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It took me a year ... no longer, 18 months. Even longer than that, two years, to recognise what it took to get consistently high marks.

I couldn't fathom what people were doing.

Is it a formula? Or just application? Is there a method? Whatever it takes until you feel confident you know what is going on ... so read, read again, ask questions. Then going and read something else. Disagree, agree ... sleep on it. Then, ever so slowly it starts to dawn on you. This is what they are on about. I am prone to read well beyond the listed resources though, picking through papers until I find the one that speaks to me - the voice that expresses it in a way that has ressonance. And I am prone, within reason, to get the book that is cited in a paper I like ... so a collection of second handbooks under the table and a larger collection of eBooks. eBooks I read faster, highlight and take notes as I go along, then migrate notes and quotes into a Google Doc. I kid myself when I have a lot to read that it is different on the Kindle, the iPad or on the TV size screen that is ... well the TV (but my computer too).

A couple of weeks ago I took the TV and put it in the shed. One of those things the size of a pedal car.

No one misses it.

Everyone is on a screen elsewhere in the house. We stream movies. We use BBC iPlayer.

I don't miss clicking between channels looking for something to watch, finding nothing much but glued to the thing for a few things all the same.

Movies?

Ironclad

That's the way to do Medieval!

A week away in April and I still haven't recovered my old rhythmn. Nor will I. Instead of bloggin I have every conceivable thing to sort out with the house and garden. Somehow both were abandoned for three years - I wonder why that was?

The lawn was so bad I needed an industrial strimmer. The lawnmower I bought in 2007 is still in its original packaging in the shed.

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Design Museum

Thomas Edison and innovation

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Edited by Jonathan Vernon, Sunday, 12 Dec 2010, 05:07

For anyone embarking on H807 'Innovation in E-learning,' although it isn't part of the course work (yet), I'd recommend listening to the following discussion on Thomas Edison.

The participants are right to suggest that in establishing a lab for inventions Edision create a model that has been followed by others. This may be particularly pertinent when you look at Facebook and Google, also the history of Apple - possibly also of Dyson. Indeed anyone who wishes to be engaged in successful innovative practice.

It would make an interesting discusion point for units on collaboration and leadership.

What delivers success?

How do you thrive on change?

Why is commercialisation vital to success?

 

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Design Museum

Ivan and the dogs

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Edited by Jonathan Vernon, Friday, 22 Oct 2010, 08:00

Ivan and the Dogs

Occasionally I am engaged by a radio play, this one had me parked up for the final 15 minutes. Yes, I can get it on iPlayer, but I enjoyed it on its first outing (I think).

Dickensian, gripping, magic, visual and dramatic.

If I had the means to buy the film rights I'd get them in the bag tonight. This is one for Warner Brothers (does that diminish it). I hope not.

Hatti Naylor's play directed by Paul Dodgson. A Peer Production for BBC. 14h30 Thursday 21st October 2010.

From the BBC iPlayer podcast blurb:

Based on the extraordinary true story of a boy adopted by a pack of wild dogs on the streets of Moscow.

Ivan Mishukov walked out of his drunken, arguing parents flat aged 4 and went to live on the streets of Moscow. There he was adopted by a pack of wild dogs and with them he spent two winters on the streets. When the play begins Ivan is now 11 and has never told anyone of his time with the dogs until one night his foster mother promises another dog if he will tell his story.

The story takes us though the backstreets of Moscow at a time when the idea of life itself was being devalued and where we meet glue-sniffing children who fight for their territory in underground sewers and drunks who will freeze to death in the winter. Amidst this human catastrophe Ivan learns that only his dogs can really be trusted and embarks on an extraordinary relationship of mutual need.

Credits: Ivan: Tom Glenister Cellist: Sarah Moody

Go listen while you can.

Simple, engaging, moving, relevant ...

and if you have children (an 11 year old boy at some stage helps) and have or have had aa dog, you'll love it.

Which probably explains why it caught my attention ... narrowcasting like a rifle at the man with a 12 year old son and a 2 year old nonsense of a fluffy white dog.

(If you are going to write, know your audience, for radio, this is a single person. Is this not the case with all stories? )

Is this not valid for any kind of communication?

 

 

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Sit forward of sit back?

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Edited by Jonathan Vernon, Wednesday, 29 Sept 2010, 03:59

As a producer in 2001 I attended numerous pitches with cross-platform projects developed with a leading independent broadcast documentary production company.

Whilst there was always an eagerness to have these meetings it proved quite impossible to raise finances at a time when most organisations were scrutinising their web-production budgets and pulling back, or pulling out.

One project was developed through the European TV and Film development initiative EAVE.

Nine years on it is interesting to see that efforts are once again being made with such ideas, however, they are growing from the Internet as a platform, rather than the TV and a computer sitting side by side.

Observing with interest my 12 year old following a make lifted from YouTube in one frame while watching an episode of the Simpsons in another on this laptop while also sliding through a music video on an iTouch made me realise that interaction for his generation is multifaceted.

As an aside, intrigued that Google is the same age as him, 12, he reflected on what browser we used before Google. The suggestion that we used books to find out information left him dumbfounded. The world has moved on.

We used to talk about activities such as watching TV or reading a book as "sit back" while using a computer or video game was "sit forward."

I wonder if the reality, like finding a point of equilibrium on a rocking-chair isn't a bit of both?

You can watch a TV programme, and play a video game? They can be different things, rather than interacting ... indeed they being separate activities, affording different ways of engagement, makes this set up possible.

Which leaves me with a final thought -

We can watch two or more linear TV programmes simultaneously without losing the thread, but try doing two video games at the same time. They're not static like chess.

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