OU blog

Personal Blogs

Stylised image of a figure dancing

Where would you like me?

Visible to anyone in the world
Edited by Martin Cadwell, Saturday 6 June 2026 at 08:52

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile 

Have we met and what did we do in the future?

[ 5 minute read ] 

What chapter are you on?

It seems I am a ghost or a zombie and quieter than a cat. Sally, my next door neighbour, was cutting her hedge and didn't notice me when I walked up to her, bare-footed, with a handful of strawberries for her. The look of horror on her face will stay with me for a long time; probably the whole weekend. What did she expect after she jumped out of her skin?

We just stood there, staring at each other; she with shears in her hands and me with my right arm extended as though I wanted a fist-bump. Eventually, she placed one open palm under my fist and I released the strawberries. I wouldn't say there was a sense of relief but I would also say I felt a change in her. She didn't smile and thank me; she, instead, turned away and started walking towards her front door; not a word. I told her, to her retreating back, about the damp and mould experts who visited me in the week. She smiled then.

It puzzles me.

In a fantasy medieval world, I might have been paying a token amount for entry into her secret areas:

       'This is the last time, Martin. I know you serve the community well and I suppose I can contribute to the goodwill we all want to offer you, but I am a good Christian and I have only myself and sanctuary in my home to give. You know I live frugally.'

On a spiritual plane, we might have once met before and she thought she had killed me but I am alive or re-incarnated:

       'I see I was not ruthless enough, and left off from drowning you too soon, and I have failed to suppress your force long enough to make it last. What now?' She walked away in silent resignation.

She was alarmed! Both of those imagined scenarios are steeped in resignation, aren't they. Yet, she might have simply been confused. How did I manage to suddenly appear next to her when she is convinced her hearing is so acute that she can hear the hedgehogs munching outside with the noise passing through double-glazing, and she is woken by her cat walking towards her bed?

Of course, Sally has a very loving cat and I know Sally is affectionate and caring. I am pretty certain that her cat recognises the change in Sally's breathing as she starts to wake up and pads across the floor towards her for a cuddle. Hearing hedgehogs is a bit of a mystery to me though. I am no expert but a passing car is pretty loud and cannot really penetrate the double-glazing. Maybe, Sally leans out of her window and listens.

It doesn't signify. That is an old expression I got from the writer C.S. Forester in his books on Hornblower. Through some kind of magic transmogrification it means 'It doesn't add up' or 'It doesn't make sense as it stands'. Just like Shakespeare wrote in a language that the people of his time could understand, but modern people need a translation book for, it seems that Sally and I speak different languages, or have lived on different planets and now both find ourselves bumping up to one another on Earth.

If Sally and I were reading the same book but separately, I imagine she might have gotten to the pages where we know each other much better and either we are close, as in relaxed in each other's company, or have fallen out for some reason. It isn't hard for me to lazily lean on an old and obsolete notion that she might be, as a woman, absorbing the passion of a story of love and betrayal, while I, on the other hand, stereo-typically, as a man, might be reading the same book but enjoying different parts; the interplay of characters but with a bent towards understanding the function and progression of relationships; work-like, if you will. It is difficult for me to put this notion aside. Of course, this is glaring sexism, even misogyny, by the back door. Yet, I would offer that I have detached emotions and all people are romantic fantasists to me; people who skillfully and silently weave their own lives into stories, with a hope for a future they have already secretly enjoyed.

Sally, is an intelligent woman. I admire her. She is not silly; she is practical. I sometimes think I have had glimpses from the future. Certainly, when I was driving throughout Europe I have had a prescience that there is something blocking the road beyond a blind bend and braked almost to a crawl as I rounded the curve. Yup, loose cows or broken-down vehicle. I think Sally might be a few chapters ahead of me in the same 'book' we are reading. Actually not, she has somehow flicked forward a few pages to read a passage or two and then returned to the 'story' in the right place, where ALL of us are reading. You know, when something is happening in a story and we simply must know the resolution; will they, won't they?

I have had a few relationships, both romantic and platonic, in which there was an expectation that I would fill a role. The classic one in the romance realm is when a long-term relationship breaks down and then, unbeknownst to me that there ever was one, I turn up; perhaps even having been snared by a well-prepared web, and innocently think I am entering a fresh relationship, only to find that it is stale from the outset. I have had to fill the role of a long-term lover, even a married man of many years. It is really sad. I see new relationships as green buds of potential growth that are shaped by the environment and nutrition that the people involved in the relationship give to it. Old relationships, of course, need fertiliser, just as plants and trees do.

I married a woman who had a notion of how we should be. She didn't tell me. The marriage failed after only a year or so, but trundled along for another three years. Her fantasies had advanced our relationship so far that even with a limited amount of prescience I was left only guessing. Truth be known, I never tried to guess or work out what was going on because I was always wrong-footed.

       'Why won't you comply with what I imagined you to be like?'

       'Why, are you not in the now, without ever having read forward to see what the resolution is in a fantasy novel?'

Permalink Add your comment
Share post
Stylised image of a figure dancing

Ecstasy Unruly Arm Dance

Visible to anyone in the world
Edited by Martin Cadwell, Friday 15 May 2026 at 15:35

All my posts: https://learn1.open.ac.uk/mod/oublog/view.php?u=zw219551

or search for 'martin cadwell -caldwell' Take note of the position of the minus sign to eliminate caldwell returns or search for 'martin cadwell blog' in your browser.

I am not on YouTube or social media

silhouette of a female face in profile 

Give me an Idea

Arm Dancing

[ 3 minute read ]

When you have something to do and when you can't find a solution and need a strategy to make the plan work, is the time when many of us might 'sleep on it' or 'put it on the back-boiler'. These two expressions are, of course, idioms that smack of our parents advice. Many of us may feel so threatened by a deadline that we worry at the problem and cannot relax. I have been in just such a situation. The EMA (End of Module Assessment) is done; not as well as I would have liked but I still have a few days to re-submit a revised version. I made sure to get that out of the way. I ran out of vitamin supplements and started eating them again three days ago; for me, it is a fools errand to worry about finding a solution to a problem without at least trying to feed my brain properly.

I have been waiting for an idea; an idea that I have been hoping would just jump out of the hedge of confusion as I pass by. In that mental world, ideas have abounded, all sharp and jagged, and smooth, in all the wrong places. But each one never behaves as I like. They jump from one side of me to the other as they walk along beside me, chattering nonsense and reason alike in short staccato bursts. Then they ape my walk behind me and make their mocking clear by doing it ahead of me. I turn and make my thoughts change direction but the ideas change their style. Stifling smiles, they pretend to show remorse and act out listening poses to my responses as though they are compliant and care. But, I know that my questions on what I have failed to understand are mere gimcracks compared to their palace of priceless gems. My reasoning, oh so essential for progress, binds and circumvents brain-storming. My creativity needs to be unruly and wild. It needs to have free-rein sometimes, but if it comes up with nothing, I have to stop the crazy ghost-train, and erect sticky scaffolding for thoughts and concepts to stick.to.

Still bubbling away on the back-boiler in the kitchen of my mind is, of course, what drives me; what I am interested in. On occasion, I come across something out of the blue that just tickles me. Yesterday, I watched a YouTube video of Alanis Morissette performing 'Uninvited' at the Woodstock 1999 festival. She made an exceedingly good impression of Joe Cocker's arm-dance at the original 1969 festival during his performance of 'With a little help from my friends'. No, I mean, apart from the obvious physical differences, the song, and the voice, Alanis Morissette was Joe Cocker. I used to emulate Joe Cocker's Woodstock arm-dance on stage when I went to see local bands. Other people would try to get on the stage and would be stopped by the bouncers. I only did it to get the crowd dancing. Bands play better if they feel appreciated. As soon as a lot of people had put aside their embarrassment (they can't be as bad as the weirdo on stage) I would get off the stage and be normal again.

The arm-dance. If you imagine the tendons in your arms have tightened and bent your hands at the wrist and your arms flail around trying to play a stretchy guitar that moves from mid-thigh to in front of your chest while you are hamming up a death scene from poison, you might be able to make a good go at doing Joe Cocker's, Alanis Morissette's, and my local-stage arm-dance. Oh I forgot, you have to stagger a bit as though overwhelmed and stunned too.

A flurry of romping thoughts and absorption in music; ecstasy.

Permalink Add your comment
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 572528