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I could be a mathematician

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Edited by Martin Cadwell, Friday 14 August 2026 at 16:38

Library

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Cadwell NOT Caldwell

I could be a mathematician

[2 and a half minute read ] 

Opinion

Waiting outside the village library at 2pm I kicked myself for being a fool. I felt better after I recognised a man perambulating towards the library and spoke to him.

       'Hello Billy. How close to half past two do you think it is?'

       'Very close.' He looked at his watch and I noticed the minute hand on the '3'.

       'Quarter past. The library opens at half past.'

       'I thought it was two.' he replied. As I said, I felt much better.

We spoke for a while and then he suggested going back towards where we both live; well, at least the other end of the village. After a while I asked a burning question.

       'Provender, the shop-keeper, told me you are really good at maths. How good? Provender is a bit light on most subjects and 'really good' is subjective. Just to prove it Billy replied.

       'Not so I can help you with what you need maths for.'

       'You don't know what my maths capability or understanding is. What kind of level?

       'PhD....at sixteen. They have only just awarded it to me though.' He was surprised to learn that I am an Open University graduate and might know something about PhD graduates. Indeed I do; but largely through the course of my work-life.

       'What was your PhD paper on?' I asked. I just had to.

       'Everything!' He said. 'Everything in maths.'

       'No, what was the title?'

       'OT. That means everything.' I had no idea what he was on about by now. A PhD on everything in maths with a paper titled 'OT'. I had a friend called Minnie who liked to say 'How odd!' a lot. I hadn't thought about that crazy girl for years.

I told Billy how English Literature studies are weird. 'I think people make a lot of stuff up about books from things they know about the author. I've read books and never even considered the same as a book-reviewer did.'

He didn't answer. The subject was a dead dog to him.

       'I'm going back to the library.' I told him, and cycled off.

Later, I thought how old would someone need to be start studying for a PhD and finish at sixteen? Nine, ten? Maybe eleven or twelve for the actual PhD and nine for a first degree. I don't know. As a lie it is difficult to disbelieve, incredulous as it may be. It is a bit like being told that there are more connections in the human brain than there are stars in the known universe. If you say so; I am not about to start counting.

I am, however, much more interested in how people with a degree in maths immediately expect someone to say. 'Oh, I am really rubbish at maths', when they learn that the person has a degree in maths. I noticed one of my neighbours pull that funny face that is chained to, and I think unique to, the subject of maths. If I asked someone their job and they said they are an astronaut, they wouldn't pull the same face because they expect me to say, 'Oh, I am really rubbish at orbiting planets!'

What is it with people who are good at maths? ('Not the type of maths I could help you with!') Just like Mr Heckle in 'Friends', I could be a mathematician.

His name is not really 'Billy'. I was reminded of Sheryl Crowe's 'All I Wanna Do (is have some fun)' 1994 song.

'And Billy likes to peel the
labels,
From his bottles of Bud and
shred them on the bar.

Then he lights every match in
an oversized pack,
Letting each one burn down to
his thick fingers
Before blowing and cursing
them out.'

(lyrics from the poem 'Fun' by Wyn Cooper in 1987) https://www.poemist.com/wyn-cooper/fun

which Sheryl Crowe adapted for her breakthrough hit 'All I Wanna Do (is have some fun)' in 1994. It just popped into my head when I thought back to the chap I had the weird conversation with this afternoon.

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Folded and Discarded Imagination

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Edited by Martin Cadwell, Saturday 8 August 2026 at 20:13

Folded and discarded imagination

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Folded and Discarded Imagination

[7 minute read ] 

a man either side of text that says, half penny stories Fiction

In the corner of my living room are the remnants of my former self. Like a snake shedding its skin I  left it draped over a chair; a husk that resembles me from a year ago. Almost translucent, it is difficult to make out in the silver dawn light that tip-toes through the window. But when Hakim, my avatar spirit protector held it up and Harrari, the abandoned alien whom I met in a small wood ten years ago, shone a light through it I could see that it is my size and has a vaguely human shape. What is interesting about it is that it represents a better version of myself while still being obsolescent.

       'Try it on.' Hakim mocked me as though I would be able to slip into the delicate shape of former me and wear the same mantle of creativity I once had; as though there is a zip at the back that can be drawn up to make it securely fit.

Harrari, the amazing alien, pushed an image of a vodka bottle into my head. She knows that it won't make me crave it. She does it to remind me why and how I have changed. But, unusually, she is being unfair. She knows my train of thought has recently been tempered by focusing on rigid aspects of life that demand convergent thinking. She knows that, unlike her, I have had to make sacrifices, and opportunities to wander aimlessly in a fantasy world have been curtailed over the last two years. But she is, of course, correct in her decision to remind me that I have drank too much over the same period.

The shape of myself is grey as Hakim lets it drop to the floor and I wince at his carelessness. But he is not careless. It is only an artifact from my past; a useless one beyond reminding me of who I once was.

Harrari picked up on my wistful thinking, 'It is not you; it never was. I detect her voice as a soft sussuration, like a swift breeze through a weeping willow overhanging a stream. 'You are greater than this. That is not your generosity or your honour or integrity. It is a small part of your imagination; fascinating, but no longer relevant. It is the shape of your creativity bound and circumscribed by your experience. You have grown since then and it no longer fits.'

I wasn't entirely convinced and a part of me sobbed at what I had done to myself; the image of the vodka bottle still fading in my head. I was irked at Harrari's honesty at the same time as grateful. I do forget about my mind, because I sometimes want to forget about me. She and Hakim know that. In fact, I haven't seen them for a while. More accurately, I haven't seen Harrari very much at all; she is, in the main, completely invisible to humans. It is to do with phase-shifting or something. Hakim, my spirit avatar, I have ignored and, miffed he has miserably hidden in the corners smoking his imaginary pipe; the one he likes to smoke when Harrari is near because he thinks that the imaginary smoke will choke Harrari's ability to communicate with me. He likes to pretend to pollute the air. I am not sure if it is his wonderful and unique sense of humour or he really believes it. Suffice it to say I am of a mind to say he is jealous of Harrari's abilities. 

       'You did, after all manifest me to protect you in the spirit world while you slept.' He looked at me out of the corner of his eyes.

       'Sly and wheedling doesn't suit you, Hakim. Where is this coming from? I manifested you when I was sixteen, we know that. I did it to protect myself from my brother and you sat on my bed while I slept. Thank you. But he is dead and has been for years now. As a person he can't reach me anymore.'

       'From you! It is coming from you. I am nothing without you and you are letting things slip. That shapeless mess on the ground that was your imagination is still flexible, useless now but flexible. You have grown an armour that won't lie quiescent in nature when you take it off; if you can take it off, that is.' 

       'You are rude and insolent,' I replied. I noticed Harriri fade in and saw her nodding. My Crikeyness! She can be beautiful, but she would be, wouldn't she? She can be whatever she likes so long as she is still an alien. I had an inkling about what Hakim meant and realised that Harrari was agreeing with Hakim and not me. She winked and became ancient for a moment, like a woman who has lived a hundred lifetimes in eighty years. She probably has, I thought. Looks don't mean anything to her and she mocked my human fallibility. She stayed semi-transparent and strangely sat down on the floor. She would never do that under normal circumstances because she is ever-ready to act and that means moving swiftly to another location. This is a full-frontal attack by a united force whom I call my friends, I thought. I didn't feel threatened but I did feel unsure of myself; it was unprecedented for them to gang up on me. This has to be important, I thought, at least to them. If it is important to them they must feel it should be important to me.

       'Armour? You mean I am using subterfuge to protect myself from something, don't you?'

Hakim was still rude but I could see he didn't really want to be so. His, 'Bingo! Give the man a prize!' came out as 'By Jove! I think he has got it!' I mentally thanked him for putting in the effort but still felt humiliated. It was, I suppose, his temporary and fabricated wont to make me feel that way.

Harrari, devastatingly ruthless and violent if she chose to be, could not be dishonourable or mean. 'You have lost your way. You have given yourself over to become fertile ground for the seeds of dishonesty and hate. You once held a idea that hate comes from believing lies and now you are listening to unfounded ideas built largely from heuristics. That is not you as you were when I first met you in the wood. If you was like you are now, I would never have let you see me, or offered you a place to join me.'

       'I know.' I didn't know, but I cast the template she had woven over my current life and compared it to how it fitted over my life in the woods. She was right, I had and have changed; each time a little further from how I once was, never returning to a better me.

       'You was about to do it, but you stole from a homeless man and that marred your beauty', she said.

       'I didn't want to die, Harrari, and he wasn't a homeless man. He was an undercover policeman spying on the Greek kebab shop. In any case, I only took what I had given him, the cakes he had thrown into a corner or another operative had moved for him. I know how close it was; you even deleted all the contacts in my phone.'

       'It's no good feeling sorry for yourself' Hakim chipped in. He kicked my old imagination disdainfully to add weight to his point. I winced again.

       'Hakim, stop it! You are kicking my good imagination.'

       'No, he isn't.' Harrari breathed, 'He is kicking something that you yourself spoiled and cast off as being unimportant to you. You humans like to honour the bodies of people who have died but you did not give the same courtesy to yourself. It might only be a shaving of yourself on the floor but your imagination is your greatest asset and you treated it as nothing.'

I knew she used the past tense but only just. I felt that she was hovering on using present tense and only decided not to because she realised I was listening. I should be kinder to my imagination. I felt her smile when I imagined digging a hole in my garden and having a ceremony for my past imagination. It wasn't a kind smile. I felt a chill. It was the wrong time to be facetious.

       'At least it is working now.' I countered. She made that moue of passive and weightless agreement. 'Meh!' is not in her lexicon; Nor mine as it happens, so it seems that I borrowed it from Hakim's current truculence. That must go, I thought. And right there I fully realised the scale and scope of what they were saying. I had given Hakim full autonomy to do as he pleased once my tormentor brother had died. Yet, here I was foolishly believing I should shape him to my will. What would be the point of doing that? I would be listening to myself mocking myself and only Harrari would have an independent say. I say 'only' Harrari. I should make it clear that she has, in the past, telepathically entered my head to smooth my thoughts so I could sleep. And I know she guided unwanted visitors away from my camp in the woods; except for the man who wanted to honour the loss of a Stirling bomber crew in 1943 in the same wood; the man who broke my tent zip. It was time for me to move on then and Harrari knew it, and he was an honourable man.

       'What would you have me do?' I asked them. Hakim picked up my cast off, and now torn, imagination and folded it. He placed it on the chair he had been sitting on and walked towards the door. 'I think you know what to do', he murmured.

       'What's going on? Are you still miffed at me? I asked what you would have me do; you and Harrari.' 

       'Do you want me to be so crass as to say you should treat me more kindly and listen to me more often. I would be like you have been for the past year if I said that.' He raised his eyebrows to make an arched quiz on his forehead.

       'But that is what you mean, isn't it?' I was annoyed because I like straight conversation. 'It's not about what I like, is it?'

Harrari saw where this was going and stopped me going any further. 'You are being confrontational, Martin.' She never uses my name and I could almost hear her patronise me with, 'We are only trying to help.' But she detected that I had picked up her intent, which was to show me how I have been; a pontificating pillock in my neighbourhood and in the supermarkets; patronising.

Hakim gently picked up the folded and dead imagination and handed it to me. He sat down again where it had been and just looked at me. I knew it was a kind look built from concern. He didn't need me to imagine him any more. That day had long past. He is as real as me. Harrari, of course, I have never had any control over; I should never try. One doesn't try to exert will on a entity that might be described as a Supreme Being by overly-religious people. She isn't a Supreme Being or God. She is an alien abandoned by her brothers when she didn't get back in time for their predestined departure. She had used the high tension overhead electric wires that cross the country to signal them but they never came back for her. Ruthless is not strong enough to describe her species. She reminds me of a Praying Mantis sometimes, but she was very young when she was left behind, and she grew up along with the flora and fauna on Earth, and the spirits that initially haunted her. She is truly an enigma.

We three sat looking at each other until Harrari faded and only Hakim and I sat in silence. I had gotten the message, and he is kind enough not to rub it in. He too faded, and then, sad for Harrari; she must be incredibly lonely, I told myself to wake up a bit and stop feeling sorry for myself. I hoped that I had reached the nub of my malaise and I might now focus more on preservation and not consumption. I hoped it would be exciting and the future would be spent more with Hakim and Harrari. If it was to be so, I knew it would be at least intriguing and that will be enough.

I knew that Hakim would chat up the spirits of dog-owners with his opening line directed at the dog, 'Hello, Bob! Have you got that five Francs I lent you in Paris in your previous lifetime?' I also know that Harrari would sometimes run behind cyclists to eavesdrop on their conversation. She clears the way of potential accidents for the ones she likes by making them stop to pick blackberries or flowers or tie their shoelaces or something, even puncturing their tyres, which is quite hard for her to do. She hasn't done it for me for a long time and I have run into trouble a dozen times in the city. I must make myself more attractive.

       'Talking to yourself?' My beautiful wife, from we know not where; she was adopted, was leaning against the door-jamb in her pyjamas. Her jet-black hair normally in a high bob hung around her shoulders and she tossed her head to remove a strand from her eyes and then slowly shook her head at me, her eyes locked on mine, unsmiling. She turned her back and, with our two infants in tow, went into the kitchen. I could hear the smile in her voice, 'What shall we have for breakfast leetle ones?' I knew she was kneeling on the floor stroking their heads with her finely shaped fingers and kissing their foreheads.

I really must make myself more attractive, I thought again.

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Lost in a Tunnel

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Edited by Martin Cadwell, Friday 7 August 2026 at 10:05

Tunnel Vision

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Lost in a Tunnel

[4 minute read ] 

opinion mental health

I feel as though I shall be thwarted in some way today. Dreams have that effect on me. I got lost in a tunnel on the way to a place I know didn't have a tunnel between where I started in the dream and where the place is. The tunnel should have only been under a road bridge, but it went on and on and seemed to be curved. After a time I noticed it was blocked by an abandoned excavator (JCB digger) but I could see daylight beyond it. I thought the pursuing vehicle would not see it and would smash into it. I had no desire to warn the driver. Then, the end of the tunnel vanished and it continued on and curved almost back on itself before I came out into twilight, completely lost. I saw, in the distance, a large group of people moving towards me and that worried me. I walked away in the opposite direction, frequently looking over my shoulder, and found a smaller group of three men ahead, whom I approached to ask for directions. 

       'Hey, don't talk to them!' came a cry from behind me. Another group of five were running. 'They are not allowed to talk!'

        'It's alright, he's only asking for directions.' called one of the group of three. I know he should not have spoken at all.

I never got the directions; I suppose puzzlement woke me up too much. That dream, or unresolved dream, has kind of sapped my confidence that I shall achieve all I want to today. It could be disappointment from not completing an important task (not getting to my destination in the dream) or the sense of foreboding that lies crouched in the undergrowth of my peripheral consciousness. 

When I was seventeen and working in Bavaria (Bayern) in South Germany, I had a semi-violent argument with a black man. He was staying in the same Gästhaus as me (Pub with rooms). I was quite argy-bargy and physically confrontational, but we did not come to actual blows. He was a lot older than me and probably didn't want to beat a child up. That night, in the early hours, I woke with a heavy black weight pressing down on me and holding me still. There was no-one there and I immediately conjured up the idea that the black man was putting a Voodoo spell on me. Of course, we are paralysed in our sleep, or should be, in order that we don't live out our dreams and thrash wildly about when we fight monsters, and it was the middle of the night and my light were off, so it was dark. I have since then awoken paralysed and it is always from a nightmare with evil spirits attacking me. I doubt that the instances are connected by association at those times, but you never know. These days, however, it is so easy for me to dispel my rationale in place of fantastic stereotyping quite simply because I can apply memories of other instances of woken sleep paralysis being a consequence of waking from nightmares of evil intent, but only because I am awake and scraping my mind for similarities. Plainly, I have an active imagination and seek solutions outside of reason. Here's something: I heard that black magic only works if the afflicted person believes in it. My teenage stereotyping of black people likely allowed me to believe that all black people know and practice Voodoo because they all live in Haiti. After all, I was naïve and I had never seen any before. I probably didn't read enough Ladybird books, except for the one that had a mid to late 1950s illustration of a black Kenyan on a red tractor!

Tenuously, I might link the nasty neighbour who stole my food-waste caddie to my bad dream last night. He, I am fairly sure I know who it is, is the sort of person to experiment with the occult to help him navigate through what probably seems to him to be a very confusing experience of other people in the world. Yes, I know; I give with one hand and take with the other. I have to be true to myself though, I am emotionally upset from my dream last night; well, more disrupted or discombobulated I suppose, and I am giving deliberately free-rein to my imagination to iron out any wrinkles that mar clear thinking.

I very much believe in the spirit world (and aliens) and it would be dishonourable if I denied myself that declarative statement. While I can use convergent thinking such as would be used in writing a good essay or report, I much prefer to look at the flowers and the hedges on any journey, metaphorically speaking, and in real life. That said, I won't stop to look at Chartres Cathedral on the way to Madrid, even with ample time to spare. 

I can't help it. Today, I feel, will be one of gossamer veils of fantasy that shroud reason. Subjects such as Mathematics and Chemistry will have to make way for fairy-tales and sitting round bonfires today. I am supposed to go into the city today, but there is too much reality there for it to be fun. I think I understand now why I don't really like the city and all the people there. I have to use convergent thinking and I am wholly focused on achieving my shopping goals, which Is why I think everyone is in my way. Not realising that the other people are using both convergent and divergent thinking, as they happily graze in the shops and boulevards, I get irritated. Ha! Lesson learned. I need to chill quite a bit.

Chartre Cathedral; focus on a destination; fun; diligence; get the job done nothing else matters; imagination; ruthless. All these thrown in a cauldron and cooked together taste like I am socially isolating myself with convergent thinking that completely displaces any divergent thinking (the fun stuff). Hmmm. Maybe being in a circuitous tunnel that exits at where people do not explain anything has given me an insight that I can use, after all.

I will make myself go into the city today, and I will chew my cud while I graze, like the bovines around me. Maybe, if I use magic I will be able to see them as human. Yeah, I know, I am cold, harsh and uncharitable today.

Tunnel vision.

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So many books

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Edited by Martin Cadwell, Friday 7 August 2026 at 09:10

So many books

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So many books

[4 minute read ] 

Opinion

I have so many books to read; fourteen! It is not a lot over the six month academic 'year'. Yet, they are not books I would read for pleasure. I absolutely have to forget that they cost me more than £125 otherwise my resentment will interfere with my focus on why I am reading them. I am beginning to think, though, that I don't like the omniscient point of view; a narrative that allows the thoughts of characters to be written in stories. I know that it helps to develop characters in the readers' minds but I am an action kind of reader.

Having detached emotions by default I tend not to put much effort into connecting my emotions to moments of relaxation; not that reading these fourteen books is relaxing for me because in the absence of OU guidance for my module I have to make copious notes on anything I consider to be remotely relevant. I am just wildly guessing, but I suppose I am focused.

Having been steeped in marketing and logistics for many years, studying with The OU is like a crash-course in a different subject, even over four or five years. Even during summer, which is not my academic term, I cannot realign my studies back towards marketing, economic and logistics. These subjects which are really a bunch, are so familiar to me that I feel so much more comfortable wallowing in those text books than the ones I now find myself compelled to read in a preliminary fashion. 

I probably have a different style of learning to most people. It is one that I established when I think I was about eight or nine. back then we had BSA (I think) assignments to complete that tested for comprehension. There was a little story of perhaps one hundred and fifty words and and then some questions that related to the text. I would read the questions first and then read the text, mentally marking where the answers were. Then I read the questions again and write my answers one by one. It was efficient to do that and it had no negative effect on my secondary school achievements. Given an outline of what I am supposed to learn in October onwards I would be able to make notes much more efficiently. In fact, by October, I think I might have finished the modules before I even start them. Achieving a good degree is secondary to understanding the wider scope of the subjects, to me. 'Getting it right' is key in contrast to proving academic ability to others; at least it is for me. 

       'Yeah, I got a third, but I know the subject inside out and back to front. I spent a lot of time reading outside of the scope of the degree modules. I find that not being constrained by bindings and circumscription allows me to approach my work and social life with a fresh attitude that brings with it some novel questions. Can I have the job? or do you want me to just keep my head below the parapet and nod when you speak?'

It would never be a good thing to say that, I propose. I approach my future in a bipartite way though. Everything I study can be applied to both PAYE employment or self-employment. So, I am fairly flexible in my speech. Some might say, careless. Hmmm, I suppose so; too much free-reign and hedonism in the past perhaps. But, I was left to my own devices when I was sixteen and two months old so what can we expect of me? Should I have run away from my bullying enabler older brother guardian and put myself in care? I think, in retrospect, that is precisely what I should have done. I did run away from him once at 5am, to live in Sherwood Forest. I was a bit of a romantic fool then. I got tired and hitch-hiked back again; more fool me! However, it was around this time that I bought my first thesaurus and set me on the path to autodiadatic education and then further education at night school, and then daytime college. Who knows what I would have become if I had been in care? A misogynist? A plagiarist and cheat? An invisible banality? A kind and thoughtful community leader? I am none of those, but I do get my emotions in gear sometimes now my fraternal tormentor is dead and I help my community.

I am inclined to rewrite history in my head and imagine different futures lately. I like my imagination, no, I love it! But it is intangible and ephemeral and having no substance and there being nowhere to direct it, it is an invisible gim-crack, a bagetelle, a folly. Oh, I frame it so negatively with blunt but tasty words. It is almost believable that I am distracted by my disdain. That is not so; but most people might chuck a reality-checking statement at me such as, 'You have your head in the clouds', or 'You are off with the fairies again.' or 'Daydreaming won't pay the bills!' Because I know all this I have to check myself and manifest something tangible from something intangible if I am to deny opportunities in other spheres of my life. Most people, I think, would immediately think of writing for a living. I shan't be doing that though; there is a reason why not, but I can't quite see enough of the future to know precisely what it is just yet.

I can't help thinking that I have wasted enough time and i really have to leap to the capstan and haul my anchor up. Yet, I also feel like I am still on a lee-shore (wind blowing onto the shore making sailing away extremely problematic for square-rigged ships - like HMS Victory).

I suppose my imagination is a sailing ship with no engine and since I espouse modern assistance, a metaphorical engine, I shall find myself becalmed and adrift. I really don't like the trail and impact that modern technology has though. Analogue books are on the verge of obsolescence and only those who plan for the world to be knocked back to the same kind of existence the people of the 1960s and 70s had, can be inclined to honestly believe that publishing only analogue books will provide sufficient money for the opportunity to write to be viable in the near future. 

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Nostalgia

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Edited by Martin Cadwell, Saturday 1 August 2026 at 08:39

Memory used for nostalgia

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Nostalgia but not as you know it

[5 minute read ] 

Nostalgia, the preserve of old persons, and I suppose preservation is what nostalgia is. The preservation of a number of judiciously selected memories carefully and seamlessly stitched together, just the same way we join up episodes in an overnight dream.

'...and then I was falling off a cliff but a lion reached its paw out and grabbed me before I hit the ground...but it was okay because he was also running away from the rabbit swinging a tree branch at us, demanding more ice-cream.'

Well, that isn't nostalgia but in a dream it all makes sense to the person who dreamt it and some highly-paid charlatans who pretend to know what it all means. Nostalgia is, however, certainly made up of a collection of pieces of information, either real memories or snippets of information from a past that a person has a longing for We might include 'saudade', the Portuguese word for longing for something we feel we have lost but had never attained here. At least, that is how I read it to be. Confused? Nostalgic for the past? Nostalgic for the Victorian days or the 1950s or some time that the individual never existed in? We might be not understanding this unless the highly paid charlatan pipes up with, 'The rabbit is you from a previous life chasing the greed of today from a position of poverty, which is why the rabbit is shoe-less and carries only a branch and not a key!'

This, so far is meant to be somewhat non-sensical because it carries with it the idea that the memory of our past is both subjectively personal to only each of us and unreliable. Just like witnesses to the same crime or event but from different geographical and biased perspectives we will describe the scene differently. All my family members (parents and siblings) on any of our holidays decades ago will remember our holiday differently. My parents, my brother and I never noticed the good-looking boy my sister spied. My sister never experienced my joy of winning a few pennies in the amusement arcade, and we children never realised our parents left us alone to go out and have a few drinks once we were asleep. None of us could describe the same scene and have more than a few aspects of those days match in our narrations. Of course, there is a common thread throughout but markedly different values are placed on different events. Oh, by the way, it never, ever rained when I was a child but it always snowed in Winter and my socks always dipped own inside my wellies when my sister and I went carol-singing.

The truth is that, like everyone else, I use selective memory to colour my past. Almost none of my fond memories actually happened on a day that started out as fantastic, had no negative issues and finished as me being the winner. Let's face it, as a child, I had quarreling parents, a bullying brother and a sister that always said, 'Are we there yet?' after about twenty minutes of going anywhere. She also got car-sick; at least I remember that she thought she was. My dad told her that cars have a chain underneath that hits the road and stops people feeling ill and she never complained about feeling ill again. My father knew about static electricity.

But, how about this? How about other people can change our recollection of what happened simply because they have enough information to convince us that they were there? Sound like a story? It is! I have already written it and it has been read and recorded as my own work. Yet, I cannot copyright such a story because it is factual in everyone's life. Take for example, a parent who, listening to us recount one of our favourite childhood experiences, adds information to the tale such as background or a sub-plot; a sub-plot that we must inherently be unaware of since we were engaged in a different aspect of the event. I remember my mum bringing one of our goat-kids into my primary-school class. As far as I remember the kid only came into my school classroom. Apparently, it visited the whole school and wee-ed on the headmaster's office floor. I am, however, not nostalgic for that day or those innocent days. The other children in my class may remember me as being aloof and uninterested. The boys may have taken my lead and not coo-ed over the cute, white fluffy creature. Indeed, my actions may very well have been such that those boys I influenced on that day means they did not form a memory that they wanted to keep. They didn't know that I was already familiar with our animals at home. Obviously, my memory of my mum with a white goat-kid entering my classroom is enhanced by her telling of what the kid did in the headmaster's office and the knowledge that the whole school saw the kid. I have, just now, also attached an image of my mum leading the goat-kid through the village from our home to our school. If this was a nostalgic memory it is no longer the original one and must indeed be a living one; still open for further tweaking and re-interpretation, quite simply because with a jaded eye I added the journey the kid made from my home to the school and back. I suspect it would remember that day sadly because it probably just wanted to gambol in our garden and eat the long grass near its own mum. But, its life was not going to be one out of a 'Babe' film or movie.

We might, as I mentioned, be nostalgic for a past time; a time when we were not even born. We must be in possession of information that pertains to that time, yet we also carry with us in those nostalgic journeys information of our modern existence. How wonderful it would have been to live in the Victorian times, except they had no welfare state and worked six and seven days a week. Television films and dramas show us a tiny tranche of how life was and the ugly bits are hidden. How wonderful the 1960s and 1970s were in France, the UK and America-land, but not in Nigeria, Israel or Vietnam in 1967. 'Fortunate Son' by Creedence Clearwater Revival, now heard as a background sound to the Vietnam war gives us a opportunity to think that it was a good lark, a romp, or a jolly good show that was had with some dope-smoking mates. I can't say it wasn't because I have to rely on accounts from people who were actually there with their personal experiences; who obviously had a different time from the strategists of their day and the historians of today. The 'picture' will always be incomplete; always a story and never a true account, not least because the people on the ground only bring forward selected memories.

I propose that if we can be nostalgic for the past (one we never experienced ourselves), theoretically, we should be able to be nostalgic for the future, any future. I propose that just like the past which is a patchwork of selected memories and supposedly hard facts, any number of futures can be imagined and all are equally true. Wait! What? Am I saying that understanding the past relies on imagination? Yes, I am. Someone studying at Cambridge University told me that they had been told by a tutor that because so little is known about the Anglo-Saxons and the Vikings, whenever an artifact that related to that time is unearthed they have to make up stuff in order to be able to include its relevance in an ongoing story of that time. I suppose they hypothesise in the positive form and wait for someone to test in the negative form to prove them right.

Anyway - back to nostalgic for 'the future'. I suppose that any movie franchise such as Star Wars or even Star Trek not only creates a hankering for a similar experience but also provides scope for a nostalgia of the same. Yet, that is not really the future, because everything we experience instantly becomes the past so we are really only wanting to refresh our past with another Star Wars movie. No, I mean we need technology to actually boost us into the future, notwithstanding that we would need to move across space to where the galaxy, solar system and Earth would be in the future. Fantasists who want to live like hobbits or kill dragons with swords and magic plainly need to be acquainted with witches, wizards, and spirits in the here and now to actually experience their nostalgic vibe. Yet, I go back to the idea that if we can be nostalgic for a past we must theoretically be able to pine for its reciprocal, the future and variations of an alternative life. Just Saying.

There is one aspect of nostalgia that we shouldn't overlook. Memories made in our childhood are the strongest ones that we retain. New experiences provide the greatest impact on our lives. Of course, if we are to survive we must sear into our minds, events, experiences and solutions that provide escape from danger, at a very early age, so it is natural for us to feel nostalgic about our childhood or other people. Apparently, this tendency to firmly stamp episodes into our memory fades after the age of thirty.

I had the distinct pleasure of writing a piece on nostalgia as part of my studies. It is not difficult to start an account and 'storify' it with lyrical description. It is not difficult to set moods and show the character's emotions. It is entirely natural to write the account in a chronological order. The difficulty lies in making sure the reader is not confused when the piece does not follow conventions, and let's face it, the 'White Swan' of iteration. If we only ever see white swans we come to believe that all swans are white through iteration. Time and time again, when we read a nostalgic account we are told what to understand. In its basic form: 'I remember when...Those were the days!' Or, more interestingly at the beginning of a story: 'Life on the beach in 1965 with Laura changed when Kiki arrived.' When the formula for recounting events, that are given as nostalgia, is cast aside to make room for an understanding of how memory actually works the reader can be confused. Putting a time machine into a story on nostalgia just trashes people's sensitivities. Questions might be asked why the typical chronological order of lyrical descriptions is interrupted by shifting perspectives. If, for example, I have a remit to write two thousand words prose on nostalgia, I am not going to write about the last holiday I spent with my grandparents, even if they did get washed away by the tide that summer. I am not going to dwell in a fractured and patched up past that is in my memory, that has been augmented with background stories, and pretend it actually occurred any more than I am likely to write about how my memory is corrupted by my biases, including the ones I don't know about. Grandma and Grandpa may well have arrived in France on a rubber dinghy and never made it home to England and all I gave them was a mournful wave, but there is no fun in the writing of it. Prose just means include lyrical description and avoid using meter to me. The sky was the limit. Unfortunately, my readers are on the ground. Even climbing a tree for a different viewpoint might be awkward for them. Of course, it is for the writer to provide a ladder for the reader to climb; or for the really stubborn, slovenly, or the reader trapped in a world of 'white swans', an armchair on a raised platform on a forklift.

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Where would you like me?

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Edited by Martin Cadwell, Saturday 6 June 2026 at 08:52

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Have we met and what did we do in the future?

[ 5 minute read ] 

What chapter are you on?

It seems I am a ghost or a zombie and quieter than a cat. Sally, my next door neighbour, was cutting her hedge and didn't notice me when I walked up to her, bare-footed, with a handful of strawberries for her. The look of horror on her face will stay with me for a long time; probably the whole weekend. What did she expect after she jumped out of her skin?

We just stood there, staring at each other; she with shears in her hands and me with my right arm extended as though I wanted a fist-bump. Eventually, she placed one open palm under my fist and I released the strawberries. I wouldn't say there was a sense of relief but I would also say I felt a change in her. She didn't smile and thank me; she, instead, turned away and started walking towards her front door; not a word. I told her, to her retreating back, about the damp and mould experts who visited me in the week. She smiled then.

It puzzles me.

In a fantasy medieval world, I might have been paying a token amount for entry into her secret areas:

       'This is the last time, Martin. I know you serve the community well and I suppose I can contribute to the goodwill we all want to offer you, but I am a good Christian and I have only myself and sanctuary in my home to give. You know I live frugally.'

On a spiritual plane, we might have once met before and she thought she had killed me but I am alive or re-incarnated:

       'I see I was not ruthless enough, and left off from drowning you too soon, and I have failed to suppress your force long enough to make it last. What now?' She walked away in silent resignation.

She was alarmed! Both of those imagined scenarios are steeped in resignation, aren't they. Yet, she might have simply been confused. How did I manage to suddenly appear next to her when she is convinced her hearing is so acute that she can hear the hedgehogs munching outside with the noise passing through double-glazing, and she is woken by her cat walking towards her bed?

Of course, Sally has a very loving cat and I know Sally is affectionate and caring. I am pretty certain that her cat recognises the change in Sally's breathing as she starts to wake up and pads across the floor towards her for a cuddle. Hearing hedgehogs is a bit of a mystery to me though. I am no expert but a passing car is pretty loud and cannot really penetrate the double-glazing. Maybe, Sally leans out of her window and listens.

It doesn't signify. That is an old expression I got from the writer C.S. Forester in his books on Hornblower. Through some kind of magic transmogrification it means 'It doesn't add up' or 'It doesn't make sense as it stands'. Just like Shakespeare wrote in a language that the people of his time could understand, but modern people need a translation book for, it seems that Sally and I speak different languages, or have lived on different planets and now both find ourselves bumping up to one another on Earth.

If Sally and I were reading the same book but separately, I imagine she might have gotten to the pages where we know each other much better and either we are close, as in relaxed in each other's company, or have fallen out for some reason. It isn't hard for me to lazily lean on an old and obsolete notion that she might be, as a woman, absorbing the passion of a story of love and betrayal, while I, on the other hand, stereo-typically, as a man, might be reading the same book but enjoying different parts; the interplay of characters but with a bent towards understanding the function and progression of relationships; work-like, if you will. It is difficult for me to put this notion aside. Of course, this is glaring sexism, even misogyny, by the back door. Yet, I would offer that I have detached emotions and all people are romantic fantasists to me; people who skillfully and silently weave their own lives into stories, with a hope for a future they have already secretly enjoyed.

Sally, is an intelligent woman. I admire her. She is not silly; she is practical. I sometimes think I have had glimpses from the future. Certainly, when I was driving throughout Europe I have had a prescience that there is something blocking the road beyond a blind bend and braked almost to a crawl as I rounded the curve. Yup, loose cows or broken-down vehicle. I think Sally might be a few chapters ahead of me in the same 'book' we are reading. Actually not, she has somehow flicked forward a few pages to read a passage or two and then returned to the 'story' in the right place, where ALL of us are reading. You know, when something is happening in a story and we simply must know the resolution; will they, won't they?

I have had a few relationships, both romantic and platonic, in which there was an expectation that I would fill a role. The classic one in the romance realm is when a long-term relationship breaks down and then, unbeknownst to me that there ever was one, I turn up; perhaps even having been snared by a well-prepared web, and innocently think I am entering a fresh relationship, only to find that it is stale from the outset. I have had to fill the role of a long-term lover, even a married man of many years. It is really sad. I see new relationships as green buds of potential growth that are shaped by the environment and nutrition that the people involved in the relationship give to it. Old relationships, of course, need fertiliser, just as plants and trees do.

I married a woman who had a notion of how we should be. She didn't tell me. The marriage failed after only a year or so, but trundled along for another three years. Her fantasies had advanced our relationship so far that even with a limited amount of prescience I was left only guessing. Truth be known, I never tried to guess or work out what was going on because I was always wrong-footed.

       'Why won't you comply with what I imagined you to be like?'

       'Why, are you not in the now, without ever having read forward to see what the resolution is in a fantasy novel?'

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Ecstasy Unruly Arm Dance

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Edited by Martin Cadwell, Friday 15 May 2026 at 15:35

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Give me an Idea

Arm Dancing

[ 3 minute read ]

When you have something to do and when you can't find a solution and need a strategy to make the plan work, is the time when many of us might 'sleep on it' or 'put it on the back-boiler'. These two expressions are, of course, idioms that smack of our parents advice. Many of us may feel so threatened by a deadline that we worry at the problem and cannot relax. I have been in just such a situation. The EMA (End of Module Assessment) is done; not as well as I would have liked but I still have a few days to re-submit a revised version. I made sure to get that out of the way. I ran out of vitamin supplements and started eating them again three days ago; for me, it is a fools errand to worry about finding a solution to a problem without at least trying to feed my brain properly.

I have been waiting for an idea; an idea that I have been hoping would just jump out of the hedge of confusion as I pass by. In that mental world, ideas have abounded, all sharp and jagged, and smooth, in all the wrong places. But each one never behaves as I like. They jump from one side of me to the other as they walk along beside me, chattering nonsense and reason alike in short staccato bursts. Then they ape my walk behind me and make their mocking clear by doing it ahead of me. I turn and make my thoughts change direction but the ideas change their style. Stifling smiles, they pretend to show remorse and act out listening poses to my responses as though they are compliant and care. But, I know that my questions on what I have failed to understand are mere gimcracks compared to their palace of priceless gems. My reasoning, oh so essential for progress, binds and circumvents brain-storming. My creativity needs to be unruly and wild. It needs to have free-rein sometimes, but if it comes up with nothing, I have to stop the crazy ghost-train, and erect sticky scaffolding for thoughts and concepts to stick.to.

Still bubbling away on the back-boiler in the kitchen of my mind is, of course, what drives me; what I am interested in. On occasion, I come across something out of the blue that just tickles me. Yesterday, I watched a YouTube video of Alanis Morissette performing 'Uninvited' at the Woodstock 1999 festival. She made an exceedingly good impression of Joe Cocker's arm-dance at the original 1969 festival during his performance of 'With a little help from my friends'. No, I mean, apart from the obvious physical differences, the song, and the voice, Alanis Morissette was Joe Cocker. I used to emulate Joe Cocker's Woodstock arm-dance on stage when I went to see local bands. Other people would try to get on the stage and would be stopped by the bouncers. I only did it to get the crowd dancing. Bands play better if they feel appreciated. As soon as a lot of people had put aside their embarrassment (they can't be as bad as the weirdo on stage) I would get off the stage and be normal again.

The arm-dance. If you imagine the tendons in your arms have tightened and bent your hands at the wrist and your arms flail around trying to play a stretchy guitar that moves from mid-thigh to in front of your chest while you are hamming up a death scene from poison, you might be able to make a good go at doing Joe Cocker's, Alanis Morissette's, and my local-stage arm-dance. Oh I forgot, you have to stagger a bit as though overwhelmed and stunned too.

A flurry of romping thoughts and absorption in music; ecstasy.

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