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Do you really want me? Do you really love me?

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Edited by Jonathan Vernon, Tuesday, 31 May 2022, 14:38

An opportunity arose to work for The OU again so I applied; let's see what happens. Maybe departing after just one year the first time round was a mistake that I can never put right - but that was then, and now is now. The kids have left school, gone through university and settled down and 'we' are free to move ... within reason. We'll see. Meanwhile, the two big events of this last week have been trips to Rodmell Food Forest and to Brighton Open Art Houses 2022. 

A collage of photographs of Rodmell Food Forest showing a Siberian Pea Tree and a Toona Tree.

The Rodmell Food Forest was an eye-opener. I garden on chalk so know how tough it is to develop a sound soil. It has taken me over 12 years to grow substantial shrubs and hedging through total lawn destruction, mulching with kitchen waste and all cuttings, and while there was lawn to nibble my secret weapon - guinea-pigs. (I'm told a goat is handy at the job too. Up in Cumbria we used a small herd of Vietnamese pot-bellied pigs to root up the foot-trodden turf). 

I know now to mulch intensively, keyhole plant, collect rainwater, encourage birds and other kritters to look after the garden for me. We may stop short of having a composting toilet to collect dry human waste - though the head garden Marc Stenham recommended it - that and comfrey leaves.

Cover for work featuring figures underwater by Patsy McArthur

We left Brighton Open Art Houses late - again. We always mean to make an early start and be picking off a last trail or returning to a favourite one by the end of the month. Here we are trying to cover too much ground on the last afternoon and it went slightly pear-shaped, largely because we also thought we could ditch the car and do it on foot. We spent most of the allotted 4 hours treading the pavements of Brighton seafront; there were some gems though, I loved a return visit to Sussex County Arts Club where I took up life drawing in 2016 and to the work of figurate fine artist Patsy McArthur. I aspire to paint large, on a big canvas or mural in scale. 

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Design Museum

Scrambulation

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Edited by Jonathan Vernon, Sunday, 24 Feb 2013, 07:46

I think I did the equivalent of throwing the files out of the window yesterday afternoon and no doubt the TMA grade will reflect this.

I reached a stage of total scrambulation.

Currently doing a 24 hour spring clean, pack the car, find wetsuits that no one can get into, fix the box on car roof, get keys that work for the car ... listen to Pepys dramatised on the radio (see the blog) ... while feeding teenagers and accommodating my wife whose computer died when it was purloined for World of Warcraft duties sad

(P.S. I am advised that my avatar remains wondering this world in her underwear. Meanwhile, after three weeks of doing a paper round my son has purchased a virtual motorbike for his World of Warcraft avatar - think Harley Davidson - he also has an upgrade on his pet -  an Elephant.

Both impress I am told.

Educators enter here at their own peril.

valdesire%252520nickers.JPG

My advice would be to so so with an experienced 13 year old to assist and you may end up like me, female, in your underwear, doing dances for your living. Seriously, this is my experimental taste of virtual worlds.

I learned that my son has several characters online, somehow, and each has a distinct personality and I suspect gender. I am 'Val Desire' her twin - is creation - is 'Not Val Desire'.)

And the dog is on heat sad

And my 15 year old daughter has decided the contents of her attic room are childish and is currently bagging it (while my wife is going through said bag convinced that everything has a value and ought to be put in our lock up garage for the next decade or two. A garage that is 11 miles away and we took possession of temporarily when we moved house ... four years ago.)

Otherwise a normal day.

Pencils and pastels I have, but I need cartridge paper and a new drawing board.

I'm disinclined to over use the digital camera as it will require immediate downloading to a laptop then editing, then uploading and all that eJazz. Do I go with the flow, indluge this? Maybe I should, passing on some basic craft skills along the way in relation to shot size, editing, action cuts and so on.

I realise too that this desire to go off and draw is akin to being behind a computer screen.

A sort of hunkering down escape into my own head. Though drawing is likely to be less distracting than being online.

Basically, what I crave, and did for decades with my Dad is a boat, to sea with all those challenges and absolutely NO contact with the outside world.

On these trips I took books, paper, guitar. I am inclined therefore to need the iPad that now is the books, the paper and all the sheet music my heart could desire.

Impossible of course because he is long dead and the boat sold.

 

 

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