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Jim McCrory

Returning to Twilight

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Edited by Jim McCrory, Monday 16 February 2026 at 08:33

“Here is the world. Beautiful and terrible things will happen. Don’t be afraid.

Frederick Buechner

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Returning to Twilight

What is my most beloved poem? I ask myself. Goodness, it feels like choosing a favourite Haribo. Too many shapes, too many colours, too many moods. To name one above the rest feels impossible without consulting others.

Still, if pressed, I can name a poem I return to often. It is not ornate. It does not dazzle, and it’s not like unpacking a double helix. On the surface it appears modest—just a captured moment. Yet each time I step into it, I’m led further inward. Its simplicity is not shallow; it is spacious.

That admission says something about how poetry lives with us. The poem that matters most is rarely the grandest in the canon or the one that demands scholarly admiration. It is often the one that waits patiently. The one that does not exhaust itself in a single reading. The one that appears small at first glance but opens, quietly, like a door into a larger room.

For me, that poem is Longfellow’s The Children’s Hour.

It opens at twilight, that suspended space between daylight and darkness. Longfellow sits in his study and hears the approach of his three daughters. Their steps down the corridor carry conspiracy and delight. They burst into his room and overtake him, laughing, binding him in what he calls their “living chain.” He offers no stern resistance. Instead, there is that “gesture of peace and silence,” that “murmur of soft persuasion.”

Those lines are the key. The poem’s tenderness rests not only in the children’s energy but in the father’s response. Authority softens into affection. The study—a place of intellect and responsibility—yields to embrace. Work gives way to love. This is not chaos; it is interruption welcomed.

Yet twilight matters. Evening suggests transition. Just as day folds into night, childhood folds into maturity. The hour is beautiful precisely because it is passing. Longfellow frames the children almost as mythic beings, bandits and spirits slipping through the house, as though he senses how briefly enchantment lasts.

Here is where the poem deepens for me. Beneath the laughter lies a quieter question. Did Longfellow worry about his daughters’ future? Did he wonder what sort of world awaited them beyond the lamplit safety of his study—what kind of women they would become? He lived in a century unsettled by moral upheaval and approaching civil war. He knew personal sorrow. Innocence, for him, could not have been naïve; it must have felt fragile.

When the children bind him in a “living chain,” the image is playful. Yet he vows to keep that chain fastened in the “round-tower” of his heart. Why preserve a chain unless one knows it will loosen? Children grow. Their arms one day fall away. The father stores the moment because he cannot store the season.

The poem does not speak anxiety aloud, but longing hums beneath it. Every parent, if honest, asks the same questions. Will these lively spirits become responsible, loving, kind adults? Will the gentleness they display in play survive a harsher world? Can affection form character strongly enough to endure disappointment and temptation? He does not know how his children will turn out. They have free will. We have no guarantees; scripture tells us the human heart is treacherous.

Longfellow offers no forecast. Instead, he shows formation through atmosphere. The children are learning what love feels like: secure, joyful, reciprocal. The father allows himself to be captured. Authority bows without humiliation. In that exchange lies education deeper than instruction. Character grows not only from warning but from warmth. A home where laughter interrupts labour becomes soil rich with moral possibility.

The poem honours the privilege of childhood, that rare stretch of life where trust flows easily. At the same time, it acknowledges impermanence without naming it. The future cannot be controlled. The world into which children step will always exceed a parent’s reach. But the heart that steps into that world can be shaped.

That is why I return to this poem. It is not merely nostalgic. It is searching. It suggests that love, given freely in an ordinary hour, may become compass and anchor later on. The living chain may fall from the body, but not from memory.

Perhaps that is why choosing a single cherished poem feels so difficult. We do not choose lightly what has shaped us. Language has many chambers, and I hesitate to close doors. Yet this twilight scene continues to draw me. It reminds me that simple lines can hold deep questions. That laughter can carry longing. That the quietest poems sometimes speak the furthest.

And in that suspended evening hour, I hear more than children’s steps. I hear a father storing light against the coming dark, trusting that what is planted in affection will, in time, bear fruit.

The children's Hour

https://www.poetryfoundation.org/poems/44628/the-childrens-hour-56d223ca55069thanked

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Jim McCrory

Speak — That I May See Thee

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Edited by Jim McCrory, Sunday 15 February 2026 at 08:19

“Stranger, why do you not speak?
Speak — that I may see thee.”

— Walter Savage Lander

Arran 14 Feb 2026

The Island of Arran from the North Ayrshire Coast

Speak — That I May See Thee

Like many early mornings, the coast summoned me. Five degrees below zero, the air thin and bracing, the beach washed gold by a reluctant winter sun. I stood at the shore and looked across to The Island of Arran on Scotland’s west coast, its mountain crowned with snow, steady and austere. Something about that view loosens memory. Faces return. Voices follow.

On that mountain, some years ago, I climbed beside a family from Israel. They were making for the summit to camp beneath the wide, indifferent sky. We fell into step together. It did not begin with theology or history, only with courtesy. A shared breath. A careful footing. Yet as the path steepened, so did our conversation. I had read the Bible most of my life and often wondered what a modern family from Israel would be like in the plainness of daily life. I found no abstraction that day. I found a kind, considerate and generous family; that is if generosity of time is a gift and I am sure it is. They made space for this stranger. They asked about Scotland and about the rhythm of my days which I reciprocated. I listened. I answered. We parted close to the top as I returned for the Ferry home. I returned with smiles warmed by more than the climb. That is how life ought to be.

Another ascent brought a Norwegian family into my story. I had once lived briefly in Stavanger, and hearing their accent felt like opening an old letter. Familiar cadences. Quiet warmth. We spoke of fjords and long winters, of the sea’s mood and the discipline of light in northern lands. In their company, nostalgia became a companion rather than a burden. Yet even as I admired their homeland, my heart settled again on Scotland’s west coast, the place where I am most at ease and most awed. Home sharpens when contrasted with another’s home. Conversation does that. It teaches us what we love without diminishing what others cherish.

Still, we do not need summits to meet good people. This morning by the shore, as Arran held its silent vigil, I found myself speaking with a family from Birmingham. A mother, a father, two daughters bright with curiosity and a father returning to his homeland on this west coast for a time. We spoke of the view, of reading, of their daughter who loved to read and write creatively. There was nothing monumental in my exchange with this family, no shared pilgrimage, yet it was rich. I walked away wishing I had known them longer. I wished not to intrude upon their time spent as a family. Some meetings are gifts precisely because they are brief.

But what draws people to the sea in winter. It depends who we are I suppose. I was brought up in the Maritime city of Glasgow where I always looked out to faraway lands. That’s why I was gifted a Grundig Satellite World band Radio in the seventies. A gift that helped me explore the world albeit unilaterally.  I guess Robert Louis Stevenson was drawn to the coast due to his father’s business of designing light houses which marked the writer’s career and destiny in many ways. But I digressed.

There is a peculiar virtue in these encounters, any encounter. A stranger speaks, and suddenly you see them. Not as a headline or a stereotype. Not as a theory. You see patience in the way someone ties a bootlace or offers their last caramel wafer or get all passionate when you ask them their favourite book. Words open the door, but presence lets you step inside.

When we remain silent, we remain unseen. Suspicion fills the space where speech might have been. Yet when we risk a greeting, when we ask and answer with simple honesty, something shifts. We discover that beneath accents, flags, and histories, there is a shared longing to be understood and welcomed. It does not require grand speeches. Often it begins with a remark about the weather, the climb, the cold. Now, my wife and I keep in touch with these chance encounters we have met in life's highway.

So, if you will indulge me, I shall lift the book resting at my side. In its pages I have come to know many people whose conversations have shaped centuries. There is one meeting in particular, unplanned it seemed, that changed grief into recognition and despair into burning hope. Two travellers on a road, joined by a stranger who listened before He spoke. You can read along with me if you wish,

Luke 24:13-35 VOICE - Picture this: That same day, two other - Bible Gateway

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Jim McCrory

The Problem Materialists Cannot Explain

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Edited by Jim McCrory, Friday 13 February 2026 at 10:32

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Scene: A busy supermarket checkout line

Mary (slipping ahead): “It’s just a few items. I’ll be quick.”

Anna (quietly): “There’s a queue?”

Mary: “It’s not a big deal. I only have three items.”

Anna: “That’s not the point. Join the queue.”

Mary: “You’re really getting in a tizzy over something so small.”

Anna: “It’s not small. You’re acting like your time matters more than everyone else’s.”

Mary (pauses): “…I didn’t think of it that way.”

Anna: “Of course you didn’t, so get in the queue like everyone else.”

 

The Problem Materialists Cannot Explain

The short dialogue above illustrates something very profound; we are creatures with a moral foundation. We desire justice. It is found everywhere in life, even the stories we read to our children and the movies we watch; there has to be a happy ever after and we subconsciously raise that as we get close to the end. Justice is served the hero walks out at the end where all the loose ends, the denouement is served to our satisfaction. 

Among the many arguments offered by Christian apologists for the existence of God, the Moral Argument stands as one of the most compelling and personally resonant. It does not depend on complex scientific theories or obscure historical analysis. Instead, it begins with something universal: the human experience of right and wrong. The argument proposes that the reality of objective moral values points beyond humanity to a transcendent moral Lawgiver.

The first premise of the Moral Argument asserts that objective moral values exist. By “objective,” we mean moral truths that are valid independently of personal opinion, cultural preference, or historical circumstance. Most people instinctively believe that certain acts—such as torturing children for pleasure or committing genocide—are not merely socially unacceptable but truly wrong. Likewise, acts of self-sacrifice, courage, and love are regarded as genuinely good. These moral judgments are not typically expressed as personal tastes, like preferring one flavour of ice cream over another. Rather, they carry the weight of obligation and the sense that others ought to recognize them as well. This widespread conviction suggests that morality is more than a human invention.

The second premise argues that if objective moral values exist, they require a foundation beyond human opinion. If morality is merely the result of biological evolution, social conditioning, or collective agreement, then it ultimately has no binding authority. Under pure moral relativism, no action is truly right or wrong; it is only approved or disapproved by a particular group at a particular time. Yet our moral experience seems to resist this conclusion. When we condemn historical atrocities, we do not mean merely that we dislike them by modern standards. We mean that they were wrong, even when widely accepted. This language of moral obligation implies accountability to a standard that transcends humanity itself.

Here the argument reaches its central claim: the best explanation for objective moral values is the existence of God. Moral laws imply a moral Lawgiver, just as physical laws imply a rational source. In Christian thought, God’s nature is the ultimate standard of goodness. He does not arbitrarily invent morality; rather, goodness flows from His character. Because human beings are created in the image of God, they possess moral awareness and conscience. This framework explains why moral truths feel authoritative and why guilt, responsibility, and justice are meaningful concepts. Without such a grounding, morality risks becoming an illusion—powerful perhaps, but ultimately reducible to preference or survival strategy.

Philosopher William Lane Craig summarizes the Moral Argument in a concise syllogism:

  1. If God does not exist, objective moral values do not exist.

  2. Objective moral values do exist.

  3. Therefore, God exists (Craig, 2008).

Critics have offered alternative explanations for morality, appealing to evolution, social contracts, or moral realism without God, but these do not stand up to heroic altruism — such as a soldier shielding others from a grenade or a stranger risking his life to save a child — illustrate moral beauty, but they do not in themselves prove God’s existence. The Christian view of the Moral Argument remains powerful because it connects intellectual reasoning with lived experience. It speaks not only to abstract philosophy but to the deep human sense that justice matters, that evil is real, and that love is more than chemistry.

In the end, the Moral Argument challenges us to consider whether our moral convictions are signals pointing beyond ourselves. If goodness is not a mere by-product of blind forces, then it may reflect the character of a personal, righteous Creator. For many Christian apologists, this insight provides not only a rational basis for belief in God but also a profound affirmation of human dignity and moral responsibility

Reference

Craig, W.L., 2008. Reasonable Faith: Christian Truth and Apologetics. 3rd ed. Wheaton, IL: Crossway.

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Cancer, Where Is Your Victory

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Edited by Jim McCrory, Wednesday 11 February 2026 at 09:05

 

“Where, O death, is your victory

Where, O death, is your sting”

I Corinthians 15:55

BSB Bible

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Cancer, Where Is Your Victory

It is a strange set of affairs.

Like a tearful old man who refuses to surrender to the years, I love to walk—to wander the glens and shorelines of Scotland, to breathe in the salt of the sea and the clean bite of Highland wind. The hills keep me young. The paths call to me. Though I carry a little extra weight these days, I am healthy in spirit and full of delight. There are still so many places I have not seen. I have never stood beneath the wide skies of the Outer Hebrides, nor travelled far north beyond Inverness where the land grows lonely and magnificent.

I once visited the Island of Islay on Scotland’s western edge, a place of peat and prayerful silence. Yet recent discoveries in my family’s DNA have tied me more deeply to that soil. I must go back—walk it again, this time with the eyes of belonging.

And yet, quietly, I feel the doors beginning to close.

Just over two  year ago, I underwent a battery of medical tests. When the consultant called me in for the results, the air in the room felt unusually heavy. The verdict was unwelcome: cells that had served me faithfully all my life had turned rogue. There was rebellion in my prostate, my pancreas, my liver. A quiet uprising in the citadel of my own flesh.

The consultant studied my face.

     “You seem very bravado about this,” he said, almost puzzled.

     “Oh, I understand what you’re telling me,” I replied gently. “But there is a young man inside me who has walked with me all my life. And I will still return one day after I close my eyes.”

It was not denial. It was not stoicism. It was something deeper.

I ask you, reader—though perhaps you do not need to be asked—do you sense that younger self within you? That companion who has moved with you through childhood, through love, through loss? The body alters, the mirror shifts, but something remains curiously unchanged. The inner life grows richer even as the outer frame declines.

As we age, that inner presence becomes more vivid. It presses forward in quiet moments. It whispers of continuity.

May I share what I believe about this?

Long ago, a wise king wrote words that have echoed through centuries:

“He has made everything beautiful in its time.
He has also set eternity in the hearts of men.”
— Ecclesiastes 3:11 (Berean Standard Bible)

King Solomon spoke of a wisdom given to him in youth—a gift from God. And in that line lies a mystery that science has never solved. There are many clever explanations offered for consciousness, for longing, for the depth of the human soul. Scholars have opened skulls, mapped neural pathways, dissected grey matter into slides and specimens. Theories are proposed, revised, discarded.

But no theory explains why eternity hums within us.

No scalpel has ever located the place where hope resides.

We have rich inner lives because we were fashioned for more than decay. We were built for eternity.

On the morning of my appointment, before stepping into that consulting room, my wife and I read a verse together:

“He who dwells in the shelter of the Most High
will abide in the shadow of the Almighty.”
— Psalm 91:1

After reading it, I turned to her and said quietly, “We are going to receive bad news today.”

It was not dread. It was recognition. A sense of being gently prepared. There are moments in life when scripture does more than inspire—it speaks. With over 31,000 verses in the Bible, what are the odds of opening the pages and finding the precise words needed for that exact morning? Some may call it coincidence.

I do not.

God has always spoken, but sometimes His voice is unmistakably intimate.

Cancer may tighten its grip. It may close doors. It may shorten horizons. But it cannot extinguish the eternity placed within the human heart. It cannot silence the young man who still walks the Scottish hills inside me. It cannot erase the promise of something beyond the final breath.

When Jesus told the thief beside Him, “You will be with Me in Paradise,” I often wonder what that landscape will be like. Will it surpass the heather-covered slopes of Scotland? The long light over Islay’s shores? The wild northern skies?

Surely—without question—it will.

Cancer, where is your sting?

You may trouble the body.
You may summon tears.
You may alter the calendar.

But you cannot defeat the promise.

The hills still call. And beyond them, something greater awaits.

 

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Jim McCrory

What Leaves When Life Leaves

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Edited by Jim McCrory, Wednesday 11 February 2026 at 09:29

 

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What Leaves When Life Leaves

 

Life. It is a strange old mystery.

I do not mean the plans we make, the joys we chase, or even the suffering we endure. I mean life itself. What is it?

A man stands beside his loved one in a hospital bed. The machines that once kept her alive have been switched off. She lies there still. Her face unchanged. Her identity unmistakable. This is the bride he once walked down the aisle with.

Yet something essential is missing.

The force of life has gone. I know thar feeling as I sat with my daughter in a hospital room as the nurse gave us private time with our loved one who just passed away.

Biochemist James Tour  Speaking in Socrates in the City explains that while science can describe chemical processes in remarkable detail, it remains unable to explain how life itself arises (Tour, n.d.). Tour illustrates this uncertainty by asking us to imagine standing in a laboratory. Your hands are steady. Your eyes are trained on a cluster of living cells. Everything is controlled. Sterile. Precise. You know the protocols. You know the equipment.

Then one cell dies.

What exactly has gone, we may ask?

Its structure remains. The membrane is intact. The chemistry is still there. You have microscopes, reagents, machines worth millions. Surely something can be done. Surely life can be restarted.

But it cannot.

Once life leaves, it does not come back. Not by force. Not by knowledge. Not by will. It is gone.

That quiet, irreversible collapse exposes a truth we would rather not face. For all our scientific triumphs, we still do not know what life is. With all the king’s horses and all the king’s men, we still cannot put that cell  together again.

That silence should trouble us.

Long before laboratories and microscopes, Jesus spoke words that cut just as deeply:

“Are not two sparrows sold for a penny?
Yet not one of them will fall to the ground apart from the will of your Father.”
—Matthew 10:29 (BSB)

Picture a sparrow slipping from a branch. One moment animated, the next unmoving. It looks the same. Feathers intact. Weight unchanged. And yet everything has changed.

Life has gone somewhere.

This is not merely biology. It is metaphysics intruding into the everyday. The body remains, but the animating presence has withdrawn. What we are witnessing is absence—and absence speaks.

Jesus sharpens the tension even further:

“Do not be afraid of those who kill the body but cannot kill the soul.”
—Matthew 10:28 (BSB)

If this is true, then death does not finish us. It interrupts us.

There is something within a human being that cannot be dismantled by knives, disease, time, or entropy. Something untouchable. Not chemistry. Not neurons alone. Something that uses the body but is not confined to it.

We are not merely assembled matter. We are life-breathed dust.

This thought pressed itself on me while visiting the Titanic Museum in Belfast last year. Names, each name marked a person who loved, feared, hoped, failed, laughed. Just a name. Just silence. Just bodies that once lay there in an open grave, but ate up by the eco system.

Were their lives futile?

The answer depends on where they placed their hope. If existence ends at the grave, then meaning dissolves with the flesh. Memory fades. Identity erodes. Eventually, even the stones themselves crumble.

But if life rests in God’s hands, then death is not an eraser. It is a pause.

That image unsettles me, in the best way. It refuses despair. It insists that death does not hold the final key.

I accept that consciousness is bound to the brain. Damage the brain, and the mind falters. But I do not believe consciousness is identical to the brain. I believe it is hosted there. Carried. Expressed.

When renewal comes, I believe God will restore more than function. He will restore identity. Memory. Continuity. I will not wake as a stranger inhabiting a replacement shell. I will be myself—fully known, fully restored.

Scripture dares to say this plainly:

“When a man dies, will he live again?
All the days of my hard service I will wait,
until my renewal comes.”
—Job 14:14 (BSB)

That question lingers—unanswered by science and unavoidable in silence.

If life cannot be manufactured, if death cannot be reversed by human hands, then perhaps life was never ours to control in the first place.

And that possibility should unsettle us.

Because it means meaning is not something we invent.

It is something we answer to.

 

Reference

Tour, J. (n.d.) How Did Life Come Into Being? [online interview]. Socrates in the City. Available at: https://socratesinthecity.com/watch/dr-james-tour-how-did-life-come-into-being/ (Accessed: 9 February 2026).

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Jim McCrory

Lessons from the Clydeside

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“That man is a success who has lived well, laughed often, and loved much.”

Robert Louis Stevenson

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Lessons from the Clydeside

Let me set the record straight. I was born on the Clydeside in the late fifties, where I woke each morning to the sound of angry hammers and neurotic welding torches; sounds that helped build massive vessels destined to sail the seven seas.

I left school at St Gerard’s Senior Secondary in Govan, Glasgow, at fourteen—probably—but I poked my nose back in occasionally, just to make sure I got my Leaving Certificate, because as far as I knew you didn’t get a job without one. To my knowledge, no one in my class ever went on to win a Nobel Prize for literature, peace, science or anything else. I suppose in today’s world we’d be called losers.

It wasn’t that we weren’t bright. It was that high school was chaotic. One year we broke for summer and returned for third year only to discover, after the holidays, that every teacher had been replaced. It was traumatic, like losing a family overnight.

I missed Mr A… , who taught us how to make fishing rods and took us fishing in the Clydebank canal, where the goldfish were enormous thanks to the warm water from the local Singer factories. And by the way, every man and his dog owned a Singer sewing machine back then, we weren’t a holy nation.

There was also the music teacher who made me feel Scandinavian while he played and explained The Hall of the Mountain King. And the English teacher who never really taught us English at all, but read to us Rob Roy, Treasure Island and Ivanhoe.

But I digress. What I’m trying to say is this: we yearned for learning—just not in the way it was meant to be delivered.

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They Are All Lonely in Their Own Way

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Edited by Jim McCrory, Saturday 7 February 2026 at 20:19

“They all lonely in their own way.”

Sam Selvon

The Lonely Londoners

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They Are All Lonely in Their Own Way

My wife and I met a couple in the supermarket this evening.
A Caribbean couple. Nothing dramatic—just a few exchanged words, a moment of encouragement, a shared smile. Yet as my wife and I walked away, we both noticed the same thing: a warmth lingered. It felt unforced, generous, quietly alive. It didn’t surprise us to learn that they were Christians. Some people carry their faith not as volume, but as light. This is not to say that we do not find warmth in all kind humans we meet, it is just that our inbuilt antennae feel a God who directs Christians in our life’s pathway.

Their presence stirred a memory from my university days, studying literature. I thought of Sam Selvon, part of the Windrush generation, and of his novel The Lonely Londoners. One line from it has never left me: “They all lonely in their own way.”

Selvon’s genius lies in how effortlessly that sentence lands. It sounds almost casual, as if spoken in passing. And yet inside it is whole lives—exile, hope, humour, and the quiet ache of never fully belonging. Loneliness, in Selvon’s world, isn’t always loud. Often, it’s lived with dignity, even laughter, while something deeper goes unnamed.

The truth is, we all carry an inner loneliness that rises to the surface from time to time. It can feel especially sharp when someone finds themselves in a foreign land and in cities like London or Manchester or Glasgow—places dense with people yet strangely capable of making one feel invisible. Selvon reminds us that beneath accents, histories, and faces lies a shared human vulnerability.

That is why a smile matters. A moment of welcome. A brief, gentle conversation that says, you are seen. Such small gestures invite someone, if only for a moment, back into the wider human family.

This brings me to a much older story, one that still breathes with relevance.

In the Gospel of John, chapter 4, a woman comes to draw water from a well at midday. That detail matters. Women usually went together in the cool of the morning or evening. Midday signals heat, solitude, avoidance. She has chosen the hour when no one else will be there.

Why?

She has been married five times and is now living with a man who is not her husband. In her culture, this history carries deep stigma; especially for a woman. People would have talked. Judged. Kept their distance.

Over time, such judgment does more than isolate socially; it erodes the spirit. It teaches a person to move through the world unnoticed, to expect dismissal.

What is quietly heart breaking is that her loneliness is not simply about being alone. It is about being unseen, unvalued, gently but firmly written off.

And this is where the story turns luminous.

Jesus chooses to meet her there. Not in a crowd. Not in a synagogue. But in the heat of the day, at the very place she goes when she believes no one else will come.

The encounter is gentle, yet radical. He does not treat her loneliness as failure or punishment. He treats it as holy ground; the place where kindness  arrives first.

Perhaps this is the thread that binds Selvon’s Londoners, the woman at the well, and us. We are all lonely in our own way. But loneliness is not the end of the story. It can become the meeting place where compassion interrupts isolation, where a stranger becomes a neighbour, where God steps quietly into the ordinary and says, I see you and I send someone your way.

And sometimes, all it takes to begin that moment is a smile in a supermarket aisle.

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The Better Angels of Our Nature

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The Better Angels of Our Nature

I was standing in the supermarket tonight, surrounded by the ordinary music of daily life—the hum of refrigerators, the soft thud of items dropped onto the packing area, the polite impatience of a queue inching forward. It was the kind of moment no one remembers, because nothing remarkable is supposed to happen there.

Then it was my turn to pay.

I reached for my card and felt the sudden, sinking realization that it wasn’t there. I had left it in the car. A small mistake, harmless in theory, yet heavy in feeling. Embarrassment crept in first. Am I getting old? I asked myself, followed by the quiet pressure of holding up strangers who had their own lives to get back to. I apologized, already preparing to step aside and make the walk back, returning my item to where I’d found it.

That was when the first lady spoke.

“I’ll pay for it,” she said simply, as if it were the most natural thing in the world.

I refused right away—instinct, pride, surprise, maybe all three at once. I told her no, no, it was fine; I’d go and get my card. I didn’t want to be a burden.

Then a second lady stepped forward. Her voice was gentle but firm—not demanding, not dramatic.

“Give me it.”

There was kindness in the way she said it—not pity, not impatience, just a quiet certainty that this was what she was going to do. In that moment, the awkwardness dissolved. The tension I hadn’t realized I was holding slipped away. I accepted, not because I needed to, but because refusing would have meant rejecting something human and sincere.

It was a small act. A package of rice. A few moments in a checkout line. And yet it stayed with me.

We live in a time when it is easy to catalogue what is broken. The noise of division is loud, constant, and exhausting. Every day we are reminded of cruelty, selfishness, and indifference. It can begin to feel as though kindness is fragile, rare, or naïve—a thing that belongs to a softer past.

But there, between the shelves and the scanner’s beep, kindness appeared without hesitation. No speeches. No cameras. No expectation of reward. Just two women who saw another person in an uncomfortable moment and chose generosity.

These are the better angels of our nature; not grand heroes or famous names, but ordinary people who carry kindness quietly and offer it when the world gives them the chance. They remind us that beneath the fractures of society, there are still good hearts beating steadily, ready to act.

I left the supermarket with my package, yes, but more importantly, I left with proof. Proof that despite everything, decency has not vanished. That compassion still finds its way into everyday life. And that sometimes, the smallest moments restore our faith far more powerfully than the loudest arguments ever could.

Bless you, dear ladies.

 

 

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Jim McCrory

Words That Deserve Our Attention: Tapeínōsis

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Words That Deserve Our Attention: Tapeínōsis

I don’t know if you’ve noticed, but something in our common life feels fractured. Like a spoiled child flinging away the dummy, we insist on having things our own way, often without a second glance at our neighbour. Everyone is grasping, demanding, defending. And it leaves me wondering—where are we heading?

Into that noise comes a quiet, easily overlooked word: ταπείνωσις (tapeínōsis). It is usually translated as humility or lowliness, but those words can mislead us if we imagine weakness, self-erasure, or a timid shrinking back. In Scripture, tapeínōsis is not imposed; it is chosen. It is a refusal to grasp for status, a willingness to become small that rises not from shame, but from strength. It belongs to someone who does not need to insist on their importance. In the Christian imagination, humility is not thinking less of oneself, but needing to prove oneself less.

The Apostle Paul gives this vision clear shape in Philippians 2:3–5:

“Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves.
Let each of you look not to your own interests, but to the interests of others.
Let the same mind be in you that was in Christ Jesus.”

Here, the word translated as “humility” is ταπεινοφροσύνη (tapeinophrosýnē)—a lowliness of mind, an inward posture rather than a public performance.

Jane Austen offers us a negative mirror of this truth in Pride and Prejudice, through the unforgettable figure of Mr. Collins. He speaks the language of humility fluently, but he has no tapeínōsis at all. In his proposal of marriage, he explains:

“My reasons for marrying are, first, that I think it a right thing for every clergyman in easy circumstances (like myself) to set the example of matrimony in his parish; secondly, that I am convinced it will add very greatly to my happiness; and thirdly—which perhaps I ought to have mentioned earlier—that it is the particular advice and recommendation of the very noble lady whom I have the honour of calling patroness.”

The speech is funny, but its humour is moral. Mr. Collins is full—full of himself, full of borrowed importance, full of anxious self-regard. He cannot empty himself enough even to see the person before him. Everything becomes status, obligation, performance. Austen shows us that pride does not always shout; sometimes it bows, flatters, and disguises itself as duty.

What Mr. Collins lacks is not confidence, but chosen smallness. He cannot release rank, reputation, or self-justification, and so he never becomes fully human to those around him. His world is crowded with himself, and for that reason, he is curiously alone.

Τapeínōsis invites us into a different way of being. It asks us to step down without fear, to loosen our grip, to trust that our worth does not disappear when we relinquish control. The word shows us that humility is not the loss of glory, but the way glory is transfigured into love. And Austen, with her quiet irony, reminds us what happens when we refuse that path: we may be respectable, even admired, and yet remain strangely, painfully absurd—and alone.

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Words That Deserve Our Attention—Ubuntu

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Words That Deserve Our AttentionUbuntu

There is a word from Nigeria and other parts of Africa  that names something we are close to forgetting. Ubuntu.
It means, I am because we are.

Not as an idea, but as a fact. A recognition that the self does not stand alone. That our lives are shaped, steadied, and sustained by others.

And yet, it feels absent now.

Look around. Families are strained. Friendships feel thinner. Nations are locked into suspicion. The bonds that once held us together did not snap overnight. They loosened slowly, almost politely, until we woke up in a quieter, lonelier world. Something essential has slipped from our hands.

Once, life was built around community. People belonged to one another without explanation. Neighbours showed up. Needs were shared. Joy multiplied because it was witnessed. Today, life feels more like a private contest. “Take care of yourself” has replaced “How can I help?” We have traded we for me, and the cost is beginning to show.

Individual freedom has given us real gifts. Choice. Agency. Dignity. These matter. But when independence becomes the highest value, something deeper erodes. We forget how dependent we truly are. Self-sufficiency hardens into isolation. Strength begins to resemble withdrawal.

Technology was meant to draw us closer. In one sense, it has. Distance collapses. Messages travel instantly. Faces appear on screens across continents. And still, loneliness grows.

A screen cannot carry presence. A notification cannot sit beside you in grief. Digital applause dissolves the moment it appears. We are surrounded by noise, yet starved for nearness. Connection becomes simulated, not shared.

Work and money widen the distance further. People scatter for opportunity, leaving behind the slow work of relationship. Parents become voices on the phone. Friends become updates once a year. Life moves forward, but roots loosen.

Pressure does the rest. When survival consumes our days, relationships shrink. Exhaustion turns inward. Financial stress strains marriages, families, communities. People stop reaching out and start enduring alone.

The old gathering places fade. Extended families thin out. Neighbourhoods grow anonymous. Churches and civic spaces empty. Belonging becomes conditional, temporary, fragile.

Politics sharpens the divide. Listening is replaced by shouting. Disagreement becomes moral failure. We are taught to see enemies instead of neighbours, tribes instead of people. The public square turns hostile, then hollow.

On a global scale, the pattern repeats. Borders tighten. Compassion narrows. Faced with shared crises, we retreat. We protect what is ours and call it wisdom. Unity feels risky. Division feels safer.

So where does that leave us?

Rebuilding will not begin with grand gestures. It will start small. A call made instead of delayed. A neighbour noticed. A meal shared. Presence chosen. These acts seem minor, but they carry weight. They mend what abstraction breaks.

We may need to slow down. Relationships cannot be rushed or optimized. They demand time, patience, attention. The very things modern life trains us to avoid.

Technology does not need to disappear. It needs to serve. Not replace life, but point us back to it. Toward faces, voices, shared rooms.

Ubuntu reminds us of a truth we resist but need. No one thrives alone. We rise together or not at all. We are held by one another, whether we admit it or not.

The world feels fractured. But fracture is not the end. What has been loosened can still be bound again, if we choose to live as though others truly matter.

It is not too late to reconnect.

The question remains whether we will.

Scripture puts it plainly:

Two are better than one,
because they have a good return for their labor.
If one falls, the other can lift him up.
But pity the one who falls alone.

—Ecclesiastes 4:9

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What Would a Greater Intelligence Notice About Us?

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He has shown you, O man, what is good;
and what the Lord requires of you:
to act justly..."

Micah 6:8

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What Would a Greater Intelligence Notice About Us?

Pause for a moment and bring to mind someone you no longer speak to; someone you may even despise. Now ask yourself why. If you were to write the reason down, would it still hold its weight? Would it sound reasonable, or strangely small? Often, once it’s written on paper, the justification looks thinner than it felt in the moment.

Now turn the lens inward. Think of the worst thing you’ve ever done to another person. Does your body react—tightening, cringing, flooding with shame? That discomfort tells a truth we don’t like to sit with: we know when we’ve crossed a line, even if we’ve spent years avoiding the memory.

Scripture offers a deceptively simple instruction when resentment takes root: go and speak to the person, privately, face to face. Not to gather allies. Not to rehearse grievances. Just the two of you. The reason is sobering—dragging others into our hatred inflames the wound and exposes our own inner condition. If that is so, why surrender years of life to bitterness?

I once belonged to a faith community where I regularly gave public talks. The one people asked for most was titled, “Do you harbour resentment, or do you forgive?” At its core was that same ancient counsel: speak directly, or let the matter go. Hatred, I learned, doesn’t punish the other person nearly as much as it corrodes the one who carries it.

Now imagine a perspective beyond our own—an intelligence observing humanity from outside our small sphere of existence. What would it see?

It would likely notice how often we erupt over things that barely matter. Someone who reminds you what you failed to do. A parking space. A passing comment. Tiny sparks that somehow ignite full-blown conflict. But these clashes are rarely about the surface issue. Beneath them lie pride, insecurity, fear of being dismissed, fear of being wrong.

Many conflicts begin with the feeling of having been wronged, even when no harm was intended. A misunderstood word, a careless tone, a moment read through the lens of our own wounds. The resentment that follows can linger for years, long after the original event has faded into distortion. The argument becomes symbolic, while the real pain goes unnamed.

Religion, too, has often been a fault line. People have separated, condemned, even killed one another over differences in belief—despite the fact that doctrines evolve, fracture, and reform across time. What begins as a search for truth hardens into tribal identity. In defending belonging, compassion is often sacrificed.

There is also a quieter conflict: the anger we feel when advice brushes against our vulnerabilities. A suggestion, however well-meant, can feel like an accusation. Rather than listening, we retreat. We resist not because the advice is cruel, but because it asks us to change.

Over and over, the same pattern emerges. The conflict is not about the thing itself. It is about the self—its pride, its fears, its unwillingness to be examined. We fight hardest when our identity feels threatened, even if the trigger is trivial.

The real challenge, then, is learning to recognize when emotion has taken the steering wheel. To listen without immediately defending. To disagree without dehumanizing. To receive correction without hatred. These are difficult disciplines, but they strip countless battles of their power.

And perhaps this is what any watching intelligence would notice most of all—not our technology, not our arguments, but our hearts. How we wield judgment. Whether we choose mercy. Whether we walk carefully, aware that how we treat one another may be the clearest evidence of who we truly are.

He has shown you, O man, what is good;
and what the Lord requires of you:
to act justly,
to love mercy,
and to walk humbly with your God.”

Micah 6:8

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Longing for the Ending We Were Made For

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“Every happy ending is a hint of home.”

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Longing for the Ending We Were Made For

 

While searching for a film free of sex, violence, and the occult, we unexpectedly encountered something far rarer: goodness. The Indian film Bajrangi Bhaijaan offered not merely clean entertainment, but a deeply humane story—one that lingers long after the screen goes dark. It tells the story of Pawan, a simple, devout Indian man whose life is upended when he discovers Shahida, a mute Pakistani child, lost and separated from her family. What follows is not a tale of ideology or nationalism, but of costly compassion. Pawan’s journey to reunite Shahida with her parents is perilous, humiliating, and socially dangerous, yet he presses on, guided by conscience rather than fear.

The film’s emotional power culminates in a moment that feels almost sacramental. As Shahida crosses the border and realizes she may never see Pawan again, the impossible happens: she finds her voice. Her cry—his name—breaks through barbed wire, politics, and silence itself. It is a moment of pure joy, a vindication of love, and a reminder that some endings feel “right” in a way that transcends plot. We leave the film satisfied, even grateful. And then the question quietly arrives: why?

Why do such happy endings move us so deeply? Why do we crave them—not only in films like Bajrangi Bhaijaan, but in novels, myths, fairy tales, and the stories we tell our children? Are these endings merely sentimental escapes from a harsh world, or do they reveal something essential about us?

From the very beginning of life, human beings reach for joy. An infant cries until it is held, fed, and comforted. That instinct never disappears; it matures. As adults, we pursue happiness through love, work, creativity, justice, beauty, and faith. Even our appetite for stories reflects this longing. We identify with characters who endure suffering and yearn for resolution because we recognize ourselves in them. Their joy reassures us that happiness—somewhere, somehow—is possible.

Yet lived experience rarely mirrors the structure of a satisfying story. Life often resists resolution. Loss remains unresolved. Justice goes unmet. Illness, betrayal, and grief arrive without warning. If happiness is so fragile and fleeting, why does our longing for it remain so stubbornly persistent?

This tension lies at the heart of the human condition. We are creatures who ache for permanence in a world defined by decay. We desire fulfilment, yet everything we grasp slips through our fingers. C.S. Lewis observed that this mismatch is not accidental. He argued that when we find within ourselves desires that no earthly experience can satisfy, the most reasonable explanation is not that those desires are illusions, but that they were never meant to be fulfilled here. We were made, he suggested, for another world.

This insight resonates deeply across religious traditions, particularly within Christianity. Scripture speaks of a future in which tears are wiped away, death is defeated, and sorrow is no more. In this vision, our longing for happiness is not a weakness or a naïve denial of suffering. It is evidence—a clue embedded in the soul—that we are oriented toward eternity. We want joy because we were designed for it.

Stories like Bajrangi Bhaijaan echo this deeper truth. They remind us, however briefly, of a moral shape to the universe—a sense that love should triumph over hatred, that sacrifice should be rewarded, that brokenness is not the final word. Such stories awaken what Lewis called the longing for the “far-off country,” a place where goodness is not fragile and joy cannot be taken away.

Even stories that end in tragedy participate in this longing. When injustice remains unresolved or suffering goes unanswered, we feel not indifference but protest. We want wrongs to be made right. That dissatisfaction itself points beyond the world as it is toward a world as it ought to be.

Many explanations have been offered for our relentless pursuit of happiness. Evolutionary psychology suggests it aids survival. Classical philosophy elevates happiness as the highest human good. These accounts explain part of the story, but not its depth. They cannot fully account for the aching, almost homesick quality of human longing—the sense that joy is not merely pleasurable, but proper, as though it belongs to us by design.

That longing appears spiritual at its core. It is bound up with love, beauty, creativity, and transcendence—with the sense that we are meant for more than endurance. As Augustine famously wrote, our hearts remain restless until they rest in God. The restlessness itself is revelatory.

Real life seldom offers the tidy resolutions we encounter in films. Yet this does not render our longing foolish. On the contrary, it invites us to view life as a story still unfolding. Just as the darkest chapter in a novel often precedes its resolution, our present suffering may not be meaningless. It may be preparatory.

Whether one accepts the promise of eternity or not, the human hunger for happiness remains undeniable. It shapes our stories, animates our choices, and gives direction to our hope. If Lewis was right, then every truly happy ending is a signpost—pointing beyond itself toward a joy that is not imagined, but promised.

And so we keep searching for happiness; not because we are blind to suffering, but because joy is written into the fabric of our being. Perhaps what we are really seeking is not happiness itself, but its source. For every story, in the end, gestures toward a greater one: a journey from longing to fulfilment, from brokenness to redemption, and from time into eternity.

As Jesus said to the dying thief, “Truly I tell you, today you will be with Me in Paradise.” That promise—quiet, undeserved, and final—may be the truest happy ending of all.

 

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“The darker the night, the brighter the stars.”

Fyodor Dostoevsky

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Restless Stars, Restless Hearts

 

Recently, in the ordinary intimacy of a conversation with a contractor working in my home, something unexpected surfaced. Somewhere between measurements and polite small talk, we discovered a shared fault line: we had both lost our parents in our teenage years. The discovery didn’t arrive dramatically—it simply settled between us, quiet and heavy. As we spoke, it became clear that this kind of loss doesn’t diminish with time. It ripens. Age does not soften it; it teaches it new ways to echo.

That exchange carried me backward to a cold evening in the mid-1990s, aboard the Princess of Scandinavia, cutting its slow path from Newcastle to Gothenburg. My head was clouded with vodka and restless thoughts, so I climbed to the top deck to breathe. Above me, the northern sky stretched clear and uncompromising, scattered with stars that felt arranged solely for that moment. It was a private spectacle—one that could never be repeated, only remembered.

Standing there, surrounded by sea and silence, I felt an unexpected kinship with Ingmar Bergman and the way he wrote of his inner darkness in The Magic Lantern. That same sense of being trapped inside oneself pressed in on me. And, as it often does, my mind returned to my adopted father, who had left this world when I was twelve. In that vast, quiet night, grief didn’t shout; it whispered—and it whispered in verse:

Meet me amidst the ocean,
Under my Northern sky,
To the light of constellations,
As our restless stars pass by.

That moment helps explain why I hold so dearly to the Swedish idea of sambovikt—a word that gestures toward balance, toward the fragile but essential equilibrium of human connection. It also sharpens a harder truth: far too many children grow up in the long shadow of an absent parent. I carry deep empathy for that pain—for the version of it that hurts in childhood, and for the quieter, more complicated version that follows into adulthood.

What I’ve come to understand is that happiness is not a sudden arrival, nor a solitary achievement. It grows slowly from stable, long-term, trusting relationships. This matters for couples, yes—but its deepest consequences are felt by the children within those bonds. When my father closed his eyes for the last time, something vanished with him: guidance, reassurance, the ritual of bedtime stories—David Copperfield, Oliver Twist, Pinocchio—tales that don’t just entertain, but quietly teach a child how to imagine a future.

Many single parents carry this burden with extraordinary strength, doing the work of two hearts with one exhausted body. Yet even in the best of circumstances, absence leaves a shape behind. Children often feel it as a low, persistent loneliness—a sense that something essential is missing, though they may not yet have words for it.

Children thrive in the warmth of praise from both parents, just as they grow through correction offered with care. When that balance is gone, what remains is often an unresolved longing—a hunger not easily named, but faithfully carried.

When I reflect on sambovikt, I’m reminded that our search for meaning is inseparable from our need for connection. It is within these foundational bonds that we hear the deepest echoes of ourselves. And it is there, too, that we come closest to understanding what it truly means to be human.

 

Sambovikt: The quiet balance created when two people share the weight of life with steady presence and long-term commitment, forming a stabilizing ground from which others—especially children—can safely grow.

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The Garden, the Warning, and the Way Home

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“I will place my law on their hearts and scribe them on their minds.”

Jeremiah 31:33

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The Garden, the Warning, and the Way Home

Almost every story we encounter in childhood seems to follow a familiar rhythm. There is a warning, a choice, a mistake, and then—if the story is kind—a return home. Think of Peter Rabbit. He is told quite clearly not to enter Mr. McGregor’s Garden. The boundary is drawn, the danger named. Yet curiosity, defiance, or simple hunger pushes him forward. What follows is chaos: frantic chases, close calls, genuine fear. Peter pays for his disobedience with stress and suffering. Still, the story does not end with his ruin. He escapes, returns home, and recovers over a cup of camomile tea. Order is restored. The world, shaken, feels right again.

This pattern is everywhere. From fairy tales to modern films, stories tend to introduce conflict and then resolve it in a way that reassures us. Even when the journey is frightening or costly, we are usually led back to safety, justice, or understanding. That raises an important question: why do we expect stories to end this way? Why do happy endings—or at least morally coherent endings—feel so natural to us?

Part of the answer lies in the human instinct for right and wrong. We are not neutral creatures wandering through an indifferent moral universe. We hunger for meaning, justice, and resolution. The biblical verse Jeremiah 31:33 captures this instinct beautifully: “I will place my law on their hearts and scribe them on their minds.” This suggests that morality is not merely a social invention or a lesson drilled into us from the outside, but something written into us—something we recognize almost before we can explain it. When a story restores balance, it resonates with something already alive within us.

This inner moral compass is especially important when we consider how stories shape the young. When parents, teachers, or storytellers offer warnings—like the warning Peter Rabbit receives—they are doing more than issuing rules. They are preparing children for reality. Stories become rehearsal spaces for life. The garden is temptation. Mr. McGregor is consequence. The escape is mercy. Through narrative, children learn that choices matter, that actions have weight, and that the world responds to what we do. In this sense, stories gently introduce them to life’s dangers without exposing them fully to harm.

Yet not all stories offer such clean resolutions. The rise of the anti-hero reflects a growing awareness that life is complicated. Anti-heroes do not always make the right choices, and they do not always return home unscathed. Their victories are partial; their failures linger. These stories are valuable too, perhaps increasingly so, because they mirror the moral ambiguity of real life. They teach that good intentions can coexist with bad actions, and that consequences are not always easily undone. If heroic tales show us the ideal moral arc, anti-hero stories show us the struggle of living within it.

Together, these narratives serve a larger purpose. Stories are not just distractions or diversions; they are moral instruments. They shape conscience, imagination, and expectation. They help young minds—and older ones, too—grapple with temptation, responsibility, guilt, and hope. Whether through the frightened escape of a rabbit or the troubled path of an anti-hero, stories warn us, guide us, and remind us that choices carve paths.

In the end, perhaps that is why we keep telling these stories. We want to believe that wandering into the wrong garden is not the end of the world, that fear can teach us, and that home is still possible. And if we are careful, if we listen to the warnings woven into the tales, we may yet shape lives—and endings—that feel, if not perfect, at least meaningful.

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In A Child's Voice

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Edited by Jim McCrory, Wednesday 4 February 2026 at 11:58

I am only five, and I watch the girls at school with skipping ropes. 

They jump and sing a funny song that goes,

"Three, six, nine,
The goose drank wine..."

I’m five, geese don’t drink wine, and I know that because I’ve met lots of geese on the Island of Bute, where I went on holiday every summer. We stayed on a farm, and none of the geese drank wine at all.


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In A Child's Voice: When the Words Don’t Add Up

To an adult ear, a children’s skipping rhyme is nonsense. Geese drink wine. Numbers slide into animals. A monkey chokes on something unnamed. Events occur without explanation or consequence. Meaning collapses almost as soon as one tries to follow it.

But to a five-year-old, the problem is not whether the rhyme makes sense. The question is what kind of sense it makes.

A child does not enter language as a logician. They enter it as a listener, a mimicker, a collector of sounds. Rhythm arrives before reason. Repetition comes before explanation. If the words move together, if they keep time with the feet and the rope, then they belong together. Rhythm itself carries authority.

At five, numbers are not abstractions but stepping stones. Saying them aloud is already a pleasure. Animals are not symbols either; they are characters—elastic, vivid, capable of doing what people do without moral fuss. A goose can drink wine. A monkey can choke and vanish. The imagination does not yet care about category errors. The world has not been sorted into the possible and the impossible, only into what is spoken and what is not.

What matters most is that the rhyme returns unchanged. Each time it is sung, it arrives as it always has. That sameness creates comfort. The child learns—without being told—that words can be strange and still be trusted. They do not have to describe reality accurately in order to hold. Accuracy, in fact, may be beside the point.

The rhyme exists to be jumped to, to be shared, to mark time together. Meaning is secondary to participation. Sense emerges not from explanation but from use.

Yet something quieter is also taking place. The child notices, dimly, without the language to name it, that stories do not always explain themselves. Things happen. Then something happens next. The monkey is fine, and then it is not. No reason is given. No comfort is offered. This mirrors the child’s own experience of the world, where rules are partial, adults decide without justification, and outcomes arrive suddenly.

In that way, the rhyme is not nonsense at all. It is honest.

When the words don’t add up, the five-year-old does not discard them. They live with them. They allow them to hover unresolved. The mind learns that language can be playful, arbitrary, even a little cruel, and still be beautiful. This is an early education in metaphor, long before the word itself is learned.

Perhaps this is why such rhymes stay with us. Not because they ever made sense, but because they taught us—very early on—that not everything has to.

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So Much Depends on Red

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Edited by Jim McCrory, Tuesday 3 February 2026 at 09:02

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So Much Depends on Red 

I watched a drama yesterday. They did it without ceremony: two boys, a brush dipped too deeply and an old home made  go-cart.

The red wasn’t careful. It was the red of warning lights and scraped knees, of things you’re not supposed to touch but do anyway.

When they rolled the paint on, it felt less like decoration than a small act of defiance: look, we’ve made this ordinary thing impossible to ignore.

It startled me how much depended on that colour.

How quickly the world narrowed to an object made brighter by human hands.

I thought about how meaning doesn’t always arrive through speeches or explanations—it often slips in sideways, through something humble that’s been altered just enough to make us stop.

And then the poem came back, as it always does, simple and unguarded, like it’s been waiting.

The Red Wheelbarrow
by William Carlos Williams

so much depends

upon

a red wheel

barrow

glazed with rain

water

beside the white

chickens

*****

The boys didn’t know the poem.

They didn’t need to.

The red did the work.

The seeing did the work.

For a moment, everything depended—not on history or explanation—but on a colour held against the world, asking us, gently, to pay attention.

 

“The Red Wheelbarrow” by William Carlos Williams (1923) — public domain.

 

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When Truth Refuses to Stay Buried

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Edited by Jim McCrory, Monday 2 February 2026 at 16:47

“Be sure your sin will find you out.”
Numbers 32:23

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When Truth Refuses to Stay Buried

 

Scripture offers many warnings, but few are as sobering as the simple declaration: “Be sure your sin will find you out.” These words are not shouted in anger; they are spoken with the calm certainty of truth. They do not threaten so much as they reveal a law of moral reality: nothing false can remain hidden forever.

In the world of human relationships, appearances can deceive. A person may cloak wrongdoing in charm, influence, or silence. Another may live with integrity, unnoticed and uncelebrated. For a time, it can seem as though injustice succeeds and righteousness goes unrewarded. Yet the biblical witness insists that this imbalance is temporary. What is concealed is not erased—it is only delayed.

Sin has a strange momentum. Some wrongdoing is obvious, moving openly toward judgment, visible to all. Other sins work more quietly, buried deep in habit or intention, unseen even by those closest to us. But secrecy is not safety. Over time, hidden choices shape character, erode conscience, and bend the soul toward exposure. Truth has weight. Eventually, it presses upward.

Just as darkness cannot overcome light, falsehood cannot indefinitely resist reality. Sin reveals itself through broken trust, hardened hearts, fractured lives, or the quiet inner collapse of peace. Even when no public reckoning comes, the consequences arrive inwardly—restlessness, fear, and the loss of wholeness that no disguise can repair. Judgment does not always fall in a courtroom; often, it unfolds in the silence of one’s own spirit.

Yet the passage does not speak only of sin. It also affirms goodness. Acts of faithfulness, kindness, and sacrifice may go unnoticed by the world, but they too cannot remain hidden. What is rooted in truth eventually bears visible fruit. Integrity strengthens the soul. Obedience brings clarity. Love leaves traces that time cannot erase.

This truth cuts both ways, and that is its mercy. If sin inevitably surfaces, then repentance is never pointless. Exposure is not only punishment; it can be invitation. When wrongdoing is brought into the light, there is the possibility of confession, healing, and restoration. God’s desire is not merely to reveal sin, but to redeem the sinner.

The warning, then, is also a call—live honestly, even when no one is watching. Choose righteousness not for recognition, but because truth endures. In the end, what we hide will emerge, and what we surrender to the light will be transformed. Nothing remains buried forever. And that is not only justice—it is hope.

 

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What: No Hell?

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Edited by Jim McCrory, Sunday 1 February 2026 at 14:43

Many years ago, I was in a European country.  In the early evening, we went to visit the ancient Jewish graveyard in the Jewish Quarter. As we approached, the rabbi came out and apologised that it was closed. Then, with a hint of humour, he remarked, “But they will be coming out one day,” or words to that effect.

I replied by quoting Ecclesiastes 9:5:
“For the living know that they will die, but the dead know nothing...”

I found myself thinking about this again today, particularly in light of the belief held by many that some are being tortured in hell, despite these words and God’s statement in Genesis: “Dust you are, and to dust you will return.

I believe that many people inherit their religious beliefs without ever being encouraged to question them, in the same way some people in North Korea comply with the regime publicly while privately holding very different convictions. This is not a call to get up and leave; that's a personal decision. One must recognise that churches and other religious groups have considerable value. However, one must reflect on Jesus words to Nicodemus in John 3:10 when he said, “You are Israel’s teacher,” said Jesus, “and you do not understand these things?"

This reflection led me to put together a theological analysis of the subject.

 

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Why There Is No Evidence for Hell

A Simple Re-Reading of What the Bible Says About Hell

Introduction

Many Christians grow up assuming that Hell means eternal conscious torture—a place where people are kept alive forever just to suffer. This idea is often treated as a core Christian belief. But when we slow down and actually read the Bible carefully—especially in its original languages—and look at how early Christians understood it, serious questions arise.

This study argues something straightforward:
the Bible itself does not clearly teach eternal conscious torment.
Instead, that idea developed later, largely from reading symbolic and metaphorical language as if it were literal descriptions of the afterlife.

We’ll look at this in three simple steps:

  1. What the Bible’s original words actually mean

  2. The strongest verses people use to argue for eternal torment—and how they can be understood differently

  3. What respected early Christian thinkers believed

 

1. What the Bible’s Words Really Mean

Sheol (Old Testament)

In the Hebrew Bible, the main word translated as “hell” is Sheol. But Sheol does not mean a place of punishment.

Sheol simply means the grave or the realm of the dead. Everyone goes there—the righteous and the wicked alike. It’s described as a place of silence, rest, and unconsciousness, not pain or reward.

Verses like Ecclesiastes 9:10 and Psalm 6:5 describe Sheol as a place where people do not think, speak, or praise. That alone makes it impossible to see it as a place of torture.

Key point:
The Old Testament contains no developed belief in punishment after death.

 

Hades (New Testament)

In the New Testament, the Greek word Hades replaces Sheol. It means essentially the same thing: the place of the dead.

Importantly, Hades is described as temporary. In the book of Revelation, Hades is destroyed. If Hades were an eternal place of torment, destroying it would make no sense.

Key point:
Hades is not eternal Hell. It doesn’t last forever.

Gehenna (Jesus’ Warnings)

Jesus sometimes used the word Gehenna, which comes from a real place outside Jerusalem—the Valley of Hinnom. It was associated with judgment, destruction, and national disaster in Israel’s history.

When Jesus warned about Gehenna, he was using strong prophetic imagery, not giving a literal map of the afterlife. His language echoed Old Testament prophets who warned Israel about coming judgment—especially the destruction of Jerusalem.

Nothing about the word itself requires it to mean endless torture.

Key point:
Gehenna is symbolic language about judgment and destruction, not proof of eternal torment.

 

2. How Jesus Taught

Jesus taught almost entirely through parables, metaphors, and exaggeration. He used shocking images—fire, darkness, exclusion—to wake people up morally and spiritually.

Parables are not instruction manuals about the afterlife. They are stories meant to challenge the heart and provoke repentance.

If we turn metaphors into literal descriptions, we run into problems fast. We end up arguing that God maintains a torture chamber forever, something Scripture never clearly states.

Key point:
Jesus’ teaching style warns us against reading his imagery too literally.

 

3. Revelation and the End of Death

The book of Revelation uses symbolic, apocalyptic language. But one thing it says very clearly is this:

“Death and Hades were thrown into the lake of fire.”

That means death itself is destroyed.

Revelation ends not with evil lasting forever, but with a renewed world where death no longer exists. If Hell were eternal conscious suffering, then death wouldn’t truly be defeated—it would simply be repackaged.

Key point:
The Bible ends with death abolished, not preserved forever

 

4. Common Arguments for Eternal Torment—Reconsidered

“Eternal punishment” (Matthew 25:46)

The phrase often translated “eternal punishment” does not necessarily mean punishment that goes on forever. It can mean punishment with permanent results.

The Bible speaks the same way about “eternal redemption” or “eternal judgment”—not actions that go on endlessly, but decisions with lasting outcome “Unquenchable fire” and “the worm never dies” (Mark 9)

These phrases come from Isaiah 66, which describes dead bodies, not living souls. The fire doesn’t go out because it burns everything up. The worms don’t die because there is plenty to consume.

This imagery points to complete destruction, not endless pain.

The Rich Man and Lazarus (Luke 16)

This is clearly a parable, not a literal report of the afterlife. If taken literally, it would mean souls have fingers, tongues, and can be relieved by a single drop of water—something no one actually believes.

The point of the story is moral reversal and warning the wealthy, not teaching about Hell’s geography.

5. Early Christians Did Not Agree on Eternal Torment

Eternal conscious torment was not universally believed in the early church.

  • Origen believed God’s punishment was corrective and would eventually lead to restoration.

  • Gregory of Nyssa, a highly respected church father, taught that punishment was meant to heal, not torment forever.

  • Isaac of Nineveh rejected eternal punishment as incompatible with God’s love.

No ecumenical church council ever officially declared eternal conscious torment as required Christian belief.

Conclusion

When we read the Bible carefully—paying attention to language, symbolism, and historical context—the idea of Hell as eternal conscious torture becomes very hard to support.

  • The Old Testament doesn’t teach it

  • The New Testament words don’t require it

  • Jesus’ teaching style warns against literalism

  • Revelation shows death being destroyed

  • Influential early Christians rejected it

The picture that emerges is not of God maintaining endless suffering, but of God finally ending evil, death, and corruption altogether.

In short:
Hell as eternal torture is not clearly taught in Scripture.
It appears to be a later theological idea imposed on symbolic language, rather than a belief grounded solidly in the Bible itself.

 

Scripture quotations are from the King James Version (KJV), which is in the public domain.

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Welcome to the Worldwide Warm & Wholesome Book Group

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Edited by Jim McCrory, Monday 2 February 2026 at 13:17

 

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Welcome to the Worldwide Warm & Simple Book Group (Online).

We’re excited to launch a brand-new online book club rooted in a simple but powerful idea: exploring stories and ideas that help us better understand what it means to be human. Together, we’ll read books that spark reflection and nourish the soul—stories that build empathy, courage, meaning, and hope. These are works that are honest about life’s challenges, yet ultimately affirm its goodness and worth.

Our focus is on books that do more than describe the world as it is. They gently invite us to live more thoughtfully, more compassionately, and with greater moral clarity. Each reading offers an opportunity for personal growth and a deeper sense of responsibility—to ourselves, to others, and to the world we share.

This book club will be a welcoming, reflective, and invitational space. Curiosity, respect, and thoughtful conversation are at the heart of every discussion. Because the books we choose will be wholesome and family-appropriate, families are very welcome. Children and young people may participate when accompanied by a responsible adult.

Meeting times will be decided together, taking everyone’s availability into account. At present, we’re considering Fridays at 7:00 PM or Saturdays at 1:00 PM (UK time), but these are simply starting points and fully open to discussion.

If you’re drawn to meaningful books, rich conversation, and a hopeful, thoughtful engagement with life, we’d love for you to join us at the beginning of this journey.

First book: The Knock at the Door by Ron Parsons 

Join us at The Worldwide Warm & Simple Book Club - DownToMeet

 

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Jim McCrory

Where the Small Names Sleep

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Edited by Jim McCrory, Friday 30 January 2026 at 20:42

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Where the Small Names Sleep

I walked through the Glasgow Necropolis as I often have. It was one of those bright Scottish mornings that softens even the hardest thoughts. The Necropolis, that city of the dead perched above Mother Glasgow; the city of the living, where space not only for memory but for quiet conversation with time itself exists. 

As I made my way among the gravestones, I found myself counting years, not just my own sixty plus but those etched into stone: the tiny, abbreviated lifespans of children lost long ago in a Dickensian age to epidemics like cholera, diphtheria, typhus. Names barely had time to settle and establish into the world before they were carved in stones suggesting they were here.

It’s a strange thing to be old in a place filled with the young who died. I felt not so much survivor’s guilt as survivor’s wonder. I’ve had decades of travel, of reading, of walking beaches at sundown, of writing, of grieving and healing, of faith evaluated and restored. What would any one of these children have become with even half of my years?

My cancer, in that moment, seemed less like an ending and more like a milestone. I don’t know how many more years are allotted to me, but I know now how many I’ve already been given, and I know what a privilege it is to reach an age where you look both forward and back.

The graves made me think of God’s purpose—not as a tidy doctrine, but as a question folded into every name worn smooth by wind, moss, and rain. What becomes of children who never had a chance to choose faith, to assess goodness, to wrestle with meaning? Where are they in the great scheme of things?

Jesus once said, “Let the little children come to me... for the kingdom of heaven belongs to such as these.” I must believe that children taken early are held in a mercy deeper than we can grasp. They are not forgotten; they are not lost to God . If anything, it is we who are still lost, walking among headstones trying to make sense of the living and the dead.

There’s a sobering democracy in cemeteries. All names are equal here, whether child or elder, rich, or poor, known, or unknown. We all close our eyes and rest with our forebears. And yet, those of us still walking have something the dead do not: time. Time to reflect, to forgive, to change. Time to be grateful. My cancer has made me aware of time—not just its scarcity, but its richness.

So, I keep walking, not just through the Necropolis, but through each day, carrying with me the invisible company of children who never saw their coming-of-age birthdays or perceived  the invisible grace of a God.

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Why the Journey Matters

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Calm seas never made skilled sailors.

African proverb

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Why the Journey Matters

The African proverb reminds us that wisdom reaches beyond oceans and ships and speaks directly to the human soul. Life itself was never meant to be lived on still waters alone. It is shaped by movement—by challenge, endurance, and growth. Seasons of ease may bring rest, but it is the storms that teach us how to stand.

When we come to God, the journey does not end—it begins. Faith is not a final harbour but the moment we step onto open waters. From that point on, life unfolds with purpose. Scripture assures us, “And we know that God works all things together for the good of those who love Him, who are called according to His purpose” (Romans 8:28, BSB). Nothing in our lives is random or wasted, not even suffering.

Along the way, we encounter obstacles of many kinds. Some quietly test our integrity; choices that reveal who we truly are when no one else sees. Others arrive with great force: loss, illness, grief, or trials that threaten to overwhelm us. These are the rough seas of faith, where belief matures into lived trust. As James reminds us, “Consider it pure joy, my brothers, when you encounter trials of many kinds, because you know that the testing of your faith develops perseverance” (James 1:2–3, BSB).

God has not left us without direction. His Word is our guide when the way forward seems unclear. “Your word is a lamp to my feet and a light to my path” (Psalm 119:105, BSB). When the horizon fades and answers feel distant, Scripture provides steady light, enough for the next step. In ancient times, travellers strapped lamps to their feet to protect them from snakes and they carried lamps to illuminate the path. When the way forward is unclear and the horizon disappears, God’s Word remains steady, offering direction and hope.

Prayer keeps us close to Him on the journey. We are urged, “Trust in the LORD with all your heart, and lean not on your own understanding; in all your ways acknowledge Him, and He will make your paths straight” (Proverbs 3:5–6, BSB). Faith does not demand full understanding—it calls us to trust the One who sees the entire journey.

We are never wandering blindly. God placed humanity in the world with intention. “God intended that they would seek Him and perhaps feel their way toward Him and find Him, though He is not far from each one of us. ‘For in Him we live and move and have our being’” (Acts 17:27–28, BSB). Even when we stumble through the darkness, God remains near—closer than we realize.

Over time, the storms begin to shape us. What once frightened us strengthens us. The hardships that seemed unbearable refine our faith and deepen our dependence on God. Paul writes, “Therefore we do not lose heart. Though our outer self is wasting away, yet our inner self is being renewed day by day” (2 Corinthians 4:16, BSB). The world may measure loss, but God is quietly renewing the soul.

This journey is not our final home. We are being prepared for something greater than this life can offer. “For here we do not have a permanent city, but we are looking for the city that is to come” (Hebrews 13:14, BSB). Every trial, every season of waiting, every hard-earned moment of perseverance is shaping us for eternity.

This is why God placed us here—not for comfort alone, but for transformation. Not for calm seas, but for deep faith. The journey itself is the work. And in the end, we will find that we were never sailing alone.

 

 

Scripture quotations are from the Berean Study Bible (BSB).
Copyright © 2002–2016 by Bible Hub
Used by permission. All rights reserved.

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Dignifying Others and Ourselves With Trust

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Edited by Jim McCrory, Thursday 29 January 2026 at 08:04

“A faithful person will abound with blessings.”
Proverbs 28:20

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Dignifying Others and Ourselves With Trust

When I was young, my father used to tell me The Adventures of Tom Sawyer. What I recall was that Tom would constantly lie—sometimes playfully, sometimes selfishly—and yet his charm often would shield him from consequence. Quietly, the story teaches that attractiveness and wit can disguise moral weakness and failure.

Trust, however, is not handed out like spare change. It is minted over time. It is a quiet currency by which we weigh one another’s inner substance. When someone is trusted, it is not merely because they are pleasant or persuasive, but because they have shown emotional containment—the ability to carry another person’s truth without dropping it.

Sadly, even religious people can fail here.

I remember attending a religious convention in another country. I had been speaking with a woman who had converted to Christianity two years earlier. After I walked away, a man approached me and said, “That sister you were talking to, used to be a prostitute.”

I didn’t want to know that. No good came from it. Such disclosures do not enlighten—they wound. They stumble others and can quietly ruin lives.

Years earlier, while in East Germany, I noticed how guarded people were when asked even simple questions. Words caught in their throats. Someone explained that decades of surveillance had trained people to treat conversation as risk assessment. Trust had learned to walk with a limp. Though circumstances have changed, the psychology remains familiar: when betrayal becomes common, silence becomes self-defence. I have encountered the same dynamic in my own relationships.

Imagine asking those closest to you—a partner, a confidant, a spiritual leader, a family member—to rate you out of ten on trustworthiness. Not charm. Not generosity. Trust. Ask someone who gains nothing by flattering you. Their answer, whatever it is, would be a mirror worth lingering before. Discomfort here is not punishment; it is instruction. Growth often arrives disguised as a bruise. As the psalmist prays, “Set a guard over my mouth,” because maturity is revealed not only in what we say, but in what we restrain ourselves from saying.

Psychologically, betrayal cuts so deeply because it violates an unspoken contract. When we confide in someone, we are not merely sharing information—we are lending them temporary custody of our inner world. To misuse that access is a kind of ambush. The pain lies not only in what was said, but in the fact that we were not present to defend our truth.

These wounds appear everywhere: in families, workplaces, friendships that profess virtue but fail to practice it. Often the deepest harm comes when vulnerability is repackaged as gossip, when private pain is embellished for public consumption. The very need to say “please don’t tell anyone” Is evidence of something broken. Confidentiality should be assumed, not negotiated.

Over time, we learn caution. Some people never fully know us—not because we lack love, but because experience has taught us discernment. This is not hardness; it is wisdom shaped by consequence. Still, it remains a quiet tragedy, because we are made for connection. Betrayal is not only personal harm; it fractures something essential in our shared humanity.

The psalmist understood this well; enemies who whisper, visitors who gather slander and release it once the door is closed. These words endure because human psychology has not changed.

Here is the paradox: a trustworthy person has learned how not to use power. They resist the small thrill of sharing secrets, the social leverage of insider knowledge, the false intimacy of gossip. In doing so, they cross an invisible threshold. Others sense it. Respect gathers around them naturally. And something quieter—but deeper—happens as well: they gain self-respect. Dignity settles in.

 

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When Creation Speaks First

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Edited by Jim McCrory, Monday 26 January 2026 at 11:05

“The heavens declare the glory of God,
and the sky above proclaims his handiwork.”

Book of Psalms 19:1 (ESV)

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When Creation Speaks First

I stepped outside this morning,
and the day found me first—
a woodpecker’s nut-cracking knock
ringing clean through the air,
sharp with wonder,
crisp and persistent,
utterly oblivious to its own marvel.

That rhythm—fierce, exact—
feels beyond human knowing.
It is a welcome sound,
a summons into wakefulness,
a reminder that even hidden things
offer praise without effort.

In that steady tapping,
creation lifts its voice,
and the morning, already,
is giving glory
to its Maker.

The Holy Bible, English Standard Version® (ESV®)
© 2001 by Crossway,
a publishing ministry of Good News Publishers.
All rights reserved.

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The Uneasy Balance Between Artistic Brilliance and Moral Failure

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Edited by Jim McCrory, Monday 26 January 2026 at 10:43

“The heart is deceitful above all things, and desperately sick; who can understand it?”

Jeremiah 17:9 

(ESV)

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The Uneasy Balance Between Artistic Brilliance and Moral Failure

Across the world this weekend that passed, people gathered in halls, hotels, homes and other locations to celebrate Burns Night. Observing this as a Christian gave me pause. Perhaps it is a weak conscience and the tendency in myself to have a deceitful heart that gives way to emotion, but I felt a genuine unease—not as a criticism of others; that never entered my heart, but as a personal question that needed balance. I was surprised that some Christians joined these celebrations so readily, and so I sought the counsel of a trusted friend feeling this was the right thing to do, not to criticise a case but to think it through. I am mindful of the Apostle Paul’s words about observing certain days and the importance of not judging, and I respect that freedom. Still, the question lingered.

That question touches a deeper difficulty I often encounter as a reader: the imbalance between a writer’s artistic brilliance and their moral life. I struggle with this not because it is unusual, but because it is so familiar. Again and again, writers whose words move me, challenge me, or sharpen my moral awareness turn out to be people whose lives reveal serious personal failures. Few figures illustrate this more clearly than Robert Burns.

As a poet, Burns remains compelling. His work is socially alert, emotionally intelligent, and profoundly humane. He writes with sympathy for ordinary people, with anger toward injustice, and with tenderness about love, friendship, and loss. His language feels grounded and alive, shaped by shared human experience rather than detached refinement. In his poetry, there is a strong sense of dignity, equality, and moral seriousness. Yet his life tells a different story; one marked by excess, instability, and harm to others, particularly in his relationships with women and family. The problem is not identifying this contrast, but discerning how to respond to it.

It would be far simpler if moral excellence and artistic greatness reliably accompanied one another. Admiration would then be clean and uncomplicated. Instead, literature repeatedly confronts us with writers who articulate moral insight while living without moral discipline. Burns is not admired despite his flaws, nor can his flaws be redeemed by his poetry. The two exist side by side, unresolved, and it is precisely this unresolved tension that makes the imbalance so troubling.

The difficulty deepens because the values expressed in the writing often stand in quiet judgment over the writer’s life. Burns celebrates sincerity, equality, and mutual respect, yet his actions frequently suggest self-indulgence and disregard for others. For the reader, this can feel like a subtle betrayal. The words promise one moral vision; the life contradicts it. Admiration then feels compromised, as though one must either excuse the behaviour or diminish the work, and neither response feels truthful.

At the same time, dismissing the work entirely also feels inadequate. The poems still matter. They still speak truthfully about love, suffering, injustice, and hope. Their insight does not vanish because the author was morally inconsistent. To deny their value would be to insist that truth can only emerge from virtue, something history clearly disproves. Yet to admire the writing without moral reflection risks allowing talent to become an excuse.

Perhaps the most honest response is not to resolve the discomfort, but to accept it. The imbalance may not be something to justify, but something to acknowledge. Writers like Burns remind us that moral insight does not guarantee moral character, and that beauty and wisdom can emerge from deeply flawed lives. This does not absolve the writer, but it places a responsibility on the reader to remain alert, discerning, and ethically awake.

In the end, my admiration for such writers is never uncomplicated. It is mingled with disappointment, caution, and sometimes sadness. Yet that very tension sharpens my reading. It reminds me not to confuse eloquence with goodness, nor insight with holiness. If anything, the imbalance deepens the lesson: that human beings are fractured creatures, capable of seeing clearly without living well; and that art can illuminate moral truths even when its creators could not fully live by them.

The Holy Bible, English Standard Version® (ESV®)
© 2001 by Crossway,
a publishing ministry of Good News Publishers.
All rights reserved.

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But Seas Between Us Broad Have Roared

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Edited by Jim McCrory, Sunday 25 January 2026 at 18:45

But seas between us broad have roared
since auld lang syne.
And there's a hand my trusty friend
And give me a hand o' thine
And we'll take a right goodwill draught
for auld lang syne

Robert Burns

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But Seas Between Us Broad Have Roared

I have a large plastic folder at home that I cannot throw away.

I have been careful about almost everything else. Since my cancer diagnosis, I have done what the Swedes call death cleaning: giving things away, discarding what no longer earns its place, loosening my grip on objects that once felt essential—like photos, which I have passed on to posterity. Books have gone. Papers. Mementoes I defended for years with elaborate justifications now seem strangely willing to leave.

But not this.

The folder is plain and slightly warped with age. Inside it are business cards and contact cards collected over decades, mostly from Christian conventions and gatherings in Berlin, Paris, Edinburgh, and other cities whose names still feel larger than my present world. The cards are from the French, Germans, Dutch, Belgians, Japanese, Poles, Ukrainians, Russians, Italians, Swedes, and other nationalities. Names, email addresses, family photos, and phone numbers—sometimes with handwritten notes; details that felt important at the time.

There is no practical reason to keep them. Decades have passed. I will not contact these friends. Life, with its quiet and uncompromising turns, has made that impossible. Some of them will be dead. Some unreachable. Some so changed that even recognition would feel dishonest. I am no longer who I was when these cards were exchanged across café tables strewn with leaflets, faith, and optimism.

And yet the folder remains.

What it holds is not a network, nor even nostalgia in the usual sense. It is evidence. Proof that for a moment—sometimes only a very brief one—connection happened. That faith made strangers speak to one another as if they belonged to the same story, even if they would never share another chapter.

I’ve been thinking about this folder in connection with Auld Lang Syne, written down by Robert Burns, who once lived just along the road from me here on Scotland’s west coast. With music added, the song is often treated as sentimental—a harmless ritual for New Year’s Eve or other partings. But I don’t think it is really about the past at all.

Auld Lang Syne mourns the limits of time.

It recognizes something quietly unbearable: that some connections are real, even sacred, and yet cannot be sustained within one human lifespan, one geography, one changing self. The song never says we will stay. It only says we once held this together. And that restraint is everything.

There is a kind of honesty in that which feels almost moral. The song does not pretend that love, friendship, or shared struggle can always survive careers, illness, distance, age, or death. It accepts that finitude fractures continuity—not because people fail, but because life itself is short and fragile.

Psychologically, this is rare. Most cultures offer us stories that resolve connection into permanence: always, forever, till death do us part. Auld Lang Syne offers something more difficult, and perhaps more truthful: connection can be complete without being continuous.

Sociologically, that idea unsettles us—especially now, when technology whispers that nothing should ever be lost, that every relationship can be retrieved if only we try hard enough. The song gently frees us from that demand. It says: you did not betray the bond simply because time moved faster than you could.

That is why it is sung at thresholds. It is not so much a farewell as a witness. Someone stands with you—only briefly—to acknowledge that what existed was real, that it mattered, and that it has not been erased by silence or absence.

The handclasp at the end matters. People cross arms awkwardly, unsure who is holding whom. It is a physical admission of the truth the song dares to hold: connection can be briefly re-entered, but not permanently re-inhabited. We touch, and then we let go.

There is something almost theological in this, even though the song never names it. A sense that meaning exceeds duration. That what is shared participates in something larger than time, even if time itself cannot hold it.

This is why I cannot throw the folder away.

Those cards are not unfinished business. They are not failures of friendship. They are witnesses. Each one says: for a moment, this mattered. That prayer was shared. That recognition crossed borders that history works very hard to keep intact.

This life is not long enough to carry all the love it generates. Some of it must be set down without resolution.

And yet.

There is a moment in the Gospels where Jesus turns to a dying man beside him and says, “Today you will be with me in paradise.” It is not explained. No map is drawn. No mechanics are offered. It is simply a promise spoken at the edge of time, where explanation would be too small.

But in these words of Jesus, we do not have a promise so much as a denouement: a new life where old connections, found worthy of that life, may renew—and where friendships, old and new, may meet again at the cusp of eternity.

So I keep the cards.
And I keep the question.

And still, the cup is raised.

'And Jesus said to him, “Truly I tell you, today you will be with Me in Paradise.”'

Luke 23:43

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