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QR codes and NFC

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Edited by Jonathan Vernon, Thursday, 27 Feb 2014, 17:12

Fig.1. YouTube video for the Museum of London's NFC initiative in 2011

Having picked through links that came to a dead end in a fascinating paper on the variety of technologies and tactics being used by museums in relation to mobile learning I started to see and read more and more about the use of QR codes (those matrix two-dimensional barcodes you use with a smartphone) and NFC 'Near Field Communication' which is becoming an industry in its own right.

Having been kept awake at night about a need for 'constructing knowledge' rather than being fed it I knew that visitors, students especially, need to engage with their surroundings by somehow seeking and constructing their own views.

Without QR and NFC the simplest expression of this is taking notes, and or photographs of exhibits - not just selfies with a mummy or your mates. Possibly doing bits of video. And from these images cutting/editing and pasting a few entries in a blog, Prezi or SlideShare. QR and NFC feed the visitor controlled and curated bite-size nugets, so more than just a snap shot, you can have audio and video files, as well as more images and text.

Fig.2. South Downs Way QR Code.

Successful trials mean that these have spread. Funny I've not noticed them living in Lewes and walking the dog most days on the South Downs. I'll take a look. NFCs have been used extensively, for 90 exhibits, at the Museum of London - so a visit is required. Though I won't be ditching my iPhone. Apple does not support NFC believing that the technology is still in its infancy ... like Flash, like Betamax and VHS, and all that stuff, a battle will be fought over the NFC benchmark.

So 60% penetration of smartphones in the population ... most of all of which can use a QR code, but less using a early version of NFCs. My experience?

Fig.3. QR Codes at the Deisgn Museum

Last year a visit to the Design Museum I found the 'Visualizing the mind' exhibition littered with QR codes.

They didn't work. Just as well they had ample computers. How often do organisations jump on the IT bandwagon only for a couple of wheels to fall off further down the road?

Fig.4. Evie

Meanwhile I'm off to walk the dog .. then using a trip to see Gravity at the Odeon Leicester Square with my kids to include an educational tour to the Museum of London (always handy to have a teenager around when using mobile technology).


REFERENCE

'REPORTING RESEARCH' 2013, Interpretation Journal, 18, 1, pp. 4-7, Academic Search Complete, EBSCOhost, viewed 10 November 2013.

 

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H818: A History of Openness

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Edited by Jonathan Vernon, Tuesday, 21 Oct 2014, 09:21

We're considering the nature of 'openness' in education as part of this new Master of Arts in Open and Distance Education (MAODE) module.

This is increasingly about ease of access to information, all of it, uncensored.

Often for ease of access and to gain a qualification with a marketable value, information that is packaged in books, journals and lectures, though increasingly in 'sexier' interactive and multimedia forms with the related 'scaffolding' that comes with learning design and planning. The natural tendency is to consider the hectic last decade of the Internet at the expense of the history of openness in access to information and an education over the last century.

A hundred years ago all but the most privileged were in the dark: leaving school after an elementary education, with reliance on biased newspapers, magazines and part works. Libraries, BBC radio and affordable paperbacks, secondary then tertiary education, cinema and TV have each had a role to play, as has the Open University.

Does enlightenment come with access?

What does it say of power of information and ideas where access is controlled, as in China? Does connectedness within openness lead to even greater coalescing of likeminds in cliques, reinforcing stereotypical biases rather than exposing them to valid alternative views?

Nothing is straightforward when it comes to people - heterogenous by design, homogenous by inclination.

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How can the gallery or museum visit be personalised and augmented to make first impressions last?

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Edited by Jonathan Vernon, Friday, 2 May 2014, 14:25

Fig.1. Miro - Barcelona

A lifelong love in art galleries yet I still feel unmoved (most of the time) by galleries and museums, possibly because I expect the gentle, guiding voice of my late mother at my shoulder (artist, art historian, Mum).

What could be a more personalised visit than to have someone who knows you so well point things out, guide you to things that will interest or irritate, then offer an insight - invariably linked to 'what do you do next?' i.e. look, learn then apply.

I take heart from the exceptions, only two visits I can think of though:

'In Flanders Fields' - you need a day to yourself to take this in. The most shocking moment entering a funnel like fixture, looking around then twisting your head up to see sets of photographs of mutilated combatants. It put your physically in a demanding postion to view them. Then the multi-media displays, not just actors giving accounts, but the ultimate before and after shots of places using satelitte images and old aerial photos.

'Alcatraz' - on many levels the visit irritated me, partly the Disneyfication and advance booking, then the many layers of the islands as bird sanctuary, prison and Native American conquest. What impressed though was the brilliant audio guide - BBC at its very best might be the way to describe it. Very carefully and sensitively juxtapositioning of interviews with former inmates, guards, and family members of guards/governor which between them created a sense or atmosphere of the place like some kind of hideous monastic retreat.

So how do we 'recreate' battlefields" We have the 750th of the Battle of Lewes here in East Sussex next year, as well as us all having five or more years of the run up to, the war and aftermath of 1914-1918.

The opportunity exists to use smart devices to give visitors and pilgrims an enhanced, personalised and lasting memory of these places - but how?

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H818 Activity 1.1 Reflection on how collaboration works and fails

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Edited by Jonathan Vernon, Thursday, 4 Dec 2014, 07:47

Collaboration amongst strangers is a tricky one. I've seen it work and I've seen it fail.

either

1) It requires scaffolding in the form of rules, or guidelines, mentor or leaders, and incintives in the form of punishments and rewards i.e. the risk of failure as well as recognition and some kind of reward (which might be a qualification, a monetary award, or part of a completed artefact, or pleasure of participation).

2) It requires people with an obsessive common interest; I don't believe having a common interest is enough. There needs to be an obsession, which means that the level of expertise can be mixed, indeed, thinking of the John Seely Brown concept of 'learning from the periphery' this might be best as invariably the natural human response IS to support those on the edge. The classic example is the young and eager student or junior employee keen to learn from his or her elders.

My concern with the role of collaboration in a module on e-learning is that the above don't fully apply. We are not GCSE or A'Level students. Most are MA ODE students who need this towards their MA, but I'll stick my head out and say the pass mark is, in my opinion, too low. I believe that it matters to be paying for it out of your own pocket or to have a commercil sponor expecting results. I know that some working for the OU do these modules almost on a whim because they are free and they do the minimum to pass - I've seen this on various courses,  seen it myself and have had it corroberated by other students. Anyone who is along for the ride in a module that relieson collaboration is a weak link - of course plenty of OU people do take seriously, but some don't and no line manger is looking over thre shoulder. At Carnegi Melon they ran an MA course where students gave each other, on a rolling basis, a mark for collaboration - those with the lowest mark risked failing that module. In fairness some people are not born collaborators, whereas others go out of their way to be a participant, potenially at the expensive of other parts of their studies.

To my tutor group I've posted too long a piece on a collaborative exercise I have been doing on and off for the best part of twenty years - I'm researching and writing my grandfather's memoir from the First World War. The Internet has exposed me (in a good way) to several sleuths.

I can however give an example of the learning design MOOC earlier this year that whilst having a good deal of scaffolding and human support relied on strangers each coming up with project ideas then joining forces to complete one. In a rush of activity, with some big name e-learning folk and too much formal theorizing, reading and activities to groups formed. I had no takers and joined a group of three that became five, but very quickythis became two of us ... we gamefully pressed on but at some stage felt we were missing out on the real action so eventualy pulled out as active participants.

Then there is a two week exercise in a subgroup of an MA ODE module where circumstances brought a magic bunch of strangers together - this has proved to be the exception rather than the rule.

Amateur dramatics, even volunteer cricket, to take a couple of examples, work because the show is the collective reward. We have bonfire societies here in Lewes that rely on volunteers too - though the complaint will be that it is always the same handful of people who do everything. In a work or academic setting should everyone be rewarded and recognised in the same way? It depends very much on a group dynamic or bond, a common sentiment that comes from working together in the flesh.

I believe that the First World War, now that I am an active member of a society and studying it on a formal course, is largelly of the type 2 participant. We are 'trainsporters' in that nerdy, glazed eye way - with specialists who know everything about uniforms, or tunnelling, or submarines, or dental decay on the Western Front, or a particular general, or like me - a grandfather, or greatgrandfather who was a combatant.

My worry about e-learning as a collaborative arena is that it is the process, so we are a cookery or gardening club. However, there is significant variation in each of these - vegetarian cooks, cupcake bake off specialists and Heston Blomenfal wannabes - amongst the gardens their are PhD research students growing dwark barley and weekenders who've keep an allotment. Whilst we have interst and the module to sustain us, only in a conort of 1000 or more would for some, there be enough likeminds to form a team.

I'm off to the School of Communication Arts in London. It operates from a workshop like open studio. Students are put into pairs to work. There is collaboration here between an art director (visualiser) and copywriter (words). Whether students are forever looking each other's shoulders when they are working on a competitive brief is another matter. I've noticed how one creative brief given to the whole studio has now become three. What is more, the 'collaboration' as such, comes from a couple ofcfull time tutors, principal and then a 'mentors' who go in as a sounding board cum catalyst cum different voice or perspective. What these people are doing is 'creative problem solving'.

Why, historically, does one band stay together while another falls apart? Collaboration is a tricky business - and maybe only in a business setting between employer and employee, or between contractor and client can it be sustained?

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Reflecting on H818: The Open Studio

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Edited by Jonathan Vernon, Tuesday, 21 Oct 2014, 08:06

I'm getting a sense of deja vu as the rhythm of this module reveals itself.

Openness comes with some caveats. It is not everyone's cup of tea.

As people we may change or behaviour in different environments.

I am not saying that we as individuals necessarily behave in the same way in an Open Studio online (a virtual studio no less) than we do or would in an open studio, as in a collective in a workshop or 'atelier' that is 'exposed' to fellow artists -  but is nonetheless human interaction with all the usual undercurrents.

What I believe will not work is to put a gaggle of creators in the same room and expect them to collaborate.

The studios of the 'open' type that I am aware of are either the classic Renaissance workshop with a master artist and apprentices at various stages of their own development, or,  with a similar dynamic in operation, the 'occupants' of the studio are exposed LESS to each other and more to external commentators and contributors and this requires some formality to it .i.e. not simply 'the person off the street' but an educator/moderator in their own right.

Is H818:The Networked Practitioner too dependent on chance?

The foibles of a small cohort and the complex, messy, moments 'we' are in. Three years of this and, by chance only, surely, six of  us in a subgroup jelled. More often the silence and inactivity of the majority makes 'group work' a myth - partnerships of two or three were more likely. The only exception I have come across in the 'real world' have been actors working together on an improvisation - they have been trained however to disassociate their natural behaviours.

Some of us study with the OU as we cringe at the 'exposure' of a course that requires us to meet in the flesh - distance learning suits, to some degree, the lone worker who prefers isolation.

By way of revealing contrast I am a mentor at the School of Communication Arts

Modest though pivotal role given their format and philosophy - exposure to many hundreds of kindred spirits who have been there ...  a sounding board and catalyst. NOT a contributor, but more an enabler. 

We'll see. My thinking is that to be effective, collaboration or exposure needs to have structure and formality in order to work.

At the Brighton Arts Festival the other evening I wonder how the 80 odd exhibitors would cope if the Corn Exchange was also their workshop?

In certain, vulnerable environments, the only comment should be praise. Feedback is invited from those who are trusted.

A school setting is different again, as is college ... people share the same space because they have to.

Open Studio apears to try to coral the feedback that comes anyway from a connected, popular and massive sites such as WordPress, Linkedin Groups, Facebook and even Amazon. Though the exposure, if you permit it, is tempered and negotiated - Facebook is gentle amongst family and friends, Linkedin is meterd and professional in a corporate way, Wordpress is homespun while Amazon, probably due to the smell of money can be catty - and in any case, the artefact is a doneddeal, it's not as if, to take a current example, Max Hastings is going to rewrite his book on the First World War because some in the academic community say that it is weak historicaly and strong on journalistic anecdote.

We'll see.

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Connected Weller

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Edited by Jonathan Vernon, Thursday, 27 Feb 2014, 18:46

I'll fix this link to the image when ai can get behind a machine that supports whatever has happened to this blogging platform. The HTML functionality no longer permits cutting and pasting a link to an image stored elsewhere. It is an iPad or the new IOS software or the new OU coding that is causing the problem.

 

<br /><br /><a href="http://mymindbursts.files.wordpress.com/2013/10/20131002-203503.jpg"><img src="http://mymindbursts.files.wordpress.com/2013/10/20131002-203503.jpg" alt="20131002-203503.jpg" class="alignnone size-full" /></a>

 

A mashup with a screengrab from Martin Weller's book 'The Digital Scholar'. This uses an App called Studio from which I may have been expected or to which I am supposed to provide a link. As I screengrab then crop from the App so that I can 'publish' the way Iike now what? 

 

The nature of relationships in a connected world do matter while the difference between face to face and online may be tangential. Whilst I feel I make new acquaintences online, of more interest  is how I have been able to pick up very old friendships  - even reconnecting with a Frenchman with whom I went on an exchange visit in 1978! 

 

I wonder about the 150 connections given as a figure that can be maintained  - this depends very much on the person and their role. Even when I collected people for the joy of it as an undergraduate I doubt I could muster more than 70 I felt I knew something about and could care for, whilst my father in law, a well respected, influential and even loved university tutor has, in his eighties several hundred contacts - former students on whom he had an impact as an educator. So, the person and their role will have more to do with this 'connectedness', which comes with a price, My father in law saw/sees himself as an educator who put sugnificantly more time than his contemparies into the students rather than research.

I'd like therefore to see 'digital scholarship' associated with educators not simply for what they publish - collaboratively or otherwise, but by the 'quality' and 'validity' of the students they mentor, suoervise, inspire and motivate - made all the more possible because of the extraordinary tools we now have at our fingertips.

 

Reference

 

Weller, M (2011) The Digital Scholar. @4% or Kindle Location 199

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Spot the genius. He or she is riding a bike in a favela in Brazil.

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Edited by Jonathan Vernon, Tuesday, 25 Feb 2014, 11:18

What has changed in learning each time a transformative tool or technology has come along from a) written language b) papyrus c) codex d) printing and e) the Internet? A neuroscientist will say that the human brain hasn't changed one jot - its innate capacity to learn and to do so at certain developmental stages remains the same. Struggling to see what is new, believing that our latent motivations, drives and inclinations to learn as individuals are as unique to each of us as it has always been I see one change only - the numbers, whether as a percentage in a population or as a gross figure - literacy could only expand as the printed word got into the hands of more people. The Internet will in due course help put primary, secondary and tertiary education into the hands of the disenfranchised.

What has been the frequency of genius revealing itself over the last thousand years?

Even accounting for the billions to chose from in the 21st century compared to the 15th, or 1st, won't exposure too and access to 'an education' by billions give genius a chance to develop and show itself like never before?

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New blog post

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Edited by Jonathan Vernon, Sunday, 29 Sept 2013, 07:02
I love to travel, not just on holiday with friends and family, but alone. Maybe this happens to you too, but I always find travel, especially new trips and destinations, is a catalyst to reflection.
 
All I did was take the first train out of Lewes to spend the day at the University of Birmingham. Two things that shook my brain: St. Pancras International ... and, sounding like a commercial, Virgin Trains. Although the train was quiet two people came through the train to collect rubbish ... as bubbly as buttons. Four times. The toilets were spotless. All in very sharp contrast to Southern Trains out of London where everything was overflowing ... 
 
I last studied 'lecture style' 31 years ago, yet I have signed up for one of these while I continue my learning journey here through all the MA ODE modules.
 
Learning is learning - it neither takes place online or off. It is in your head. It is what the brain is given a chance to do with it that counts.
 
I can now weigh up the two as I study in two very different ways in parallel.
 
There is of course 'blended learning' too that in a planned way mixes up both use of e-learning and face to face.
 
I met someone who, like me, has just completed a degree with the OU and we immediately began to share notes.
 
The OU is of ourse 'open' to anyone - online learning makes formal learning possible for any of us who either need to stay in one place, or are always on the move. People who need significant flexibility in how they manage their time ... and don't want the cost in time and money to get to a place for a tutorial, seminar, lecture conference. And people who 'don't get on with people' - not just agrophobia, you know what I mean. I switch constantly, sometimes very keen to be on my own ... 
 
Nothing beats getting to know your fellow students than spending a day with them, during coffee and comfort breaks, at lunch, walking through the campus, in seminar rooms before a talk begins ... and on the way home when you find part of your journey is shared.
 
Relationships formed here are akin to a long distance phone call, or letters to a stranger, even, oddly, having a chat with the postman or a builder ... you let them into your house.
 
And your head?
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Learning tools and ASDA

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Edited by Jonathan Vernon, Monday, 23 Sept 2013, 14:43

 

Fig.1. Index Card Holder

An odd one this, but with my shift away from trying and expecting to do everything on an Internet connected device - nothing printed out, nothing written down, I have swung round to complimenting this 'screen work' with pads of paper, note books, a whiteboard and even index cards.

I'm currently sifting through all the possible causes of the First World War

I am collating notes from various books and having reduced these to eight themes in Google Docs I am now picking through these and putting them on index cards ... which in turn I want to develop as a series of carefully composed multiple-choice questions to put onto an online delivery platform such as Qstream and a mind-map.

I came across these in ASDA.

On special offer for £2, down from £4.50 I think. I may go and get some more as I like the idea of having a topic per Filofax-like binder. You might not have 60 key events/ideas or issues, but once in this wee binder they are, at low cost, portable and accessible - for me as I think through and prioritise a set of arguments, but for anyone with an exam, something to flick through repeatedly until the information sticks.

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Design Science Research

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Fig.1 Hevner (2009) on the whiteboard. From Laurilard (2012)

From time to time an idea stops me in my tracks - taking notes won't do, I have to get it out of my head in bigger ways. I'll mull over this for days as it succinctly states where or how any e-learning intervention might occur and in what ways research can then be undertaken. I guess this is of relevance to most of the MA ODE modules, though H809 Researched-based practices in e-learning appears particularly appropriate. 

The temptation is to BluTack sheets of backing wall-paper to the wall and continue my doodles there. 

One to develop. I'll go and get the Hevner paper from the OU Online library.

REFERENCE

Hevner A. R. (2009) Interview with Alan R. Hevner on 'Design Science' Business & Information Systems Engineering, 1, 126-129.

Laurilard, D (2012) Teaching as design science. Building pedagogical patterns of learning and technology.

 

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Has much changed here?

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Edited by Jonathan Vernon, Thursday, 19 Sept 2013, 12:57

I'm delighted to say the the transformation is an enhancement and the improvements are seamless without any loss of what we had before ... a 'bulletin-board-cum-blog-thingey'. My previous post suggested I might have found a bolt-hole without Internet. It hasn't lasted.

I will get Internet access down the road (I had wanted a garden office but this desire became an insummountable barrier at home).

All that it requires from me is something I lack - self-discipline NOT to get distracted by email, which includes updated postings from forums and the likes of Linkedin (let alone a gaggle of family members on Facebook). AOL is the worst as I innocently go to check email and find 20 minutes later I am still clicking through the inviting gobbets of news and sensation that is offered. 

I had hoped to behave like the smoker trying to give up - I'll only smoke other people's fags. A very, very, very long time ago ... I can honestly say I have never smoked a cigarette since I turned 20.

Back to the Internet. Like Television.

Or diet. We are living in an age where self-control is vital. Having not had a TV for several months I was eventually pushed to buy one. Courtesy of Which? we now have a TV so Smart that it probably tells my brother in South Africa who is watching what .... we can Skype sofa to sofa. I just wonder if our antics could be recorded and posted on YouTube? Not my doing but any of the teenagers with the wherewithal just hit a record button somewhere.

In all this hi-tech I DO have a tool I'd recommend to anyone.

I've invested in an hour-glass. In runs for 30 minutes. While that sand is running all I may do is read and take notes. This might be an eBook, or a printed book, either way they are on a bookstand. I take notes, fountain pen to lined paper. What could be easier? The left hand may highlight or bookmark and turn a page, while the right writes?

This works as the filtering process of the knowledge that I am reading and want to retain needs to go through several steps in any case. The handwritten notes will be reduced again as I go through, typing up the ideas that have some resonance for me.

My current task has been 'How Europe went to war in 1914' by Christopher Clark.

I doubt my second thorough read will be the last. From notes I will start posting blogs and going into related social platforms to share and develop thoughts and in so doing be corrected while firming up my own views. I need this social interaction, to join the discussion if not the debate.

Meanwhile I will revisit Martin Weller's book on Digital Scholarship.

However swift the age of the Internet may be he suggests it will still take a person ten years to achieve the 'scholar' level ... whereas John Seely Brown recently reckoned this was now down to five years. i.e. through undergraduate and postgraduate levels and popping out the other end with a PhD in five years.

DIdn't an 18 year old who was home schooled just get called to the Bar?

She graduated with a law degree while contemporaries did A' Levels and finished High School and then did a year of pupillage I suppose.

The intellectual 'have's' of the future will, by one means of another, achieve degree status at this age. The Internet permits it.

School is far, far, far, far, far too lax.

It tends to the median if not the mediocre. Long ago it found a way to process kids as a genderless yeargroup instead of treading each student as an individual ... so let them skip a year, let them stay back a year ... allow them to expand and push subjects that appeal to them.

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No Internet Connection

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Edited by Jonathan Vernon, Thursday, 27 Feb 2014, 16:36

My thirteen years and more studying with the OU has seen how I learn shift. The current twist is looping back to the less distracted days of being 'off line'. At the same time I have done a couple of things that are very old school:

1) A 'Room of my own' without internet access (my choice) .. down the road with an opt in/ opt out. Also an 'office' (I recently bought the domain name Mindbursts.com.

2) Pen and paper ... and by that I mean a fountain pen with ink cartridges and a pad of lined paper - not quite an exercise book, but close.

Why?

1) I am easily distracted. Studying with the Internet 24/7 it is too tempting to be checking email, responding to forum messages or just browsing, I miss linking to books and journals I read about, but these can wait. Maybe the impluse to purchase or read another book weill reduce by the time I get to consider it in the wee hours back at home. My 'room' is ten miles down the road.

2) Partially this is physiological - I am seeing a physio trying to untangle or unknot some hideous pain in my left elbow which I ascribe to typing up blog entries with my left hand while reclined on the sofa or in bed. Partially it is knowing that there is never a short cut to learning and knowing a subject. I truly believe that mixed methods work - that it helps to take the written word and write it out, and type it out, and talk about it and visualise it. Neurologists will confirm that memory formation requires the  binding of activity across the brain, rather than from just one part of  it.

Meanwhile, I look forward to another e-learning module, H818, with trepidation:

1) I need to demonstrate to myself that I can keep up and even improve on the standard I'm now able to attain. (Time and effort and the only two words to think about).

2) I will be running in tandem with anothe module, taught old-school, at a different university, simultaneously. Already I dread the commute to a monthly day-long tutorial that I can only do by train if I am on a train at 5.20am. It'll make for a very interesting comparison. If the OU offered the module I want to study I would have done it - they don't. This surprises me given the Open Learn work they are doing on the First World War with the Imperial War Museum.

Best wishes to all ... so much for thinking I'd finished with this. Next up I'm applying to the OU to do a PhD so I might be around for a while longer yet.

NOTES

I started an early e-learning module H808 in 2001 ... skipped off the final paper and came back to it all decade later. I have both books and papers from that period which make for amusing reading.

 

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H818 The networked practitioner

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Edited by Jonathan Vernon, Tuesday, 21 Oct 2014, 08:00
From Jack Wilson MM

Fig.1. My late grandfather featured in the Consett Gazette in 1917 on receiving the Military Medal.

A few months 'out of the loop' and I feel my knowledge on e-learning draining away - it is such a vibrant and fast moving area that I feel I need to refresh and update at every opportunity, so here I am again with H818 The Networked Practitioner.

There's a practice based element to this which I'll apply to an longheld interest in the First World War.

There'll be a lot of interest, reflection and soul searching over the 100th anniversary from 2014 to 2018. That war is relevant to the Europe and wider Europe we live in today, from Northern Ireland to Syria, via the Balkans and the EU.

I've just read 'The Sleepwalkers. Why Europe went to war in 1914'. By Christopher Clark.

More than any book I have read before on the subject this blows away any myths or propoganda - not least the fact that Germany did not start the war, that award goes to Russia with France's support. I'd have liked to study this period with the OU but the History modules simply don't accommodate this. I'll therefore be going up to the University of Birmingham, in person, once a month for a mamoth day-long series of tutorials and lectures. That's as 'distant' as it gets with very little online support.

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Mind Change

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Edited by Jonathan Vernon, Friday, 2 Aug 2013, 08:46

My belligerent stance on the impact of computers to the brain - not much in my view, we're too complex, our brains too massive (94 billion neurons) has been tipped on its head courtesy of a short interview on good old BBC's Woman's Hour last Thursday. The interviewee was Susan Greenfield (Professor & Baroness). She invited listeners to get in touch if they wanted the facts on 'mind change' - as big as 'climate change' in her view, that as the brain is affected by everything that hours spent infront of a 2 dimensional world (sound and vision) our minds, especially younger, plastic brains, will form connections that make these people different.

I particularly liked the thought that all the time a child spends infront of a screen is time NOT spent 'climbing trees, interacting face to face and having hugs'. I may be adrift at the moment but have a reading list for the summer.

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Preparation, preparation, preparation ...

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And breathing space.

How I prepare a TMA or EMA is completely unlike anything I did in the early days, even in the first couple of years or more of the Masters in Open and Distance Education (MA ODE). It is far more like designing an Airfix model, making the parts, then constructing the thing. At this stage, having thought about and written up all the component parts I did a rough assembly and came up with 3437 words for a 4000 word assignment.

Actually this is too many words - not a problem as I know where the fat lies, ideas expressed in too large a chunk. After that it's a case of getting the prose to flow.

Prioritise and give it time to breathe. I've pretty much given up on social media too - this is study journal and a moment to reflect. 'Blogging' and writing an academic paper are very different things - even journalism doesn't get close. Blogging is playing in the sand, journalism is a papier-mache self-indulgent sculpture, whereas academic writing is gathering together a complete set of artefacts, carefully arranging them in a cabinet and including all the labels.

 

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The Final Countdown

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The EMA is 12 days away. I ought to get a draft written in the next few days. Meanwhile I am taking a break from the literature review to go through this blog.

I have 165 entries tagged h809. I need to skim through these and add a further tag H809ema. From these I ought to feel reasonably sure that I've not missed anything out from the last 15 weeks. A couple of things I skipped over but I know what these are should I feel the need to look at them.

During this review I will create a mindmap on a whiteboard. At some stage this may be worked up in SimpleMinds and used as the essay plan, or as a table. It'll certainly be crossmatched with the word count for specific parts of the assignment.

At some stage I will edit with an examiner's hat on - does it show that I have been attentive to the 'lessons' of the module? It is showing off, it is a tick box exercise. This is not the place to go off on a tangent or to argue that a different approach is required.

When and if I have time I will migrate some of these entries over to my external blog so that I have them in future years. I think I have a couple of years to do this, but I don't imagine coming back here often once I have completed my studies.

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Information Overload or Cognitive Overload which is the problem?

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Edited by Jonathan Vernon, Thursday, 27 Feb 2014, 07:59

Fig.1 Exhibit A. Vital to any museum. A place to crash, reflect, nod off ... then pick yourself up to do some more.

This is going to read like an excuse to visit yet more museums.

As I reach the end of my Open University learning journey my final task is to write an EMA in which I propose a piece of research on e-learning. My inclination, with 12 days to go, is to look at the use of mobile devices in museums and how the visit experience can be enhanced by personalising the physical journey. It appears the the two problems to deal with are information overload and cognitive overload. There is too much of everything. Whilst I will always applaud serendipity there needs to be a balance between the stuff that you want to stick and the stuff that can be ignored or discarded.

Too many museum visits earlier this week has me wishing I had electric wheels and a pair of Google Glass that could take it in and edit.

  • Museum of Contemporary Art - Barcelona
  • Picasso Museum - Barcelona
  • National Museum of Catalonia - Barcelona
  • Joan Miro Foundation - Barcelona

As I prepare this assignment I plant to queue to get into the Bowie at V&A and try Google WebLab at the Science Museum and possibly the RA and Design Museums too. At least I'm within an hour of London.

My interest is, as I take teenagers to these things, to wish I could get them to that artefact or story about the artifacts creations, or the artist/creative that it will so intrigue them that they are inspired to put some heart into their art or DT.

Two years ago my late mother took her granddaughters around the RA when the Van Gogh exhibition was on. My daughter was treated to my mother, gentle and informed, guiding her then 14 year old granddaughter from quite specific letters, paintings and sketches - pointing things out, talking about technique and the thinking behind it. This was as personalised and as intimate as it gets.

I can understand how Picasso, showing interest and talent, must have been guided by his father who taught art at undergraduate level.

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An impromptu three day trip to Barcelona has left my head in a spin.

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Edited by Jonathan Vernon, Sunday, 9 June 2013, 11:50

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Billed as a ‘Daddy Daughter’ trip we mixed art, architecture, shopping and food (with sunshine). My daughter is contemplating Fine Art at university. In just a few days we packed in hours, on foot, along streets, through galleries and museums and parks, into markets and up and down and through slick airconditioned Barcelona rapid transit system.

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We took in Picasso and Joan Miro museums, through the National Museum of Catalonia El Greco to Dali, on the streets we found Gaudy while the Contemporary Museum of Art gave me Lawrence Werner. Where unable to use a camera (the iPhone, I left my digital SLR at home to keep us down to hand luggage) I bought a postcard, guidebook or did a sketch.

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It left me hungry for more: the food from tapas bars, the architecture and history, the weather and the sea … it has left me full of ideas regarding learning, from seeing Picasso’s early efforts at drawing, through the work of Joan Miro from beginning to end. This 'pass' to six museums is one way to do it - I got around four of these and can return within three months in this ticket. With Gatwick up the road and travelling out of season I may get back later in June or in early July

As a visitor what more do we need than our eyes, feet and a sketch pad or notebook?

Does a digital camera make it too easy? Not permitted to use a camera at the Picasso or Miro what did we lose and the gallery gain? I bought books at the Picasso, Miro and Contemporary Art Museum, though not at the National Museum of Catalonia where I used my iPhone to grab images all the way around.

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Meeting a friend who lives in 'Barca' was revealing - he learnt Spanish in a month. He could. He can focus. Two weeks on the grammar with the right book on a beach, then two weeks intensive studying by day with an hour of conversational Spanish in the evening which he got in exchange for an hour of English conversation. Immeservive and concentrated effort.

To what degree does e-learning remove the need to make an effort and dilute any immersiveness to just one or two senses (to what you see and hear)?

I like to pick up a language in context, through association, trial and error. Signs in multiple languages, like the Rosetta Stone, appear to offer a way into the language … or is this also a short cut ? You won’t learn anything so long as you are offered the translation. I wonder if this can be reverse engineered? Instead of seeing the Spanish world translated through English eyes, how about seeing the English world through Spanish Eyes? To wear glasses that use augmented technology to offer me the day to day in Spanish? What is already being done?

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A plague on my underpants!

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Edited by Jonathan Vernon, Monday, 10 June 2013, 16:28

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Playing Mercutio in 'Romeo & Juliet' 1983

Thirty years ago, possibly to the week, I performed in a university production of Romeo & Juliet as Mercutio. I've just been watching, to my horror, a digitised copy from the Betamax original.

That's me with the spindly legs in the white tights.

Not suprisingly, more so than a diary entry, this takes me to the moment. Minutes later the large nappy pin holding up my hose (the stuffed, bulbous pants) comes undone. I complete the fight to the death having pulled up my hose more than once - laughter and awareness rather spoils the moment and more liek Franky Howard than Shakespeare I die on the line 'A plague on my underpants'.

Fascinating that even in silhouette I would have recognised my teenage son in how I move.

My wife tells me I don't speak like that any more.

Cruel and revealing to me that I was so dependent on the director -  in this amateur production I minch about more like Malvolio from Twelfth Night.

My fascination in memory is pricked by this.

There is value in forgetting and not having a record of past events yet wearable technology is gradually making it possible to keep a record of everything we do - both visual and audio. Our perceptions are altered by the recalling of a memory. Though of course, this particular memory is still not my visual memory as my perspective will always be caught up in this scene.

REFERENCE

The power to remember and forget

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H809 TMA03 Away

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Edited by Jonathan Vernon, Thursday, 5 June 2014, 05:29

How often have I written that?

This is almost certainly the last. At least for the time-being. The MA ODE is in the bag and this module, the bonus track of my investigation into e-learning. Just the EMA to go - not just a research proposal, but a PhD research proposal which will be the basis of my seeking to undertake doctoral research in 2014.

If I care to I have some 25 entries for this blog too - rather than using the blog as an e-portfolio though I am finding I am loading everything into and working from Google Docs while drawing from a gallery of albums containing thousands of e-learning related images and screen grabs ... around 1600 in fact.

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The House and Garden have done for my OU Student Blog ...

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Edited by Jonathan Vernon, Wednesday, 22 May 2013, 06:42

Pulling the house and garden apart has produce a victim ... OU work has to be carried out in a more strategic fashion, typically very early in the morning before the mayhem around me begins.

The EMA could be an interesting challenge - I'm having a cataract operation. Apparently a combination of skiing and sailing has damaged my eyes  (UV damage) ... I'm yet to be convinced of the need for an operation for 'lens replacement' for another decade or two though ... (I have twice worked a season in the French Alps ... 31 and 29 years ago though!) That an having a 'sun lamp' at home when we were growing up ... and my father even got a sunbed. We always wore dark google wit the sunlamp but would lie on the sunbed without any protection reading a book sad

Despite the above I have devoured two additional books for H809 not on the 'reading list' and ordered a third.

  1. David Garson (2011) Validity and Reliability.
  2. John Van Maanen (2011) 2nd Ed. Tales of the Field. On writing ethnography.
  3. James Clifford and George Marcus (1986) Writing culture. The poetics and politics of ethnography.

This is something I miss, that 'standard text', H810 being the exception. Getting to know one or two authors well has a lot to be said for it, rather than constantly dipping between the multiple voices of the Course Team and papers.

Cataract Surgery

(The above is also an excellent example of a succinct, professional explanatory animation).

How to be put off a cataract operation!

Perhaps this is better

Tips (what I'll be telling my teenagers):

  • Seek the shade, especially between 10 AM and 4 PM.
  • Do not burn.
  • Avoid tanning and UV tanning booths.
  • Cover up with clothing, including a broad-brimmed hat and UV-blocking sunglasses.
  • Usa a broad spectrum (UVA/UVB) sunscreen with an SPF of 15 or higher every day. For extended outdoor activity, use a water-resistant, broad spectrum (UVA/UVB) sunscreen with an SPF of 30 or higher.
  • Apply 1 ounce (2 tablespoons) of sunscreen to your entire body 30 minutes before going outside. Reapply every two hours, or immediately after swimming or excessive sweating.
  • Keep newborns out of the sun. Sunscreens should be used on babies over the age of six months.
  • Examine your skin head-to-toe every month.
  • See your physician every year for a professional skin exam.

Wear Sunglasses

Sunglasses have been popular with people for years, both for comfort and as a fashion accessory. However as studies and research continue to demonstrate a relationship between UV-A/UV-B exposure and ocular disease, the protection of the long-term health of your eyes is yet another reason to wear sunglasses. In order for sunglasses to provide adequate protection for your eyes, they should:

  • Block out 99 to 100 percent of both UV-A and UV-B radiation;
  • Screen out 75 to 90 percent of visible light;
  • Have lenses perfectly matched in color and free of distortion and imperfection;
  • Have lenses that are gray, green or brown.

What to look for in sunglasses.

(I wonder if I ever wore sunglasses when windsurfing in the 1980s?)

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H809: Activity 13.2 - Reflections and notes

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Edited by Jonathan Vernon, Friday, 24 May 2013, 11:03

Participation in ...

Observation of ...

What is the Chicago School?

In sociology and later criminology, the Chicago School (sometimes described as the Ecological School) was the first major body of works emerging during the 1920s and 1930s specialising in urban sociology, and the research into the urban environment by combining theory and ethnographic fieldwork in Chicago, now applied elsewhere. While involving scholars at several Chicago area universities, the term is often used interchangeably to refer to the University of Chicago's sociology department—one of the oldest and one of the most prestigious. (Wikipedia)

Requires a chapter, even a book on it. Possibly a block, even a module in its own right.

Does the ethnography depend upon the physical presence of the enthnographer in the midst of the people being studied? (Hammersley, 2006 :08)

Not any more. An ethnographer in a virtual world amongst virtual people is present. Is, however, an ethnographer present where they to observe footage from Big Brother, either in real time, or post-production (literally). Are we ‘kitchen ethnogrpahers’ when we watch a TV series about a group ‘under observation’?

‘With the availability of mobile phones and portable computers, electronic virtuality is now embedded within actuality in a more dispersed and active way than ever before’. (Hammersley, 2006:08)

Is interviewing ethnographic? (Hammersley, 2006:09) How else do you ‘give voice’ to the participants and capture their perspectives?

Witness accounts are flawed.

A witness might lie, but will certainly have a stance, however nuanced, they may even have a false memory. Indeed, over time, the nature of this memory will change other ideas, true or false recollections aggregate to it. And is impacted by the context. (Hammersley, 2006:09)

Rather to record conversations … but who is to set the guidelines? (Hammersley, 2006:10)It can be argued that everything we do or perceive is real. Whether in a virtual world, or dreaming ... or 'the real thing'.

The experience has a form in that an electro-biological process has taken place in all these cases - it's in your head! Science Fiction writers and filmmakers play around with this all the time. My understanding from neuroscience is that typically any memory, or rethinking of a memory or experience, connects with some 15 areas around the brain ... which change (enhance, diminish). The scale and scope amongst our 98 billion neurons is ... well, vast. So much of what we do or experience can and will have only a tiny impact on who we are (genetically decided construction of the brain during foetal development) and what we experience (whether this experience is internal or external). Does the brain even differentiate between conscious and unconsciousness, beyond tagging them one or the other so that, however vivid it was, you know that was a dream where you turned into a flying fish ... or that running around like Conan the Barbarian with the head of a wolf in World of War Craft is not the same as sitting in a Geography class. Neuroscience is trying to see and map fractions of activity in the brain, but this is a long way from offering such human-coloured maps as evidence, say of specific learning having occurred, so short of an objective result we can only rely on the subjective i.e. to ask a lot of probing questions and draw conclusions.

In relation to a face-to-face as virtual, surely there is more in common with a Skype interview 'face to face' and a similar interview over a table ... but there are degrees of virtual and 'real' as an interview when in role play or improvising say as a character in World of Warcraft would surely be more akin to the an exercise that actors do. Or what about role playing real people in order to prepare for a debriefing, or tough interview ... as in media training for managers?

Fascinating ... my curiosity has been re-engaged even if professionally strictly quantitative plays so well into funding mechanisms. You design learning that can be quantified, using  appropriately accommodating learning theories, so that investors can monitor their return.

People in virtual worlds are themselves - but more so.

i.e. in various forms people might either be themselves big time, almost hyping up who they are while others would take a part of themselves and enhance that ... so they roleplay the minor god (in the Greek sense), or swap gender, or role play being a teenager again ... or for that matter being older than they are. i.e. the original person is still at the core of it all.

 

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H809: Activity 11.7

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Edited by Jonathan Vernon, Saturday, 4 May 2013, 05:16

Reading 11: Richardson (2012)

Face to face versus online tuition: Preference, performance and pass rates in white and ethnic minority students

 

Make notes as before. You can keep your notes on paper, in Word on your computer, or in your blog.

We suggest that you use the questions from Activity 1.4 (or elaborations of these questions) to guide your note taking.

In addition, we want you to try to classify the studies using Tables 11.1 and 11.2.

We also want you to note any difficulties you have with this task:

  • Are there words or concepts you don’t understand?

  • Are there statistical terms or methods that are new to you?

Finally, how convinced were you by the research?

There are plenty of approaches that I am not familiar - what worries me or interests me is I cannot comprehend why or how the research question was ever considered one that would produce a valid result of any kind. It strikes me as working with a woefully small sample. It strike me that the words 'ethnic and black' are, like 'climate change' in there to garner funding. It also takes a ludicrously parocial and simplistic view of the human condition and what defines us as people. To be truly detereminisitic why not define people by the ward where they werebrn, or the LEA region where they were educated? The idea that this study could ever distinguish between online and face-to-face seems obvious - why do it if the study is akin to taking a magnifying glass to one corner of a Persian carpet ... then repeating the exercise somewhere else on the same carpet. These are pre-Web 2.0 techniques imposed onto a 'connecting' world in a period of transition.

 

Race a discredited term – rather use 'ethnitcity'

 

Many minorities within white.

 

(Why not have students offer an identity of their own construction? How would you define yourself? My choice would be Oxbridge Educated Atheist English ...

 

Not, do you fit into any of these categories, and if you do, are there any correlations ... but rather drawn from the students themselves are their preferable, better and more representative ways of doing it?

 

The contrast, in the examples chosen, between online and face–to–face is simply not great enough. Neither, either taking an holisitic view could surely be expected to impinge on who the individual is (genetic, DNA, neurobiological) or their background, upbringing or present individual circumstances (where/how they live, family, finances ....)

 

I prefer face–to–face – does this show a conservatism in that group? An unwillingness to try something untried?

 

Is the author asking the right questions?

 

How exclusively online is online where a student may be able to discuss at length the contents of their course with family, friends and colleagues – even people who have already done the course?

 

The quality of online tuition I have received during the MA ODE has almost always been hugely below expectations. Fsce to face the tutor hasti engage for the full time that you and other students are present, while the impression I have, too often, with online tutors is that they are watching the clock and give individual enquiries and questions inadequate consideration.

 

Carefull about making inferences due to causal factors as students chose the kind of tuition they would receive.

 

Sample, far, far too small.

 

REFERENCE

 

Richardson, J. T. E. (2012) ‘Face-to-face versus online tuition: Preference, performance and pass rates in white and ethnic minority students’, British Journal of Educational Technology, vol. 43, no. 1, pp. 17-27; also avilable online at http://onlinelibrary.wiley.com.libezproxy.open.ac.uk/ doi/ 10.1111/ j.1467-8535.2010.01147.x/ pdf (Last accessed 04 April 2013).

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Spiral Learning

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Fig.1. Ascendant learning on a spiral of motivation ...

Or some such. At the time of writing, my second MA ODE module, H800, nearly three years ago,  I thought I was onto something original. Bruner was at it fifty years ago aparently.

Bruner, J. (1963) The Process of Education, Cambridge, MA, Harvard University Press.

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Learning Theories in a mind map

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Edited by Jonathan Vernon, Thursday, 25 Mar 2021, 15:13

12 Theories of learning

Fig. 1. Learning Theories. Click on this and you can grab the original in a variety of sizes from the Picasa Web Album where it resides. (Created using SimpleMinds APP)

In an effort to impose some logic these are now grouped and various links also made. The reality might be take a large bowl of water then drip into these 12 coloured inks. The reality of how we learn is complex and will only be made the more so with fMRI imaging and advances in neuroscience.

My favourite Learning Theory here is one that Knud Illeris (2009) came up with - not learning at all, resistance too or defence learning. You just block it. That's how I did 9 years of Latin and can decline how to love a table - I have no idea anymore what 'ramabottom' or some such means either. Ditto French as taught before secondary school and Chemistry - right or wrong, tick and box in a multiple choice each week. Still, for someone who couldn't give a fig for either this approach got me through on a C grade. For French the 'holistic' approach worked a treat - French exchange, then back to hitch through France with some French guys who didn't have a word of English, then got a job out there. Chemistry worked best with my Chemistry 7 set.

Activity Theory and Communities of Practice are surely in meltdown with the connectivity of Web 2.0?

The nodes and silos are too easily circumvented by each of us going directly to the source. 'Community of Ideas' works best for me.

Learning Theories

1) Neurophysiological - stimulus response, optmization of memory processes: Sylvester, 1995; Edelman, 1994; Jarvis, 1987.

2) Holistic - Illeris, 2009.

3) Behaviorist - Stimulus response pairs, Skinner, 1974.

4) Cognitive - Communication, how the brain receives, internalises and recalls information, problem solving, explanation, recombination, contrast, building upon information structures, focus on internal cognitive structures, models, methods and schemas, information processing, inferences.; Wenger, 1987; Hutchins, 1993; Anderson, 1983; Piaget, 1952.

5) Constructivist - Learners build their own mental structures, design orientated, assimilative learning (Illeris, 2009); task-orientated, cohort/collaborative group. Leonard, 2010): Vygotsky, 1934; Piaget, 1954; Bruner, 1993; Papert, 1980.

6) Transformative Learning - significant (Roger, 1951, 59); Transformative (Mezirow, 1994); Expansive (Engestrom, 1987); Transitional (Alheit, 1994).

7) Social - Socialization, a psychological perspective, imitation of norms, acquisition of membership, interpersonal relations (Bandura, 1977)

8) Communities of Practice - The focus is on participation and the role this plays to attract and retain new ‘members’; knowledge transfer is closely tied to the social situation where the knowledge is learned, (Learnard, 2010); shared, social and almost unintentional; legitimate peripheral participation (Lave, ); taking part in the practices of the community. A framework that considers learning in social terms. Lave & Wenger, 1991.

9) Communities of Interest -

10) Accommodative Learning - Illeris, 2007.

11) Activity Theories - Learners bridge the knowledge gap via the zone of proximal development, Wertsch, 1984. Historically constructed activities as entities. Thinking, reasoning and learning is a socially and culturally mediated phenomenon. Learnard, 2010. Engestrom, 1987; Vygotsky, 1934; Wertsch, 1984.

12) Organizational - How people in an organisation learn and how organisations learn. Organizational systems, structures and politics. Brown and Dugiod, 1995. Noaka and Takeuchi, 1991.

13) Resistance to/defence learning - Illeris, 2007

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