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SCA 2.0 The best of both worlds - located and 'E'

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 14:29

These are the guys to watch

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The model for learning is compulsive. It has everything that is great about e-learning and the use of technology, indeed, it is part of this genre and world ... but it is also a school, or college, in the old sense, with a physical presence where people meet to share ideas, grow and participate collaboratively in their development.

Where does studying and work end?

It doesn't. There are no boundaries, nor should there be.

Were that the 115 year old Vygotsky (1926) was here to experiene it ...

'The future world where 'classes' and 'learning' takes place at home and in the workplace as PART of the world, rather than distinct from it'.

'Ultimately, only life educates, and the deeper that life, the real world, burrows into the school, the more dynamic and the more robust will be the educational process. Education is just as meaningless outside the real world as is a fire without oxygen, or as is breathing in a vacuum'.

'Only he who exerts a creative role in real life can aspire to a creative role in pedagogics. It is just for this reason that, in the future, the educator will also be an active participant in society'.

'In the school of the future, these window will be opened as wide as can be, and the teacher will not only lok out, but also actively participate in the ‘duties of life.’


REFERENCE

Vygostsky L.S. (1926) Educational Psychology. (Translated 1997) CRC Press.

 

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New media, old thinking ...

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Edited by Jonathan Vernon, Sunday, 8 Jul 2012, 08:19

Courtesy of Google and on the hunt for a quote that goes something along the lines of 'analogies taught the world to think,' I stumbled across the Quote Garden.

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What strikes me is my feeling that the time engaged with the medium of the Internet is not a boast that it is wise to make, that it is counter-intuitive, that the best ideas are more likely to come from someone who got access to a computer with a broadband connection for the first time a few months ago and is bouncing out ideas like a sparkling Catherine-wheel that's come un-nailed.

Wherein lies the dilemma for every creative working in this field - or pond, or my favourite analogy ... in this 'digital ocean.'

If the likes of Google and Facebook have gone from minows to sharks, to leviathons worthy of the era of the dinosaurs, when does something new come along like a water-born virus and kill them off?

Or are Google, Facebook, Amazon an EBay vast shoals, even a branded variety of species now that are less vulnerable to such attack?

Distracted

Faced with three deadlines over the next ten days what do I do? Something else.

I like something else, these sparks.

Where was I?

Working on a piece about wikis. I wish this were a wiki. I like them. They suit me. I will be an engaged participant, a catylst, a stirrer-upper ... though not necessarily an initiator or completer, because serendipty engages me and distraction takes me off again.

What does that make me in this digital ocean?

One of these?

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Who are you?

Go fishing and post your fishy-self image in the comment box!

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Grayson Perry and Rose Tremain on Creativity

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Edited by Jonathan Vernon, Wednesday, 26 Oct 2011, 07:45

I meant to share this at the time of the broadcast a month of six weeks ago. Life and an OU TMA got in the way.

Please offer your thoughts and share

These are notes, things I picked out, some reflection on my take on all of this. Perhaps we are like minds? Perhaps not? I'm trying to make sense of it ... I'm not saying I've made sense of it here or in a hundred or more posting on a similar theme that I have made online over the last decade reading the likes of Stephen Pressfield, Norman Mailer and Ben Okri, even David Ogilvy) who amongst many creatives have chosen to share their wisdom with the wider world.

To be successful and creative is a rare thing, it isn't simply a result of luck or talent or endeavour ... a mind might be able to self-regulate and focus once it has found its medium and voice, but just as helpful are those around you who create parameters, who set deadlines, who chase you with a stick or reward you with a carrot.

In this BBC Radio 4 broadcast Grayson Perry explored the myths and misconceptions of creativity.

What does it take?

Like all things, hard work and single-mindedness.

From my point of view I see myself as a Catherine Wheel that has been lit and fallen of its stand - I spit and twist, sending out ideas all over the place. Not the best way forward.

The Myths and Misconceptions were:


  • The Eureka Moment (Spoke to Terry Pratchet)
  • Anyone can do it (Spoke to Rose Tremain)
  • Drugs are good for you. (But not for Satre)
  • A bid mad
  • Britain's got talent (Spoke to Hussein Shelian)
  • Creative Genius
  • Need to have suffered an early trauma (Ray Talis)


We are reminded the 'creativity' is a central part of the UK economy.

For 17 years I actively contributed to this. My wilderness years, the last eight, have resulted in very little output (if that means getting it out of the front door). I stack it. I'd prefer to see these ideas compost and die than give my ideas to the world.

It is essential that creativity has institutional underpinning.

How will this manifest itself with the cuts to arts funding now being proposed by the coalition government in the UK.

or is it necessary. Whilst education in the UK has its faults it nonetheless appears to favour and permit the individual so that talent can develop. This must be the state system, private schools are a sausage machine for exam results, they have to be given what parents are forking out.

'Creativity is mistakes.'

Says Grayson Perry, he has this carved into concrete across the mezzanine floor of his studio. You try, you fail, you try again. I would like to suppose I haven't tried hard enough to fix my failures (or what I perceive as failures). At time though I feel if I keep on trying I would eventually strip back a 90,000 novel to a few words.

Imaginative power is 'looking, looking, looking' to which Rose Tremain added, it is 'listening, listening, listening.'

I'm a looker, so I don't know how I've ended up writing.

You can never be fully relaxed on holiday.

I do, but sailing and skiing do occupy your head if you fall off cliffs and like to race dinghies. Moments of near-death are exhilarating, as those times the elements sweep you along.

I hate the computer as a writing tool, this facility to edit does me no favours. yet a writer Grayson interviews said the computer allowed him to write, that until then he had no way to start straight in with a few thoughts, some scenes (like episodes in a film), and assemble it all in a non-linear way.

I've worked so hard with programmes like Power Structure and Final Draft but somehow always tie myself in knots trying to add or remove a character or scene or changing the ending or beginning.

'Letting go at the end - that's as good as it will get.' Says Rose Tremain.

A year of Cognitive Behavioural Therapy and my last session was driving me to 'finish something.' I can, but there needs to be someone with a stick harrying me along, a reward at the end would help, reassuring words along the way too ...

My notes here (a month or so after the broadcast) say something about 'investigating in a way that is new and aiding their creativity by giving them love and boundaries.'

I would run with a lover, with the intensity of an unfulfilled affair. Something to make the heart race. I once spent a day drawing a girl I lusted for ... she was happy to be naked for me. I compelled myself into a state of denial without able to control my arousal. It all went into the drawing, the excited, confident marks across the page.

What about the University of East Anglia Creative Writing Course?

I've locked at the details and would be applying for 2011. Don't have the money. Anyone want to sponsor me? In return for a percentage of the royalties that would of course come about a year or two later?

Pretty please?

Or the MA in Fine Art at Sussex University?

'A life's work without any expectation of reward.'

My wife caught this line and said that was me. She should know, she's not had much out of me these last eight years. The novels I promised to write were written, but are considerably short of an edit I would send out. I would need to shut myself away from everything for 12 weeks.

Do you have somewhere I could hide?

Exam conditions six to nine hours a day, seven days a week. Not any man made disturbance - nature I can tolerate, nature I love. A hermitage on Farnes island would do, a ski lodge up a mountain pre-Season. somewhere. An empty barn, drained swimming pool, decommissioned nuclear power station.

Impulsive ideas that I run with:


  • A chess set made out of branded bottles of water.
  • Every ski run in the Ski Resorts of Val d'Isere and Tignes reconstructed as transects showing their true length and fall.
  • A short film about watersprites living in a public swimming pool
  • Story ideas galore for TV series or film.
  • A 6ft canvass of Lewes Castle in the snow from a series of photographs that could have been taken 800 years ago.

'When you are creating something you are drawing on so many parts of the brain.'

This was in response to someone with an MRI scan who claims to have identified creativity. It doesn't work like that, indeed, the creative mind goes more slowly ... it takes it times over these connections. It thinks, how else could it ever deliver anything original?

So when yo relax, you let go, that is when you have your great ideas. I resolved the ending to a story I haven't touched for three years on a dog walk so long I found worried messages on the mobile phone I had left in the car. My mobile is rarely on.

'The distressful bread of the day to day.' Said Rose Tremain.

Did I get that right?

Grayson Perry talked about his Inner Shed.

I have my inner shed, what I need is a 'room of my own.' It's hard to be creative perched on the end of the marital bed in a tiny room that is stacked to the ceiling with possessions that call for occupancy of a house twice the size.

Fretting over the non-blog affordances of the OU Blogging environment I have moved to EduBlogs where you will find me under 'Mymindbursts.'

Should institutions such as the OU ditch their own platforms and assemble the best off the shelf offerings in one place? What this environment lacks is personalisation, as well as stats, friends, freedom to add apps and plug-ins and all the rest of it.

This is a De Dion Bouton in the age of the E-type Jag.

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