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Jim McCrory

The Soft Glow of Natsukashii

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Edited by Jim McCrory, Sunday 13 July 2025 at 11:14

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The Soft Glow of Natsukashii

The brain has that ability to through us curve balls. This morning as I woke, a sweet little memory popped out of nowhere. We were eleven. Declan and I went to see a film called The Perils of Pauline (1967) in the Plaza Cinema in Govan, Glasgow. We were both quiet boys, reflective types who didn’t say much to each other on the walk home. But the next evening, he asked, “What do you want to do? Shall we go back and see the movie?”

And so, we did, every evening that week.

The truth was, we were both smitten with the actress, though neither of us dared admit it. That kind of confession was too delicate, too exposing, for two young boys navigating the cusp of adolescence.

I remembered it this morning at six, as I read about the Japanese word natsukashii—a word that holds the warmth of cherished memories, the kind that rise unexpectedly, like mist from the fields, softening everything they touch.

 

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Jim McCrory

Too Young to Choose It

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Edited by Jim McCrory, Thursday 24 July 2025 at 12:24

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Too Young to Choose It

The '70s were the birth of the supermarkets. Safeway, the American chain, was expanding into Scotland. I worked the night shift at Paisley Road West while wondering what choices to make in life. One evening, we had a new employee. 

The night shift procedure was routine: pull out the pallets of stock, spot them in the appropriate aisles, price and pack the items. By the time the stock was cleared—around 3 a.m.—the weariness of the night overwhelmed us. The numbing fatigue was exasperated by the gentle rhythm of the David Bowie song on the radio: “You're too old to lose it, too young to choose it.”

“Okay, you two, start washing the floor,” the night manager said to me and the new boy.

“What part?” the new boy asked.

“All of it,” the manager replied.

The new boy took in a panoramic view of the floor and asked, “All that?” with a look of disbelief.

“All of it,” the boss repeated.

“I’m out of here. I’m getting my jacket.”

He walked into the darkness. A few moments later, he banged on the plate-glass window and shouted, “You’re all a bunch of losers!”

We all turned away and got on with the work, singing “You’re too old to chose it ” to the lyrics of Bowie’s song. I then mused over the remaining hours: What will I do with my life?

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Jim McCrory

Connections

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Edited by Jim McCrory, Saturday 19 July 2025 at 16:08

 

“What is this life if, full of care,

We have no time to stand  and stare" 

 — W.H. Davies

 

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It was back in the days when butchers still had sawdust on the floor—soft, golden curls of it that caught the light from the high windows and made you feel like you were stepping into a workshop more than a shop. I’d shuffle my feet across it, half out of boredom, half out of a compulsion to make something of it. A drawing maybe, or often, I’d write my nickname: Tory. Tory, if you’re asking. It rhymed with McCrory, and like my birth name, it had been designated without my consent. No wonder some girls hold on to their maiden name after marriage. I have gone through life with my name being misspelt, McGrory, McGroarty, McCrorie and so on.

I always fancied changing my name. Something with a bit of flash. I once knew a lad called Ricky Hopkins—now that’s a name with a future. That’s the name of a man whose books would fly off shelves. Names are funny that way. Depending on the era and what hits are playing on the radio, your child might end up a Britney, a Taylor, or a Carrie Ann or Claire. But spare a thought for the poor souls named Alexis, One wrong shout and it’s not your daughter who answers, but some voice from that Amazon gadget from the kitchen asking if you'd like to reorder your gas relief medication.

But back to shopping with Mum.

We’d be in the butcher’s queue, and she’d always get talking to the person in front or behind. It didn’t matter who they were—man, woman, young, old—she had a gift. Soon they’d be deep into a conversation about the price of sirloin or the scandalous cost of haggis. Laughter would spill out and the butcher would glance up with a smirk, knowing he’d have to wait his turn in more ways than one.

Then it would be Mum’s moment, and buying meat was no swift affair. This was a transaction that deserved reverence. A serious squint at the first cut, a slow shake of the head. Then another. And another. And just when you thought the deal was sealed, she’d return to cut number one with a triumphant, “Aye, we’ll go with that.” The butcher, who’d been through this routine a dozen times, would nod as if he’d just closed on a property.

This ritual repeated itself in the greengrocers, then in Curley’s where we got butter and cheese cut fresh from slabs, and even in Woolworths, where she’d lose time talking to a woman about how life isn’t what it used to be.

By the time we caught the 65 bus back to Copeland Road—the trolley bus, as it was commonly known—Mum’s shopping bags were full and her social batteries somehow even fuller. She’d heave her bags onto the seat beside her and, turning to the people behind, saying, “That’s been me all day!” And with that, the chat would start up again. Someone would offer her a humbug. Someone else would ask where she got her cardigan and all the senseless mundane chat would go on.

It was like that, back then. People had time, or maybe they made time. Connections weren’t scheduled or swiped or signed up for. They happened in queues, over lamb chops, between clinks of bus coins and echoes of shoe heels on linoleum.

As we stepped off the bus onto Copeland Road, the street shimmered with the faint smell of coal smoke and Capuano's Fish and  Chip shop. And as if cued by a director, someone called out from the corner of the derelict landscape  behind the house,  “There’s Tory! Hey Tory, fancy joining us for five-a-side?”

And just like that, the world shifted again—from sawdust to football, from Mum’s trolley to a kickabout with friends. Another connection. Another ordinary, unforgettable moment.

I now see the zeitgeist of connection, or lack thereof that has become the norm.  People walking around with headphones and riveted to devices ; unable to communicate. We are heading into Plato's Cave; a world of duality where we don't see nature, the butterfly, the sundown, the gentle conversation with a stranger and the missed romance that never blossomed. (speaking entirely of single people of course). 

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Jim McCrory

On Promises, Cultures, and the Weight of Words

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Edited by Jim McCrory, Saturday 19 July 2025 at 16:44

"A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness."

 

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On Promises, Cultures, and the Weight of Words

 

"When he promises to do something,
    he always does it. " Psalm 15:4.

 

When I was an eleven-year-old kid in Govan, there was a television series that hooked me. It was The Flashing Blade, originally titled Le Chevalier Tempête, and dubbed from French to English by the BBC; a swashbuckling epic. I would sing the theme song, Fight by The Musketeers, at the top of my voice. I knew the names of the characters: the Chevalier de Recci and his faithful servant Guillot. I suppose it offered a kind of escape from the gloom of living on the Clydeside in darker days.

One day, my mother promised we had to go somewhere, but assured me we would be back in time for my next episode. I trusted her. But we weren’t. She got caught up in conversation with a relative, and I missed the programme. I was crushed. It was only a boy’s TV show, perhaps, but the disappointment cut deep because a promise had been broken.

There’s a Dutch saying I’ve come to admire: "Een man een man, een woord een woord" — a man’s a man, a word’s a word. It feels ancient, as though it had been lifted straight from the pages of Scripture or chiselled into stone beside the commandments. The idea that your word is binding, that once spoken it carries moral weight, is deeply ingrained in Dutch culture. Promises are not suggestions. Agreements are not optional. Afspraak is afspraak. An agreement is an agreement.

This cultural ethos, the belief that a promise is in some sense written in stone, stands in sharp contrast to the more casual approach I’ve often observed in my own British culture. We are, I suppose, masters of softening certainty. “I’ll see what I can do,” might well mean no. “Let’s meet soon,” might mean never. It isn’t always dishonesty, more often a kind of social cushioning — language used to smooth things over rather than to commit. But even gentle evasions can have a cost. They can breed mistrust and wear down the soul when words are used without any real intention behind them.

The Dutch, shaped by centuries of necessity — reclaiming land from the sea and surviving through collective effort — seem to treat a promise not as a courtesy but as a cornerstone. When you say you’ll do something, it becomes a stone set in the dyke. Remove it, and the whole may weaken or collapse.

This reminds me of the ethical clarity found in Scripture. Jesus said, “Let your ‘Yes’ be yes, and your ‘No,’ no” (Matthew 5:37). Anything beyond that, he warned, comes from the evil one. His words are strong, but perhaps that’s what is needed in a world where speech is often slippery and truth is negotiated. James echoed the same thought: “Do not swear — not by heaven or by earth or by anything else. All you need to say is a simple ‘Yes’ or ‘No’” (James 5:12).

There is something profoundly human in our need to trust words. When we make promises to our children, our partners, our friends, they become the quiet architecture of love, the scaffolding of trust. When those promises are broken, something collapses. Sometimes it is only a little thing, like missing an episode of a childhood programme. Other times, it is much more.

Perhaps that is why the image of writing something in stone still resonates so deeply. Stone is not easily altered. It resists erosion, impulse, and whim. It represents a commitment to truth, to integrity, to something beyond ourselves.

And yet, there is room for error. None of us are perfect. We forget, falter, get overwhelmed. But perhaps the point is not to make no promises, but to speak fewer and mean them more. To take our words seriously, as the Dutch do. As Scripture calls us to do. To be the kind of people who, when we speak, don’t need to be cross-examined or second-guessed.

A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness.

Scripture quotations from The Message. Copyright © 1993, 2002, 2018 by Eugene H. Peterson. Used by permission of NavPress. All rights reserved. Represented by Tyndale House Publishers.

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Jim McCrory

No act of kindness, no matter how small, is ever wasted.

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Edited by Jim McCrory, Monday 11 November 2024 at 20:05


"No act of kindness, no matter how small, is ever wasted."
– Aesop

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The dark winters in Govan, exacerbated by tenements that reached the heavens—at least, that’s how it seemed when you were only ten years old—made life thick with gloom. The lamplighters had made their visit, so we hung around the close to keep warm and dry, stretching out the night with friends.

We heard joyful singing somewhere along the dockside of Copeland Road and went to investigate. It was the local church. Lured by the promise of cakes and drinks, we wandered in. We were given a songbook or song sheets and ushered into a pew.

We were soon caught up in the joyful spirit as we sang something like, 

“G double O D, Good, G double O D, Good.

I want to be more like Jesus, G double O D, Good.”

Afterward, we received home-baked cakes, drinks, and an invitation to the meeting the following week. But we were kids and soon forgot the kindness of strangers.

It was just a moment in time, but that song and evening, like the Northern lights that emerge from time to time, dance a joyful dance in my head.


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Jim McCrory

The One Place Time Stands Still

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Edited by Jim McCrory, Thursday 28 August 2025 at 11:22

“No matter how far we travel, the memories will follow in the baggage car.”
—August Strindberg

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“No matter how far we travel, the memories will follow in the baggage car.”
—August Strindberg

The One Place Time Stands Still

Once upon a time, time itself began—at the moment of the Big Bang. Don’t puzzle over that too much; that’s the work of theoretical physicists.

When Genesis declares, “In the beginning, God created the heavens and the earth,” time is not only set in motion—it keeps moving forward. Even here, as you read one word after another, the moment you’ve just touched is gone forever. You have a better chance of finding porchetta at a Bar Mitzvah than reversing the clock.

And yet, time does not entirely escape us. The mind refuses to let it stand still. Ask the capital of Scotland and the answer comes quick—Edinburgh. But ask about the last meal you shared with family or friends, and a film begins to roll in your head. A scene is replayed. A moment is captured.


My Captured Moment

I grew up in Govan, Glasgow. My friends and I would take the ferry across the River Clyde and wander until we reached the Dowanhill district, where Avril Paton would one day set her beloved painting Windows in the West.

Windows in the West – Avril Paton

I remember staring into those houses, envious of the warmth that seemed to spill out of them—families gathered, people reading in soft chairs with cats curled on their laps, children leaning over board games at the table.

Years later, I felt the same quiet ache when I looked upon a winter scene in a Stockholm suburb. Something in both moments drew me back to that fairy-tale vision of childhood: logs crackling on the fire, family gathered, the simple comfort of reading and talking together.

It is a reel of memory still playing in my mind. Only dementia could steal it from Image by Copilot

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Jim McCrory

Regrets, I have a Few: Some Words on Shyness

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Image courtesy of https://unsplash.com/@purzlbaum

 

The Yaghan people of Tierra del Fuego — I love saying this country—have this long untranslatable, Mamihlapinatapai. Now this is what this word is all about. Two strangers meet and gain eye contact. Both are desperate to initiate a conversation, but The Owl of Minerva flies at dusk, so to speak, and they miss that opportunity. Tis a pity.

I spent my first five years of childhood in a sort of solitary confinement. These were the days before nurseries, and I spent most days playing in the back yard. To add to the problem, I attended four primary schools before high school. Naturally, I grew up with a painful shyness. As a result, I missed many opportunities in life.

When I was eighteen, I bought a book on shyness; it changed my life. Often shyness relates to not knowing what to say. I know people who have never read a book. Who spend their evening hours watching TV and wasting time on the cyber-hive playing video games and social networking. Then, when they meet people, they don’t have much to say. And to be honest, they can be extremely boring as they repeat the same old stuff.

Learn to read, there are many book-reading meetings online.

Learn to start conversations,

“I see you are reading a book, what’s it about?”

“That’s a nice camera, do you have a website where you post your images?”

“Is this your full-time job, or do you attend university?”

These are a few questions I ask, and I have had the most interesting conversations with passing strangers. Think of the various scenarios in which you can use conversation starters. Go on, bite the bullet.

 

 


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