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Thomas Edison and innovation

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Edited by Jonathan Vernon, Sunday, 12 Dec 2010, 05:07

For anyone embarking on H807 'Innovation in E-learning,' although it isn't part of the course work (yet), I'd recommend listening to the following discussion on Thomas Edison.

The participants are right to suggest that in establishing a lab for inventions Edision create a model that has been followed by others. This may be particularly pertinent when you look at Facebook and Google, also the history of Apple - possibly also of Dyson. Indeed anyone who wishes to be engaged in successful innovative practice.

It would make an interesting discusion point for units on collaboration and leadership.

What delivers success?

How do you thrive on change?

Why is commercialisation vital to success?

 

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Grayson Perry and Rose Tremain on Creativity

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Edited by Jonathan Vernon, Wednesday, 26 Oct 2011, 07:45

I meant to share this at the time of the broadcast a month of six weeks ago. Life and an OU TMA got in the way.

Please offer your thoughts and share

These are notes, things I picked out, some reflection on my take on all of this. Perhaps we are like minds? Perhaps not? I'm trying to make sense of it ... I'm not saying I've made sense of it here or in a hundred or more posting on a similar theme that I have made online over the last decade reading the likes of Stephen Pressfield, Norman Mailer and Ben Okri, even David Ogilvy) who amongst many creatives have chosen to share their wisdom with the wider world.

To be successful and creative is a rare thing, it isn't simply a result of luck or talent or endeavour ... a mind might be able to self-regulate and focus once it has found its medium and voice, but just as helpful are those around you who create parameters, who set deadlines, who chase you with a stick or reward you with a carrot.

In this BBC Radio 4 broadcast Grayson Perry explored the myths and misconceptions of creativity.

What does it take?

Like all things, hard work and single-mindedness.

From my point of view I see myself as a Catherine Wheel that has been lit and fallen of its stand - I spit and twist, sending out ideas all over the place. Not the best way forward.

The Myths and Misconceptions were:


  • The Eureka Moment (Spoke to Terry Pratchet)
  • Anyone can do it (Spoke to Rose Tremain)
  • Drugs are good for you. (But not for Satre)
  • A bid mad
  • Britain's got talent (Spoke to Hussein Shelian)
  • Creative Genius
  • Need to have suffered an early trauma (Ray Talis)


We are reminded the 'creativity' is a central part of the UK economy.

For 17 years I actively contributed to this. My wilderness years, the last eight, have resulted in very little output (if that means getting it out of the front door). I stack it. I'd prefer to see these ideas compost and die than give my ideas to the world.

It is essential that creativity has institutional underpinning.

How will this manifest itself with the cuts to arts funding now being proposed by the coalition government in the UK.

or is it necessary. Whilst education in the UK has its faults it nonetheless appears to favour and permit the individual so that talent can develop. This must be the state system, private schools are a sausage machine for exam results, they have to be given what parents are forking out.

'Creativity is mistakes.'

Says Grayson Perry, he has this carved into concrete across the mezzanine floor of his studio. You try, you fail, you try again. I would like to suppose I haven't tried hard enough to fix my failures (or what I perceive as failures). At time though I feel if I keep on trying I would eventually strip back a 90,000 novel to a few words.

Imaginative power is 'looking, looking, looking' to which Rose Tremain added, it is 'listening, listening, listening.'

I'm a looker, so I don't know how I've ended up writing.

You can never be fully relaxed on holiday.

I do, but sailing and skiing do occupy your head if you fall off cliffs and like to race dinghies. Moments of near-death are exhilarating, as those times the elements sweep you along.

I hate the computer as a writing tool, this facility to edit does me no favours. yet a writer Grayson interviews said the computer allowed him to write, that until then he had no way to start straight in with a few thoughts, some scenes (like episodes in a film), and assemble it all in a non-linear way.

I've worked so hard with programmes like Power Structure and Final Draft but somehow always tie myself in knots trying to add or remove a character or scene or changing the ending or beginning.

'Letting go at the end - that's as good as it will get.' Says Rose Tremain.

A year of Cognitive Behavioural Therapy and my last session was driving me to 'finish something.' I can, but there needs to be someone with a stick harrying me along, a reward at the end would help, reassuring words along the way too ...

My notes here (a month or so after the broadcast) say something about 'investigating in a way that is new and aiding their creativity by giving them love and boundaries.'

I would run with a lover, with the intensity of an unfulfilled affair. Something to make the heart race. I once spent a day drawing a girl I lusted for ... she was happy to be naked for me. I compelled myself into a state of denial without able to control my arousal. It all went into the drawing, the excited, confident marks across the page.

What about the University of East Anglia Creative Writing Course?

I've locked at the details and would be applying for 2011. Don't have the money. Anyone want to sponsor me? In return for a percentage of the royalties that would of course come about a year or two later?

Pretty please?

Or the MA in Fine Art at Sussex University?

'A life's work without any expectation of reward.'

My wife caught this line and said that was me. She should know, she's not had much out of me these last eight years. The novels I promised to write were written, but are considerably short of an edit I would send out. I would need to shut myself away from everything for 12 weeks.

Do you have somewhere I could hide?

Exam conditions six to nine hours a day, seven days a week. Not any man made disturbance - nature I can tolerate, nature I love. A hermitage on Farnes island would do, a ski lodge up a mountain pre-Season. somewhere. An empty barn, drained swimming pool, decommissioned nuclear power station.

Impulsive ideas that I run with:


  • A chess set made out of branded bottles of water.
  • Every ski run in the Ski Resorts of Val d'Isere and Tignes reconstructed as transects showing their true length and fall.
  • A short film about watersprites living in a public swimming pool
  • Story ideas galore for TV series or film.
  • A 6ft canvass of Lewes Castle in the snow from a series of photographs that could have been taken 800 years ago.

'When you are creating something you are drawing on so many parts of the brain.'

This was in response to someone with an MRI scan who claims to have identified creativity. It doesn't work like that, indeed, the creative mind goes more slowly ... it takes it times over these connections. It thinks, how else could it ever deliver anything original?

So when yo relax, you let go, that is when you have your great ideas. I resolved the ending to a story I haven't touched for three years on a dog walk so long I found worried messages on the mobile phone I had left in the car. My mobile is rarely on.

'The distressful bread of the day to day.' Said Rose Tremain.

Did I get that right?

Grayson Perry talked about his Inner Shed.

I have my inner shed, what I need is a 'room of my own.' It's hard to be creative perched on the end of the marital bed in a tiny room that is stacked to the ceiling with possessions that call for occupancy of a house twice the size.

Fretting over the non-blog affordances of the OU Blogging environment I have moved to EduBlogs where you will find me under 'Mymindbursts.'

Should institutions such as the OU ditch their own platforms and assemble the best off the shelf offerings in one place? What this environment lacks is personalisation, as well as stats, friends, freedom to add apps and plug-ins and all the rest of it.

This is a De Dion Bouton in the age of the E-type Jag.

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QWERTY vs a fountain pen

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Edited by Jonathan Vernon, Sunday, 8 July 2012, 13:08

This age and that kind of childhood we had to use fountain pens, never Biros. I learnt to type because I was given a second hand mechanical typewriter as a Christmas present. Odd, I thought. I had wanted an electric guitar.

30 years on my son wanted an electric guitar. With three acoustic guitars in the & little desire to be tutored or to follow his lessons at school the electric guitar didn't materialise for him. Instead his saving, looking after a neighbour's guinea-pigs when they were on holiday & playing with their primary school & nursery age boys ... and some deft online searching, he bought an iTouch.

His bedroom is an emporium to all things iTouch. His three best mates all have an iTouch too now. He's the early adopter ... they follow. He leads & champions wooly hats, T-shirts & trainers sad Jsut the way he is gregarious & enthusiatic for new 'stuff.'

Homework last night requried some research on the history of Blues. Fed up with being told Google has 94% of the search market in the UK I reverted to 'Ask Jeeves' which I used to prefer or trial over various others a decade ago ? (or less). We were taken to Wikipedia either way.

'I alwyas wiki my home work.' He says.

Like 'to google,' 'to wiki' is now a verb.

He touch types at 40 wpm. He is 11. He has had access to a computer since he was ... 2. He played a Mavis beacon QWERTY keyboard game/learner age 4.

How un-21st century, how clunky is the use of a QWERTY keyboard? What happened to voice recogniton? Why has a better keyboard not been adopted?

Being a 'game boy' he ignore the mouse. He could be shooting at the enemy the way he uses the cursor to get around.

Later in the evening my daughter is doing History Homework. It is the First World War. Her great-grandfather was a machine gunner. Her survived the Somme & Ypres and successfully transferred to the Royal Flying Corps. Three 'Really useful' boxes contain a collection of Imperial War Museum books, his medals, photos & postcards of the time ... even a cutting from the Consett Gazette in which he is featured in November 1917 haveing been awarded the Military Medal. In this box there is a full collection of 54 magazines on 'The Great War' published c.1929 & edited by H.G.Wells. The covers are red, everything else is in black and white.

'When did they invent colour?' She asked.

We discuss this.

We look through the many pages of mules & limbers, mud & soldiers, planes that are barely recognisable has such (a flying hay-rick) and 'tanks' that look as static as pillboxes.

"When did they start inventing things?' She then asked.

By this she means mobile phones, computers, TV sets ... or 'stuff,' as in 'eletronic stuff.'

When did humans ever not invent?

From the perspective of a child, 'innovation' within the context of the world they are familiar with must produce considerable advance. particularly in this era when 'new stuff' is redundant as it hits the shelf.

 

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