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How people learn and the implications for design

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Edited by Jonathan Vernon, Friday, 21 Feb 2014, 15:43

Had this been the title of a post-graduate diploma in e–learning it would have been precisely what I was looking for a decade ago – the application of theory, based on research and case studies, to the design and production of interactive learning – whether DVD or online.

A few excellent, practical guides did this, but as a statement of fact, like a recipe in a cook book: do this and it’ll work, rather than suggesting actions based on research, evidence-based understanding and case studies.

Mayes and de Frietas (2004) are featured in detail in Appendix 1 of Rethinking Pedagogy for a Digital Age (2007) Beetham and Sharpe.

Four types of learning are featured:

  • 1. associative
  • 2. constructive (individual)
  • 3. constructive (social)
  • 4. and situative.

Of these I see associative used in corporate training online – with some constructive (individual), while constructive (social) is surely the OU's approach?

Situative learning may be the most powerful – through application in a collaborative, working environment I can see that this is perhaps describes what goes on in any case, with the wiser and experienced passing on knowledge and know how to juniors, formally as trainees or apprentices, or informally by 'being there' and taking part.

Each if these approaches have their champions:

Associative – Skinner, Gagné (1985).

Constructive (individual) – Piaget (1970), Papert (1993), Kolb (1984), Biggs (1999).

Constructive (social) – Vygotsky (1978).

Situative – Wenger (1998), Cole (1993), Wertsch. (Also Cox, Seely Brown). Wertsch (1981), Engestrom (), Cole and Engeström (1993)

Beetham and Sharpe (2007:L5987) – the ‘L’ refers to the location in a Kindle Edition. I can’t figure out how to translate this into a page reference.

How people learn and the implications for design

Associative – Skinner, Gagné (1985) (in Mayes and de Frietas, 2004)

Building concepts or competences step by step.

The Theory

People learn by association through:

  • basic stimulus–response conditioning,
  • later association concepts in a chain of reasoning,
  • or associating steps in a chain of activity to build a composite skill.

Associativity leads to accuracy of reproduction. (Mnemonics are associative devices).

  • Routines of organized activity.
  • Progression through component concepts or skills.
  • Clear goals and feedback.
  • Individualized pathways matched to performance.
  • Analysis into component units.
  • Progressive sequences of component–to–composite skills or concepts.
  • Clear instructional approach for each unit.
  • Highly focused objectives.

For Assessment

  • Accurate reproduction of knowledge.
  • Component performance.
  • Clear criteria: rapid, reliable feedback.
  • Guided instruction.
  • Drill and practice.
  • Instructional design.
  • Socratic dialogue.

FURTHER READING (and viewing)

Brown, J.S. (2002) The Social Life of Information

Brown, J.S. (2007) October 2007 webcast: http://stadium.open.ac.uk/stadia/preview.php?whichevent=1063&s=31

+My notes on this:

http://learn1.open.ac.uk/mod/oublog/viewpost.php?u=jv276&time=1298439366&post=0

+The transcript of that session:

http://learn.open.ac.uk/file.php/7325/block1/H800_B1_Week2a_JSBrown_Transcript.rtf

REFERENCE

Biggs, J (1999) Teaching for Quality Learning at University, Buckingham: The Society for Research in Higher Education and Open University Press.  (Constructive alignment)

Cole, M. and Engestrom, Y. (1993) ‘A cultural-historical approach to distributed cognition’, in G. Salomon (ed.) Distributed Cognitions: Psychological and Educational Considerations, New Work: Cambridge University Press.

Conole, G. (2004) Report on the Effectiveness of Tools for e-Learning, Bristol: JISC (Research Study on the Effectiveness of Resources, Tools and Support Services used by Practitioners in Designing and Delivering E-Learning Activities)

Cox, R. (2006) Vicarious Learning and Case-based Teaching of Clinical Reasoning Skills (2004–2006) [online], http://www.esrcsocietytoday.ac.uk/ esrcinfocentre/ viewawardpage.aspx?awardnumber=RES-139-25-0127 [(last accessed 10 March 2011).

Engeström, Y (1999) ‘Activity theory and individual and social transformation’, in Y. Engeström, R, Miettinen and R.-L. Punamaki (eds) Perspectives on Activity Theory, Cambridge: Cambridge University Press.

Eraut, M (2000) ‘Non-formal learning and tacit knowledge in professional work’, British Journal of Educational Psychology, 70:113-36

Gagné, R. (1985) The Conditions of Learning, New York: Holt, Rinehart & Winston.

Gagné, R.M., Briggs, L.J. and Wagner, W.W. (1992) Principles of Instructional Design, New Work: Hoplt, Reihhart & Winston Inc.

Kolb, D.A. (1984) Experiential Learning: Experience as a Source of Learning and Development, (Kolb’s Learning Cycle) Englewoods Cliffs, NJ: Prentice-Hall

Kolb, D.A. (1984) Experiential Learning: Experience as the Source of Learning and Development, Englewood Cliffs, N.J: Prentice Hall.

Littlejohn, A. and McGill, L. (2004) Effective Resources for E-learning, Bristol: JISC (Research Study on the Effectiveness of Resources, Tools and Support Services used by Practitioners in Designing and Delivering E-learning Activities).

Mayes, T. and de Frietas, S. (2004) 'Review of e–learning theories, frameworks and models. Stage 2 of the e–learning models disk study', Bristol. JISC. Online.

Piaget, J. (1970) Science of Education and the Psychology of the Child (Constructivist Theory of Knowledge), New Work: Orion Press.

Papert, S. (1993) Mindstorms: Children, Computers and Powerful Ideas, New Work: Perseus.

Piaget, J. (2001) The Language and Thought of the Child, London: Routledge Modern Classics.

Seely-Brown, J.S and Duguid, P. (1991) ‘Organizational learning and communities-of-practice: toward a unified view of working, learning and innovation’, Organizational Science, 2 (1): 40-57

Schon, D (1983) The Reflective Practioner: How Professional Think in Action, New York: Basic Books.

Sharpe, R (2004) ‘How do professionals learn and develop? In D.Baume and P.Kahn (eds) Enhancing Staff and Educational Development, London: Routledge-Flamer, pp. 132-53.

Vygotsky, L.S. (1978) Mind in Society, Cambridge, MA: Harvard University Press.

Vygotsky, L.S. (1986) Thought and Languages, Cambridge, MA: MIT Press.

Wenger, E. (1998) Communities of Practice: Learning, Meaning, and Identity, Cambridge: Cambridge University Press.

Wertsch, J.V. (1981) (ed.) The Concept of Activity in Soviet Psychology, Armonk, N

Appendix and references largely from Beetham, H, and Sharpe, R (2007) Rethinking Pedagogy in a digital age.

See also Appendix 4: Learning activity design: a checklist

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Design Museum

B822 BK 2 C6 Precepts

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Edited by Jonathan Vernon, Friday, 21 Feb 2014, 17:26

B822 BK 2 C6 Precepts

Especially actions that DISCOURAGE speculation/creativity Henry (2010:93)

Curiosity

Charles Handy (1991) Creativity in Mangement, Radio 1, B822

Forgiveness

Charles Handy (1991)

Love

Charles Handy (1991)

A sense of direction

Schon, D.A. (1983) The Reflective Practioner

Some ‘Set Breakers’ Henry (2010:96)

1. Develop broad background experience and many interests

2. Find and challenge your own blind spots

3. Explore many different perspectives

4. Challenge yourself

5. Develop good browsing facilities

6. Change techniques or different mental modes

7. Seek out people with other points of view

8. In a group

Relevance bias

 

1. Dry Run

2. Quota of alternatives

3. Inverse optional question

4. Checklist of transformations

5. Reverse the problem

6. Boundary relaxation

7. What difference?

8. Get several people to try it

9. Deep questioning

10. Challenge

11. Fresh eye

6.4 Value of Play

1. Play is key to learning activity

2. The objects of play are both objective and subjective

3. The ability of play helps create the sense of independence.

4. Play offers a protected area of illusion

5. Plays is a way of managing unfulfilled need.

6. Play can lead to a particular state of mind.

7. Play breaks down outside certain emotional limits.

8. Shared play builds relationships

A. Choice of Setting

B. Choice of team members

C. Climate to aim for

D. Don’t demystify

E. Management of coping mechanisms

F. An aid to team building

 

McCaskey (1988)

· Problem finding (experience)

· Map building

· Janusian Thinking

· Controlling and not controlling

· Using domain and direction

· Planning rather than goal-directed planning

· Humour that oils

· Charisma

· Using ad hoc structures such as task force and project teams

· Using a core group embedded in a network of contracts and information

· ‘Turbulence management’

N.B. Creativity needs space vs. time pressure, interruption

· Create Space

6.8 involve others

The more participants you have, the more ideas you get.

‘Successfully creative people are often deeply committed to a particular domain, that has strong internal significance to them, and they focus very firmly on particular goals’. (e.g. Tessa Ross, Lionel Wigram, William Hague)

'Passion and persistence can motivate sustained work; attract the loyalty of helpers; create awareness of you and your project in people who have relevant resources; and reassure those who need to take risks on your behalf.’ Henry (2010:114)

CATWOE p115

  • Blind chance
  • Wide-ranging exploration
  • The prepared mind
  • Individualised Action

6.12 Manage the Process Henry (2010:1113)

· Get the parameters right

· Record

· Sustain pace and energy

· Develop trust

· Keep the experience positive

· Plan

· Do – analyse either side and separately

· What?

· Why?

Learn from experience of others

  • Experiment

REFERENCE

Adams, J.L. (1987) Chase, Chance and Creativity: The Lucky Art of Novelty; New York; Columbia University Press.

Austin, J.H. (1978) Chase, Chance and Creativity: The Lucky Art of Novelty: New York: Columbia University Press.

McCaskey, M.B. (1988) ‘The challenge of managing ambiguity’, in Pondy, L.R, Boland, R.J and Thomas, H (eds) Managing Ambiguity and Change, new York, pp 2-11

Schon, A.A. (1983) The Reflective Practioner: How Professionals think in Action, London: Temple Smith

Wetherall, A. and Nunamaker, J (1999) Getting Results from Electronic Meetings

Winnicott, D.W (1972) Playing and Reality. Harmondsworth (1983) Davis, M and Wallbridge, D (1983) Boundary and Space: An Introduction to the Work of D.W. Winnicott. Harmondsorth.

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The use of narrative in e-learning

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Edited by Jonathan Vernon, Monday, 15 Oct 2012, 10:28

I fully buy into the idea of using narrative in teaching.

Without the pyrotechnics of e-technology some imagination from a well informed agent, perhaps assisted by a scriptwriter, could produce a script that is engaging, a journey from which a learner may deviate if something so intrigues them, a pattern with a beginning, middle and end that everyone can follow.

‘Teachers use narrative to teach children difficult concepts and to bring structure to the curriculum.’ Egan (1988)

REF

Bruner (1996.97) ‘Meaning Making’

  • spontaneous inclination to engage in a dialogue with material
  • to improve some form of organisation upon it
  • to make comparison with it

REF

McCloskey, D.N. (1990) Storytelling in economics

Bruner, J.S. (1996) ‘Frames of thinking: ways of making meaning.’ In Olson, D and Torrance, N (eds) Modes of thought. Explorations in culture and cognition, pp. 93-105.

It has been shown that experts in any field tend to embody knowledge in the form of narrative.

Schon, D (1983) The Reflective Practitioner: How professionals think in action.

‘Stories are the method by which people impose order and reason upon the world.’ Fisher. (1987) REF Fisher, W.R. (1987) Human communication as Narration: toward philosophy of reason, value and action.

‘By framing events in a story it permits individuals to interpret their environment, and importantly it provides a framework for making decisions about actions and their likely outcomes.’ Weller. (2009:45)

The framework is the logic of the narrative, the logic of the plot, the role-play of the protagonist (you the learner), the battle you have with antagonists (concepts you can’t grasp) supported by your allies (the community of learners, your tutor and institution) leading to a crisis (the ECA or exam), but resolved with a happy ending (one hopes).

Film-makers, naturally, but also documentary film-makers, bang on about the ‘narrative’ and the ‘story.’

This is how facts, whether naturally linear or not, need to be presented, if an audience, or a larger part of that audience, are to be suitably engaged by a topic.

Some months ago there was a news story concerning how much could be expressed in 40 seconds – BBC Radio 4, Today Programme. Any recollections?

Three experts were called and in turn tried to explain:

1) Bing Bang

2) String Theory

3) The Offside Rule in soccer

Bing Bang was pure narrative, like Genesis in the Bible, with a clear beginning, middle and end.

String Theory had a narrative in they way the theory came about, and just about got there.

The Offside Rule didn't even started well, then got hopelessly lost in ifs and buts and maybes. (I got lost at least. Coming to all three equally ignorant I only came away with full understanding of one, some understanding of the second, and barely a clue with the Offside Rule)

The use of scenarios:

  • as a device for determining functionality
  • as a means for engaging users in the stakeholder’s consultation

Having spent too considerable a part of my working life trying to write original screenplays and TV dramas I am versed in writing themes and strategies, storytelling in three acts, with turning points and a climax, antagonists and protagonists.

I use software like Final Draft and Power Structure.

These tools could as easily be used to compose and craft a piece of e-learning. Perhaps I’ll be given the opportunity to do so.

Narrative … is a useful means of imposing order and causality on an otherwise unstructured and unconnected set of events, but it also means that some detail is omitted in order to fit into the narrative, and other factors are only considered in the limited sense in which they can be accommodated with the narrative.’ Weller (2009:48)

Writing a narrative, for a novel or screenplay, is to some degree formulaic.

Is design of e-learning as straight-forward?

A decade ago it looked complex, five years ago with HTML code package in plug-ins and excellent ‘off-the-shelf’ software coming along the process appeared less out of reach.

Today I wonder if it is more matter-of-fact than some make out?

Addressing problems, devising a plan (a synopsis, then a treatment), threading it together … maybe its having it operate apart from the tutor or lecturer or teacher is what concerns you (teachers, lectures, profs). You are the ones who must learn to ‘let go of your baby,’ to have an actor or presenter deliver your lines. Once, and well. Or write in a team, as writers on a soap opera.

It works to follow the pattern rather than break it.

It strikes me that in e-learning design there may be only a few structures to cover most topics – really, there can only be so many ways to tell/teach/help someone understand a concept … or to do something, and remember the facts, the arguments and concepts … to be able to do it, repeatedly, build on this and even develop an idea independently to the next stage or level.

There is little meat on a popular documentary

There are micro-narratives and their are journeys, some more literal than others, for example, currently there’s a BBC documentary series, ‘The Normans’ and the third or so series of ‘Coast.’

From an educational point of view, what do audiences ‘learn’ from these programmes?

Can they typically recall anything at all, or do we/are we semi-conscious when watching TV, leaning back, not leaning forward, mentally as alert as someone smoking a joint. (Apocryphal or true?)

Try reading the script, try transcribing what is said and look at how far it goes.

Not very far at all.

Such programmes/series can be a catalyst to go to the website or buy the books, but otherwise the information is extremely thin, predictable and ‘safe.’)

If only links could be embedded into the programme so that as you view the programme relevant pages from the Internet wold automatically be called up.

Do you watch TV with a laptop?

Many do. Traders can manage several screens at a time, why not as mere mortals too?It becomes more engaging when you field of vision is nothing but screens, on topic. My preferred way of working is to have two screens, two computers, a mac and a PC, side by side. They do different things, they behave in different ways. I have a team of two, not one.

The medium may introduce a topic or theme, but there is little meat on the bone and we can be swayed by:

  • bias
  • the view of the author/presenter/channel
    • (commissioning editor)
  • negative or positive

(For any longer list of concerns take a course in media studies.)

And if its on a commercial channel there are interruptions for adverts, while even the BBC chase ratings.

Even seen a lecturer take a commercial break

How about the some rich e-learning sponsored by Lucoxade, Andrex or Persil?

This is how schools receive interactive cd-rom and online websites ‘for free.’

REFERENCE

Weller, M. (2007) Virtual Learning Environment. using, choosing and developing your VLE.

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