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Jim McCrory

Why Be Unhappy

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Edited by Jim McCrory, Tuesday, 15 July 2025, 11:30

You need to turn from your past,

and you need to pray

 that the Lord will forgive

 the evil intent of your heart.

Acts 2:22

The Voice Bible

                                                   

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Tom Buchanan from The Great Gatsby by F. Scott Fitzgerald stands out as a figure given to evil—racist, adulterous, arrogant, and proud. He believes in his own superiority, though it is ultimately superficial and performative. He ruins lives yet remains unrepentant and blind to his own moral decay. But this is only fiction, right? And yet, behind every story there are truths played out by the human race. 

There’s a quiet sorrow in living a life that feels off-course. You may not admit it out loud, but something gnaws at you in the early hours or when you’re alone with your thoughts. Perhaps you’ve carried anger too long. Perhaps you’ve nurtured resentment, or worse, justified it. You might even feel the world owes you something, a debt for your pain, your struggle, your story.

But what if that belief is untrue?

What if, deep down, you’ve been hiding from something more difficult to face: the harm you’ve caused, the mistakes you’ve buried, the sense of entitlement you never earned? Maybe a parent overindulged you, perhaps with good intentions. But somewhere along the way, you came to believe that others should bend to your desires, that your pain justified badness. That your privilege was proof of worth.

But true worth isn’t inherited. It isn’t given. It’s forged, by how we treat others, how we respond when we are wrong, how we grow from the truth instead of running from it.

And the truth is this: you cannot be happy while hiding from yourself.

The world does not owe us peace when we have withheld it from others. It cannot gift us joy when we trade in bitterness. And worst of all, we cannot stand tall before God while clinging to a heart that harbours hatred, manipulation, or unrepented harm.

But this is not the end. This moment—right now—can be the beginning of something far better.

You were made for more. Not for secrets, not for self-deception, not for a shallow sense of superiority. You were made to love and be loved. To be at peace with God and at peace with your neighbour. And yes, even to forgive yourself once you’ve truly faced what needs to be faced.

The Bible says God is near to the broken-hearted (Psalm 34:18). That includes those broken by their own doing. It is not weakness to weep for what you’ve done, it’s the first step to becoming whole.

You cannot rewrite your past, but you can change your course. You can own your wrongs. You can apologize, even if forgiveness isn’t granted. You can stop blaming others and start becoming the person you were always meant to be.

This journey requires humility. It requires honesty. But it also offers something incomparable: peace of mind, and the quiet joy of a life lived right.

Don’t wait for the world to change. Change your heart. Change your path. And you will find that happiness, the real kind, the kind that holds up even in storms, has been waiting for you all along.

God has not given up on you. Don’t give up on yourself. Today is a good day to begin again.

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Verse quoted from The Voice Bible Copyright © 2012 Thomas Nelson, Inc. The Voice™ translation © 2012 Ecclesia Bible Society All rights reserved.

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Jim McCrory

Here I Stand, in Scandinavia

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Edited by Jim McCrory, Monday, 14 July 2025, 09:59

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Here I Stand in Scandinavia

I must have been twelve or thirteen when my music teacher wheeled the record player into our classroom and dropped the needle onto something that would stay with me all my life. The music of Edvard Grieg, and later Sibelius, came spilling out—strange, haunting, majestic. It wasn’t just sound. It was a feeling. As the notes of Morning Mood drifted through the room, I felt something stir, something I couldn’t name then. A kind of ache. A homesickness for a place I’d never been.

That place was Scandinavia.

At the time, I didn’t understand why the music moved me so deeply. I only knew that it reached into some forgotten room of my soul and opened the window wide. The vast fjords, the northern lights, the snow-covered pines—I hadn’t seen them, but I had. I carried them inside me like a memory from another life.

Years later, I found listened carefully to the lyrics of their song, Scandinavia, that gave words to that childhood ache: Scandinavia. I listened and was undone. “Here we stand in Scandinavia,” it begins, a simple line, yet one that placed me not just on a map, but in a moment. A moment thick with memory and mystery.

The song isn’t about tourism. It’s not about hiking trails or Viking museums. It’s about something far deeper: the longing for belonging. A yearning not just for a land, but for a homeland of the soul.

"We watched it rise / In morning skies of fire and wine / The boats that carried us / Young golden lives / Leaving on a rising tide…"

That verse brought back so much. Youth. Departure. The feeling of setting out, wide-eyed, onto life’s open sea, hoping the tide will carry you to meaning, to love, to purpose. But perhaps we’re all really searching for one thing: home.

And not necessarily the one we were born into.

The phrase that haunts the chorus—"Here we stand"—is both declaration and confession. We’re standing, yes. But where? In a landscape that both is and isn't ours. Scandinavia becomes symbolic. A place of memory, of spiritual resonance. Not a destination on a cruise itinerary, but a metaphor for something higher, purer, more eternal ; the soul's destiny.

Here the song becomes prayer. The kind of prayer you whisper without realizing it’s a prayer at all. It’s the kind of longing that can’t be satisfied by geography or even human love. It’s the ache that C.S. Lewis once called “the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never visited.”

That’s what Grieg's music stirred in me all those years ago. And what Runrig reawakened. I see now that what I felt wasn’t just homesickness for Norway or Finland—it was homesickness for another world entirely. The kind of world that Isaiah spoke of when he wrote of deserts blooming and swords beaten into ploughshares. A world where the cold ache of separation is finally healed.

I’ve come to believe that this deep yearning we carry—the one we find in art, music, poetry—is not weakness. It’s not sentimentalism. It’s evidence. Evidence that we are made for something more. For a Kingdom that is not of this world, yet not far from any one of us.

The songwriter of Scandinavia, like many poets and musicians before him, touches something eternal. And like a poem, it becomes part of the reader who engages with it. The listener is drawn into the same river of longing. That current, which begins in the soul, runs through every human heart and finds its source not in nostalgia, but in promise.

“There’s nothing new beneath the sun,” the song says, echoing Ecclesiastes. And it’s true. This yearning isn’t new. But it’s fresh each time we feel it. Every time music moves us, or a northern sky takes our breath away, or a word of Scripture stirs our spirit—we are reminded. We are not yet home.

But we will be.

And in the meantime, here we stand—in Scandinavia, or wherever our feet happen to be—hearts tuned to the music of another world.

Scandinavia: Runrig

https://www.youtube.com/watch?v=kO8xczE0TOU

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Jim McCrory

A Quart of Wheat for a Denarius

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:11

"A quart of wheat for a denarius, and three quarts of barley for a denarius,

and do not harm the oil and wine." — Revelation 6:6 (BSB)

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A Quart of Wheat for a Denarius

L. P. Hartley once wrote in The Go-Between, "The past is a foreign country; they do things differently there."
We like to think we've moved on. In our modern age of data, satellites, and instant answers, we walk with the confident gait of the enlightened. We scoff at ancient rituals and mock the gods of the past, shaking our heads at how gullible people once were. But are we so different?

There is a god that has followed us through the ages.
Mamona (מָמוֹנָא), the Aramaic term from long ago, still breathes beneath our economies and ambitions. It doesn’t ask for incense or chanting—it demands loyalty through greed, shortcuts, deception, and exploitation.
We see its influence in the trader who overcharges, the builder who cuts corners, the salesman who promises what he cannot deliver. It's there in the man who robs his own grandmother of her savings, in the corrupt politician whose pockets are full while his conscience is empty, in the corporations lobbying against climate action while the planet burns.

Mamona—money, wealth, greed—has become more than currency. It is a spirit. A force. A false god.
No wonder it’s listed among the great powers that corrupt. No wonder Revelation paints a chilling picture of its grip:
"A quart of wheat for a denarius..."—a day’s wages for a single meal—while the wealthy plead, "Do not harm the oil and wine."
The poor are left to starve; the rich fear for their luxuries.

Is it any different today? We switch on the news and see children with hollow eyes and empty bowls, their faces swarmed by flies. Meanwhile, markets fret over fine wine and artisanal produce. We live in a world where food is a commodity, not a right, and Mamona is the name we dare not speak.

But it’s not too late to think again.
What if we turned our backs on this false god? What if we loosened its grip on our hearts and lifted our eyes to something higher—compassion, justice, mercy? What if, instead of guarding the oil and wine, we poured it out for others?

The past may be a foreign country. But the future is ours to shape. Let us not bow to Mamona. Let us choose love.

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Jim McCrory

The Soft Glow of Natsukashii

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:14

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The Soft Glow of Natsukashii

The brain has that ability to through us curve balls. This morning as I woke, a sweet little memory popped out of nowhere. We were eleven. Declan and I went to see a film called The Perils of Pauline (1967) in the Plaza Cinema in Govan, Glasgow. We were both quiet boys, reflective types who didn’t say much to each other on the walk home. But the next evening, he asked, “What do you want to do? Shall we go back and see the movie?”

And so, we did, every evening that week.

The truth was, we were both smitten with the actress, though neither of us dared admit it. That kind of confession was too delicate, too exposing, for two young boys navigating the cusp of adolescence.

I remembered it this morning at six, as I read about the Japanese word natsukashii—a word that holds the warmth of cherished memories, the kind that rise unexpectedly, like mist from the fields, softening everything they touch.

 

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Jim McCrory

The Currency of Kindness

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Edited by Jim McCrory, Tuesday, 15 July 2025, 11:32

Whoever cares for the poor makes a loan

 to the Eternal;

    such kindness will be repaid in full 

and with interest.

Proverbs 19:17

The Voice Bible

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The Currency of Kindness

I’m sitting in my car tonight and  watching people come and go, as a young man holds out his cup, hoping for a little help. He isn’t drunk or high. That’s clear. But as evening begins to settle, there’s an urgency in his voice — a quiet desperation — as he tries to gather the £20 or so he needs for a bed in the hostel before nightfall.

It’s 31 degrees in Scotland today — a rare, baking heat — and he’s been sitting there for hours in the blistering sun. Some passers-by drop coins into his polystyrene cup. Others walk past, eyes averted. But it’s not enough. You can see the despair in the lines etched on his face.

We so easily make excuses: “He’s probably an addict,” we say, or, “It’s their own fault.” And just like that, we talk ourselves out of compassion. But tell me — if someone is willing to sit for hours in that heat, humbling themselves for the chance of a bed and a shower, how can we justify walking by?

Many young people find themselves in desperate situations through no fault of their own. Life can unravel quickly. A home lost. A relationship broken. A support system gone. Sometimes, all that stands between someone and despair is a kind stranger.

We don’t give to feel good, albeit we do. We don’t give for that adrenalin rush; we don’t give to obtain kudos from God. We give because we are part of a human race that has the quality of selfless love. But in that act of unselfish love, God is in our debt. Try and get your head around that promise from God.

Whoever cares for the poor makes a loan to the Eternal;
    such kindness will be repaid in full and with interest.

Proverbs 19:17

The Voice

 

The Voice (VOICE)

The Voice Bible Copyright © 2012 Thomas Nelson, Inc. The Voice™ translation © 2012 Ecclesia Bible Society All rights reserved.

 

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Jim McCrory

And They All Lived Happily Ever After: The Dénouement

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:30

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And They All Lived Happily Ever After: The Dénouement

One of the most enduring gifts my father left me before he passed away was the joy of books. Not just the stories themselves, but the happiness and hope they could carry—sometimes when you needed it most.

I grew up in Govan, a shipyard town in Glasgow. I must have been about seven when I wandered into The Modern Book Shop, a quiet little place that sold second-hand books and comics. That day, a book’s cover caught my eye. Something about the image pulled me in. I opened it and read the first lines of the first chapter:

"Now it happened that Mr Cherry, the carpenter, found a piece of wood that laughed and cried like a child."

And just like that, I was in. The story of Pinocchio had begun.

We all know the tale, how a wooden puppet longs to become a real boy. But do you remember how it ends?

After being lied to, tricked, nearly killed, and running from every bit of responsibility, Pinocchio changes. He begins to care. He sacrifices. He works hard. He chooses love and duty over selfishness. And in doing so, he transforms—not just in form, but in spirit. He wakes up human, and the puppet body is left behind, useless now. He says:

"How funny I was when I was a puppet! And how glad I am that I’ve become a real boy!"

It’s the classic “happily ever after.” But it’s more than that.

Every powerful story follows this same shape—the hero’s journey. Something breaks. Things go wrong. The hero struggles, fails, grows. And eventually, there’s a resolution. A turning point. A moment of justice. We need that resolution. Without it, stories feel incomplete—like the soul of the tale was stolen.

Martin Luther King Jr. once said, “The arc of the moral universe is long, but it bends toward justice.” That’s more than a comforting thought. It speaks to something we instinctively understand we live in a moral universe. And our stories—especially the ones that endure—reflect that.

Imagine if the Fairy had turned Pinocchio back into a block of wood. If everything he had learned, all the growth and love and sacrifice, had been erased. We would have closed the book angry. Empty. Betrayed. Because stories aren’t just entertainment. They’re mirrors of something bigger.

Take the Bible, for example. In Genesis, humanity is given a task: to make the earth a paradise. Then, everything breaks. Pain enters. Struggle begins. But it doesn’t end there. Jesus steps in, offering hope, offering restoration. “You will be with me in paradise,” he promises. And in Revelation, that promise comes full circle into the dénouement :

“See, the home of God is with His people.
He will live among them;
They will be His people,
And God Himself will be with them.
He will wipe away every tear from their eyes.
Death will be no more;
Mourning no more, crying no more, pain no more,
For the first things have gone away.”

The Voice Bible

This is the ultimate dénouement. Paradise lost, paradise regained.

So maybe the reason we crave resolution in stories is because, deep down, we’re wired for one ourselves. We believe that wrongs can be righted. That the struggle means something. That even in the darkest chapters, the ending is worth waiting for.

That’s the legacy my father left me. A quiet kind of faith hidden in the pages of a second-hand book.

Scripture taken from The Voice™. Copyright © 2012 by Ecclesia Bible Society. Used by permission. All rights reserved.

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Jim McCrory

Who is my neighbour?

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:31

“Human beings are members of a whole,
In creation of one essence and soul.
If one member is afflicted with pain,
Other members uneasy will remain.”
—Saadi Shirazi

 

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These words by the Persian poet Saadi have echoed across centuries and cultures for a reason. They offer a clear and enduring truth: to be human is to be bound to others. Not by preference, but by nature. We belong to one another.

In this shrinking world, where a crisis in one country can ripple instantly across continents, his image of humanity as one body is not poetic exaggeration. It’s reality. What one person suffers, the rest of us should feel. Not out of sentimentality, but out of shared essence.

We often speak of the world as a global village. But Saadi reminds us it’s not just a village of trade, travel, and technology; it’s a village of souls. And within it are people who deserve our love and compassion, not because they’re familiar, but because they’re human.

This kinship crosses all lines. The child in Gaza, the grandmother in Glasgow, the teacher in Tehran, we are connected. When one part of the body is wounded, the rest cannot be well. Paul expressed the same truth in his letter to the Corinthians: “If one part suffers, every part suffers with it.”

This is the essence of moral life: feeling for others as for us. It’s not about grand gestures. It’s about refusing to grow indifferent. About seeing others not as strangers, but neighbours. Not as burdens, but brothers and sisters.

To be human is to remember we are not islands. We are a village.
And in that village, love is not optional.
It is the pulse of a living soul.


The Parable of the Good Samaritan

One day an expert in the law stood up to test Him. “Teacher,” he asked, “what must I do to inherit eternal life?”

“What is written in the Law?” Jesus replied. “How do you read it?”

He answered, “‘Love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind,’ and ‘Love your neighbor as yourself.’”

“You have answered correctly,” Jesus said. “Do this and you will live.”

But wanting to justify himself, he asked Jesus, “And who is my neighbor?”

Jesus took up this question and said, “A man was going down from Jerusalem to Jericho when he fell into the hands of robbers. They stripped him, beat him, and went away, leaving him half dead.

Now by chance a priest was going down the same road, but when he saw him, he passed by on the other side.

So too, when a Levite came to that spot and saw him, he passed by on the other side.

But a Samaritan on a journey came upon him, and when he saw him, he had compassion. He went to him and bandaged his wounds, pouring on oil and wine. Then he put him on his own animal, brought him to an inn, and took care of him.

The next day he took out two denarii and gave them to the innkeeper. ‘Take care of him,’ he said, ‘and on my return I will repay you for any additional expense.’

Which of these three do you think was a neighbor to the man who fell into the hands of robbers?”

“The one who showed him mercy,” replied the expert in the law.

Then Jesus told him, “Go and do likewise.”

Luke 10: BSB

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Jim McCrory

MA Creative Writing’s Best-Kept Secret

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:32

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MA Creative Writing’s Best-Kept Secret

One of the most liberating discoveries during the MA in Creative Writing was being introduced to the personal essay. For me, it was nothing short of a breakthrough—something that changed everything. I chose to specialise on the form rather than fiction, poetry or drama. Let me explain.

There’s a breath-taking scene in Nikita Mikhalkov’s film Urga that captures the feeling perfectly. The camera opens on a vast, open field of emerald grass. At first, there’s only a hint of movement in the distance. Then the image slowly sharpens—hoofbeats, dust hanging in the air, the tension building—until finally, we see him: Gombo, a rugged Mongolian herdsman on horseback, powerful and present at the centre of the screen.

That’s what writing a personal essay feels like. You start with something elusive—a word like nostalgia, a simple sentence like “It happened like this”, or a striking image like Avril Paton’s Windows in the West. At first, you don't quite know where you’re going. But that’s okay. The beauty of the personal essay is in the wandering. You follow your thoughts as they stretch out across the landscape. And slowly, a shape begins to form.

You don’t need a map. You just need to start. The journey might look like a meander or a pilgrimage, depending on your tone or theme. At times it may feel like you're heading nowhere. But trust me—the scenery is worth it. And often, in the quiet act of writing, the path reveals itself.

What begins as a blurred impression becomes a destination through the alchemy of editing. Each draft brings you closer. You’re not lost; you’re refining. And eventually, clarity comes, like the horizon appearing after a long ascent.

The personal essay can carry all that you bring to it: your memories, questions, musings, fears, even your worldview. For me, discovering this form felt like stepping out of a cage. I had finally found a space for my voice, a place where all the threads of my thinking and experience could weave together with meaning.

If you’re considering where to focus your creative energy, let the personal essay tempt you. It’s more than a writing form—it’s a way of thinking, a way of seeing. And if you let it, it might just change your path too.

 

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Jim McCrory

The Moral Issue Behind God's Permission of Evil

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:32

For the eyes of the LORD roam to and fro over all the earth,

to show Himself strong on behalf of those whose hearts are fully devoted to Him. 

2 Chronicled 16:9

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The Moral Issue Behind Evil

Why does God allow evil? It’s a question that echoes through time, across cultures and creeds, and finds a voice in every broken heart. But perhaps it's the wrong question. Perhaps we should be asking: What does evil reveal?

Take your teenage son or daughter. At home, they may be polite, devout, and upright. But what about when they’re alone? Or out with friends, away from your watchful eye? Sometimes, only in your absence will their true character emerge. You might never know who they really are unless you could observe them incognito.

And that, perhaps, is how it goes with God.

There’s a verse in Scripture that says, “For the eyes of the LORD roam to and fro over all the earth, to show Himself strong on behalf of those whose hearts are fully devoted to Him. ” (2 Chronicles 16:9). This is not the surveillance of a tyrant but the quiet attentiveness of a Father; one who chooses, for a time, to allow freedom. Why? Because only in freedom can love and loyalty be real.

We are on a level playing field. There is no visible hand of God reaching into every moment to stop the liar, the thief, or the tyrant. And in that “absence,” something holy is taking place: our loyalty is being tested. Not just yours or mine, but humanity, past, present and future. The same moral test that was once laid before our first parents in Eden still lingers. The serpent’s whisper wasn’t a contest of strength, it was a question of loyalty. “Did God really say…?” was not a call to arms, but a challenge to trust.

It was the same with Job. The accuser didn’t say, “Let’s see who is stronger—God or me.” That’s easy. Strength can be measured in a moment. Arm-wrestle a man and you’ll soon find the stronger one. But say, “I am more loyal, more honest, more faithful than you,” and suddenly the proof takes a lifetime. This is the moral question at the heart of our suffering: Will we remain loyal to a God we cannot always see, touch, or understand?

This is the drama of life—not played out in cosmic battlefields but in quiet acts of courage, hidden faithfulness, and the refusal to betray love even in darkness. The Apostle Paul touched on this when he wrote ” For the creation was subjected to futility, not by its own will, but because of the One who subjected it, in hope (Romans 8:20). Not by accident or chaos, but by design. This futility, this ache we feel for justice and peace and permanence, is not without purpose. It sharpens the soul. It exposes the heart. And it makes space for faith.

God does not want robotic worship or coerced allegiance. He wants to know, do we love Him even when we don’t see Him? Will we walk the right path when no one is looking? Will we remain true in the desert, not just in the garden?

There will come a time when the hidden things are brought into the light, when the testing ends and the eyes of the Father meet ours again. Until then, we live in the tension—between absence and presence, doubt and faith, struggle and hope. But this life is not without meaning. It is the proving ground of the heart. The battle is not about power—it never was. It is about love. About loyalty.

And love that endures when it would be easier to walk away. that is the kind of love that lasts forever.

Bible verses from the BSB Bible.

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Jim McCrory

On the Loss of a Child

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:33

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I cannot begin to capture the depth of grief experienced by parents who lose a child. Chiyo-ni’s haiku, which speaks of a child catching dragonflies, captures a tender moment of innocence and play. Yet beneath its simplicity lies a quiet ache of distance and loss—Chiyo-ni had lost her own child, whom she affectionately called Dragonfly Catcher. The haiku, as a poetic form, often distills life’s most profound moments, grounding them in nature’s fleeting beauty.

"Dragonfly catcher,

how far have you gone today

in your wandering?"

I guess Chiyo-ni found some solace in penning her thoughts and grief on the written page. As a Christian, I believe in the grand scheme of things a great "Renewal" of life  will take place,

When a man dies, will he live again?

All the days of my hard service I will wait,

until my renewal comes.

Job 14:14

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Jim McCrory

Too Young to Choose It

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Edited by Jim McCrory, Tuesday, 15 July 2025, 16:13

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Too Young to Choose It

The '70s were the birth of the supermarkets. Safeway, the American chain, was expanding into Scotland. I worked the night shift at Paisley Road West while wondering what choices to make in life. One evening, we had a new employee. 

The night shift procedure was routine: pull out the pallets of stock, spot them in the appropriate aisles, price and pack the items. By the time the stock was cleared—around 3 a.m.—the weariness of the night overwhelmed us. The numbing fatigue was exasperated by the gentle rhythm of the David Bowie song on the radio: “You're too old to lose it, too young to choose it.”

“Okay, you two, start washing the floor,” the night manager said to me and the new boy.

“What part?” the new boy asked.

“All of it,” the manager replied.

The new boy took in a panoramic view of the floor and asked, “All that?” with a look of disbelief.

“All of it,” the boss repeated.

“I’m out of here. I’m getting my jacket.”

He walked into the darkness. A few moments later, he banged on the plate-glass window and shouted, “You’re all a bunch of losers!”

We all turned away and got on with the work, singing “You’re a rock and roll suicide” to the chorus of Bowie’s song. I then mused over the remaining hours: What will I do with my life?

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Living on an Island

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:30

"When it is dark enough, you can see the stars."

-Ralph Waldo Emerson

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Today, I got talking with a new-found friend and one of the subjects was Rothesay and the Island of Bute. I have a nostalgia for this island that runs deep in my heart that takes me back to a childhood epiphany that is embedded in my memory,

I suppose it must have been the late summer of 1962, Telstar by the Tornadoes had been playing on the radio. I spent the summer days on the idyllic Island of Bute on Scotland’s west coast. We had a rural cabin. It had no running water or electricity. My job was to fill up the water containers from the communal well. Cows would cautiously approach and stare. The smaller calves would shuffle through for front-row viewing. I found their curiosity compelling.

At dusk, we would light paraffin lamps to illuminate the nights. My father would read children’s books borrowed from the library: Chinese Folk Tales, Heidi and 1001 Nights. We were all ears as we ate freshly made pancakes with homemade jam and washed down with small glasses of sweet stout. The lamp caused a sibilant sound as it burned up kerosene. It flickered and fostered sleepiness. It finally slumbered for the evening, and we would retire.

I lay there in my bed watching the stars cascading through the window; all of them. And I wondered if the Chinese farmer boys, or the Bedouin shepherd boys or the milk maids in the Swiss mountains were seeing and feeling the sense of awe that I felt in my heart as the universe entered in.

*****

Childhood memories like that visited me often and reminded me of my spiritual awareness from an early age, albeit in my own childish way.

I had an ache to know who created the stars, the moon, and the beautiful island that was so distant from my industrial town where idle men lingered on street corners like characters from a Lowry painting. Where post-war tenements blocked natural light. Where unkempt dogs savaged through bins for scraps. Where it always seemed, there was better places to be raised.

Years later I read the following verse from the Bible,

When I consider your heavens, the work of your fingers,

the moon and the stars, which you have ordained.

what is man, that you think of him?

What is the son of man, that you care for him?

— Psalm 8:3, 4.

 

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A Govan Prayer Rising

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Edited by Jim McCrory, Tuesday, 15 July 2025, 19:04

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A Prayer in Govan

One Saturday being at a loose end whilst my wife was working, I went walking through Govan, tracing the steps of my childhood with that odd blend of nostalgia and ache. Fourteen years of early life were lived here, and though the skyline has shifted, and the shops have changed hands, no Curley’s, no Woolworth’s and no Modern Bookshop. The later, a sanctuary for a child escaping through poverty and a sense of adventure in comics.

The bones of the place remain familiar. It was one of those quiet, reflective strolls—no agenda, just memory. Drawn by the stillness of the place, I wandered into the grounds of the old church at Govan Cross to see the ancient stones, artifacts of history.  I wasn’t even sure if the church was still functioning or simply a monument to what once was. It had that solemn presence old churches carry—stone thick with prayers, weathered by time.

I didn’t expect to meet anyone, but within minutes I was in conversation with three strangers—a woman from Peru, a woman from the United States, and a man who, after listening quietly for a while, mentioned he was the minister of the Govan Free Church.

We spoke for a little while—of this and that, life, place, belonging. Somewhere in that natural flow of conversation, I shared my health condition—neuroendocrine cancer, and how it had taken a stealthy toll, spreading to other organs. I hadn’t intended to go there, but sometimes the truth just slips out when the company is kind.

There was no dramatic reaction. Just quiet listening. Eyes that didn't flinch. A nod of understanding.

Sometime later, I heard from someone that the minister had taken my name to their weekly prayer meeting and he had prayed for me.

It moved me more than I can say.

There’s something profound about that kind of gesture. In a world that’s often loud and fast and transactional, it was a moment of pure human kindness. Unasked for. Unobligated. Offered anyway in an act of Christian love.

Prayer, after all, is not just words spoken into the air. It’s an act of care. Of pause. Of bringing someone else's name before God with reverence and hope.

That day in Govan, the town of my boyhood gave me more than memory. It gave me grace. In the form of strangers. In the form of a prayer.

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From Bamburgh to Stavanger: A Memory Not Lost at Sea

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:34

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From Bamburgh to Stavanger: A Memory Not Lost at Sea

It’s Thursday just passed and I’m standing with Bamburgh Castle at my back. Its ancient stones are steeped in history, yet I’m not drawn to look behind me. My eyes are fixed on the sea. North-east, to be exact. That invisible line across the water stretches toward Stavanger, where I lived for a fleeting time during what could only be described, to borrow from Dickens, as the best of times and the worst of times.

But this moment isn’t about castles or history. It’s about something smaller and more enduring; the quiet goodness that lives in human connection.

I’m walking the shoreline with family and friends. The wind on Sola beach is gentle and like the laughter, warm. A young girl from Sandnes walks beside me; her family having been so hospitable to us during our time in Norway. She’s a teenager, bright-eyed and full of the same enthusiasm for music that once filled me. We swap stories and song titles, lost in the shared joy of discovering kindred taste and poetic lyrics.

Later, I give her a cassette of my all-time top twenty songs. Just a little plastic box with a handwritten label. At the time, it felt ordinary. But sometime afterward, her mother tells me that her daughter now falls asleep each night to the gentle music captured on the cassette.

Even now, I feel a hush inside when I remember that. The thought of those songs becoming a lullaby, a comfort, a thread between our human connection. Music carrying a presence, even after I was gone.

That was in 1999. I returned to Scotland, and life and distance, as it often does, scattered our connection with the family. I lost contact with the family. Still, I wonder. That young girl will be in her forties now. Perhaps she has children of her own. I wonder if they too fall asleep to music. I wonder if, in some way, the kindness shown to me, the conversation on that beach, the cassette passed from hand to hand, still echoes in their lives.

Because what are we, really, is determined in our small acts of goodness.  A song shared. A moment of hospitality. A memory that lingers. So much of life feels fleeting, but these moments — they have a way of outlasting us.

And if we are made in the image of something eternal, perhaps it is this that reflects it most clearly. The impulse to give. To comfort. To be remembered not for what we built or achieved, but for how we loved, and how we made others feel safe enough to fall asleep.

 

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When Time Grows Precious

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:35

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When Time Grows Precious

A terminal diagnosis has a strange way of shifting your perception of time. It no longer feels abstract or abundant but becomes a delicate currency, something to be spent with deliberate care. In this altered reality, every conversation and interaction carries more weight. I’ve found myself reassessing who I spend time with—not from resentment or selfishness, but from a quiet understanding that my time is no longer open-ended.

This shift in priorities hasn’t gone unnoticed. Some interpret my decisions as cold or dismissive. Others offer unsolicited judgments. That hurts. What’s often misunderstood is that these choices come from a place of clarity, not cruelty—from a desire to spend my remaining time meaningfully, not performatively.

One of the most unexpected consequences of receiving a terminal diagnosis is the sudden reappearance of people from the past. Faces I hadn’t seen or heard from in years are now at my doorstep, in my inbox, or on the end of a tentative phone call. Some arrive with good intentions. Others seem unsure why they’re here. All carry something unresolved.

It would be easy to dismiss these encounters with cynicism—to view them as guilt offerings or panic-driven gestures. And yes, guilt often plays a part. I see it in their eyes. They remember a kindness I once offered or a conversation we never finished. My illness brings that memory into sharp focus, and they reach out, perhaps to ease their conscience more than to comfort me.

Fear plays its role, too. Illness is a powerful mirror. For those who have drifted away, my situation becomes a reminder of their own mortality, a push to tie up loose ends. Some want closure. Others want a more graceful goodbye than the silence they left behind. I understand that impulse, even if it sometimes feels like a transaction.

Then there are the unspoken rules—the social cues that say you must call, must send flowers, must offer a visit. These gestures often come with kindness, but not always with connection. They follow a script, a way of saying “I did my part.” I’ve appreciated them, truly, but they don’t always land where they were intended.

Still, I’ve learned not to judge too quickly. Guilt, fear, obligation—these are not flaws so much as evidence of our humanness. We’re all fumbling our way through relationships, trying to get it right while living with what we got wrong.

What matters now, more than motivation, is presence. Are you here with me, now, honestly? Or just passing through to check a box on your inner list of regrets?

As for me, I’ve chosen to invest in the relationships that feel mutual and real. Time, for me, is no longer a renewable resource. So I offer it where it can be received, where both hearts are present and open.

This doesn’t mean I’ve closed the door to everyone else. It just means I’ve chosen to keep it open only to those who walk in with sincerity and stay awhile—not out of habit or duty, but because they truly want to be there.

If there’s one thing I’ve come to believe deeply, it’s this: We all need to be thoughtful about how we spend our time and with whom. For those facing a terminal illness, that choice becomes sharper, but the principle applies to everyone. Life is short even when it’s long.

And for those who feel moved to reconnect, I would simply ask this—don’t come out of guilt, or to ease discomfort. Come because you want to. Because you care. Because you’re ready to listen, to share, and to be fully here.

Relationships, like time, are fragile. But in their fragility lies their beauty. When they’re honest, when they’re generous, when they’re free of pretence—they carry us, even through the hardest days.

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What Compels the Electron to Spin Round the Atom?

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:35

 

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What Compels the Electron to Spin Round the Atom?

We are used to thinking of the world as solid and dependable. The table under our hands. The spoon in our tea. The feel of the ground beneath our feet. But the deeper we look into what things are made of, the less solid they become. Beneath every surface lies a hidden world of atoms, and inside each atom—a dance of particles that defies simple explanation. Chief among these is the electron, a tiny particle of negative charge, endlessly moving, mysteriously suspended, bound to the nucleus of the atom by forces we cannot see.

In old science textbooks, the electron was often pictured as a miniature moon orbiting a tiny sun. That’s how many of us learned it. But the truth, as scientists now understand it, is far more strange—and far more beautiful. The electron doesn’t orbit in circles. It exists in regions called “orbitals,” places where it might be found, not places where it certainly is. It’s not spinning like a top or circling like a planet. It’s behaving like a wave and a particle at the same time. And it’s held in place—not by strings or levers—but by invisible laws of nature. So what compels the electron to move? What keeps it from falling into the nucleus, or flying away into the void?

Science speaks of electromagnetic attraction and quantum principles. And rightly so. But beyond the mechanics lies a deeper wonder—a spiritual question: Who wrote the laws? Why does anything obey them at all?

The writer of Hebrews puts it this way: “By faith we understand that the universe was formed at God’s command, so that what is seen was not made out of what was visible” (Hebrews 11:3). That verse, penned nearly two thousand years ago, reads today like a quiet summary of quantum physics. The visible world, the world we touch and measure, rests on things that are not visible. Unseen forces shape reality. And from a Christian perspective, those unseen things are not simply forces. They are the design of a Creator.

What compels the electron? It is drawn by the same laws that compel the stars to burn and the waves to rise. It follows a path laid out in the deep architecture of the universe—an architecture spoken into being by a God who delights in order, mystery, and life. The electron does not know why it moves. But it moves. It obeys. And in its obedience, it allows everything else to exist.

And isn’t that a picture of faith? Most of us do not fully understand the path we are on. We cannot see the end from the beginning. Yet we are drawn forward by unseen convictions, quiet hopes, and invisible hands. Like the electron, we find ourselves part of something of a larger part of a design we didn’t invent and cannot control. But the beauty lies in the trust. In moving forward. In keeping faith.

So the next time you look at your hand, or sip from a cup, or simply sit still in the quiet of the morning, consider this: the world you see is built on what you do not see. The electron spins not because it chooses to, but because it must. And in that tiny, invisible movement, held in place by mystery, is written the fingerprint of God.

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“What were we doing when we unchained this earth from its sun?”

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:36

 “When a man stops believing in God he doesn't then believe in nothing, he believes in anything.”
—G.K. Chesterton

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“What were we doing when we unchained this earth from its sun?”

A madman rushes into the marketplace in broad daylight holding a lantern, crying, “I seek God! I seek God!” The bystanders, products of the Enlightenment, sneer. They ask if God is lost or perhaps hiding. Their mockery betrays their confidence: they no longer believe He’s there to be found.

Then the madman turns, and his voice cuts through the laughter.

“We have killed him—you and I. All of us are his murderers.”

He doesn't mean God has literally died, but that belief in Him has been dismantled—dissected by scientific pretension, secularism, and philosophy. Not by accident, but by intent. Humanity, having outgrown the need for the divine, has slain its own foundation.

Yet Nietzsche isn’t cheering. The madman isn’t rejoicing; he is in mourning. For with the death of God comes the collapse of everything once tethered to Him: purpose, morality, transcendence. “What were we doing,” he asks, “when we unchained this earth from its sun?” With that severing, we no longer know which way is up. The world spins, and we spin with it—unmoored, unanchored.

Nietzsche foresaw a crisis not of belief but of meaning. His words are less a dismissal of religion than a lament that modernity has not reckoned with what it has lost. People still speak of right and wrong, of love and justice, as if these remain untouched by the death of their source. The madman’s anguish is not madness, but clarity—a prophetic voice in a culture that doesn’t yet understand its own emptiness.

In later works, Nietzsche attempts to sketch a path forward. He speaks of the Übermensch, the Overman, who must now create meaning in the void. But the shadow of God lingers, and meaning, once severed from the transcendent, begins to collapse under its own weight.

More than a philosophical curiosity, the Madman scene is a warning. The lantern he carries isn’t just a symbol of lost faith—it’s a question burning through the centuries: What happens to humanity when it loses its sense of the divine?

We may now be living in the answer.

A generation drifts in the aftermath. After decades of secular progress, something has gone missing. Many feel it like a ghost in the room. Anxiety, depression, loneliness, and addiction rise—not just as medical conditions but as existential signals. The soul, it turns out, cannot be medicated.

Science and progress have given us extraordinary tools, but not the answers to the oldest questions. Who am I? Why am I here? What is good? What lies beyond death?

We are told to follow our hearts, live our truth, chase success, embrace pleasure. But many are quietly turning away from the noise. The marketplace is losing its grip. In corners of the West, in the quiet of living rooms and the hearts of young couples, there is movement. Some call it a revival—not loud or fanatical, but slow, searching, sincere.

The same lantern is being lit again, not in madness but in longing. Young men, especially, are among those returning. They have grown up in a culture where roles are blurred and purpose elusive. In place of fathers and mentors, algorithms and ideologies have offered substitutes that cannot bless or affirm. The Christian congregations, once dismissed, now appears to some as a sanctuary of coherence—a place where order, calling and purpose still reside.

These aren’t conversions driven by fear, but by thirst. The soul is drawn to meaning the way a body is drawn to water. Christianity, with its rhythms of grace and groundedness, offers not a retreat from reality, but a reawakening to it.

And so, the madman may not have been mad at all. His cry still echoes, not as an obituary for God, but as a diagnosis of our age. In his grief, there was truth. And in that truth, perhaps, a strange kind of hope. For the God we declared dead was never absent. We had only turned away.

Now, in scattered places, people are turning back.

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On Tenderness

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:39

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On Tenderness

It’s not a word we hear often these days—tender. It sounds almost old-fashioned, a term borrowed from lullabies and love letters, out of place in a world obsessed with strength, strategy, and self-promotion. Yet there’s a quiet defiance in tenderness—a moral courage that refuses to harden. In a world that teaches us to toughen up, tenderness dares to remain soft.

The etymology of tender offers insight into its soul. From the Latin tener—soft, delicate, young—it evokes the image of a sapling swaying in the wind, not despite its weakness but because of its flexibility. It is a word that breathes, not shouts

The philosopher Søren Kierkegaard once wrote, “Life can only be understood backwards; but it must be lived forwards.” Tenderness belongs to that forward-facing life. It requires us to be present in the moment, to respond not with rehearsed cynicism, but with a kind of openheartedness that makes us vulnerable to pain—but also to beauty.

Psychologically, we are wired to protect ourselves from hurt. The amygdala, our ancient threat-detection system, flares up at anything unfamiliar. Tenderness works against this grain. It invites the slower brain—the prefrontal cortex—to respond with empathy, with measured grace. As Brené Brown puts it, “Vulnerability is the birthplace of love, belonging, joy, courage, empathy, and creativity.” Tenderness is the handmaid of vulnerability.

To be tender is not to be fragile, but to possess an inner elasticity, a strength supples enough to bend but not break. Think of the willow tree, which outlasts the oak in storms because it yields. Or consider the Japanese concept of amae—a sweet, presupposed acceptance between loved ones. Tenderness, like amae, assumes you will not be rejected when you risk softness. It is a moral trust in the goodness of relationship.

In literature, tenderness often appears in the margins—in the worn hands of Kent in King Lear, or the silence between Elizabeth and her father in Marilynne Robinson’s Gilead. Simone Weil, the French writer, once said, “Attention is the rarest and purest form of generosity.” Tenderness pays attention. It notices the unnoticed: the trembling lip, the quiet withdrawal, the soul behind the stranger’s eyes.

When Jesus wept at Lazarus’ tomb, it was not just grief—it was divine tenderness. He could have spoken of resurrection first, but he chose to feel first. That order matters. There is a sacredness in lament, in acknowledging suffering before solving it. In that moment, he gave us a model of love that doesn’t leap to fix but lingers to feel.

I think of my own life, and moments when tenderness rewrote the script.

In a fractured world, the quality is resistance. It refuses to retaliate. It listens instead of lectures. It makes room. And perhaps that is its most Christlike quality: it does not occupy all the space. It steps aside. It lets the other in.

The writer John O’Donohue once observed, “Tenderness is the most fragile presence of the soul, and it is not a mood but a way of being.” We must protect it—especially as we age, as loss and disappointment threaten to calcify us. The temptation is to grow defensive. But the call of tenderness is to remain open. To remain human.

If faith is the substance of things hoped for, then perhaps tenderness is the texture of that faith made flesh. It cannot be manufactured. It is cultivated, often in silence, through sorrow, through the deliberate decision not to become bitter.

In a noisy, combative age, to be gentle is to live prophetically. To forgive when wronged. To stoop when others climb. To weep when others mock. This is not softness—it is the kingdom of God drawing near.

“Be kind and tender-hearted, forgiving one another, as God in Christ forgave you.”

Ephesians 4:32.

 

 

 

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I left This World and Returned

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:40

We know we can vanish.

And we know we can return.

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I left This World and Returned

I was rolled into the pre-op theatre, the ceiling tiles above blurring slightly as the trolley moved. A nurse checked my details and, checked the place and the mark the surgeon left where the incision would take place. Soon, this surgeon would enter my innermost parts; the parts I have not visited. The mask over my face and the nurse asked me to count to ten. I got as far as four. Then nothing.

What is time in this place I moved to. I woke and like Rip Van Winkle, I didn’t know what day, month, or year it was. Was I dead? Is this the place the Bible character Job referred to as the "renewal"; I don't think so, I don't want to leave like the antelope. Go back to sleep like the sloth more likely.

It wasn’t like sleep, where you slowly come to the surface of your dreams and swim back toward the shore of consciousness. This was more like a door that had slammed shut, a vault in my brain. When it opened again, time itself had been rewritten.

They had pressed the pause button on my brain. It closed down. No dreams, no nightmares no nothing. 

What modern medicine calls anaesthesia is a marvel of science, yet it remains, in some ways, a mystery. General anaesthetic doesn’t simply lull you into rest. It shuts down awareness, sensation, memory, and time. Unlike natural sleep, where the brain cycles through phases and dreams, anaesthesia induces a kind of artificial void—a medically induced coma. It is deliberate, controlled unconsciousness. And in that state, the self disappears.

The drugs work fast. Inhaled agents like sevoflurane or intravenous ones like propofol travel to the brain and begin switching things off—like a janitor switching off lights in a tall building and the lights going out one floor at a time. The cerebral cortex and the thalamus, the parts of the brain responsible for thought, perception, and awareness, are silenced. The hippocampus, the memory-keeper, is blocked from recording anything. The networks that give rise to pain, fear, and movement are unplugged. The result is a total absence of experience.

And yet, we trust them to bring us back.

Waking from anaesthesia feels like being rebooted. The body awakens before the soul quite catches up. For a moment, you’re a blank page, your mind fumbling for the first word of a sentence. There is no sense of having rested. Just a gap. A cut in the filmstrip of memory.

It’s a strange thing—to know that someone, somewhere, has held your life on pause. It humbles you. You realise just how delicate the machinery of self is, and how easily it can be suspended.

But what strikes me most is the trust we place in others when we go under. We give ourselves over, unconscious, and defenceless, to the care of hands we barely know. In that moment, the body becomes a vessel tended by others, and the self—whatever it is that makes me me—disappears into silence.

And then, it returns. Slowly. Unevenly. Like a sunrise after a long night with no stars.

I’m grateful for the science that made that possible. Grateful, too, for the mystery of it—for the reminder that consciousness is both gift and grace. We go through life assuming continuity, thinking of ourselves as uninterrupted. But every so often, someone presses pause, and we are reminded: we are not machines. We are fragile, luminous flickers of being, entrusted to one another.

And when we come back from the void, blinking in the theatre lights, we know something we didn’t know before.

We know we can vanish.

And we know we can return.

 

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A Mirror Not Our Own

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Edited by Jim McCrory, Tuesday, 15 July 2025, 19:07

 

May the words of my mouth

and the meditation of my heart

be pleasing in Your sight...

Psalm 19:14 (BSB).

Cliù

In the tongue of my ancestors who came from Islay on the Scottish Hebrides, cliù  (Scottish Gaelic) meant more than reputation. It was honour—lived rather than spoken, earned rather than claimed. It wasn’t what others whispered about you in passing, but what followed you through time because of the way you lived your life. A kind of moral inheritance.

Today, reputations are made and ruined in moments. Words, once weighty, are thrown about like scraps—cutting, careless, fleeting. People blurt out their worst thoughts and move on, leaving others to carry the wound. But cliù still has weight. It doesn’t cling to the loud or the self-important. It clings to the steady, the faithful, the kind.

I’ve been spoken about, as we all have. But I’ve learned not to let such things get too close. Words may sting, but they don’t define me. I don’t stand before them—not in this life, and not in the next. I will stand before Christ Jesus. He is my judge. He sees past all the noise and weighs the heart. “Therefore, judge nothing before the appointed time; wait until the Lord comes. He will bring to light what is hidden in darkness and will expose the motives of the heart.” (1 Corinthians 4:5)

That’s where cliù lives now—in the unseen acts, the unspoken prayers, the quiet integrity that often goes unnoticed. It is not reputation in the modern sense, but something slower and more enduring. A quiet light cast by a life lived with purpose and grace.

I may never be remembered by many. But if I leave behind a thread of honour—faith kept, kindness shown, truth spoken—then I will have left something worth more than renown. I will have left cliù

 

Sometimes we meet ourselves in a mirror—but not the kind that shows our face.

There are mirrors in life that reflect not what we look like, but who we are. Moments, people, and encounters that hold something up to us—often quietly—and reveal a truth we didn’t know we needed to see. Not all at once, and not always comfortably. But clearly enough to stop us in our tracks.

We’re often encouraged to look inward—to examine our hearts, to search our conscience, to find answers in solitude. And that has its place. But sometimes, we come to know ourselves more honestly through the presence of someone—or something—outside of us. It can be a gesture, a face, a life lived well. And in that unexpected reflection, we glimpse not only who we are, but who we might become.

Years ago, I belonged to a religious organisation that emphasised developing a “new personality.” On paper, which sounded noble, the act of becoming more loving, more faithful, more Christlike. But in practice, it often turned into a treadmill of tasks and expectations. We were encouraged to do more. I found myself constantly striving, constantly spinning like a Whirling Dervish, and trying to measure up to something always just out of reach. It was a kind of spiritual strangulation.

I stepped off that wheel. I began to slow down. To listen. Not just to teachings or instructions—but to what was going on inside me. And to the quiet messages around me that I had long ignored.

I remember one morning. I was walking along the coast, the tide out, the air still. A robin landed on a branch just a metre away and stayed there beside me for a while. We were both still. That moment wasn’t extraordinary in any obvious way, but it stayed with me. I felt seen—not by the bird, exactly—but by something deeper. As if I’d been reminded, I was part of something sacred, something alive. I walked away quieter than I had arrived.

Silence like that creates space. A space where the soul can stretch and grow. Not the silence of loneliness or avoidance, but the kind that brings clarity. Where listening becomes more than just hearing—it becomes a form of love. And in that stillness, free from distractions and expectations, we sometimes begin to see ourselves more honestly.

But we don’t always need solitude to grow. Sometimes, it’s other people who hold up the mirror we need. Not through their opinions or criticisms, but through the quiet example of their lives. We might witness someone offering mercy when we wouldn’t, showing patience, we know we lack, or living with a faith we hadn’t realised was possible. These moments can gently reveal where we fall short—not to condemn us, but to invite us into something better.

I’ve learned from people who have suffered quietly, who forgive without being asked, who walk into a room and bring peace with them. When I see that, I don’t feel jealous or ashamed. I just feel a longing; a desire to grow into that kind of person. It’s as if God planted something in me long ago that is only now beginning to stir and take root.

It’s humbling. The world often tells us we’re fine as we are. But real love doesn’t flatter us. It reveals us. And then, remarkably, it still draws us close. I believe that’s how God works—not by shaming us into change, but by showing us a more beautiful way to be. Through the lives of others, through books, through quiet moments, He gives us a glimpse of what is possible.

Of course, not every reflection is easy to face. Sometimes the goodness of others makes us aware of the noise inside us; the pride, the impatience, the restlessness we’ve come to accept as normal. But I’ve learned to welcome those moments too. Because they are not rejections, they are reminders. The soul learns best when it is still. And it listens best when it no longer needs to have all the answers.

That’s why I return to quiet places. Hillsides. Beaches. Woodland paths. Not to escape life, but to return to it differently. To remember what it means to truly see others—and to let their grace and strength reflect something I may have forgotten about God, or about myself.

Because sometimes, the clearest mirror is not the one we use to check our appearance, but the one held up by another person’s life.

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Should We Feel Free to Examine the Religion We Were Taught?

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:42

Therefore everyone who confesses Me before men, I will also confess him before My Father in heaven.

Matthew 10:32.

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Should We Feel Free to Examine the Religion We Were Taught?

There comes a time in many people’s lives when a quiet, persistent question rises to the surface: Is what I was taught about God, Christ  and truth really true? It can be an uncomfortable question, one we might push aside for years, even decades. Yet when it comes, it often brings with it not just a crisis of faith, but a crisis of identity, belonging, and relationship.

For some, like me, the cost of this questioning has been high. My own journey led to estrangement from family, people I love deeply, but who could not accept my departure from the religious path they still walk. It is a pain that leaves no visible scars but cuts deep all the same. So, the question becomes more than academic: Should we feel free to examine the religion we were taught—even when doing so risks losing everything? This is not about religion. It goes deeper. This is about loyalty to God and Christ which reach far beyond religion; a religion which is in a state of constant updates and flux.

Psychologists describe what’s known as cognitive dissonance—the mental discomfort experienced when holding two conflicting beliefs. For those raised in tightly bound religious communities, beginning to question core doctrines can feel like betrayal, not only of God but of family and self. The inner voice of inquiry is often met with a chorus of guilt, shame, and fear and we remain physically in, but mentally out in order to please others.

What’s more, the fear isn’t always irrational. In many religious contexts, dissent is met not with curiosity but condemnation. The cost isn’t just internal—it’s relational. Parents, siblings and adult children may interpret your doubts as rebellion. Friends may withdraw, go silent. In these moments, the exile is not metaphorical. You feel it in every unanswered message, every family gathering you’re no longer invited to.

Yet psychologically, asking questions is a sign of maturity. It shows that we are taking responsibility for what we believe. Faith inherited is not the same as faith owned. Questioning, in the deepest sense, is not rejection—it is seeking. It says, "I want to know the truth, not just believe it because I was told to."

To question your religion is, in many ways, to face the void. When you remove the scaffolding of inherited belief, what remains? For a time, it may feel like nothing. There’s a disorienting space where answers used to be. But in that space, something sacred can happen—an authentic search.

Existentially, 

 this is where the deepest human questions live: What does it mean to be good? What is the purpose of life? Is there a God—and if so, what is He really like? These questions cannot be silenced forever. Even if the answers are difficult, even if they cost us everything, they are worth pursuing. As Kierkegaard said, “The greatest hazard of all, losing oneself, can occur very quietly in the world, as if it were nothing at all.”

Leaving a religion doesn’t just affect you; it reverberates through every relationship formed within that faith. This is especially true in high-control religious groups, where identity and loyalty are fused tightly with doctrinal conformity. To question is to unsettle the equilibrium. To walk away is to disturb the system.

And yet, must we always bear the responsibility for others’ reactions to our honesty? Is it truly love to pretend in order to maintain peace? Jesus himself warned that his message would divide families (Matthew 10:34-36). Sometimes truth drives a wedge not because we wield it like a weapon, but because it reveals who is truly willing to love us unconditionally.

Ultimately, for those of us who still believe in God and Christ, the final authority must be the Bible—not tradition, not religious hierarchy, and not the expectations of others. The Bereans were called “noble” because they examined the Scriptures daily to see if Paul’s teachings were true (Acts 17:11). Jesus rebuked the religious leaders of his day not for lack of faith, but for placing human traditions above God’s word (Mark 7:6-9).

We are commanded to test every spirit (1 John 4:1), to work out our own salvation with fear and trembling (Philippians 2:12), and to be transformed by the renewing of our minds (Romans 12:2). These are not passive acts. They require courage, discernment, and above all, honesty.

So, should we feel free to examine the religion we were taught? Not only should we—we must. The freedom to question is not a threat to true faith; it is the soil in which real conviction grows. Yes, the cost can be high. You may lose relationships, social belonging, even the image others held of you. But in return, you gain something that cannot be taken away: a faith that is your own, anchored not in fear or inheritance, but in truth and conscience before God. And why would family, fellow Christians and former friends not rejoice in my action to follow scripture? Why indeed.

And for me, though it has cost dearly, I can say this: the path of integrity, even when lonely, is the only one I can walk. I trust the God who sees the heart and holds every tear. I follow Christ, who never condemned the seeker, but always made space for the honest question.

Some thoughts to ponder on:

John 6, Colossians 2, Matthew 10

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Jim McCrory

Where the Small Names Sleep

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:43

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“A voice is heard in Ramah,

weeping and great mourning,

Rachel weeping for her children

and refusing to be comforted,

because they are no more.”

Matthew 2:18 (BSB).

Where the Small Names Sleep

I walked through the Glasgow Necropolis as I often have. It was one of those bright Scottish mornings that softens even the hardest thoughts. The Necropolis, that city of the dead perched above Mother Glasgow; the city of the living, where space not only for memory but for quiet conversation with time itself exists. 

As I made my way among the gravestones, I found myself counting years, not just my own sixty plus but those etched into stone: the tiny, abbreviated lifespans of children lost long ago in a Dickensian age to epidemics like cholera, diphtheria, typhus. Names barely had time to settle and establish into the world before they were carved in stones suggesting they were here.

It’s a strange thing to be old in a place filled with the young who died. I felt not so much survivor’s guilt as survivor’s wonder. I’ve had decades of travel, of reading, of walking beaches at sundown, of writing, of grieving and healing, of faith evaluated and restored. What would any one of these children have become with even half of my years?

My cancer, in that moment, seemed less like an ending and more like a milestone. I don’t know how many more years are allotted to me, but I know now how many I’ve already been given, and I know what a privilege it is to reach an age where you look both forward and back.

The graves made me think of God’s purpose—not as a tidy doctrine, but as a question folded into every name worn smooth by wind, moss, and rain. What becomes of children who never had a chance to choose faith, to assess goodness, to wrestle with meaning? Where are they in the great scheme of things?

Jesus once said, “Let the little children come to me... for the kingdom of heaven belongs to such as these.” I must believe that children taken early are held in a mercy deeper than we can grasp. They are not forgotten; they are not lost to God . If anything, it is we who are still lost, walking among headstones trying to make sense of the living and the dead.

There’s a sobering democracy in cemeteries. All names are equal here, whether child or elder, rich, or poor, known, or unknown. We all close our eyes and rest with our forebears. And yet, those of us still walking have something the dead do not: time. Time to reflect, to forgive, to change. Time to be grateful. My cancer has made me aware of time—not just its scarcity, but its richness.

So, I keep walking, not just through the Necropolis, but through each day, carrying with me the invisible company of children who never saw their coming-of-age birthdays or perceived  the invisible grace of a God.

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Jim McCrory

Windows to the West.

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:42

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Nothing eventful happened on April 2, 1956—except that I was born. My mother passed me on to another family just a few weeks later. So, I was adopted. And so, sometime that April, I found myself in a makeshift cradle, a drawer with four people staring down at me. Two older girls and a middle-aged couple who would become my new family, for reasons I still don’t fully understand.

My new home was a tenement in Govan, overshadowed by the towering shipyards that dominated the skyline. From our third-story window came the sounds of riveters, the pounding of angry hammers, and the erratic sizzle of torches flaring like fireworks as they sculpted metal into majestic vessels. The reasons for my arrival in that household remain a mystery, obscured by time and tangled threads of secrecy.

Govan, in those days, was a claustrophobic maze of crumbling tenements. The buildings leaned close, conspiring to shut out the light, leaving the streets as drab and shadowed as sepia-toned photographs from the Victorian era. In narrow side streets, stray dogs roamed freely while vermin scurried in the darkness, always foraging for scraps. Life there was governed by the harsh economics of survival, a place where razor gangs, loan sharks, and corner pubs shaped the rhythm of daily existence. Ambition struggled to breathe in that stifling atmosphere, and every corner whispered of escape, of a better life elsewhere.

Decades later, during a routine dental visit, I came across Avril Paton’s painting Windows to the West. It struck a deep chord, transporting me back to a winter’s day in my ninth year. Full of youthful curiosity, I had crossed the Clyde with friends, eager to explore Kelvin’s Museum. But as boys do, we wandered off track and into an old, condemned tenement.

Windows In the West by Avril Paton and the story behind one of Glasgow's most iconic paintings - Glasgow Live

Lost in the adventure, we meandered through Glasgow’s West End until dusk crept in, catching us unawares on Saltoun Street—the very one Paton captured in her painting. Though her inspiration came from a blizzard in 1993, her depiction mirrored my own memory. I peered into warmly lit windows and saw families gathering for meals, decorating for Christmas. Two old men, mirror images of each other, dozed beneath their moustaches. The scene stirred something in me—a longing, a recognition of something missing in my own life.

If I could name what was absent in my early years, it was a sense of home—stability, warmth, belonging. Paton’s image of Saltoun Street, transformed by snow, became a metaphor for my own fleeting joys and the elusive permanence I had yearned for since childhood. As the snowflakes in her painting settled, so too did my thoughts, revealing a life woven from threads of adventure, displacement, and an enduring search for a place to truly call home. A weight I have carried all my life.

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The blessed Noise-cancelling Headphones

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:38

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Ten days in hospital. That’s enough to make anyone long for a cave in the Highlands, or at least a pair of noise-cancelling headphones.

Don’t get me wrong. The NHS staff are wonderful, saints, if you don’t mind me saying.  But the challenge isn’t just the illness, it’s the endless noise. Groans in the night, alarms pinging like a malfunctioning pinball machine, and televisions blaring mind-numbing chat shows and repeats of Bonanza that could erode your will to live faster than the illness itself. It seems every patient is tuned in to the same channel, hypnotised by daytime soaps where everyone shouts, cries, or throws fits of anger. Why do they expose themselves to this stuff. Is life not bad enough without action replays at leisure time?

I remember thinking, not for the first time: Is peace and quiet too much to ask for when you’re unwell? My idea of healing involves being pain-free and reading a good book in silence.

The same plea rises in me when I board a flight. Please, no hen nights. No lads on tour. Let me sit beside someone who reads—someone who appreciates silence as an art form.

Once, I dared to hope. I was flying somewhere peaceful (or so I thought), and there they were—The Over 50s women after divorce club. Don’t be fooled by the name. I thought I’d dodged a bullet. “At last,” I told myself, But alas, they were a force to be reckoned with. Loud, swearing, knocking back miniature gin bottles like it was Blackpool on a Friday night. And the steward? Instead of calming them down, he joined in—winding them up further, rewarding their air bound riot with extra snacks and applause.

And there I was, clutching my book, praying for a parachute.

One day—yes, one day—I’ll invest in those blessed noise-cancelling headphones. I may not have peace on Earth, but at least I’ll have it in my ears. But here I am, back in my inner sanctum, in my comfortable chair in silence.

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Coffee, Music, and a Quiet Admiration

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Edited by Jim McCrory, Sunday, 13 July 2025, 11:38

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Coffee, Music, and a Quiet Admiration

Sometimes, when I sit down with a coffee, I turn on YouTube and listen to one or two pieces of music. It’s a quiet ritual, a kind of modern sobremesa for the soul. One of my favourites is a small Filipino Christian family whose channel I stumbled across by chance. Their music is eclectic—ranging from gospel harmonies to gentle folk tunes to rock presented in warmth and sincerity. You can feel the unity, the love, and the joy of simply making music together.

https://www.youtube.com/watch?v=DlIUwQ46AZo

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