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The Gutenberg Galaxy

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Edited by Jonathan Vernon, Sunday, 10 Feb 2013, 20:03

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Reading this as it is name dropped so often. Stripping it bare and re-interpretting it for 2013.

‘I don’t know what I mean until I have heard myself say it', said Irish author and satirist Jonathan Swift

Conversation plays a crucial element of socialised learning.

Courtesy of a Google Hangout we can record and share such interactions such as in this conversation on and around ‘personal knowledge management’.

Here we can both see and hear why the spoken word is so important. Trying to understand the historical nature of this, how and when the written word, or other symbols began to impinge on the spoken word requires investigating the earliest forms of the written word and trying to extrapolate the evidence of this important oral tradition, the impact it had on society and the transition that occurred, after all, it is this transition that fascinates us today as we embrace the Internet.

Humans have been around for between 100,000 and 200,000 years.

(Encyclopedia Britannica). There are pigments and cave painting have been found that are 350,000 years old. (Barham 2013), while here are cave paintings as old as 40,000 years (New Scientist).

Stone Age man's first forays into art were taking place at the same time as the development of more efficient hunting equipment, including tools that combined both wooden handles and stone implements. (BBC, 2012).

Art and technology therefore go hand in hand - implying that the new tools of the Internet will spawn flourishing new wave of creation, which I believe to be the case. This era will be as remarkable for the development of the Web into every aspect of our lives as it will be for a epoch identifying renaissance - a new way of seeing things.

We’ve been seeking ways to communicate beyond the transience of the spoken word for millennia.

McLuhan takes us to the spoken word memorised in song and poetry (Lord, 1960 p. 3) while a contemporary writer, Viktor Mayer-Schonbeger, (2009. p. 25) also talks about how rhyme and meter facilitated remembering. McLuhan draws on 1950s scholarship on Shakespeare and asks us to understand that Lear tells us of shifting political views in the Tudor era as a consequence of a burgeoning mechanical age and the growth of print publishing. (Cruttwell, 1955)

McLuhan suggests that the left-wing Machiavellianism in Lear who submits to 'a darker purpose' to subdivide of his kingdom is indicative of how society say itself developing at a time of change in Tudor times.

Was Shakespeare clairvoyant?

Did audiences hang on his words as other generations harken the thoughts of  H G Wells, Aldouz Huxley, George Orwell and Karl Popper, perhaps as we do with the likes Alan de Bouton and Malcolm Gladwell?

'The Word as spoken or sung, together with a visual image of the speaker or singer, has meanwhile been regaining its hold through electrical engineering'. xii. Wrote Prof. Harry Levin to the preface of The Singer of Tales.

Was a revolution caused by the development of and use of the phonetic alphabet?

Or from the use of barter to the use of money? Was the 'technological revolution' of which McLuhan speaks quoting Peter Drucker, the product of a change in society or did society change because of the 'technological revolution'? (Drucker, 1961) Was it ever a revolution?

We need to be careful in our choice of words - a development in the way cave paintings are done may be called a ‘revolution’ but something that took thousands of years to come about is hardly that.

Similarly periods in modern history are rarely so revolutionary when we stand back and plot the diffusion of an innovation (Rogers, 2005) which Rogers defines as “an idea, practice, or object that is perceived as new by an individual or other unit of adoption. (Rogers, 2005. p. 12). To my thinking, ‘diffusion’ appears to be a better way to consider what has been occurring over the last few decades in relation to ‘technology enhanced communications’, the Internet and the World Wide Web. But to my ears ‘diffusion’ sounds like ‘transfusion’ or ‘infusion’ - something that melts into the fabric of our existence.

If we think of society as a complex tapestry of interwoven systems then the Web is a phenomenon that has been absorbed into what already exists - this sounds like an evolving process rather than any revolution. In context of course, this is a ‘revolution’ that is only apparent as such by those who have lived through the change; just as baby boomers grew up with television and may not relate to the perspective that McLuhan gives it and those born in the last decade or so take mobile phones and the Internet as part of their reality with no sense of what came before.

Clay tablets, papyri and the printing press evolved. We are often surprised at just how long the transition took.

To use socio-political terms that evoke conflict and battle is a mistake. Neither the printing press, nor radio, nor television, nor the Internet have been ‘revolutions’ with events to spark them akin to the storming of the Bastille in 1789 or the February Revolution in Russia in 1917 - they have been evolutionary. Are we living in 'two forms of contrasted forms of society and experience' as Marshall McLuhan suggested occurred in the Elizabethan Age between the typographical and the mechanical ages? Then occurred between in the 1960s  between the industrial and electrical ages? 'Rendering individualism obsolete'. (McLuhan 1962. p. 1)

Individualism requires definition. Did it come with the universal adult suffrage?

Was it bestowed on people, or is it a personality trait? Are we not all at some point alone and individual, as well as part of a family, community or wider culture and society? We are surely both a part and part of humanity at the same time? Edward Hall (1959), tells us that ‘all man–made material things can be treated asextensions of what man once did with his body or some specialized part of his body.

The Internet can therefore become and is already an extension of our minds.

A diarist since 1975 I have blogged since 1999 and have put portions of the handwritten diary online too - tagging it so that it can be searched by theme and incident, often charting my progress through subjects as diverse as English Literature, British History, Geography, Anthropology and Remote Sensing from Space, Sports Coaching (swimming, water-polo and sailing). This aide memoire has a new level of sophistication when I can refer to and even read text books I had to use in my teens. It is an extension of my mind as the moments I write about are from my personal experience - there is already a record in my mind. What is the Internet doing to society?

What role has it played in the ‘Arab Spring’?

McLuhan considered the work of Karl Popper on the detribalization of Greece in the ancient world). Was an oral tradition manifesting itself in the written word the cause of conflict between Athens and Sparta? McLuhan talks of ‘the Open Society’ in the era of television the way we do with the Internet. We talked about the ‘Global Village’ in the 1980s and 1990s so what do we have now? Karl Popper developed an idea that from closed societies  (1965) through speech, drum and ear we came to  our open societies functioning by way of abstract relations such as exchange or co–operation. – to the entire human family into a single global tribe.

The Global kitchen counter (where I work, on my feet, all day), or the global ‘desk’ if we are sharing from a workspace …

or even the ‘global pocket’ when I think of how an Open University Business School MBA student described doing an MBA using an iPad and a smartphone as a ‘university in my pocket’. You join a webinar or Google Hangout and find yourself in another person’s kitchen, study or even their bed. (Enjoying one such hangout with a group of postgraduate students of the Open University’s Masters in Open and Distance Education - MAODE - we agreed for one session to treat it as a pyjama party. Odd, but representative of the age we live in - fellow students were joining from the UK, Germany, Thailand and the United Arab Emirates). I have been part of such a group with people in New Zealand and California - with people half asleep because it is either very late at night, or very early in the morning.

McLuhan  (1965. p. 7) concludes that the 'open society' was affected by phonetic literacy ...

... and is now threatened with eradication by electric media. Writing fifty years ago is it not time we re-appraised McLuhan’s work and put it in context. We need to take his thesis of its pedestal. Whilst it drew attention at the time it is wrong to suggest that what he had to say in relation to the mass media (radio and TV) if even correct then, others insight in the era of the Internet.  This process of creating an open society has a far broader brief and with a far finer grain today - , the TV of the sitting room viewed by a family, is now a smart device in your pocket that goes with you to the lavatory, to bed, as you commute between work and in coffee and lunch breaks.

It will soon be wearable, not only always on, but always attached as goggles, glasses, ear-piece, strap or badge. If 'technology extended senses' McLuhan, 1965. p.8 then the technology we hold, pocket and wear today, are a prosthesis to our senses and to the manner in which the product of these senses is stored, labelled, interpreted, shared, re-lived, and reflected upon.

If Mercators maps and cartography altered 16th century mentality what do Google Maps and Street View do for ours?

Did  the world of sound gives way to the world of vision? (McLuhan, 1965 p.19). What could we learn from anthropologists who looked at non–literate natives with literate natives, the non–literate man with the Western man. Synchronous conversation online is bringing us back to the power and value of the spoken word - even if it can be recorded, visualised with video and transcripted to form text. The power, nuance and understanding from an interchange is clear.

REFERENCE

Barham, L (2013) From Hand to Handle: The First Industrial Revolution

Carpenter, E and H M McLuhan (19xx) 'Explorations in communications'. Acoustic Space

Cruttwell, P (1955) The Shakespearean Moment (New York; Columbia) New York. Random House.

Hall, E.T. (1959) The Silent Langauge Lord, A.A. (1960) The Singer of the Tales (Cambridge. M.A. Harvard University Press)

Drucker, Peter F. "The technological revolution: notes on the relationship of technology, science, and culture." Technology and Culture 2.4 (1961): 342-351.

Mayer-Schönberger, V (2009) Delete: The Virtue of Forgetting in the Digital Age

Popper, K. (1945)  The Open Society and Its Enemies, Volume One. Routledge (1945, reprint 2006)

Rogers, E.E. (1962) The Diffusion of Innovations.

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Design Museum

When it comes to e-learning how do you see yourself? Learning Designer, Writer, Architect?

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Edited by Jonathan Vernon, Friday, 14 Feb 2014, 10:38

 

Fig.1. Building Construction W B McKay 1943

Are you the learning architect or the learning builder?

It is flattering to the group from Learning & Development that they can be likened to architects. Whilst many will have a degree, some don't - whilst some may have a post graduate qualification, very few do. None I'm sure will have spent six or seven years in formal study that has lead to recognition by the Royal College of E-Learning Designers - there is no such professional qualification, nor is there any period of formal study, a mix of studio work and academic research, that leads to a qualification of  this calibre.

The exceptions are those with first degrees and MBAs and at the pinnacle of this discussion, Christopher Alexander who has first and second degrees from Cambridge and a PhD in architecture from Harvard.

Many in academia have the second degree and PhD - but they generally lack the experience designing learning outside undergraduate and postgraduate tertiary education, which is quite a diffderent beast to the short courses and continual professional development desired in the workplace.

If I were to take the building trade by way of an analogy I would say that the learning and development manager is the client - while the architect is an agent or agency that you hire in for their design expertise and knowledge of foremen and project managers, builders and electrcians - the project leaders, programmers and art directos of e-learning creation.

The L&D manager may be a subject matter expert but is far more likely to draw upon expertise from within their organisation.

Which of the following made the biggest contribution to your learning when you first set out in your current career asked Clive Shepherd?

Fig.2. What has contributed most to your learning?

This depends of course on when a person knew they were set on a career path.

How many people come into Learning & Development (L&D) having decided on this path as an undergraduate?

As a graduate trainee I expected a mix of on the job and formal training - this mix turned out to be around 95% to 5% while contemporaries elsewhere were getting 50/50 of none at all. This is the formal way of graduate training and can last two or three years. Think of lawyers (barristers and trainee solicitors), accounts, bankers and teachers ... doctors, dentists, vets and architects.

Clive Shepherd who recently gave an insightful presentation on The New Learning Architect says he got the idea of the new learning architect at presentation gave by Jay Cross on informal learning.  

Away from the presentation I like to click around as for me to understand a concept it helps to perceive its inception.

In turn, if you check the references for Jay Cross’s 2006 ‘Informal Learning: Rediscovering the Natural Pathways that Inspire Innovation and Performance' you’ll find where his ideas may have came from -  Robert A Heinlein (1961) ‘Strangers in a Strange Land’ and R Nelson Bolles (2005) ‘What Color’s Your Parachute’ are there along with John Seely Brown (2005) ‘The Only Sustainable Edge’.

There are some inspirational ideas and link here:

Jay Cross : Important Stuff

Informal learning

Workflow learning ties learning into the actual workflow within an organisation. According to Jay Cross it takes us to support and on-demand services that are designed to exist within the real tasks we do in our everyday work.Out of this work on workflow learning came an even wider, and what he regards as more important set of reflections.



Fig.3. Zoom.It History of Corporate Education.

This timelines the history of corporate and executive training. It is like a touch-screen and zoome control all in one. The Bayeux Tapestry in digital form (now there's an idea over 900 years old). I spotted a typo - you'll find it says something about  ‘Toyota: Clean Production’ rather than Lean Production. We should consider the content in other ways - I know a PLC that set up an internal ‘university’ in the mid 1970s - or maybe they called in a training centre. Same difference?

If Clive Shepherd got his idea of the learning architect from Jay Cross I imagine Jay Cross  in turn got the idea from a Christopher Alexander.

Christopher Alexander's Notes on the Synthesis of Form was required reading for researchers in computer science throughout the 1960s. It had an influence in the 1960s and 1970s on programming language design, modular programming, object-oriented programming, software engineering and other design methodologies.  He is cited through-out the Open University's Masters in Open and Distance Education (MAODE) as an originator of design practice that was applied to computer design and therefore could be applied to e-learning design.

Here's the education of someone who can rightfully call themselves an architect and do so in the context of learning, even of e-learning.

In 1954, Christopher Alexander was awarded the top open scholarship to Trinity CollegeCambridge University in chemistry and physics, and went on to read mathematics. He earned a Bachelor's degree in Architecture and a Master's degree in Mathematics. He took his doctorate at Harvard (the first Ph.D. in Architecture ever awarded at Harvard University), and was elected fellow at Harvard. During the same period he worked at MIT in transportation theory and in computer science, and worked at Harvard in cognition and cognitive studies.

Fig.4. The Timeless Way of Building

'The Timeless Way of Building' proposes a new theory of architecture (and design in general) that relies on the understanding and configuration of design patterns.It is these design patterns that came to the attention of creators of e-learning modules in the 21st century, the idea that designs for subjects or cohorts might be replicated and shared across the online learning community so that you might say a fits an undergraduate arts course, while b is the model for a health & safety module in industry, c gives you language learning in primary school while d offers an elective in urology to 4th year medical students.

To become an architect requires a considerable commitment.

Take the three year undergraduate course in architecture at the University of Cambridge

Entry Requirements: A* AA : Likely to include Maths and Art or History of Art.

Students may stay on at Cambridge to complete an MPhil at RSA exams to qualify in six years (this includes a year in a placement)

‘The three year BA(Hons) course is unusual in the University in combining both arts and sciences. As such it provides a unique range of skills which lead to a wide range of careers, not just architecture’.


Throughout the BA tripos studio work carries 60% of the marks.

The remaining 40% is made up from exams and other forms of coursework (dissertations, etc). Studiowork in all years is handed in for marking at the end of the year. Studiowork is time-consuming and probably requires more hours per week than any other course in the University. Students are also expected to work during the Christmas and Easter vacations.

I labour this point because as someone who has gone from corporate communications and video based training to computer based training and e-learning I would never liken myself to a cardiologist, even a qualified lawyer or certified accountant, let alone an architect. An educator perhaps, but I don't have a formal teaching qualificaiton, only sports coaching and the MAODE when I graduate early next year.

Fig. 5. BRICKS - Building Construction W B McKay 1943

Several other analogies have been used in the e-learning literature, some that still have a building or architecture theme to them.

What we get here is learning design broken down to brick sized components, some call them 'interactivities' (a term I often here working in a design agency). I find the idea of atoms in a chemical reaction (Wiley, 2001) too small, even if we are dealing with binary code it isn't something that we see anymore. Gilly Salmon (2002) would have liked 'e-tivities' to catch on - she puts these in a logical sequence, building blocks towards a module. At the Open University they tend to be called 'Learning Objects'. Chris Pegler (2004) finds this too static and unresponsive preferring if we go with the Lego analogy, or Technics. Littlejohn et al (2008) describe these components as:

Digital assets - a single item, image, video or podcast or an nformation objects: a structured aggregation of digital assets designed purely to present information.

Learning activities -tasks involving interactions with information to attain a specific learning outcome.

Learning design - structured sequences of information and learning activities to promote learning.

Fig. 5. BRICKS - Building Construction W B McKay 1943

For pure aspiration I like the digital architect as a goal for an undergraduate setting out on a long course of formal and applied study. L&D directors and managers approach an e-learnign agency as they would a firm of architects and together they write a brief. This is propoposed, scheduled and costed then a scheme of work begins.

The delivery, depending on the scale of it, might be akin to anything from a brick arcade (health and safety induction to leisure staff) to a bungalow to a housing estate (induction of trainee solicitors in an national firm of solictors), an office block or a factory (long term management development for an international engineering business).

REFERENCE

Alexander, C (1970) The Timeless Way of Buidling

Cross, J (2006) The Informal Learner

Downes, S (2000) Learning Objects. Available from http://www.newstrolls.com/news/dev/downes/col;umn000523_1.htm

Littlejohn, Falconer, Mcgill (2008) Characterising effective eLearning (sic) resources

Pegler, C and Littlejohn, A (2004) Preparing for Blended e-Learning, Routledge.

Salmon, G (2002) E-tivities

Shepherd, C (2011) The New Learning Architext

Wiley, D.A. (2000) Connecting Learning Objects to instructional design theory: a definition, a metaphor, and a taxonomy. In D.A. Wiley (ed), The instructional use of Learning Objects. Available from http://reusability.org/read/chapters/wiley.doc

 

 

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