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A111 Journal – January 2021

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Edited by Christopher Douce, Monday, 1 Feb 2021, 09:26

1 Jan 21

I have a few things I want to finish off before having a good look at the TMA questions again. The first thing is the online section about the set text: The Faber Book of Beasts.

We were set an activity: to create a mini anthology of five poems. I went over the table of contents of the book a number of times, and looked at a few, before settling on an animal related theme. 

The next bit was a discussion about the concept of conceit, and what it means in the context of poetry. I had never heard this term before (other than within the word conceited). One poem was used to demonstrate the idea that a conceit is a “turn of thought” or an “artistic device or concept” (p.182) 

The final bit was a return to the online materials, where we were introduced to the Oxford English Dictionary, Oxford Dictionary of National Biography and Oxford Art Online. I had once used a physical version of the OED, but I hadn’t heard of the other two. 

That’s enough for today.

2 Jan 21

I’ve been misunderstanding things! I thought we had to answer two questions for this TMA; instead, we’ve just got to answer one of them!

In some ways, I’m relieved, but I’m also slightly disappointed that the course isn’t forcing me (in a good way) to really look at another topic in detail.  This said, there’s nothing stopping me from carrying out some independent study.

I’ve made good progress today; I’ve made a rough plan, I’ve started a story, and I’ve made some notes about what I’ve been thinking as I progress. 

9 Jan 21

It seems like I’ve had an accidental short break from everything, which coincides with my first week back at work, following the new year break.

Today is the day of a tutorial. Unfortunately, I arrived half an hour late to a session on Roman and Greek sculpture. I made a note of the phrase that it isn’t about just copying the forms of the sculpture, but recreating and engaging in a symbolic dialogue with the artefacts. There was also a discussion about how the sculptures may have been used, and what they symbolised.

Next up was a section about poetry. 

We were asked the question: what is poetry? And also: how do we recognise a poem when we wee one? We were put into breakout rooms, and asked to discuss some short poems from the set texts. A quite enjoyed this activity, and was quite surprised at the range of different interpretations everyone came up with.

I took away an important point from this tutorial: do remember to include an essay plan for TMA 3.

13 Jan 21

Another day, another tutorial. This time it was a session about creative writing and The Blues. Unfortunately, due to internet connectivity issues, the session had to be cut short. Our tutor dropped out a few times, and there was sometimes a bit of audio lag.

Key points I took away was that there are different ways to define a short story, and there are different definitions for the terms story and plot; a story relates to what happens, an event or circumstance whereas a plot is all about why something happens.

Points to bear in mind when writing a short story includes what happens (story), who things happen to (character), where things happen (place), how and why things happen (plot), and why everything matters.

23 Jan 21

For TMA 3 we have to choose a tradition and make a short post to a discussion forum. Before making my choice, I did a bit of reading, on a popular online encyclopaedia. I became quite engrossed in the subject, and started to look at the references at the bottom of each of the articles. I ended up choosing a subject that I hadn’t really thought of as a tradition before. I remembered that the tradition that I focussed on was also very briefly addressed in the previous tutorial. I’m now looking forward to seeing what other students submit.

It’s back onto my short story. I had completely forgotten where I got to. Before I begin my writing, I prepare a cup of tea to keep me going. I find that tea always helps. There’s something in it that helps you (one) to concentrate.

30 Jan 21

I’ve finished my story. I’m pretty pleased with it. A friend has kindly read it. He has given me a few comments which I’m very grateful for. The process of reflecting on those comments will feed into the reflective bit of the TMA.

I’ve spent a couple of hours revisiting the chapter on creative writing, and rereading the TMA questions just to make sure I’ve got a thorough handle on what is required. 

Although I have done some planning for my writing, it was all very informal – and I think I’m going to have to say this in the TMA. I’m also going to have to have a think about the effect of what my formal planning had on my final version of my story.

Looking back on what I’ve written, I think I’ve managed to address the key ingredients that the TMA was asking for. I’ve also managed to include a couple of surprises too.

On Monday I’m going to send a couple of replies to posts other students have made about the theme of 'tradition', choose the reply I like best, and start to pull together my TMA 3 submission.

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A111 Journal – December 2020

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Edited by Christopher Douce, Saturday, 2 Jan 2021, 09:53

1 Dec 20

I divide an empty TMA document into three sections, ready for writing. With my notes now navigable, I transfer some of the key terms from the module materials into my TMA document to remember what they are. 

I begin with the Mozart section. I listen to the fragment and note down some transitions and times.

It’s time to return to my day job.

4 Dec 20

I must have listened to the sound fragment around 15 times. I quite enjoyed describing the piece of music. I realised I need to simplify my writing to reflect its structure. There was a moment where I felt I understood what the module team were trying to ask us to discover.

Next up: Dickens. I minimise Outlook, minimise my web browser and reach for the text I’ve got to analyse for the TMA question.

It’s not long before I analyse the narrative voice, and then I quickly run out of steam. I need to return to the module materials to get a few more ideas about what analysing literature means.

6 Dec 20

I print out my draft TMA 2 and do some copy editing with a pen and paper. Next step: make those changes in the Word version. As I go, I tick off all those copy edits with a different coloured pen as I go. Final step: submit TMA 2, with just under a week to go before the deadline.

12 Dec 20

Today is the day when the iCMA opens. I work through the materials on academic conduct (which I feel pretty confident about), and then dive in to have a go at it. Although I had more planned for today, I was happy with what I had achieved: completing another bit of the module. 

15 Dec 20

I had one main objective for today: to get through a section about Greek and Roman sculpture. 

Looking at the TMA 3, I’m thinking of answering the question about Blues or Creative Writing. This said, I thought it would be important to read through all the other chapters in the second book to learn some new things, and to be open to the possibility that I might become interested in the other disciplines.

I made notes about the concept of ‘traditions’, which is described in the introduction; that it is about ‘handing things over’, and relates to “customs, artistic styles, ideas, practices or beliefs”. There was also the point that traditions can “enrich our experience of the contemporary world” (p.4). 

Onto the module materials; I was introduced to a bunch of terms: Greek, Roman, Greco-Roman, Ancient and Classical. Other terms include “votive offerings” and a section entitled “kouroi and korai”. There were differences in forms, and differences in poses.

I quite enjoyed watching the videos that describe how three contemporary artists have been included by ancient sculpture.

The final bit of today: a study skills section about referencing.

Next bit; the bit that I’m really looking forward to: the blues.

19 Dec 20

I’ve spent a few hours over the last week going through the online version of the module materials that relate to the blues. 

I can immediately recognise a traditional blues song when it is played, but I was never really consciously aware of its structure. In this section we learnt about the origins of the blues, the themes that are generally explored, listened to a number of tracks. We were introduced to the concept of scales, chords, and how they relate to the 12-bar blues structure. Although I had a sketchy idea of some of these concepts, it was good to read a formal definition.

During this week there were tracks by The Beatles, Gershwin, Queen, Robert Petway, Mamie Smith, W. C. Handy, Johnny Cash, and references to B.B. King, Bessie Smith and Blind Lemon Jefferson. It was a really nice mixture.

Towards the end of this section, there was another bit about study skills, and how I went about planning the writing of assessments. It turns out that we have to submit a plan as a part of the next assessment.

There are two things that I want to look up. The first is: what modules are there on the music pathway; I’m curious. Secondly: what, exactly, have we got to do for the next TMA? 

I’m looking forward to the next chapter, which is all about creative writing.

28 Dec 20

I read the section on creative writing (without making notes), a few days after the above entry. I also went through the online materials. I particularly liked the audio recording of the short story. Some points from the creative writing section I need to take away: character, imagery and setting, point of view, time, and showing and telling (with an emphasis on showing, so the reader figures things out) (p.136-137). 

I feel a bit guilty about not explicitly completing the activities in the module materials (I know they’re important since they help us to prepare for the assessment), but I’m thinking I’ll go back to them if I choose the creative writing question for the TMA.

The next section is all about reading poetry.

We’re introduced to poems by Hardy, Blake, Donne, and Bishop, before I went to the online materials. Key terms I picked up on were: metaphor (obviously), simile (which was called a type of metaphor), anthropomorphism (which was also under the heading of metaphor), form, conceit, free verse, iambic tetrameter, trimeter and pentameter. 

I quite like the poetry section. I see them as descriptive puzzles that express something, which are there to be decoded and analysed. The more one studies them, the more they can speak to us.

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