and that time seemingly having a similar sentiment as today but I always, with fabricated nostalgia, thought the mid-1970s as being somehow a cooler time to be around. The lyrics seem to negate my ideas of the cool seventies.

One of the comments on the YouTube reaction video I watched is what I think is a prime example of 'Show and don't Tell'; a version that doesn't waffle on about a character's feelings through metaphor. If this is 'Show and don't Tell' then everything in the world will be just dandy again. Here it is:

       'I bought this tape and "The Wall" while hitchhiking in England in 1985. Listened to them on a portable cassette player I bought in Birmingham at an outside market. Listened while riding the trains and thumbing it. Burned through tons of batteries. I would sleep under bridges to save the money for more batteries. Shaped the person I am today.'

I totally get what he is saying (said). The whole album for many people, including me, is utterly compelling to listen to again and again. I have even broken my 'Golden Rule', well, one of them, of not hanging on the coat-tails of other people. Anyone can write tomes of personal critique about people and their work and with only the slightest tweak make it acceptable, even if it entices the reader towards anger and resentment. The goal, after all, is to evoke an emotion in the reader. Except it isn't if you post videos on YouTube. There the goal is, if you make reaction videos, to hang on the tails of significant people and monetise one's 'work'. I believe it starts off being easy fun and then once video editors and production people are hired it becomes real work. I suppose it is the same as writing one's own book.

       'I am going to write a book,' announced Mimie.

       'What will you do, waffle for a while and hope it sells?'

       'Of course! You have always said I am the master of invention. You say it every time we bicker. See, you thought I never listen!'

       'Touché' Billy replied as he pulled his sabre out with one hand while holding a rapier with the other.

I think the reality is that writing anything that is acceptable to an audience requires more than a modicum of effort and skill. However, you never know you can do something if you don't try. The thing is, from the lowest edge of communication, sitting on a bar stool like a fat toad and spouting uneducated invective to all who are in earshot is both irresponsible and lazy. The whole point behind that rude action is to gain some favour in the reluctant crowd ordering drinks at the bar by piquing their interest. Anyone who directly responds to this toad makes themselves into something similar to a fly; a fly that will alight on other people's sentiment and vomit there to soften their walls of resistance. And, just like a fly, they will suck up the mash, the now conjoined opinions seasoned with confirmation bias, to repeat the operation elsewhere. Ugly stuff, huh?

You gotta be careful with words, real careful. Elma Fudd hunting Bugs Bunny with his shotgun is not the role-model we should be following; we need to be more careful, especially because Bugs Bunny is so much smarter than Elma Fudd. The pen, as we are told, is mightier than the sword (the expression first used by English author Edward Bulwer-Lytton in 1839?) so when Billy drew his sabre and rapier Mimie started writing on the back of a used envelope. 'I am leaving you. You have lost your mind.' She crossed out 'mind' and wrote 'imagination'. To many of us 'mind' means opinion; imagination; mentality (sanity); and is even a catch-all for our maxims; as in 'I am minded to ignore your comments.' You gotta be careful with words.

I felt misunderstood as a sixteen year-old abandoned by my parents into the hands of an older nineteen year old, psychotic psychopath brother. I bought a thesaurus, a Collins Gem Pocket Thesaurus. I was keen to learn new words to explain myself. I was not a good conversationalist and I recognised I had just moments to make my 'elevator pitch'. Unfortunately, I learnt words that other people did not know along with some appropriate ones, so the size of the people who tolerated my company grew smaller and smaller; it did weed out the iguanas from the crowd though. Just remember not to step on them, I thought, some of them bite.

       'Proper tickle me, do words. Can't get enough of them. The missus can't stand them so she just stares at me over breakfast before she does the washing up. Shame really. She makes a good breakfast, does my wife, and the house is clean. it's a marvel really, what with her being the breadwinner n'all. If she would only talk more life would be so much better even though I am happy, but she don't like words.'

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My Publishing House

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Edited by Martin Cadwell, Thursday 9 July 2026 at 10:49

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

Cadwell NOT Caldwell

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My Publishing House

[4 minute read ] 

In the city library a few days ago, I fell into a conversation with a seated librarian behind her desk. When I say 'fell' I mean I engineered it by looking at her as I approached. And, when I say 'conversation' I mean she asked questions and I answered.

       'Can I help you?' she smiled at me.

       'Yes. I am looking for a book on publishing.' I thought that was specific enough but after a minute or two her creased brow was matched by her exasperated, 'It would help if you could be a little more specific!'

       'Ah! Yes. I see. There is a big gap in the book publishing world. There is vanity publishing at one end and the huge multi-national publishers at the other end; you know the ones who own every other smaller publishing house.'

       'The big four.' she satisfyingly smiled.

       'Tesco, Asda....Are we talking about supermarkets now?' I hoped it was amusing, but really I wanted, as usual, to show off a little, and bizarre is my style.

She smiled that same smile that meant she had been dealing with the weak public for a long time. I suppose to her, I had just interjected an 'ad' into a quite dull YouTube video. I pressed the 'Skip' button for her, and moved on.

      'I am interested in, perhaps, opening a very tiny publishers of books and such-like, and really have no clue about the industry, so I was wondering if you have a book on publishing that might give me an insight.'

     '705' She didn't leave it there though. She wasn't rude. She didn't say it tiredly. 'They are a monopoly.' I didn't let it go. 'They', 'Big Four' and 'monopoly' just didn't square with me because I knew I know the actual word for a group of controlling influencers in a market.

       'Not a monopoly, is it? There's an actual word for it, but it escapes me right now.' I blurted.

She looked at me tiredly, but with some compassion.  I could see her think, 'So what? Is it that important to you to correct me? And trying to be comedic in the first instance too?'

She told me where to go. You wish! No, she directed me towards the right place. The nearest shelf to where we were sitting, though still twenty to thirty metres away (60 - 90 feet). I walked the whole of the rest of the library floor, looking, and then worked my way back towards the desk looking for 705. I got lost twice and ended up in the Cookery section and then the Pregnancy section.

You should remember that I had been drinking the 'orange squash' with its mind-altering sweeteners in them, so it wasn't my  confusion I was carrying; it was the confusion of the chemistry and psychiatric world that set my thoughts into turbulence at that time. I got home with books I neither needed, nor had time to read, but only a single book on publishing; a book published in 2000! How relevant is a book that old? It has to have something in it, right? Time will tell, but I have to have an open mind and prepare to freely extrapolate from it to loosely compare ideas to modern practices; modern practice I have yet to read about or discover. I need to remember what could now be obsolete.

It often takes a great deal of effort to get even the tiniest piece of work done, or gain the key statement in a book before we can actually set about making progress. I call the 'key' statement, 'the 1% that I must seek'. It is the crucial piece that holds everything together, the 'king-pin'. So, I shall have to read the entire ?outdated? book on publishing, just in case I learn something that allows me to learn something elsewhere at a later time. 

       'More wine, sir?'

       'No. Thank you, Jeeves. I shall need a clear head for a period.'

       'Very good sir.'

       'Oh, one more thing, Jeeves. Re-instate the pastry-chef, would you? This might take a while.'

Jeeves cocked an eyebrow but I didn't elaborate. 'Very good sir'. He left but not before he poked the fire a little, which sent exciting crackles into the air. The book is not that good, I thought.

Reality struck, last night, when I spluttered a dead fly out of my mouth along with the last dregs of cold and rancidly-cheap coffee I had swigged from my mug. Hmmm. Things were different when things were different in the past. I could not help but think of my father showing me how to make a 'weasel', 'pop' with a tin of Tate and Lyles Golden Syrup. Of course, all he did was turn the tin upside-down and then after a few seconds turn it right-side-up and open the lid. The empty air space that had temporarily been at the bottom of the tin rose through the syrup and 'popped' across the whole of the contents of the tin. It isn't really 'pop goes the weasel' because that  is an old dish much in the same socio-economic category as bread and dripping, I think. It has half a pound of tuppenny rice and half a pound of treacle in it, anyway.

Just like the 'pop' or the 'weasel' my head was feeling treacley and glutinous and everything inside was slipping, but not at all like the beauty of Picasso's 'Persistence of Memory' with the melting clock. Time had passed, but nothing had 'stuck' except what most of us would throw away with the empty Golden Syrup tin; the sticky syrup that stubbornly lines the inside and no spoon will shift. That persistence would get washed away and my mind would again be an empty receptacle, but, you know what? I didn't just sit and stare into mid-space and make stuff up, like I normally do. Fantasy is great if you can afford to be poor in coin, but rich in mind, I always say. Well, if I remember it, I will from now on...to myself, of course, maybe; because that maxim is not really that good, is it? But, it's a start.

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