OU blog

Personal Blogs

Stylised image of a figure dancing

Forced Opinion

Visible to anyone in the world
Edited by Martin Cadwell, Friday 27 March 2026 at 13:58

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile mental health

[ 8 minute read ]

WARNING - evokes thoughts and ideas on bestial violence, division and hierarchy (dogs fighting)

This is about how the pen is mightier than the sword

Get a licence

'He should be on a lead!'

Throughout the whole of yesterday, inspired by a headline on one of the online news websites, I had a mind to show how evoking emotion can lead people towards a conclusion that can be cemented by confirmation bias; with conclusions that confirm an idea that has lain transparent, gossamer-thin, and nascent, but, through skillful nurturing, becomes more opaque; and as it does so, less open to good counter-argument. I 'hemmed and hawed' at how I would do it; whether I can do it, even whether I should do it. Can I pull it off? I had a theme in my head that I am certain would draw support even though I intended to present it in a surreal way; an oblique approach allows others to make their own minds up; I believe this is the strongest and most abiding force, that of being guided (tricked) into transmogrifying a narrative into something that fits one's own perception and interpretation of the world.

Such is my expectation that the drive of the subject, by dint of it being contentious, would evoke, what may indeed be biased agreement in a large segment of the world population, I, perhaps foolishly, made no attempt to even try to consider a different way to demonstrate the power of words and how they influence opinion. I was going to write a short story but I realised that I cannot control any after-effects. I decided that it is better to present the scaffolding and not the facade. Hopefully, this will cause some people to read a bit more objectively. So, make no mistake, I have an intention and an agenda, but it is an open one.

     'Did you hear? You have to get a licence now if you want a live-in boyfriend?'

A long time ago, people in the UK needed dog-licences if they kept a dog. The details of it are not really the point here. If dog-breeders needed the same licence is beyond my guess. I think the idea was born from a melding of bifurcated opinions that had emerged from both the dogs' perspective and from dog-bite victims. How can we protect the public?

I suppose many dogs were a bit wild and perhaps mistreated and were more than a little scared of strangers and defensive. I think a dog, as a pack animal, needs to assert its authority by it's fighting prowess. Annoy a dog and you can expect a warning snarl and then a nip, perhaps from lying down position, and then an aggressive standing stance with head lowered, and then a violent advance that will be something that you cannot extract yourself from. You must now fight it.

     'Did you hear? We no longer need to buy dog-licences because dog owners are better at understanding their pets' needs.'

That, if you got the connection and ran with it with your own thoughts, is how, by tapping into a long-standing, not yet fully fully considered, belief that men are brutes, gives us the idea that a comparison can be made between a woman's higher intelligence and reasoning ability and that of a less intelligent animal which presents itself (the animal) as though it acts solely on some kind of primordial instinct. People need a licence to keep a dog and women need a licence to keep a man. The point is a higher and reasoning intelligence is considered apt to be in a controlling position over a lesser more instinctive intelligence. Dodgy, huh?

Clearly the two speeches above are uttered from, first, a female perspective and then, from a universal perspective. Now a speech sentence from a male perspective.

       'Did you hear? We can now check to see if our girlfriends are sane by whether she has been granted a licence or not.'

What may first have appeared to be a device (a licence to keep a man) to protect women in my dystopian world as recognising and portraying men as 'cavemen' brutes; and as such need to be kept on a leash, is now a psychometric test as to the suitability of women as girlfriends, from a male perspective.

Now I have opened a can of worms. For many people, I have pulled the rug from under their feet. I expect the overriding thought, for them, is that I am a misogynistic brute. However, to some extent I have deliberately tried to make this happen. The task for me now is to be successful in assuaging (negating) that feeling. Instead of dampening the heat of a blaze though, I must take away the smoke of poorly consumed wood that I intentionally added to the fire, along with the dry tinder that acted as an accelerant.

I am a man. Like a dog, I sometimes act instinctively. And, like a dog, I am a pack animal. Just the same as a dog, I will have picked up bad habits right from birth, through childhood, adolescence, and into adulthood. But, even as an adult, because the world is changing, much of what once seemed proper behaviour, that arose from attitudes of a past time, is now 'deemed' to be inappropriate. Even the use of the word 'deemed' leaves opens the subject; just like a flare-up in a fire when a piece of paper is thrown onto embers. It offers an idea that I do not agree with an idea formed by others, of which I am contemptuous. But it slips quietly in because it follows the word 'seemed' in the same sentence.

There is now a burgeoning world view that social media has some kind of effect on children, social development and behaviour. There are moves and pilot studies to understand the effects and how to eradicate negative influence and effect from social media activity.

Psychologists debate which has more effect on an individual's behaviour; nature or nuture. Was the successful person pre-determined to be successful because they had good genes, or was the parenting and social education of the successful person influential in allowing a good academic education to be absorbed and implemented.

When dogs fight, the owners have their expectation that dogs will fight suddenly realised. The attitude, in the main, is to drag them apart and one owner will probably berate the owner who did not keep their dog on a leash. When men fight on a Friday and Saturday night in the UK, as long as no-one is not hurt too badly they are dragged apart by friends and bystanders and everyone gets to go home. The wounds remind the fighters over the next few days that they should be wary of a probability of future wounds if they act in a similar way. The police, if they deal with men fighting, are loathe to lock them up, but invariably do if they consider that a flaring up is inevitable, and then later release the fighters, after they have calmed down and sobered up.

You can see that, in the UK, men are indeed considered to be similar to dogs. Hence, there is a need for responsible people to register their men with the local authorities. Since dogs cannot be the owner of other dogs, it falls upon women to step up and claim men as their possessions. 

Here then I have introduced some ridicule into the subject. It is crazy to think that men need to be licenced right? What you may have missed in considering this comedic conclusion, is that I have inferred that women are a different species. Anyone who said to themselves, 'Yeah, he has a good point, men should be licenced, and who better than women to apply for those licences', no matter how briefly they held that weird thought, they unwittingly absorbed a potentially damaging concept by way of a back-door.

This post is not intended to create any long-standing ideas of any differences between males and female, or humans and animals. However, by highlighting animal behaviour, there is an expectation that many of the peripheral thoughts around supposed differences were illuminated in our minds, were momentarily considered, reshaped, and stored again. That is how opinion can be deliberately, and inadvertently, changed by both canny and poor writing, and of course, careless reading.

By the way, I would be grateful in knowing if a woman wants to claim me as being potentially useful to her. I am house-trained and have learned to use my hands to eat.

UK

Samaritans - phone 116 123  'Call us any time, day or night' - 'Samaritans works to make sure there's always someone there for anyone who needs someone.

https://www.samaritans.org/how-we-can-help/contact-samaritan/

Childline -  Open 24hrs & days a week. Contacting Childline Call us free on 0800 1111 or find out how to get in touch online. Whatever your worry, day or night, we're here for you. 

https://www.childline.org.uk/get-support/contacting-childline/

Permalink Add your comment
Share post
Stylised image of a figure dancing

Who says so

Visible to anyone in the world
Edited by Martin Cadwell, Thursday 26 March 2026 at 14:52

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile 

 

[ 3 minute read ]

Negating the Influencers

Creative Writing

The people who like your work are the one's who you impress the most. You can continue as you are and they will be your future target - market, or if you want more fame and fortune you can pick any target market and adapt your work to match what they like. Knock-backs are only knock-backs because we haven't decided what to do. We all have a natural bent towards our own style, though.

I have been spending quite a bit of time looking into the technical side of Creative Writing. But, I don't do things in a linear way and I find directed study to be a bit constraining sometimes. 

I believe that Creative Writing should be freeing and I write posts on the OU blog site almost daily. A blog post is usually 'free-writing' which means that the writer can suspend a good deal of the rules and technical side of writing. It is good fun and good practice for more serious writing.

Free-writing often throws up interesting scenarios, settings, characters and relationships. I keep the bits I like and combine those chunks to build a more focused approach to creative writing. Any Tutor Marked Assignments  (TMA)s, or the upcoming End of Module Assessment (EMA), gets a technically written re-write of stitched together blocks of writing and concepts that I have learned, saved and realised from both free-writing (blog posts essentially) and OU study. Technical includes proper grammar and appropriate phrasing, along with more precisely placed literary devices.

I need to be a bit ahead of The Open University Tutor Marked Assignment (TMA) requirements. To do this I have fun with loose research such as viewing videos on YouTube by voice coaches for singers for example; that way there is lots of music and interesting facts. This, currently, is so I can understand how best to write effective speech. Realistically, it takes about twenty hours to learn something that could be taught in ten minutes, but I am a strong believer in needing to be immersed in a subject in order for the subject to be suffused throughout our lives, much like I don't need to consider where to put a full stop (Am. period) in a sentence; well, I didn't, but I do now ( , ; . : ) they all have their places and they are all crucial for making a sentence sensible.

The difficult part about seeking information in one discipline for use in another is the selection and transformation of the content. However, there is some safety in cross-discipline study. If the information does not fit a paradigm it is discarded. Essentially, new information has to pass a lot of tests before it should be accepted.

The Four Pillars of Artistry (below) is something I have only just come across and I need it to explore to ascertain the efficacy of understanding it. For now, it is just a list. I will see if I can make use of it somehow.



The Four Pillars of Artistry

(according to Beth Roar)

Emotion

Technique

Creativity

Storytelling

From Beth Roar's (voice coach) video on Alison Krauss:

Her tone is bright, yet, it's really emotional, and she has such an interesting balance between the two pillars of technique and emotion. It's really interesting with people who lean into the technique pillar, but yet, have that emotional attunement; that emotional drive. It means that the emotion doesn't necessarily come out in a big, extravagant way, but gets moved through that technical precision, and it's transformed into something magical and beautiful. And this is what's happening here. Emotions don't need to be baked to hit you in the gut. They just need to be present and truthful.’

I firmly believe that Beth's comments apply to both singers and creative writers of stories and words, lyricists, and even comedians who write their own jokes.

Beth Roar believes that 'artists' need to understand their own strengths and weaknesses; which of the four pillars of artistry they are stronger in and weakest in and then they need to work on the weak ones. i am still unconvinced on that because I don't know enough about pillars of artistry. It is something I need to look into and find some new voices. That focused approach is very much in line with my study approach in conjunction with what the OU wants me to do.

My concern is that the more I learn about creative writing, the more I am equipped to manipulate others. The easiest way to manipulate is through other people's emotions. That is why I need to be able to understand the technical side of writing, so I can understand and control the impact I may deliberately, or inadvertently, have on others. Effectively, anything I publish, and importantly anything anyone else publishes, I need to be able to un-write, undo or negate.

I am not studying for grades, fame, accolades, or money. I am studying because I need to understand influential writing, good and bad.

Something I have learnt very early on is that there is a mass-manufacturing approach to teaching degrees. Millions of identical train carriages are made to be pulled by controlling and driving engines in the real world. The problem is, if any of those carriages do not comply with the plans, and fall off the track, they are never promoted to be engines in the real world, or returned to the factory to become blueprints or templates for better or improved models to be built. 

Permalink Add your comment
Share post
Stylised image of a figure dancing

Coffee Mulberry Molasses and Vanilla

Visible to anyone in the world
Edited by Martin Cadwell, Tuesday 24 March 2026 at 08:37

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

You can read edgier posts on some similar subjects on my own website martincadwellblog.hegemo.co.uk  (opens a new page). Or my site, hegemo.co.uk for my viewpoint on mental ill-health (opens a new page). Look for the tabs at the top of the site, which you may have to drop down.

Learn how I introduce and describe a character by getting another character to do it: https://www.hegemo.co.uk/creative-writing/

silhouette of a female face in profile 

 

[ 3 minute read ]

The room faded

That Mulberry Molasses you have at the back of the fridge since forever, tastes good in black coffee with a drop of vanilla essence. You can really taste the dark, and strangely seductive fruity promise of a full relationship before a wash of vanilla reason joins the briefly intriguing conversation. The taste is complex and is much like walking on a quiet beach at dawn with the attractive person from the party, not looking for, but open to a hiding place, only to be hailed by the person's partner. You search each other's faces for the same desire you both feel and see it reciprocated and then look towards the cheery but woolly interruption. Again, a glance at each other and then you exhale. 

Oooo! The first sip was sharp and bitter, but there was something in it. Ah, perhaps the pairing was not quite right. But just as you find some features in other people queer and then they become quaint with anticipation, the second sip carries with it a knowledge of what to expect; it allows a deeper sense of flavour to be appreciated. It is much more like the long snog after a first kiss on New Years Eve; hungry and explorative; and mutually giving. There is a mustiness like a light perspiration of flavoured alcohol has permeated the freshness of perfume and scent that was applied hours ago. The kiss and the smell is organic. It is almost primeval and immediate in its intent; now it is tasted. With the kiss broken the taste lingers. But it will be a memory of that moment when full desire of an illicit encounter was unfulfilled. A look into each other eyes and then another deep promising kiss, and then the sounds of the noisy room comes back and you are separated by the crowd; the moment and chance has gone.

I drank only one cup of coffee like that yesterday afternoon and didn't finish it; but there was still some left in my large mug, so I made a fresh coffee over the top of it. The mulberry was still there and the vanilla accompanied it and if I had been looking out a window out of a party I would have seen them leaving together as they should do. I would have looked longingly at one of them and known that without the other, the promise would have been filled but the guilt would surpass the pleasure. Despite the overwhelming sweetness it has in itself, Mulberry Molasses without vanilla makes coffee dark and bitter. It fails to sweeten it. Adding a fruitiness it competes for dominance and fails. Instead it highlights the dark and bitter nature of black coffee that even added sugar cannot erase. I can tolerate eating sugar from a spoon but an equal amount of Mulberry Molasses is too sweet. In coffee, it is a quick and hungry grope in a dark alley; good-looking but ultimately cheap and treacherous. In marriage, it is better behaved and mature and must always be only a soft moment of 'maybe' and never something that needs to be secret.

I wonder, if I add milk to the coffee, mulberry molasses and vanilla,  I might legitimise my relationship with Mulberry Molasses in coffee. With milk acting as a soft blanket, the vanilla, if I add it, might be the smell of a home that comforts us as we embrace. The sharpness will still be there in the background, but it will be a memory of our first kiss when our teeth and foreheads bumped, and the touch was truly and honestly ours, without guilt, secrecy or regret. 

Permalink Add your comment
Share post
Stylised image of a figure dancing

Under Development

Visible to anyone in the world
Edited by Martin Cadwell, Sunday 4 January 2026 at 06:39

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile  

[ 5 minute read ]

Under Development

This is about Creative Writing

I am curious. Thank God I am curious. 

I made a lot of money (someone else has it now) running a business in the days when we could make our own web pages from scratch and although all the big businesses had expensive websites, the scope of the 'little man' or SME (Small and Medium Enterprise) online presence allowed me to take advantage of my marketing ability and not least my belief in myself. I taught myself the website language HTML4 and created my own web pages which I could endlessly edit whenever I chose, hour by hour if I wanted to, and web hosting for only about six British pounds per year.

My curiousity leads me to peer in the undergrowth around a subject. The international business I made was born out of curiousity. I had quit a job and I was curious to see whether my experience of playing computer games which were business oriented, could be used in the real world. It could, and it worked well.

It is not enough for me to be on a structured course and follow the program. I need to be stimulated and not led by the nose towards an inevitable conclusion. I look elsewhere for fun. Sometimes I go onto learning platforms that are a little more relaxed in accepting content from students. One or two have forums and allow comments, a bit like social media, which other students can like or respond to.

I almost exclusively write for myself, including these posts; they help me to organise my thinking and practice writing. I don't really like breaking the fourth wall, However:

Here are some snippets of comments I recently made on a learning platform; some people will recognise which one:

4th December 2025 

'I have a feeling that writing allows my mind to slow down so I am more accepting of information. It allows me to see a greater perspective even behind news stories. For example, some news stories state the obvious and others seem to be written by a monkey with a typewriter. If I write how I feel about the news story, or the news contributor, I can understand the reason for the story and its impact. This allows me to find a nuanced plot that I could use in fiction writing.' 

26th November 2025

'It tickles my head. If reading is a cool drink on a hot day then writing is an ice-cube sliding down my sun-burnt back. But that doesn't begin to describe it. Everything is possible and I can see beyond the mountain that the characters have to climb yet they see in black and white while I am looking at the colours of the whole scene through a giant kaleidoscope with monsters and angels equally likely to peer back at me. I shiver at that because for a while they just might be real and perhaps they are not fantasy after all.

I am lucky because my English is quite good and I used to read a thesaurus for bed-time reading as a teenager. '

9th December 2025

'When I see someone dancing in a park but I can't hear the music, I think they might have suddenly found their son's insect collection in their clothes.'

December 2025 A piece that was written as an exercise that allowed student feedback sometime in December 2025. The beginning in italics was some stock I had and I just copied and pasted it and then lazily tried to make a little story from it. It got a poor review but we can only be wounded if we are judged by our full capacity to perform or achieve; but that is a never an excuse to ever let up.

'The attention of the demon-possessed grows ever greater and gradually they creep forward, their ears pricking. Only when the believer swears or curses does the attention of the demon-possessed wane and turn elsewhere. As though the threat of detection is too much to bear does one allow filth to gush from one's mouth.
Or, perhaps, the evident building of force from the demon-possessed causes the believer to swear thus causing the believer to become further from God. We must hold hard. Our weakness is wanting to belong, to not be ostracised, to not feel threatened.’

Good advice from my mother, but this wasn't anywhere off this planet or a different realm to the one we normally live in. This was our first day at a secondary school. The third school for me and the second school for my sister.

Sarah, my little sister, who had only been to our village primary school and never been to a big, city school, like this, gripped my hand tighter and looked up at me. I knew she was going to cry. We didn't know anyone in the whole city except our mum, who had dragged us away from our kind dad. She, this morning, was still in bed, drunk. The alcohol never dulled her dread of the world though.'

12th December 2025

'Hilda was wearing red today so I knew she was going shopping. Her crazy dog was also wearing a red bow so I knew it would bite me if I tried to pet it. It hates red. Red, it knew, meant having to dodge careless feet and shopping trolley wheels. 

Tomorrow, Hilda would wear blue, so I know she will be in her garden pinning her washing to the line and then taking it down only to hang it again further along. Her dog wearing a blue bow would quietly lie down. It liked the colour blue because Hilda fed it treats on wash-days. 

Of course, my dog and I know that her dog is colour-blind and it is Hilda it really hates on the day before she washes clothes, and goes shopping. 

Sometimes, Hilda's dog sneaks through our dividing fence and races my dog around my garden. But it only does this when Hilda is wearing green to match her visiting grandchildren's jumpers on Sundays. They wear green because they think that Hilda likes green and that is why she gives them treats. My dog, with its excellent sense of smell, knows that Hilda only ever buys dog treats, and I know Hilda can't cook.'

13th December 2025

'My family motto is: 'To be, rather than to seem' Yet, my family are liars and back-stabbers, so I left them and live by myself, estranged.

I look at the fruit on the table no longer lit by burned down candles, while I ponder if I made the right decision. I can't look at myself, so the apples slowly wrinkling and the bananas loosing their shape are my only mirror.'

10th December 2025

'If you don't like the review(s) on your work remember this:
You probably don't suck at writing. It might be that the reviewer is not good at commenting or is having a bad day or even has received a bad review from someone else and wants to lash out to make themselves feel better.

10th December 2025

The people we see doing tricks on bicycles were once rubbish when they were learning to ride.

Writers could not read or write before they wrote amazing stories. Artists, such as painters can just practice but writers need knowledge and practice. Don't be disillusioned by fools who see no futures.

You are on a writing course because you do see a future and want to be a part of a rich and varied world of fun, intrigue, love, and connections.

Trying to do something and trying new things is a mark of a valuable person who is alive and energetic. I expect these types of people to be fun to have around.'

26th November 2025

'I don't think I write pre-emptive phrases to start because I think I automatically cut them out anyway. I think I could write a question as speech to get me going because I am happy writing speech; you know, like:

'What's for tea?'
Bob always asked that after he slammed the front door when he got back from work.' 

26th November 2025

'If I am given a remit or a brief to conform to I absolutely freeze. I need a run up before I can launch myself into writing anything that I don't immediately delete. I should probably not delete it though and instead carry on for a while and then adjust the beginning to suit the latter part that I like.' 

26th November 2025

I like dust as much as I like the hairs left all over a sink after shaving. 

26th November 2025

I think writing is like everything: first efforts are never brilliant and practice, practice, practice is key. Athletes practice for hours each day as do musicians. 

17th November 2025

Sometimes I look at my laptop keyboard and then stop looking and three hours have passed. I am satisfied with what I see on the screen though. 

15th November 2025

I think that every time I go to my local shop that something might happen along the way; it does, but only the tyres on my bike seem to know it. Today, the tyres told my trousers that the road was wet. My hat was polite in its acceptance of drenching rain, 'It is what it is!' 

15th November 2025 - we were asked to write two lies and one truth. I just made stuff up instead.

'I wake every day or night from a nightmare. It doesn't matter what time I lay myself down to sleep; 7pm, 9pm, or 1am, I wake. Before the police came I woke at the same time every day for three weeks, 07:28. They woke me at 07:28. There had been a major change in how we considered organised crime and I was the implementer of my own advice, though not a serving officer. I was told to get up because 'something was up'. It was 1990 and my own team was engaged. Later evidence showed that I knew about the likely consequences of a frontal attack on primary school kids illicitly selling crisps in the playground to their friend and peers. I wrote a book called 'I nipped their bud to succeed in the playground'. ('Nipping a bud' in English means cutting something off before it can develop into an uncontrollable problem or undesirable circumstance)

I am so grateful that my alarm has a snooze button. My wife and I relish in the warmth we share under the blankets. Sometimes, when she is half awake I can feel her hand gently moving before she looks at me with a quiz on her eyebrows.' 

Undated

'I met a lecturer who told me that he attended a film screening with only a few audience members and did not enjoy it. Later, he saw the film in a packed cinema when it was released, and the audience's reaction made him really enjoy the film; even though he had already seen it.' 

Today: those are examples of how I write and write and write and after a time something useful and interesting appears. I have to keep those for concatenation and further development, though.

Permalink Add your comment
Share post
Stylised image of a figure dancing

Vicarious Mistake, Lying and Paltering

Visible to anyone in the world
Edited by Martin Cadwell, Sunday 28 December 2025 at 14:52

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile  

[ 6 minute read ]

Vicarious Mistakes

I have so much more to learn

I am fairly certain I made a mistake in the previous post I wrote yesterday morning; on the subject of third person narrative, most commonly found in self-help books and such; though successfully used in fiction: 'Bright Lights, Big City' by Jay McInerney in 1984, which was adapted into a film starring Michael J Fox in 1988. All that is true and can be found at:

https://reedsy.com/blog/guide/point-of-view/second-person-pov/ 

https://en.wikipedia.org/wiki/Bright_Lights%2C_Big_City_(film)

and if you want to waste a lot of your data download allowance:

https://www.imdb.com/title/tt0094799/

The mistake I made was through what I call a 'vicarious mistake'. A vicarious mistake, in my mind, is the repetition of someone else's mistake while believing that there is no mistake. It comes down to 'Who do you really trust?' A weak example of a vicarious mistake is to use a double space after every full stop when you write. That used to be the norm in Britain. I had a girlfriend who taught MBA's at Exeter University and most of her classes had foreign students. My girlfriend insisted upon her students to always use a double space after every full-stop, so they did. I told my girlfriend double spaces are archaic. It is an archaic practice. It is true. She stopped telling her students to use a double-space after full-stops. However, if any person was told by one of her students to always use double spaces after every full stop because they themselves were told by my girlfriend to do so, they, the person advised by her student, would be repeating her error and making a vicarious mistake.

Vicarious mistakes happen all day every day across the world and our attention is drawn to them when someone realises they have been doing things wrong and says, 'Oh! I have always done it this way!' because they were shown to do it  that way. (There is actually a double space after the italicised 'it' - for letter spacing purposes; learnt in calligraphy lessons)

I made a vicarious mistake by omission in yesterday's post. The source I had for learning about 2nd (second) person narrative was a person who failed to explain that, as with first person narrative:

'I went to the shops. It started to rain. I got wet' 

and third (3rd) person narrative:

'He/She/They went to the shops. It started to rain. He/She/They got wet'

2rd (second) person narrative can also include the centre sentence 'It started to rain'.

I failed to include any sentence in my earlier example in yesterday's post that was merely descriptive. Not every sentence needs to have a character in it, such as, 'It started to rain'.

If you want to read about POV and narratives you might go to:

https://reedsy.com/blog/guide/point-of-view/

Some of the following uses a fourth (4th) person point of view 'we' and 'us'.

Lying and Paltering

Suppose someone is asked, 'Did you eat the last piece of pizza in the fridge?' There are a range of answers that we might consider to be not honest.

Let's assume a single person answering did eat the last piece of pizza in the fridge. 'Not me' is an intentional lie by commission; 'I ate some' is an intentional lie by omission because it does not include the information that the 'some' is the last piece. 'I ate the cake' is an intentional lie by obfuscation because if it is true directs the questioner away from their question. This means it is paltering. The last, 'What pizza?' is not lying at all but is using obfuscation, diversionary tactics and delay to avoid confessing anything.

In economics, 'needs and wants', amorphous as they are, are regarded to have more value for different people and at different times. In order to be able to keep track of the value of these needs and wants they are given values known as 'utils'. See the Diminishing Margin of Utility in economics for an accurate explanation. The American (no cookie opt out) Investopedia (https://www.investopedia.com should be able to give a succinct definition. Use the drop down menu at the top left of their page to be able to search, otherwise: https://www.investopedia.com/terms/l/lawofdiminishingutility.asp

Diminishing Margin of Utility If I am hungry, I place more value on the first pork pie in a pack of four than on the second; more on the second than the third; and so on. By the time I have eaten the third, I may have had enough or I am just bored with pork pies. This means that I could give significantly more 'utils' to the first pork pie then the fourth pork pie. The utility of filling me up has been accomplished by eating the first three pies.

In my local shop I discovered mince pies in multiples of three. There were packets of 18 and 27. Odd number, twenty seven isn't it? I suggest, most people might stop at eating three mince pies one after the other, so packaging four mince pies together is a waste of a unit from the manufacturers point of view. Is it a vicarious mistake to put four mince pies in a box, after commodification of products was universalised? I think so. Yet, is a triangular box more expensive to produce than a rectangular box? (a square is a special kind of a rectangle because it has four right angles and two opposite sides of equal length twice). I am slightly digressing in that I am drifting away from how much value we place on eating and what preferences we have. However, the number of mince pies in a box links two things: utility; and a suggested move away from making the same marketing mistake (vicarious mistake or inherited mistake).

If the owner of both the pizza and the cake places more value (utils) on the pizza than on the cake, it may be preferable to confess to eating their cake and withstand their wrath in the hope they will go away after venting their anger and forget about their much more precious pizza. In fact, what might actually happen is that the person who ate the cake may get vicariously blamed for also eating the pizza, if someone else ate it. Yet, with no confession for eating the pizza from any party the heightened anger felt by the owner of these foods for the loss of the cake is less than the sum of the loss of the cake and the pizza directed at two separate individuals, or even a single individual if it occurs as a single event.

So, if someone eats someone else's pizza and cake, it may pay to 'palter' by confessing to eating the cake in response to 'Did you eat my pizza?' or the last piece of pizza. A manipulator, despite never be asked about the cake, may reason that it is best to take the hit for eating the cake so everyone can move on, even if someone else ate the pizza.

The American Psychological Association says in an article 'True Lies: People Who Lie Via Telling Truth Viewed Harshly, Study Finds' (2016) that when people are asked an uncomfortable question they often will continue to tell the truth but without answering the question itself to create a mistaken impression.

References

The American Psychological Association (2016)

https://www.apa.org/news/press/releases/2016/12/true-lies

Permalink Add your comment
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 414946