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Edited by Martin Cadwell, Tuesday 10 February 2026 at 08:16

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[ 5 minute read ]

Look at me walking on the edge of a fence

I am living by the seat of my pants; by the skin of my teeth I get by. I face the world without vitamin supplements and coffee and laugh at the consequences.

     'Ha ha ha! I laugh at you! Stand back and make way!'

I have no augmented assistance. I rely solely on eating and sleeping. My imagination is dull; my memory has holes in it; and my creativity is quiet.

     'Is this what it is like to be free from contaminants?' I ask myself.

I have seen the young women throw themselves down a ski-slope on snowboards and spin and loop in the air and I heard that one young woman makes sure she eats at least one slice of pizza a day at the 2026 Winter Olympics. The male snowboarders are nearly all over 30 years old, even in their forties. I wonder why women under twenty five don't compete with men in the snowboard tricks event; smaller body means faster spins which surely means more rotations are possible for the small people, (some of the men are small)  but these fast spins are not so likely accomplished for big bodies. 

In the 1970s, when James Hunt raced Nikki Lauda in Formula 1, the drivers used to be partying the night before, smoking at the track, and almost never did physical workouts to improve their core strength and stuff. Nowadays, all race drivers and sportspeople maintain a diet and exercise regime; otherwise they don't win.

It seems to me that we, as the general public, don't want to perform well. 'It will do.' is a silent sigh that follows slight effort. 

Later, I need to go and buy coffee and vitamin and mineral supplements in the city. I shall, of course, cycle. But I am not going to wander over to my bike and lift it into the street today; nor shall I merely doff my hat to the people I pass. No, today I shall warm up with some crunches and press-ups. I shall jump with both feet together towards my bike and lift it into the air above my waist while I turn it 180 degrees and plant it down rear wheel first. I shall climb on one side and immediately get off the other and then push it forward. Then I shall raise it on its rear wheel and spin it 360 degrees. Only then will I mount it before I fling my right arm backwards in a high arc to afford me a strong and focused look behind me. I shall smile, bring my arm back to the handlebars in a sharp straight movement, turn my head back and then allow my body to follow. Then I shall start to pedal. The neighbours will go wild. They will clap and look for a high score from other neighbours. 

I am wacky enough to do all of that. But it won't be for scores or particularly for wry smiles from the skulking cats; their haughty backward glances of disdain mean nothing to me. I shall do it for the same reason that I bought a pink T-shirt twenty five years ago. I mentally addressed the world. I don't care what 'you' (the world) think of me! Your bias or confusion does not matter to me. Just because 'you' have not developed a pattern of thinking that allows freedoms that 'you' would not allow 'yourselves' to embrace, I will not conform to 'your' hegemony.

Some people allow their speech to leave their mouth without finely tuning the words in their mouth and with their tongue. The vowel sounds a, e, i, o, u are all formed in the larynx and these are adapted in the back of the throat and mouth, and with the tongue, into words. We can form the vowel sounds without changing anything in our mouths; it really is just wind moving through a pipe that we constrict a bit, or not.

I think it is incumbent on us to speak with finesse and even flourishes. I don't mean we should all get elocution lessons; I mean we should pay attention to what we are saying and how we say it. I can perform wordy tricks because I have practiced using words. My sentences do somersaults and balance on high-wires; they loom large and fade towards a sad end and then rise and laugh at my fate. At least they do in my head. I have done the gym work. I have not done enough competition work though. 

My competitors are also my audience. They are other supermarket shoppers. I use my words to slide up to them and introduce my performance. 'Hah! You wasn't expecting that!' I silently tease them. I have to do it silently because they don't know they are in a competition and I am winning. They have no idea I have practiced and practiced for the event, and they are unaware of the hard work I have put into learning my routine. They have no reason to consider that I can throw sentences into mid air and perform loops back to the beginning. Why would they?

just like the snowboarders perform their 1200s or 1440s, back-switches and 'banana-split clockwork monkey handshake kiss' moves, my supermarket audience cannot see how seamlessly I skip sentences. They cannot connect the hanging dots in my phrases. I am meaningless to them; a fool that they would not sit next to on the bus. It is only I who applauds myself.

The leaps and flourishes are realistically only mere slight movements that barely change my tone. The words are mashed a little and the edges are not honed in my mouth. My tongue says, ' It will do.' 

I need to buy another 'pink T-shirt'. I need the energy that augmentation gives me. I need to own it!

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Stylised image of a figure dancing

Zugzwang position - I don't know what to do

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Edited by Martin Cadwell, Friday 19 September 2025 at 12:31

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[ 5 minute read ]

It doesn't seem to matter if I come up with unusual names for my story characters. I thought I had invented the name 'Harrari', which originates from the sound of cars passing over the joins in a dual carriageway over-flying a roundabout near to where I lived. I use that name for my abandoned alien friend. 

Of course, I know that the name 'Hakim' is real. I have no doubt heard in it a Hollywood film. I use that name to identify an avatar spirit.

Hakim and Harrari, as characters, know each other and sometimes act as counsel in my posts. So, I have added tags to a few posts, 'Harrari and Hakim'.

There is a YouTube video, titled 'Yuval Noah Harari on Sky News', 'The World With Yalda Hakim' that is listed above my post 'My alien friend and my avatar' on the DuckDuckGo search ranking index! I thought 'Harrari' might be unique and a strong individual name for a character. Imagine my surprise when I discovered that combining it with another strong name would not be unique at all. In the modern world, we are all trying to come up with a hook that is our own. 

I think I recall reading something that buzzed around. 'We are all plagiarists because every word we write has already been written in the dictionary.' Except they are in a different order.

I love words. My bedtime reading when I was sixteen was a Collins Pocket Thesaurus. One might think I would be really good at words but we have to use them to become proficient. I love words so much that I write the 'pretty' ones I find on a large piece of paper that is stuck to my wall. Eventually the paper is full and I have to replace it, but I keep the 'full' pieces of paper. How can a two-dimensional object (to all intents and purposes to the common man) 'get' full?

I have in mind calling up some of these words, sort of randomly, and then writing something that coherently includes them. Here are some of the words I have recorded:

desuetude; eschew; endue; surplice; sine qua non; internecine; commingle; aegis; spissitude; anoesis; deleterious; amphiboly; longanimity; ataraxia; immure; esperance; quotidian; obdurate; dilatory; minatory; perfidious; rebarbative; divagate; paludal; atemporal; nescience; oscitant; zugzwang (one of my favourite words); bathos; metastasis; apperception.

I know the meaning of some of these, and others I have to read the attached meaning. I almost never use any of them. The spell checker hates half of them. so, let's have a go at using a few, at least half, anyway. I will write without preparation or any idea of where it is going.

a man either side of text that reads, half penny stories

I don't know what to do

(Glossary at the end)

Today, I found myself in a zugzwang position. Either I continue living in a state of anoesis or swerve towards ataraxia. In any case, I would need to make big changes in my life, and no amount of esperance would cause me to consider either position to be fruitful. One might, in describing me, use the word 'feckless'. Growing up in some seclusion, I have always had to make strong attempts to commingle with the common man. Most of the time, I have to suffer the surplice of my neighbour's nescience. Our conversations, though not quotidian, were often enough to endue in me an idea that his paludal mind is set on obdurate behaviour towards all and everyone. A 'Do Not Bend' package delivered through my letterbox, addressed to his girlfriend, was described in his deleterious, almost minatory, manner, as being delivered by a lazy delivery person who couldn't be bothered to seek his front door. The truth is that his continental-style letter-box has insufficient depth to accept non-bendable packages, such as photographs, and the delivery person was more conscientious than oscitant or clumsy. 

To free myself from being permanently affected by people who divagate into rebarbative and perfidious gossip, or general loose cohesion and frippery in their statements, albeit atemporal in nature, a metastasis in my own life must occur. I feel that I should immure myself within my own safe scope of apperception. I have a predilection towards logic and an aptitude for taking two positions simultaneously. Perhaps, my longanimity is wearing thin and I crave peace and equanimity, yet, I can not help thinking that ataraxia is enormously difficult for me to achieve simply because I need sharp mental stimulation, the spissitude of which must be high. Flighty tidbits does nothing for me. Clearly, being perturbed pleases me. That then means that anoesis must be the preferred state to be in. However, I know I grow tired of japes and personal witticisms and seek knowledge to act as superstructure for my thoughts. Neither condition then seems to be an acceptable recluse. Of course no-one wants to make a change that negatively impacts on the rest of their life, and zugzwang positions make us choose the least harmful path. Perhaps, my dilatory personality will allow me to continue to oscillate between my private home-life of quiet study and submission to the general desuetude of common sense in my fellow man for a while longer. 

-end-

I think I might have used the words correctly. In any case, I had fun playing around with them. It is one of my hobbies. I am certain that if I used those words, as I have done, in a conversation with someone who knows them, I would see a skeptical question on their face that asks, 'Do you really know what you are saying?' And, because I like to be honest with myself, but also fair and benevolent with myself, I would have to laugh and say 'No, not really.'

I wrote the little story using a selection from the list of words. The meanings of the words I used from the list are here. I have cut and pasted from whichever online dictionary comes up first.

Zugzwang - (my own understanding) This is a German word used in chess. A zugzwang position is one in which a move must be made but any move will result in a following negative position - usually the loss of a piece or consequent check-mate, Being in 'check' is often a zugzwang position.

anoesis - (my own understanding) a state of mind that consists of pure sensation without cognitive content.

ataraxia - a state of freedom from emotional disturbance and anxiety, tranquility.

esperance - an archaic and now obsolete word meaning 'hope' (Let's bring it back)

commingle - to mix thoroughly

surplice - punishment, torture, anguish; punishment of hell

nescience - (my own idea is that this word is like 'conscience' and 'prescience', it is to do with perception and understanding and the prefix 'ne' works to negate) 1, lack of knowledge 2. agnosticism

quotidian - 1. usual or customary, everyday; (quotidian needs) 2. daily (a quotidian report) 3. ordinary, commonplace (paintings of no more than quotidian artistry) 

endue - provide with a quality or trait

paludal - 1. relating to marshes 2. produced by marshes, as miasma or disease

obdurate - 1. unmoved by persuasion, pit, or tender feelings; stubborn; unyielding 2. stubbornly resistant to moral influence; persistently impertinent (an obdurate sinner)

deleterious - 1. harmful; injurious (deleterious influences) 2. injurious to health (deleterious gasses)

minatory - menacing, threatening

oscitant - 1. drowsy or inattentive 2. yawning as with drowsiness, gaping 3. dull, lazy or negligent

metastasis -  change, transference

immure - 1. to shut in; seclude or confine 2. to enclose within walls 3. to imprison

divagate - (my own understanding focus on the 'div' part, to digress or deviate) 1. to wander, stray 2. to digress in speech

rebarbative - causing annoyance, irritation or aversion; repellent

perfidious - deliberately faithless, treacherous. deceitful ; a perfidious lover

atemporal - not given to time, timeless

apperception - logical reasoning through the exchange of opposing ideas

longanimity - patient endurance of hardship, injuries, or offense; forebearance

spissitude - density, thickness

japes - (from my Roget's thesaurus:  witticisms; jape (verb) amuse oneself

dilatory - 1. tending to delay or procrastinate; slow, tardy 2. intended to delay, gain time, or defer decision; a dilatory decision

desuetude - discontinuance, disusage, disuse

Twenty five words I have never used before. I am pleased.

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