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Christopher Douce

A334 Journal - May 2025

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2 May 2025

Finally, a negative covid test.

Despite having a covid addled brain, over the last couple of days I’ve managed to corral together quite a significant bunch of quotes from a range of different sources for my EMA which is due at the end of the month. The reason for doing this is to try to figure out what different critics think about the two texts I’ve chosen, before going ahead and doing a final re-read of my choices, and finally coming to a view about what I think. The challenge I’m facing is that that I’ve never felt that I’ve been any good at history. A bit of a blind spot I have is knowing much about all the various British kings and queens. This said, the more I read, the more bits of it start to make sense. An interesting reflection is that some of the themes from level 1 are now beginning to find their way to level 3.

Here's my plan: let everything sit with me for a couple of days. When I’ve done that, re-read through my 18 pages of notes and quotes, then re-read the texts, and then start to write the EMA; I already feel as if I have a macros structure – it is the detail that need to figure out, and that is pretty important.

6 May 2025

Today is a day of two tutorials. I went to one that took place at around noon. It had focus on drama and the EMA. I think I have more of an understanding about the purpose of the EMA, and what it is looking for, but I’m less certain about how I go about making an argument that works with both of the texts that I’ve chosen. I’ve gone from feeling confident, to less confident.

There’s one tutorial tonight, and another one tomorrow. When I’ve attended both of them I’ll probably start to write, after having a quick look at another couple of references that I’ve picked up from the lunchtime tutorial. I guess this oscillation between certainty and uncertainty accompanies becoming familiar with the principles that underlie a discipline that I haven’t (yet) completely grasped its fundamentals. I feel like I’m getting there.

7 May 2025

Last night’s tutorial was quite helpful in terms of unpicking the EMA question. I’m going to keep with my texts, since I like them. Our tutor said it’s okay to go with our favourites. 

I have two things to do today: to attend a book 2 summary tutorial that takes place in the evening, and to then try to dig out a couple of extra references to read (although I know I have loads). I think I’m a couple of day away from starting to write my EMA.

10 May 2025

Well, I’ve downloaded those extra resources, and I’ve transferred them to my Kindle, and have thoroughly scribbled on them. I now need to transcribe all my quotes into my notes document. I also have another task, which is to dig out some critical reviews of one of the texts that I’ve chosen. 

Following a determined morning of TMA marking, I’ve just come out of another two A334 EMA preparation tutorials. I missed the majority of the first one, but I’ve downloaded the slides. My to my dismay, one of the presenters shared yet another reference which looks to be of interest. I seem to be creatively procrastinating, doing everything else except for the writing of the EMA.

After the tutorials, I’ve had a listen to an EMA preparation audio which has been prepared by the module team. It didn’t contain any surprises, which is a good thing. I’ve also made a note to listen to another few resources, which can be found on the page ‘learning event summaries’. I think that is going to be this evening’s job, along with some further TMA marking.

What I’m now more certain about is what I’m not going to include within my EMA.

The countdown clock to the final submission date is ticking louder. I don’t yet feel as if I know my chosen texts backwards yet, which is making me feel slightly uncomfortable. I’m nearly there with one of them, but I need to work on the other. I’m sure I’ll get there.

15 May 2025

Well, I’ve got my TMA 5 back. A mixed result. Certainly not one of my best. It is a shame, since I did feel (whilst writing it) that I had submitted a good essay. My tutor left me some helpful feedback. The main comment was that it’s structure (for a literature essay) was a little unconventional. Reflecting on this, I can see his point. It could have been presented differently, to integrate together the philosophical ideas and text from Confessions. Had I done this, I would have produced a more readable essay. I am, however, very secure in my understanding of the sublime, but I am slightly frustrated that I spent so many hours working through Confessions.

I was doing a bit of travelling yesterday. I read a few more critical sources. Whilst reading these, I gathered up a few more ideas that I could use in my EMA. Whilst traveling, I have missed an EMA preparation surgery, but my tutor has already emailed his group saying that a recording is available.

My plan for the next few days, leading up to the weekend (which is going to be an EMA writing weekend) is: continue to read critical sources. By the time I get to Saturday morning, I should be more or less ready to write.

16 May 2025

I’ve just listened to that ‘EMA surgery’ tutorial that was run by my tutor. I’m going to attend another day school event that is taking place tomorrow, which is all about drama and close reading. The more events that I attend, and the more general reading that I do, the less confident I feel in my ability to write an essay that meets the assessment criteria. I want to write something interesting, which does the texts justice, but I’m feeling a long way away from that. Perhaps this is a lull of confidence that one has whilst building up towards something that is going to finish soon. It’s a curious feeling.

No matter what happens on the day school tomorrow, I’m going to be starting my writing. I can’t carry on reading more and more, although I do feel as if I’m learning more and more. I need to figure out what my position is, and get into the texts to choose some sections to demonstrate close reading. I’ve got a rough idea of what I want to write, but the difficulty is that I don’t think it is what the module team are looking for – and I don’t really know how to get out of that rut.

I think the key in all this will be the importance of cutting, which was a significant point mentioned in our surgery.

Addendum: towards the end of the day, another resource was suggested to me; a series of podcasts by Emma Smith called Approaching Shakespeare. I’m hoping to listen to one of them, just in time for the EMA.

19 May 2025

I’m nearly done. I spent Saturday morning in the day school, and a bit of the afternoon creating an EMA document and starting writing. On Sunday, I got properly stuck in. Although I didn’t do any significant essay planning other than creating a skeleton structure within my EMA document, I did have a rough idea of what I was going to write about.

On Saturday evening, I was wracked with self-doubt and questioning. I felt as if the two texts that I had chosen wouldn’t work together and that perhaps there might have been better choices. By the time I got to Sunday evening, this had changed; I had found a way to make them complement each other – I can now see (and hopefully the examiner will see) how they are related to each other.

My next step is to leave everything for a few days, to let my thoughts settle, and then turn to the final bits of editing. I’m 200 words shy of a final word count. Although I think I know what I want to add, I’m currently too close to what I’ve written to make an objective decision about what might work more effectively. I’m looking forward to getting everything in and finishing. The EMA writing has been a bit of a roller coaster.

20 May 2025

It was nearly 3am in the morning. I had been thinking about my EMA. I had a vague notion that I should strengthen some of the points that I feel I had been implicitly trying to make in my essay. I came to the view that I needed for foreground a couple of points. In the space between wakefulness and sleep, I sent myself a sketchy email from my phone, put on the latest episode of In Our Time, which was about the development of copyright, and fell asleep on the sofa.

Yesterday evening I submitted my unedited EMA, with the view that if were I to suffer a catastrophic IT failure, something would be in the system. I have a printout of it. Either tomorrow or the day after, I’m going to do my final edits, and try to take account of the vague ideas that I’ve sent myself.

I’m really looking forward to getting this all done. I’m also looking forward to summer, my final module, and reading George Elliot.

22 May 2025

An update has gone in.

I can’t seem to leave my EMA alone. Last night I had a thought about an additional sentence I could add, which may have clarified one of the points that I was trying to make. A quick set of edits, and then a resubmission.

I dipped in and out of the ‘write now’ tutorial. I felt as if I started to overthink, and question every single sentence I had written. I should try to relax.

23 May 2025

I can’t leave it alone. I made another couple of edits and resubmissions. Mostly typographical changes; cutting a word here, adding a word there. I think I’m only going to relax when the submission day has ticked over.

Here’s a few curious numbers which I thought I would share:

My Kindle A334 category contains 84 items. This includes set texts, module materials, critical sources and secondary readings.

I have collected 43 presentations (PDFs or PowerPoints) from the various tutorials that have taken place during the course of the module. Some of these are module wide events, other are tutorials events. I can’t say for certain whether I’ve been to all of these, but I’ve certainly been to a good number of them.

I went a bit overboard with my EMA reading, downloading 33 articles which relate to the EMA question (in one way or another) and both of the set texts. There’s a huge amount of scholarship and opinion out there. A challenge that I’ve had is deciding on what I think, and trying to express it with a degree of confidence. The process of reading, and writing for the assignments is, of course, a very big bit of the learning.

The official module guidance is that students should spend around 16 hours per week on their studies (I’ve not looked this up; it might even be more, but this number is sticking in my memory for some reason). I don’t think I’ve done as much as 16 hours (I feel as if I’m experienced student), but it’s not too far from it. There were some weeks that were lighter than others.

It’s one more day closer to the end of the module.

It’s time to get back to my day job. 

29 May 2025

Well, this is it; the final day of the module presentation.

Over the last week and on long(ish) cycle rides, I’ve been trying to think about what else I could have included in my EMA. I’ve got nothing. I’ve submitted no further updates or corrections. It’s time to let it go.

How I feel about these level 3 modules is different to how I feel about level 2 modules. I was surprised at how well I did in the level 2 modules. This led me to gaining a feeling of confidence. In turn, I became thoroughly invested in wanting to do well for the level 3 modules, although they were clearly harder.

There’s one thing that I still need to focus on, and a couple of take away points that strike me as really important. 

The thing that I need to focus on is to develop a more detailed understanding of the notion of ‘an argument’ and what this means in literature essays. I understand that it means adopting a particular point of view, expressing that view, and backing it up with evidence (from texts and sources) to substantiate that view. What I’ve struggled with is the interpretation of essay titles and choosing a point of view. I don’t (yet) have the confidence to go too far from the core of the essay since I don’t want to go off topic. There’s a subtlety to all this that I haven’t yet resolved. All this might well depend on the question that is asked and how I relate to it.

Here's my couple of take away points. With English essays, whilst it is important to clearly demonstrate your understanding of texts and critics to satisfy essential learning outcomes, essay structure is even more important. How you write your essays is more important than what you say within your essays. This makes sense. After all, it’s all about communication and how you express yourself.

I’ve added ‘results day’ into my diary. I’ve started an A335 blog. I’ve also looked at what other modules I might be able to study if I don’t get the grade that I’m hoping for from this module. You see, I’m now thoroughly invested.

Many thanks to my tutor (who has been very good), the module team, and fellow A334 students (you lot on the WhatsApp group have been amazing). It’s been hard work. I feel as if I've learnt a lot.

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Christopher Douce

A334 Journal - April 2025

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Edited by Christopher Douce, Friday, 2 May 2025, 14:32

8 April 2025

Well, my TMA 4 result came in, and I’m pretty pleased with the score. I did a bit better than I thought I did, bearing in mind my TMA 3 score. This leaves TMA 5 to do.

I’ve missed a few tutorials recently, and I’ve just bailed out of another one which was about Austen. I think I’m quite mentally tired from everything I’ve been doing recently.

I’ve also finished Confessions, which is a relief. My next step is to work through all the audio bookmarks I’ve selected, and then relate them to the printed text. I have started to go through some of the secondary readings I’ve downloaded. One was a waste of time, but the other was quite surprising; the critic had chosen exactly the same passage I had chosen, but now I’ve got a dilemma. Do I use that same passage and draw on the critics point, or use a different passage? I’ve also got to disentangle Burke and Kant, but I think I’m getting there.

A couple of other things: my registration for A335 is now complete, which is good news. I’ve also downloaded a few articles from various Cambridge Companion texts in anticipation of the EMA. I’ve not transferred them to my Kindle just yet, since I have enough to be getting on with.

Since I’m writing this after lunch, this means that my brain is pretty slow. With this in mind, I’m going to do a bit of semi-mechanical study, which means sorting my Rousseau bookmarks.

9 April 2025

I’ve nearly finished sorting out my Rousseau quotes, which took a bit of doing for one very simple reason: the audiobook version that I’ve been using is a different translation to the Oxford World Classics version that has been recommended to us by the module team! After downloading the Oxford version to my Kindle, I listened to the audio version and did a text search, and couldn’t find any of the passages I had just heard! For a few minutes, I had no idea what was going on. All this meant was that I had to work a bit harder.

I have two more things to do: review some earlier notes about Confessions that I made when I didn’t know how to use the Audible ‘bookmark’ feature, and to connect the passages I’ve selected to the page numbers in my dead tree version of the text.

Although my day job is working with technology, I’m a bit of a technology laggard. This morning, I’ve discovered an interesting podcast called Beyond Shakespeare which looks to be quite an impressive resource. (I also need to start listening to Software Engineering Radio). My next question was: how do I play them on my phone? It turns out I can use Audible, but the interface isn't great, and doesn't let you do easy searching or sorting of podcasts.

10 April 2025

Well, I’ve managed to figure out all the page numbers. It turns out that if you use the Kindle text search feature, it can give you a page number that corresponds to the paper edition, which is really helpful. I’m pretty sure there’s an easier feature, but I haven’t found it yet.

Although this isn’t strictly related to the TMA, I’ve been doing a bit of further exploring around Wikipedia. I’ve found a short biography of a chap called Ira Aldridge. If I was a filmmaker and I had to make a biopic of either Aldridge or Behn, who would I choose? I can’t answer that question. I need to read more about both of them. There’s a link between them both: Aldridge once played an adaption of Behn’s novel Oroonoko. Interestingly, Rousseau had heard about a translation of an adaptation of Oroonoko (p.542; see, I can do page number references now!) Everything is connected, in one way or another. I did a quick search on BBC Sounds, and there’s a couple of programmes about Aldridge, which I’m hoping to find the time to listen to.

Following Behn was an actor and writer called Susanne Centlivre, who has quite a body of work. I’ve never heard of her. Although there’s nothing on BBC Sounds, there a good set of articles about her work in the library, including a biographical summary. Both of her husbands died in duels (she couldn’t half pick ‘em), and apparently ‘played the heroine in her first play, The Perjured Husband’. By the looks of it, her most popular play is The Busie Body. A good search revealed a performance in Southwark in 2012, and a performance in Oxford in 2025. I haven’t found any biographies of Centlivre. I’ll keep looking.

Towards the end of the day, I ended up back at a site called LibriVox, which I first used when listening to recordings of Dubliners. Interesting, it contains plays by both Behn and Centlivre. I had a listen to the start of one play for a couple of minutes. I need to remember this resource.

And another resource; a web database called Theatricalia. A database of historical performances. Now, that’s a cool digital humanities project.

18 April 2025

Whilst on holiday I finished reading Janet Todd’s biography of Aphra Behn. It was a cracking read. I feel as if I’ve learnt a lot, particularly in terms of history, but I have a lot to do to make sense of it all. What I really took away from it all what the way in which Todd detailed the politics of the time, and concerns that influenced what Behn did, and how it influenced the theatre of the time. I found myself doing various Wikipedia searches about various playwrights, kings and characters she mentioned.

With an eye to the EMA, I’ve immediately gone onto a biography of Swift, by Jonathan Damrosch. Although it covers a similar period in history, and points about political machinations are shared, I couldn’t help but feel that Todd covers the history in greater depth. I’ve not got too far into it, but there’s a clear sense that Behn was hugely more accomplished. I read an interesting section where Swift tries to write Pindarics (a form of celebratory poetry), and the overwhelming view was what Swift wasn’t very good at this, whilst Behn clearly excelled. As I read, I’m going to highlight bits that might connect to the EMA question.

Turning to my final TMA, I’ve started to put my ducks in a row. I’m hoping to spend a few hours today making sense of all my highlights. I’ve even gone so far as reading bits of a Roman text (but obviously not in the original Latin). There’s also a tutorial to listen to, which I hope is going to be helpful.

I feel that I vaguely know what I’m doing for TMA 5. I have just got to go ahead and do it. 

23 April 2025

I did manage to submit my TMA 5, which I was really pleased about. It was a nice break, but I could have done without catching a joyous combination of norovirus and covid-19, which has been somewhat frustrating and debilitating. I was going to see a production of Richard II at The Bridge theatre, which I was really looking forward to, but all that has been put on hold.

I now think I’m on the mend. I’ve booted up my laptop to read over my TMA, make a few edits, and read over my TMA 1 again. The reason for looking over my TMA 1 again is to make sure that I’m not going to be repeating myself when I get to my EMA. I might also have a rummage in the library to see whether I can find some useful papers. On my informal to do list is a look through the Norton book on literary theory and a listen of a couple of tutorials I’ve missed.

Whilst on my norovirus and covid death bed, I watched an adaptation of Persuasion, which was quite helpful. I was struggling with the audio book when it got to the later chapters; I had no idea what is going on. I’m still waiting to fall in love with Austen (as some of my fellow students clearly are), but it isn’t quite happening. It might still happen.

I also did a tiny amount of prep work for the next module. I listened to an In Our Time podcast about George Elliot. Although I’ve heard of Middlemarch forever, I’ve never read it. It is definitely on my summer reading list.

I nearly forgot; I did finish reading the Swift biography. The final chapters emitted sadness. It makes me want to visit St Patrick’s Cathedral in Dublin to see where Swift was dean.

I’ll have to see how far I get today. I don’t think I’m going to be doing very much.

28 April 2025

I’m still sick from Covid. I seem to be chased by a low grade temperature. I’ve taken to having walks around my local park, to try to get my body moving again, whilst listening to podcasts about Oliver Cromwell. My reason for torturing myself with this is twofold: the first is that this is a bit of history that I have never studied, and I thought it would be useful to learn a bit more to learn about puritanism and its impact on restoration theatre (which has, unexpectedly, become a geeky interest). There’s also a link to the forthcoming EMA which is all about the link between history and literature.

On the topic of the EMA, I’ve annotated a whole bunch of papers using my Kindle, which I now need to make sense of, and figure out whether I need to download any more. I’ve also discovered that there’s some source materials in the back of one of the texts I’ve selected. I’ve also read through some really useful articles that I’ve found in my Norton book.

Now that I’ve created a template document, and have created a table of contents to structure my EMA, I’m going to reference everything that I might possibly need in the EMA. When I’ve done this, I’ll probably start to pull out a whole bunch of quotes. Then I’ll have a direction of travel.

One thing I’m not sure about is to how to reference my independent study work. Having a quick look through a summary of the study options, I do recognise the additional reading I’ve done what accompany the texts I’ve chosen. I think this means that I should be okay.

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Christopher Douce

A334 Journal - October 2024

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7 October 2024

Three days in, and I feel that I’m getting behind!

This said, I’ve just made a couple of forum posts. One related to the notion of ‘the author’, the other was a summary of musicals I’ve recently seen. I have, however, tried to link my post to theme of the module. I even shared a link to a famous song from Kiss Me Kate

13 October 2024

Last night was our first tutorial. I made notes of a number of points and tips:

  • Review Section 3.3 What your mark means, and Section 4.7 Using the Critics, both from the assessment guide. Another tip was to have a read of the English Literature Toolkit, which offers some comments about what an English essay is all about.
  • From TMA 2 onwards, it is useful to connect your independent study to your essay and text choices. A point here is that you don’t (of course) have to do all the independent study options. Study strategically. Do what is useful for you.
  • When writing your essay, beware of summarising articles or points that are shared by critics. It is more important to apply what they say within an argument. Use what you need to use to answer the question that is being asked.
  • When looking for materials, consider the diversity of materials. If you’re discussing a play, you might want to consider productions of plays at different periods of time. This enables you to gain a wider perspective, which can be useful for discussing critical points of contrast.
  • Use peer reviewed sources and articles, rather than using informal articles that you might find in blogs.
  • If you find articles which present opposing views, choose your own position, and don’t be afraid to state what this is. How you relate to a text is important.
  • Don’t make excessive notes. Make notes with a purpose, which is to help with answering of the assignment questions.
  • Avoid generative AI. It makes things up, and it isn’t transparent about the sources it uses.
  • Use the module glossary, which is a really useful resource, and read the optional Introducing Renaissance Rhetoric resource.
  • When doing close reading, consider the effect of what is done; don’t just identify the technical effects that are applied.

A really useful tutorial!

With these summarised, it’s back to the tutor group forum, and then a brief look at the module materials to remind myself of where I got to, and the TMA 1 submission date. After then, it’ll be back to looking at the materials for the module that I’m chairing.

A quick update: I’ve emailed the Introducing Renaissance Rhetoric resource to my Kindle. As I’ve done this, I’ve written this short blog: Studying with the Kindle continued…  The convert option is really useful.

Another quick update, a few hours after the above edit: our tutor has sent a link to a useful site, the Writing Centre, which is a part of the Undergraduate arts and humanities study website (There is one of these for the Computing and IT programme, but I’ve not looked at it for a while).

The key resources have the following headings: writing for assessments, skills toolkits, Write now! (which appears to be a bunch of tips), Referencing and Developing academic English. 

Clicking into the Study Skills Workshops takes me to a page which presents a whole range of events I’ve never seen before; events that relate to academic practice, planning and researching, quoting and paraphrasing, and writing skills. It looks like there are loads of recordings available.

14 October 2024

I’ve been properly reading chapter 1, and I’ve looked ahead to the independent study materials for chapters 2 and 3. I’m starting to think about the independent study options, and there’s a lot that I want to do. I want to watch a Drama Online production of Titus Andronicus (and read the play at the same time), find out more about Thomas Kyd (I remember reading that he shared a room with Marlowe, and was a scribe as well as a playwright), and listen to the additional audio materials that are on the module website. Decisions decisions.

I need to properly read chapter 2.  I’ll try to do that tomorrow.

I also need to get back to my day job.

15 October 2024

I’ve had a proper go through of chapter 2, but I’ve not spent as much time on the activities as I should have done, but I can always go back to them if it looks like they might help with the TMAs. 

There’s some useful pointers to read the introduction of that Hattaway edition of As You Like It, particularly with respect to its interpretations.

I was curious about references to Johnson’s play Every Man in his Humour (Wikipedia). It looks like there isn’t a production of this available through Drama Online (there is only a production of Volpone, which I know nothing about).

I’m just about to go off-piste with respect to my independent study. Although I did mention that I might watch Titus Andronicus through Drama Online, I have booked to see Coriolanus tomorrow at The National. After hearing a rumour that it wasn’t very good, I’ve skim read some reviews and by the looks of it, it doesn’t sound too terrible.

Next up, the online materials for the following week, chapter 3, and the independent study activities.

16 October 2024

I’ve had a quick read of chapter 3, but it really is a quick read. I remember bits of it from the even quicker read through that I did over the summer. I know what I need to do next, which is read The Spanish Tragedy again. There’s a lot of action that I don’t really follow.

I went into one of the independent study activities; looking up Kyd’s biography in the Oxford Dictionary of National Biography, making a few notes. There was also a suggestion to read a bit of a biography of Marlowe, but there’s another bit of a study activity that I want to do. 

Kyd and Marlowe shared lodgings. Kyd was arrested (I think along with Marlowe) and was possibly tortured. He died in 1594, not long after getting out of prison. He was buried at St Mary Cole Church.

I looked this place up. It doesn’t exist anymore, having been destroyed in the great fire of London in 1666. There is, however, a plaque which is reminder of its location, which can be found on the corner of Poultry and Old Jewry, not too far from Bank underground station.

His biography suggested a few firsts: the first Machiavellian villain in a play, the first play within a play, and use of ‘robust blank verse’.

Another memory of my morning reading is that Shakespeare may have contributed a bit of text to a version of Kyd’s play. I haven’t got the connections and the detail secure in my head just yet.

In all this distant history, there’s some suggestion about Kyd may have written an earlier version of Hamlet, but I’ve heard that all this is speculation. I think we’ve got this to come in the module materials.

17 October 2024

Okay, I enjoyed the production of Coriolanus that I saw last night.

Pretending to be a grumpy critic, I did feel that the production didn’t really know what it wanted to be. It was broadly supposed to be set in a museum, but made use of video effects too, and there were these later scenes which I didn’t really understand where there were these weird costumes, and lots of fire going on in the background. The play was hugely political, in the sense that it was all about keeping people onside. I guess there’s a strong link to the dangers of the use of rhetoric. I’m glad I saw it. I’ve read a couple of reviews, and they’ve been mostly positive.

Anyway, back to the module materials. This morning, I went through the module team’s selected recordings of The Spanish Tragedy, making a bunch of notes. I’ve not (yet) read it properly, but I might have another listen of the Radio 3 production, and have a good read of the introductory notes. I really like Kyd’s use of language. I’m struck by the poetry he uses in the seduction scene in act 2. I do feel that I’m quite a long way away to really understanding it properly, but I’m making steps towards figuring it out.

I kind of want to watch Titus Andronicus, but it might leave me mildly traumatised, like the time I watched Dr Faustus

A final reflection: I’m really enjoying this first bit of the module, which made me have the opposing thought of ‘I’m really not looking forward to the part when we get to Austen’.

20 October 2024

On Friday 18 October, I took a trip to the 2024 arts and humanities study day, writing everything up yesterday evening. At around the same time of doing this, I also tried to get my lever arch file together. Over the last few days or so I’ve been trying to listen to The Spanish Tragedy. I’m still a long way from figuring out what is happening to whom.

22 October 2024

I’ve started to listen to the tutorial that I missed on the 17th. Its focus is on close reading and the use of the OED. I made a note of the first two points, before I had to stop; I’m too tired. It’s been a difficult day. Balancing work and study is challenging.

28 October 2024

My study continues to be fractured due to personal circumstances (I’ve been helping my mum). It has taken me three goes to listen to the second introductory tutorial, which was very helpful. It covered two things: close reading skills, and the use of the Oxford English Dictionary. On the subject of the dictionary and accessing resources from the OU library, our tutor directed us to a useful browser extension, which saves us from having to access article databases without having to go via the library website. After an earlier listen of the tutorial, I installed it. I’ll see how I go.

On the subject of close reading, I noted down the following points: first impressions, identification of words that led to the first impression, what words most significantly contribute towards the theme of a passage, consider the style of language, and to critically make use of checklists. Some other tips included try reading it out, try copying the text, and make use of the set text edition.

I picked up on the suggestion of the set text, and in my independent study time I’ve been reading through the introduction of As You Like It. It’s very dense and hard going, so I’m just skim reading it at the moment, just to get a feel for it. I don’t think I like it; it’s work.

A final note for today. I like the look of the forum activities that were started over the weekend. I think it was these that made me realise that I’ve got a whole lot of learning to do.

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