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Jim McCrory

The Dream We Seem to Share

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Edited by Jim McCrory, Saturday 25 April 2026 at 08:06

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The Dream We Seem to Share

I woke at 6am this morning having something I felt I had to write about. It was about a trip I took this week and the people I met. There are places where something loosens in us before we quite understand why. I felt it this week in Oban, and more so on one of the small islands scattered beyond it, where land and sea seem to speak quietly to one another. I cannot say if it was the weather, or the softened cadence of those who live closer to the elements, but conversation came more easily there—between islander and visitor and tourist and visitor between strangers who, for a moment, did not feel entirely unknown.

It is as though such places carry their own steady rhythm. In cities, people pass through each other like shadows cast in haste, each life sealed behind invisible glass. But on the islands, people seem to move with one another, not as an effort, but as a condition of being. There are fewer layers to navigate, fewer roles to perform. A person stands before you not as a function, but simply as themselves—someone under the same sky, walking the same ground, breathing the same salted air.

The elements themselves seem to conspire in this quiet uniting. The breeze is not a backdrop but a presence. The shifting light, the sudden trickle of rain, the long silences between waves—these are shared experiences, not private inconveniences. When two people stand beneath the same settled sky, there is already something held in common before a word is spoken. It is a kind of unspoken fellowship, where connection does not begin with language but with noticing.

Time, too, feels altered. It stretches, not into emptiness, but into something more humane. There is less urgency pressing upon each moment, less demand to move on before something has had the chance to deepen. Conversations are not cut short by invisible clocks. They are allowed to breathe, to wander, to exist without purpose. And in that unhurried space, something truer often emerges.

There is also a quiet expectation, almost a moral one, that you will acknowledge another person’s presence. A nod, a brief word, a passing question—these are not gestures of politeness so much as recognitions of shared existence. To ignore someone would feel more unnatural than to greet them. And so, without quite realising it, you begin to fall into that rhythm yourself. You become more open, not by effort, but by exposure.

Yet it would be incomplete to say that this change belongs only to the place. Something within you shifts as well. The landscape does not merely surround you; it rearranges you. You begin to notice more and demand less. You become, perhaps, a little more willing to meet another person without the need to defend or define yourself. What emerges is a kind of relational clarity; where connection is no longer something to be achieved, but something that simply happens when presence is undisturbed.

And once you have known this, even briefly, the contrast with the guarded pace of busier places can feel almost jarring. You begin to sense how much of ordinary life is shaped by distance a distance carefully maintained, subtly enforced. The islands, in their quiet way, undo that distance.

The boundary between lives is thinner than we imagine, as though the stranger was never entirely separate, only waiting to be recognised. It was Walt Whitman I believe who wrote with a kind of trembling awareness: “ Whoever you are, I fear you are walking the walks of dreams...” It is a curious line, unsettling in its intimacy, as if he glimpsed something shared beneath the surface of all passing lives.

Perhaps that is what places like these awaken. Those who are drawn to beauty—to the quiet dignity of the earth’s finer places—often stand at the edge of a deeper recognition. It is not only that the world is beautiful, but that its beauty feels intentional, almost communicative. It does not seem like an accident one can easily dismiss. There is, woven into it, a suggestion of meaning, of design, of something that exceeds mere chance.

And alongside this is another quiet truth we carry: a reluctance to leave this world. Not simply out of fear, but out of a sense that we belong here, that there is something unfinished in our presence. It is as though the beauty we encounter is not only to be admired, but to be remembered; it points beyond itself.

The ancient writer of Ecclesiastes spoke of eternity being placed within the human heart, a strange and persistent awareness that we are made for more than the span we are given. And in the Gospels, Jesus Christ speaks to a dying man not of endings, but of arrival: “You will be with me in paradise.” It is a statement that does not argue, only invites.

So perhaps what is stirred in such places is not only a social ease, nor even a love of beauty, but a kind of homesickness for something we have not yet fully known. A shared dream, quietly carried, sometimes unspoken, yet recognised in moments of stillness; in a passing conversation, in a held glance, in the simple awareness of standing together under the same sky.

And for a moment, on a small island at the edge of the sea, it feels as though that distance between people, between longing and fulfilment, has narrowed, just enough to be felt.

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Jim McCrory

The Warmth of Unknown Faces

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Edited by Jim McCrory, Sunday 8 March 2026 at 08:16

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https://learn1.open.ac.uk/mod/oublog/viewpost.php?post=328727

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The Warmth of Unknown Faces

 

 

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Jim McCrory

Over the Gobi at Dusk

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Over the Gobi at Dusk

Somewhere between Manila and Amsterdam, the plane slipped into evening and crossed the Gobi Desert. I stared down for more than an hour and still we had not passed it. Below stretched a vastness that seemed unending, an ocean of earth in ochres and greys, ridges and plains brushed by the last light of day. From above it appeared empty, yet I could not help but wonder about the lives being lived down there.

I thought of families in their gers, the round felt dwellings scattered like white shells across the land. I imagined them gathered around a stove as the cold pressed in, sharing food, telling stories, perhaps tending to worries that were not so different from mine: the health of loved ones, the future of children, the struggle to endure. Their joys and anxieties seemed no less real for being tucked away in such remoteness.

What would silence sound like in the depth of night, broken only by the wind brushing at the canvas? To wake and hear nothing, no traffic, no hum of machines, not even the rustle of leaves. Just the stillness of creation itself. Perhaps it is in such silence that the soul becomes attuned to something greater, something that modern life has smothered.

And then, the sky. I envied them that. To look up from the dark of the Gobi and see the heavens in their fullness, a Milky Way unbroken, stars uncountable, so thick they must feel like a river flowing overhead. To live beneath such a sky each night is to live close to the infinite, to be reminded that we are small, passing, yet also deeply connected to the eternal and the creator.

As I sat in my seat high above, I found myself longing for that simplicity, that communion with earth and sky. For the desert dwellers, it is a given. For me, it was a glimpse, a yearning awakened by the view from thirty thousand feet. And whilst I envy them, they look up at me and wonder what cultures I have left and what cultures I belong to. One day, yes one day, we will hopefully meet in that grand time that Job, the Biblical character, called The Renewal.

“I wish you would hide me in the grave and forget me there until your anger has passed.

But mark your calendar to think of me again!"

Job 14:13 (TLB).

Scripture quotations taken from The Living Bible, copyright © 1971 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Carol Stream, Illinois 60188. All rights reserved.

Image by Copilot

 
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Jim McCrory

One Life Is Not Enough

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One Life Is Not Enough

My wife and I were browsing pianos in a music shop yesterday. I’ve always loved music. But as the years go by, I find myself increasingly drawn to stripped-down versions of familiar songs, bare, honest arrangements where every note matters. I do play the guitar, though not very well anymore. The stiffness in my fingers has allowed time to quietly steal away my ability.

As I listened to the warm, resonant tones of a new piano, a thought emerged uninvited: one life is not enough; not enough to explore the vastness of music, not enough to fully express what stirs inside us. There are whole worlds hidden behind the keys of a piano, the strings of a cello, the breath of a flute. And no matter how we try, time is always shorter than we think.

I thought of missed opportunities. Of my younger self and the dreams, I shelved. The idea of playing “Brian Boru’s March” on a quality flute still lingers from my folk music days some thirty years ago. I’ve imagined reaching that soaring high G on the cello in Benedictus or playing that haunting saxophone solo from Hazel O’Connor’s Will You. But with age comes realism. Not self-pity, just honesty. Those days, for now, are gone; gone for this life, at least.

And yet, I’m not without hope.

The biblical figure Job—part poet, part philosopher—once asked a question that still echoes: “If a man dies, will he live again?” It’s the question at the root of every human longing, every song, every prayer, every ache of beauty we encounter. In his own answer, Job declares, “All the days of my hard service I will wait until my renewal comes.” He saw that life, in all its complexity, must mean more than dust and disappearance.

That longing makes sense to me. We love, we create, we grow into our humanity, we fill our minds with memory and learning and art—and what, only to vanish? That doesn’t add up. Not when the heart keeps reaching.

So yes, I have hope. In the Renewal Jesus promised, I believe I will play “Brian Boru’s March” on a perfect flute. I will pick up the cello and finally reach that high G—not just in music, but in spirit. Because Christ said, “He who believes in me will live, even though he dies.”

And that, to me, sounds like the most beautiful note of all.

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Jim McCrory

Where do we go? My thoughts

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Edited by Jim McCrory, Sunday 16 February 2025 at 10:27


You open Your hand and satisfy the desire of every living thing.

Psalm 145: 16. (BSB).



Image kindly provided by https://unsplash.com/@murilog8


I’m driving to the supermarket this morning. “Don’t forget the corn chips,” my wife said. I can’t believe these snacks are £2.50 a packet. “Oh, and dips to go with them,” she requests. That's another £1.75. Goodness! Once upon a time, I recall buying crisps with a wee blue packet of salt inside for a thruppenny bit—that’s 2.5 pence in today's money in the U.K. You do the maths.

Anyway, I’m in a bit of a nostalgic mood by musing on the past. It’s this song I’m listening to in the car. It’s Runrig’s "The Ocean Road." My wife listens to their music, but I do both: I listen to the words and the music. I am a writer, and I studied English Literature when I was at university. It’s all about words for me and how they are arranged into beautiful formats.

"The Ocean Road" is a beautiful, emotive track that epitomizes the band's ability to blend folk rock with themes deeply rooted in Scottish culture and landscapes. The song appears on their 1999 album "In Search of Angels." It's a poignant reflection on the passage of time and the journey of life, highlighting themes of return, memory, and the powerful draw of home. But there’s something else; it’s about the desire to capture youth once again, to live a life once more.

I find it evokes a sense of spirituality. When I arrived home, I read Psalm 37; something I always do when feeling nostalgic due to aging. This is the Psalm that Jesus quoted when he said the "meek" or "righteous" would inherit the earth. Verse 29 reads,

 “Those leading God-pleasing lives will inherit His land and settle there forever.”

I’ve often spoken to God and requested that if I am found worthy of everlasting life, and the paradise is planet Earth, “may I be on one of the Western Isles?”


Psalm 37: 29:  Scripture taken from The Voice™. Copyright © 2012 by Ecclesia Bible Society. Used by permission. All rights reserved.

The Ocean Road: Runrig - The Ocean Road - Live

 

 

 


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