OU blog

Personal Blogs

Design Museum

Ancient and Veteran Trees of Sussex

Visible to anyone in the world

If you visit the Ancient Tree Inventory and float over Lewes you will find a lot of trees. Most identified are recognised as 'notable', a few 'veteran' and none  'ancient'. 

An 'ancient' tree needs to be old for its species - in the last phase of its life and considerably decayed with lichens, moss and ivy likely, as well as signs of fungi and invertebrates. After the bet part of five months and 300 trees, I found one on a boundary bank between Markstakes Common (an ancient wood) and Starvecrow Wood near South Chailey.

A woodland oak with several stems and a large exposed root

The large root is wrapped around a long-gone trunk, now decayed away. The five stems (one significantly decayed) and the old epicormic shoots that emerged from the trunk as it decayed. This the ancient tree something of a ghost, but the living parts are nonetheless part of its regeneration. 

I've had more luck with veteran trees having had a dozen or so verified. These are trees which do not need to be so old but have all the ancient characteristics: hollowing of trunk and branches, dead wood in the crown and on the ground, decay, moss, lichens and signs of invertebrates and fungi. 

'Notable' makes up 280 of the trees I've identified and had verified. Depending on the species these can be bold, statement trees, significant in their locale, but in all likelihood mature, strong examples with many seasons left in them.

I've learnt to read trees; I can figure out their story. It's a changing picture. 

There's a relevance to learning with the Open University to all of this! I liken it to studying a book. There's an OU 'How to Learn' or 'How to Read' book somewhere which describes the process: you read the book through once to get the gist of it, to become familiar with the 'landscape'; then you read it again, taking notes. On the third read you start to understand the arguments and connections - you see more. It is like this visiting a wood for the first time. I have learnt to go around with now expecations on the first trip. On the second and third trip I start picking out the trees that are significant. Only on the fourth or fifth trip do I raise an eyebrow at some curiosity that somewhere had escaped me until then. 

Permalink 1 comment (latest comment by Minh Sullivan, Friday, 23 Aug 2024, 04:50)
Share post
Design Museum

Politics, Printmaking and wonderful woods in spring

Visible to anyone in the world

With the May 4th elections fast approaching I'm out and about 'door knocking', delivering newsletters and creating social media for the Lewes Green Party. Otherwise I have my daily vigil to the woods: typically Markstakes Common, though other woods around Lewes are available. All this and weekly printmaking at Bip-Art in Brighton.

A woodland view in early spring. A small stream and footbridge, hornbeam with fresh spring leaves.

Permalink 1 comment (latest comment by Frederique Lanoix, Saturday, 3 June 2023, 21:20)
Share post
Design Museum

Trees Please !

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 24 Nov 2021, 08:08


A 150 year old Sweet Chestnut in Lake Wood, Uckfield

My new found interest in trees goes back many decades ... as a boy it was climbing in them and making dens from fallen wood. Today I want to plant them, see them grow through the seasons and identify them on dog walks. I had might as well be learning a new language; I am learning a new language.

Slowly but surely I am becoming familiar with leaf shape and size, trunk colour and texture and the tree's silhouette. Some I like to think I know: oak and chestnut, for example, only to discover there are two types of each. Ditto maple. As for the generic term 'fir tree' ... here of course there are many different varieties (few native to england).

This learning journey came about due to another staycation and a desire to do more that 'take in the view' so I joined the Woodland Trust and have ticket off most of their woods in Sussex (east and west) since September - despite a few weeks hiatus with a horrible cold. I know have a handful of my favourite woods not too far from Lewes. I have visited several three or more times: William's Wood, Warninglid; Moat Wood, East Hoathly; Lake Wood, Uckfield; Kiln Wood, Blackboys and Brede High Wood north of Hastings & Rye. 

Late summer has turned into autumn with winter nudging in from the north. I am getting used to the changing scenery and smells, though sadly in this part of the world two things remain constant: traffic noise and planes coming into or leaving London airports, mostly Gatwick but I suspect some of from Heathrow. I wonder sometimes if I ought to put in earphones.

I have reached that stage in the learning process where I have read a few books and started my own observations. This kind of thing, as well as taking photographs, and measuring the girth of tree trunks ought to be starting to help. I use Waze to get there, AllTrails around the woods, PictureThis for the fauna and flora and The Woodland Trust Management Plan for that wood for the detail. Early days, as I said, these plans indicate that there are many trees, and as much variety in the undergrowth on on the forest floor - but am I yet disentangle this. 

Teaching trees and woodland management might be the next step. I take an interest in the activities of Lewes Urban Arboretum.

Permalink 1 comment (latest comment by jerry miller, Tuesday, 30 Nov 2021, 04:42)
Share post
Design Museum

Applied e-learning

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 7 July 2012, 13:58

If the OU MAODE is the wood, and the trees are clients or individual e-learning projects then working in Quality Assurance for a global company you could say I am like a botanist up the tree with a magnifying glass and a noteback (although in my case that would be an iPad).

All day, every day viewing and reviewing e-tivities, or learning objects, as well as scanning copy, checking layout, thinking about usability and generally as forester or gardener helping to nurture these things through.

It'll be fascinating to do my last MAODE module while in this environment (if I have any energy left at the end if each day/week).

Permalink Add your comment
Share post
Design Museum

Everything is miscellaneous

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 16:11

Think of this as a leaf

We've gone through an era of learning as 'trees of knowledge'; now all the leaves have blown off. With everything tagged and searchable you can still find what you need on the ground.

This is the idea

I buy this, more or less. I'd been thinking of it like this for some years, but today I've moved on - it doesn't work.

It doesn't work given that the leaves can be any asset that can be digitised. With the leaf analogy we have to set parameters and have types of leaf (even across plant species, or across the cycle of seasons in temperate climate, there isn't scale or variety that is adequate).

I question digital data or aggregations of binary code being given an organic reference

I prefer to think of the Internet and the World Wide Web as an ocean and 'stuff' as water molecules.With this analogy we can throw in the water-cycle, icebergs and glaciers, clouds, rivers and tributaries ... snow and storms.

Everything is random

It is until you give it value, until you file or tag it. If you neither file nor tag, then your digital 'stuff' may was well not exist, not for sharing at least. How will you find it?

'Everything is miscellaneous' (David Weinberger) is a worthwhile read: cover-to-cover.

'The best digital strategy is to dump everything into one large miscellaneous pile and leave it to the machines to find exactly the table settings we need for tonight's dinner'. p85

I was reading 'The Cluetrain Manifesto' that includes a David Weinberger contribution too - I loathe it (for now). I'll keep wondering why:

Because it reads like a collection of smalmy articles for 'Esquire' ?

Because it invites dialogue but in print form there is none - like going to a party and only being in a position to listen to the guys who have had too much to drink and think they know it all.

Harsh?

(This may be a love/hate relationship developing here ... it challenges me to return to the text. Which reminds me, it was intriguing to find the OU Library copy of the book full of pencil mark highlights and notes. See, a reader couldn't resist i.e. it isn't content for print).

Weinberger imagined what it would be like to be sitting in a new home with 157 moving boxes all labelled 'miscellaneous' - (87) Sound like a great way to get out of a house, just box it up and go. I even like the random nature of what you then find yourself with.

Where is the role of serendipity in this searchable and tagged world of ours?

Thinking allowed?

 

 

(50366)

Permalink
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 13018072