Updated at
https://learn1.open.ac.uk/mod/oublog/viewpost.php?post=328727

The Warmth of Unknown Faces
Updated at
https://learn1.open.ac.uk/mod/oublog/viewpost.php?post=328727

The Warmth of Unknown Faces
“Now it happened that Mr. Cherry, the carpenter, found a piece of wood that laughed and cried like a child.”

Books That Teach Us Human Values
Before my father died, he left me something more enduring than possessions; an awareness that life itself rests on moral ground. He often said, “Every story has a moral heartbeat, even if it’s faint.” It was one of those sayings that lingered. Years later, I’ve come to see how right he was.
Every good story, he believed, reaches a moral reckoning: the wicked fall, the just prevail, or at least, we sense what should have happened if justice had its way. When stories fail to do that, we feel cheated, as though the universe has bent out of shape. But why? If, as Richard Dawkins insists, we are merely “dancing to our DNA” in a purposeless cosmos, why do we care about fairness at all? Yet we do — instinctively, universally.
Martin Luther King once said, “The arc of the moral universe is long, but it bends toward justice.” My father, though not a philosopher, lived as if that were true. He saw in every narrative, every act of conscience, the reflection of a moral order that runs deeper than human opinion.
I grew up in Govan, a shipyard town on the edge of Glasgow. A place of stories. The air was thick with shipyard noise, but also with imagination. You could hear stories being told in pubs, at bus stops, or around the kitchen table. My father loved that world of words. He’d bring home books — sometimes borrowed, sometimes rescued from the dust of second-hand shops and leave them lying about.
When I was ten, I wandered into The Modern Book Shop, a cramped little cave of used books that smelled of paper, dust, and rain. Among the shelves, I found a small volume whose cover showed a wooden puppet with wild eyes. I opened it and read the first line:
“Now it happened that Mr. Cherry, the carpenter, found a piece of wood that laughed and cried like a child.”
That was my first encounter with The Adventures of Pinocchio.
Pinocchio fascinated me. He was mischievous, stubborn, and foolish, yet achingly human. Beneath the fantasy lay a truth I somehow recognised: to become “real,” he had to learn honesty, courage, and love. These weren’t arbitrary virtues. They were the warp and weft of what it means to live meaningfully. Even as a child, I sensed that Collodi’s tale was more than a fable; it was a mirror.
As I grew older, I began to see how that story echoed our own. We are all, in one way or another, wooden creatures longing for life. We stumble through temptation, wrestle with conscience, and yearn for transformation. The journey toward becoming “real” — authentic, upright, whole — is the human story itself.
That’s why I’ve never believed morality to be a mere social invention. If it were, why would the same moral chords resonate across cultures and centuries? Why do we root for justice, even in fiction? It’s because something within us — perhaps the image of God — knows that goodness, beauty, and truth are not imagined; they are discovered.
My father never spoke of theology. He didn’t need to. He simply pointed to stories. Sydney Carton’s self-sacrifice in A Tale of Two Cities, Aslan’s resurrection in Narnia — to him, these weren’t just plots; they were echoes of a greater narrative, the one written before time began: light overcoming darkness, love outlasting death.
Now that he’s gone, I see how profoundly his quiet faith shaped mine. His books still line my shelves, their pages bearing traces of his thumbprints. When I open them, I hear his voice, steady and sure, reminding me that life has meaning, and that our choices matter.
Like Pinocchio, I am still learning to become “real” — still stumbling, still finding my way toward courage and integrity. But the moral compass he gave me keeps its bearing.
In the end, the stories we cherish are never just about heroes and villains. They’re about us — about the moral universe we inhabit and the justice we intuit. My father believed that light, no matter how faint, will always find a way to shine. And I believe him still.
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The Soft Glow of Natsukashii
The brain has that ability to through us curve balls. This morning as I woke, a sweet little memory popped out of nowhere. We were eleven. Declan and I went to see a film called The Perils of Pauline (1967) in the Plaza Cinema in Govan, Glasgow. We were both quiet boys, reflective types who didn’t say much to each other on the walk home. But the next evening, he asked, “What do you want to do? Shall we go back and see the movie?”
And so, we did, every evening that week.
The truth was, we were both smitten with the actress, though neither of us dared admit it. That kind of confession was too delicate, too exposing, for two young boys navigating the cusp of adolescence.
I remembered it this morning at six, as I read about the Japanese word natsukashii—a word that holds the warmth of cherished memories, the kind that rise unexpectedly, like mist from the fields, softening everything they touch.

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Too Young to Choose It
The '70s were the birth of the supermarkets. Safeway, the American chain, was expanding into Scotland. I worked the night shift at Paisley Road West while wondering what choices to make in life. One evening, we had a new employee.
The night shift procedure was routine: pull out the pallets of stock, spot them in the appropriate aisles, price and pack the items. By the time the stock was cleared—around 3 a.m.—the weariness of the night overwhelmed us. The numbing fatigue was exasperated by the gentle rhythm of the David Bowie song on the radio: “You're too old to lose it, too young to choose it.”
“Okay, you two, start washing the floor,” the night manager said to me and the new boy.
“What part?” the new boy asked.
“All of it,” the manager replied.
The new boy took in a panoramic view of the floor and asked, “All that?” with a look of disbelief.
“All of it,” the boss repeated.
“I’m out of here. I’m getting my jacket.”
He walked into the darkness. A few moments later, he banged on the plate-glass window and shouted, “You’re all a bunch of losers!”
We all turned away and got on with the work, singing “You’re too old to chose it ” to the lyrics of Bowie’s song. I then mused over the remaining hours: What will I do with my life?
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"A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness."

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On Promises, Cultures, and the Weight of Words
"When he promises to do something,
he always does it. " Psalm 15:4.
When I was an eleven-year-old kid in Govan, there was a television series that hooked me. It was The Flashing Blade, originally titled Le Chevalier Tempête, and dubbed from French to English by the BBC; a swashbuckling epic. I would sing the theme song, Fight by The Musketeers, at the top of my voice. I knew the names of the characters: the Chevalier de Recci and his faithful servant Guillot. I suppose it offered a kind of escape from the gloom of living on the Clydeside in darker days.
One day, my mother promised we had to go somewhere, but assured me we would be back in time for my next episode. I trusted her. But we weren’t. She got caught up in conversation with a relative, and I missed the programme. I was crushed. It was only a boy’s TV show, perhaps, but the disappointment cut deep because a promise had been broken.
There’s a Dutch saying I’ve come to admire: "Een man een man, een woord een woord" — a man’s a man, a word’s a word. It feels ancient, as though it had been lifted straight from the pages of Scripture or chiselled into stone beside the commandments. The idea that your word is binding, that once spoken it carries moral weight, is deeply ingrained in Dutch culture. Promises are not suggestions. Agreements are not optional. Afspraak is afspraak. An agreement is an agreement.
This cultural ethos, the belief that a promise is in some sense written in stone, stands in sharp contrast to the more casual approach I’ve often observed in my own British culture. We are, I suppose, masters of softening certainty. “I’ll see what I can do,” might well mean no. “Let’s meet soon,” might mean never. It isn’t always dishonesty, more often a kind of social cushioning — language used to smooth things over rather than to commit. But even gentle evasions can have a cost. They can breed mistrust and wear down the soul when words are used without any real intention behind them.
The Dutch, shaped by centuries of necessity — reclaiming land from the sea and surviving through collective effort — seem to treat a promise not as a courtesy but as a cornerstone. When you say you’ll do something, it becomes a stone set in the dyke. Remove it, and the whole may weaken or collapse.
This reminds me of the ethical clarity found in Scripture. Jesus said, “Let your ‘Yes’ be yes, and your ‘No,’ no” (Matthew 5:37). Anything beyond that, he warned, comes from the evil one. His words are strong, but perhaps that’s what is needed in a world where speech is often slippery and truth is negotiated. James echoed the same thought: “Do not swear — not by heaven or by earth or by anything else. All you need to say is a simple ‘Yes’ or ‘No’” (James 5:12).
There is something profoundly human in our need to trust words. When we make promises to our children, our partners, our friends, they become the quiet architecture of love, the scaffolding of trust. When those promises are broken, something collapses. Sometimes it is only a little thing, like missing an episode of a childhood programme. Other times, it is much more.
Perhaps that is why the image of writing something in stone still resonates so deeply. Stone is not easily altered. It resists erosion, impulse, and whim. It represents a commitment to truth, to integrity, to something beyond ourselves.
And yet, there is room for error. None of us are perfect. We forget, falter, get overwhelmed. But perhaps the point is not to make no promises, but to speak fewer and mean them more. To take our words seriously, as the Dutch do. As Scripture calls us to do. To be the kind of people who, when we speak, don’t need to be cross-examined or second-guessed.
A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness.
Scripture quotations from The Message. Copyright © 1993, 2002, 2018 by Eugene H. Peterson. Used by permission of NavPress. All rights reserved. Represented by Tyndale House Publishers.
"No act of kindness, no matter how small, is ever wasted."
– Aesop

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The dark winters in Govan, exacerbated by tenements that reached the heavens—at least, that’s how it seemed when you were only ten years old—made life thick with gloom. The lamplighters had made their visit, so we hung around the close to keep warm and dry, stretching out the night with friends.
We heard joyful singing somewhere along the dockside of Copeland Road and went to investigate. It was the local church. Lured by the promise of cakes and drinks, we wandered in. We were given a songbook or song sheets and ushered into a pew.
We were soon caught up in the joyful spirit as we sang something like,
“G double O D, Good, G double O D, Good.
I want to be more like Jesus, G double O D, Good.”
Afterward, we received home-baked cakes, drinks, and an invitation to the meeting the following week. But we were kids and soon forgot the kindness of strangers.
It was just a moment in time, but that song and evening, like the Northern lights that emerge from time to time, dance a joyful dance in my head.
“No matter how far we travel, the memories will follow in the baggage car.”
—August Strindberg

“No matter how far we travel, the memories will follow in the baggage car.”
—August Strindberg
The One Place Time Stands Still
Once upon a time, time itself began—at the moment of the Big Bang. Don’t puzzle over that too much; that’s the work of theoretical physicists.
When Genesis declares, “In the beginning, God created the heavens and the earth,” time is not only set in motion—it keeps moving forward. Even here, as you read one word after another, the moment you’ve just touched is gone forever. You have a better chance of finding porchetta at a Bar Mitzvah than reversing the clock.
And yet, time does not entirely escape us. The mind refuses to let it stand still. Ask the capital of Scotland and the answer comes quick—Edinburgh. But ask about the last meal you shared with family or friends, and a film begins to roll in your head. A scene is replayed. A moment is captured.
My Captured Moment
I grew up in Govan, Glasgow. My friends and I would take the ferry across the River Clyde and wander until we reached the Dowanhill district, where Avril Paton would one day set her beloved painting Windows in the West.
Windows in the West – Avril Paton
I remember staring into those houses, envious of the warmth that seemed to spill out of them—families gathered, people reading in soft chairs with cats curled on their laps, children leaning over board games at the table.
Years later, I felt the same quiet ache when I looked upon a winter scene in a Stockholm suburb. Something in both moments drew me back to that fairy-tale vision of childhood: logs crackling on the fire, family gathered, the simple comfort of reading and talking together.
It is a reel of memory still playing in my mind. Only dementia could steal it from Image by Copilot

Image courtesy of https://unsplash.com/@purzlbaum
The Yaghan people of Tierra del Fuego — I love saying this country—have this long untranslatable, Mamihlapinatapai. Now this is what this word is all about. Two strangers meet and gain eye contact. Both are desperate to initiate a conversation, but The Owl of Minerva flies at dusk, so to speak, and they miss that opportunity. Tis a pity.
I spent my first five years of childhood in a sort of solitary confinement. These were the days before nurseries, and I spent most days playing in the back yard. To add to the problem, I attended four primary schools before high school. Naturally, I grew up with a painful shyness. As a result, I missed many opportunities in life.
When I was eighteen, I bought a book on shyness; it changed my life. Often shyness relates to not knowing what to say. I know people who have never read a book. Who spend their evening hours watching TV and wasting time on the cyber-hive playing video games and social networking. Then, when they meet people, they don’t have much to say. And to be honest, they can be extremely boring as they repeat the same old stuff.
Learn to read, there are many book-reading meetings online.
Learn to start conversations,
“I see you are reading a book, what’s it about?”
“That’s a nice camera, do you have a website where you post your images?”
“Is this your full-time job, or do you attend university?”
These are a few questions I ask, and I have had the most interesting conversations with passing strangers. Think of the various scenarios in which you can use conversation starters. Go on, bite the bullet.
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