|From E-Learning V
Fig.1. Maka Paka from 'In the Night Garden'. How would Maka Paka cope in the real world? An idea for a short story.
From 'How to Read a Mind' a FutureLearn MOOC from the University of Nottingham
I expect a protagonist to instigate and respond to people and their world and changing circumstances in a way that is in character - even if I don't know fully what this character is until the end of the book ... or a series of books in which they might appear.
What makes them believable can be a tiny thing: a turn of phrase that sounds familiar and right for them, the detail of something they are wearing, how they eat or write, the choice of music or radio station, very particular things: if eating but engrossed in chat between friends do they keep chewing, swallow, speak with their mouthful, spit it out, choke?
A protagonist becomes believable when I recognise their traits in others, real or fictional, but in a way that gives them an original slant and so a new take on the world.
I have personal conceptions of mother, brother, father, grandfather, friend, as well as conceptions were I to be in someone else's shoes, or reading a novel. I fear that a set of criteria could be as stultifying as any of a myriad of books I've looked at or read on 'how to write fiction', whether in a novel, movie, radio or stage play. My tack will always be to take interest in one remarkable detail.