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Steven Oliver

'Rational Recreation' in 'Shock City'...

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Edited by Steven Oliver, Sunday 8 February 2026 at 17:19

I'd been hoping to get over the pennines for an 'A225-visit' to Manchester and finally got the chance for a whistle-stop tour early in 2026. 

First location was Manchester Art Gallery which holds one of two copies of Ford Madox Brown's 'Work', which graces the cover of 'Confidence and Crisis'. I've loved this painting for years and I see a little more every time. There are some good resources about it on the Manchester Gallery website.

What was really exciting this time though was to see a relatively recently acquired companion piece - 'Woman's Work - a medley' by Florence Claxton. Whilst Florence may not have known about Ford's painting they sit fantastically together. Claxton satirises the restricted working opportunities for women in a whole variety of ways (in Ford Madox Brown's painting women are at most able to give out some temperance leaflets or get hauled away by the police for selling fruit.)

The detail in Florence Claxton's painting is again fascinating - above the male 'false idol' reclining on his throne you can read 'The proper study of womankind is ...man' 😂

Next stop, Manchester Free Trade Hall. (If anyone wants a flashback to A113 and the sixties - it will be sixty years ago exactly in May since the famous cry of 'Judas' rang out there as the crowd reacted to Bob Dylan's abandonment of acoustic performance!) This was built in the mid-1850s to commemorate the repeal of the Corn Laws in 1846.

Land for the building was given by cotton manufacturer Richard Cobden, who was elected an MP with the support of the Anti-Corn Law League.

There's iconography across the building celebrating the advantages of 'free trade' and you can see the Anti-Corn Law League symbol of wheat sheafs in the detail below.

The building stands on what was once St Peter's Field, the location of 'Peterloo' - there is a commemorative plaque to mark this and just around the corner, in front of the Convention centre, is a specific memorial that was completed in 2019 for the two hundredth anniversary...

The symbolism on the Peterloo Memorial is again rich, detailed and political. There are images of tools and weaving paraphernalia, linked hands and a compass indicating the direction and distance of other public protests that were met with state violence: Blood Sunday in Northern Ireland, Tiananmen Square, Jallianwala Bagh/Amritsar... The steps commemorate individuals who died at Peterloo and the communities that participated. 

By lunch I'd made it to the Science and Industry Museum - the machinery was surrounded by screaming children, but now on trips from schools that equivalent 19th century Mancunian youth couldn't have imagined, and the screams were (as far as I could tell) of laughter... 

Next on my itinerary was the People's History Museum, which is an A225 'must-see' if you're in Manchester. 

There's just so much packed into a couple of galleries - and thanks to the OU and A225 - I found so much of it had interest and meaning. The following are just a few snaps of the material that was there.

Tom Paine's death mask and the table on which he wrote 'Rights of Man'...

Ceramic commemoration of Peterloo, with reference to the radical journal 'Black Dwarf' and 'Orator Hunt'...

Tin Plate Workers Society banner, from 1821. The museum has a fantastic array of flags and banners from groups and protests across the last two hundred years. This is their oldest union banner - I found it interesting to think what message they wanted to give by prominently including the Union Flag, perhaps that their aims were aligned with the 'true' national interest?

Outside again for perhaps a surprising figure - 'Honest Abe' stands tall in Lincoln Square. Originally destined for Parliament Square this statue ended up in Manchester when an alternative version was prefered for the London site. Local Manchester authorities argued that it should celebrate the response (welcomed by Lincoln at the time) of Lancashire textile workers to the 'Cotton Famine' in the 1860s.

We may study the past, but we live in the present.

Lincoln Square is the location for a 'camp' of homeless people, apparently 'migrants' who have been moved around a number of public spaces in Manchester in recent years.

My final stopping place was Chethams Library (it's Cheethams - I of course guessed it wrong first time 😂)  Originally a religious house, it was acquired by a very wealthy Manchester merchant, Humphrey Chetham, in the 17th century - whose will established a school and library in 1653.

This was a lovely place to think back on A223 and the growth and influence of the printed word across society. 

Humphrey Chetham also funded a number of chained libraries for local parish churches - stocked with Godly reading for local congregations (interesting to think who could have actually accessed these).

But it wasn't all A223 - there's one fabulous link to A225 in this little alcove...

In 1845 this was the regular meeting and study space for .... Karl Marx and Friedrich Engels. 

Outside the 'Hungry Forties' were biting hard in Manchester, here they would chiefly read economics texts from the library and discuss ideas that became the basis for the Communist Manifesto written a couple of years later. 

Have to say it was an exhausting day - but great fun. Of course Manchester was also a key site in the Women's Suffrage movement, so perhaps I might try and get back for a visit to the Pankhurst Museum watch this space! 😀

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Steven Oliver

Wilberforce: abolition and politician

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Edited by Steven Oliver, Sunday 11 January 2026 at 16:45

I only live a few miles from the village of Wilberfoss in the East Riding where William Wilberforce's family had their roots, he went to school in the nearest town of Pocklington and of course Hull, his birthplace and first electoral seat isn't far away - so felt obliged to go on a bit of field trip in December 2025, in the end it stretched over a couple of days 😀

The column below was erected in Hull in 1834-5 shortly after Wilberforce's death - the first stone was laid on the day the Abolition Act came into effect. This is its second location - it was moved in 1935 during a period of urban reorganisation.

This is Wilberforce House - birthplace of William, the son of a local merchant who traded mainly with the Baltic ports. It's not obvious here, but the house essentially backs on to the river Hull - very close to business. A more mature William is shown in the imposing statue - however I'm not sure he was really a very physically imposing man, certainly described as a 'shrimp' at one political meeting. 

The house is home to a museum which largely focuses on the story of transatlantic slavery. Although of course there is a lot of 'Wilberforce' content I think they do a pretty good job of presenting a well rounded picture, with a strong focus on the experience and voices of enslaved people and plenty of coverage of the extra-parliamentary abolition campaign.

The image of the 'Brookes Ship' is probably very familiar - showing crowded bodies packed on a slave ship - but I'd not seen a 3D model before. Thomas Clarkson had this one made for Wilberforce to show in parliament. 

There is also a reconstruction of Thomas Clarkson's Chest - another example of the campaigning inventiveness the abolitionists showed. This displayed potential African goods that might form the basis of trade as an alternative to the purchase of enslaved people - lower layers of the chest contained shocking instruments of punishment and restraint.

Couldn't resist a bit of A111 reminiscence - here's a display of manillas - brass traded with West African communities. 

Even more directly connected to A111 and the art of Benin - the museum (for now) holds one 'Benin Bronze'. Plenty of history layered on this object - it was salvaged in its current state from the wreckage of Hull's Museum, which was completely destroyed during WWII bombing.

Day 2 of my Wilberforce-athon was today in York University library archives (I'm always astounded at what you can just request to see as a member of the public) and focused more on his life as a politician - in an as yet very unreformed parliamentary world.

For most of his time in parliament Wilberforce represented the County of Yorkshire (then with two seats) and sat as an 'independent' (though he was probably best described as a Tory). 

Shortly after the abolition of the slave trade in 1807 an election was called - Wilberforce had been elected five times before, but none of those occasions had actually required anyone going to the polls. In fact no one had voted in the County of Yorkshire since 1742!

On this occasion there was a 3-way contest - and it all got very exciting - and very expensive. Wilberforce raised his expenses via a public appeal - and ended up spending the equivalent of around £1¾ million in today's prices, his opponents each spent over £6 million each (of their families money). [If you wanted a shortish read about the election there's a great blog about it here from the Eighteenth-Century Political Participation & Electoral Culture project]

The object below is catalogued in the archive as an 'Election Ticket' from 1807. 

On one side there is an oak wreath and 'Wilberforce for ever'. The other side shows another wreath and the text: 'Humanity is the cause of the people' and 'King and Constitution' (felt there were lots of links possible with the idea of 'imagined communities'!) The medallion obviously allowed you to display your allegiance at the parliamentary election, I wonder whether it was also a marker that might have got you admission to the supporters' bars and refreshments? 

Once an election was over you could relive the best bits of invective and satire collected together in a 'squib book'. This one was produced in 1807 by the editor of the Leeds Mercury, Edward Baines. 

The two other candidates were:

Charles William Wentworth Fitzwilliam, Viscount Milton of Wentworth Woodhouse and Milton Hall (Whig) - He was young, inexperienced and his party supported Catholic emancipation

the Honourable Henry Lascelles of Harewood House (Tory) - He was from Yorkshire's most wealthy plantation owning family, had campaigned against abolition of the slave trade and was against Catholic emancipation.

As the squib book shows their opponents didn't hold back! 

Voting took place in the centre of York over 15 days, with public votes totalled up each day. Wilberforce just sneaked in on top, followed by Milton - in total just over 30,000 votes were cast (people had two votes, but didn't always use both) - the 1801 population of Yorkshire was around 860,000, so democracy was still some way away!

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Steven Oliver

Sites of knowledge/power

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Edited by Steven Oliver, Wednesday 4 February 2026 at 18:33

Got a real dose of 19th century authority in November 2025 on a trip to Ripon, which has museums preserving a prison, police station, court and workhouse!


This building was originally the house of correction and then became the station for Ripon's police force.


There are a series of exhibits in the former cells, explaining the transition from watchmen and constables, through to the uniformed police.


Plenty of material to show how punishment has changed over time - the image below is of a birching stool, this one came from Leeds police station and was last used in 1920. The slats allowed the height to be adjusted; have to say I was a bit shocked at how small a child it had been designed to accommodate.


The courthouse used for petty and quarter sessions is also preserved - it was in use from 1830-1998 (I'm in the dock here, facing the bench!).


Finally, I explored Ripon Union Workhouse - the 'long-stay' facilities are currently being renovated, but it was still possible to explore the large buildings setup for 'vagrants'.


Individuals were allowed a two night stay, were bathed on admission and had their clothes taken away for fumigation before being given access to spartan cells. Wherever possible they had to work whilst in the building and could not then return to Ripon for a prescribed period.


All three buildings were swarming with school trips - made me stop and wonder which aspects of contemporary society are going to be mainstays of educational visits in the future!

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