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Edited by Steven Oliver, Tuesday, 3 June 2025, 20:07

We looked at wills as primary sources of information about early modern work in module A223, so thought I'd share a few images of a document I'm (very, very slowly and very, very painfully 🙂) trying to decipher. If nothing else it has given me an incredible respect for the people who made the transcriptions that we use in the OU materials and appreciate what a skill it is to read old handwriting!

I'm very lucky that my local archives hold originals for a number of wills for the village where I live and so I couldn't resist having a look at the earliest one I could find within the A223 period. In fact it's the inventory for the goods of a local bigwig, John Myklefeld of Bolton, who died around 1525.

Have to say when I first unfolded it I was convinced it was in latin (or elvish!! 🤣), it was only once I twigged that the last line in the photo here was, 'The goods in the halle' that I realised I could make some progress.


I'm still struggling with almost all of it, but there were a few 'work' related elements that I've made out and thought were a good link with this week's content.

This was in 'the kitchen', and reads (I think):

'Item - one Spynnyng wheill ----- 4pence', so there was spinning work being done.


It's a rural area, and so someone had to have been looking after his 'mayrs and hors' (mares and horses)


and also his '...ii kye & ii kalffs' ( 2 cows and 2 calves)


I'm nowhere near working out what John's goods were valued at in total, but he was obviously a wealthy man in the community and it must have largely been the work of others that had been supporting him in life.

It's been a great lesson for me in just how hard-won knowledge of the past might be! 


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Steven Oliver

Trade, charity and poverty

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Edited by Steven Oliver, Tuesday, 3 June 2025, 19:45

This was a great place in York to think about both A223 chapters on work and poverty. It's the Merchant Adventurers' Hall, the oldest bits of which which date back to 1357.




Upstairs is the Great Hall, a place for ceremony and feasting for the City's merchants (often traders across the North Sea).


Downstairs has always been more strongly associated with alms and charitable welfare support. It has served as a dwelling place for impoverished local people, initially in the context of a religious fraternity (you can see a chapel at the far end). There are other halls in the city where the poor were put to work at different times, but I'm not sure if that was the case here. It was a prison briefly, but only in the context of the civil war when parliamentary soldiers were kept here whilst the city was under royalist control. 


By the end of the early modern period  it had become the location of a dispensary for the (deserving!) poor - apparently pensioners were still housed in this area until the start of the 20th century. The wealthy could donate to the charity and this in turn supported 'tickets' distributed through religious groups (including non-conformists - though I think York's Quaker population may have made different arrangements) which could be exchanged for treatment and support.


A set of Guild banners are displayed across the hall and it's fun trying to guess the trade from the coat of arms - the teasel in the banner below is probably a bit of a give away that these were the 'Clothworkers', but I learned the devices above are 'habicks' that were some sort of spring to hold cloth under tension. 

Of course, like a lot of York, these banners are a bit of a cheat 🙂 actually only dating back to 1909 and a 'Pageant' that included some dressing up to commemorate the city's relationship with King Richard III (although the arms are all the real-deal).


I was interested to discover that the Company of Merchant Adventurers still looks after 13 'deserving older members of York’s community' - under a licence that dates back to Edward III in 1373!

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Steven Oliver

Nobility on display

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Edited by Steven Oliver, Tuesday, 3 June 2025, 19:46
Having watched Neil Younger's video about noble armour in the Wallace Collection, I was prompted to visit the Royal Armouries Museum nearby in Leeds.


The museum has a couple of rooms dedicated to tournaments in the early modern period, centering these on the 'Field of the Cloth of Gold' when Henry VIII of England and Francis I of France engaged in a massive and extravagant tournament in 1520. (Meant to inaugurate and celebrate a treaty of 'Universal Peace' in Europe they were at war within 2 years!)


Armour of Christian I, Elector of Saxony. Made in Augsburg 1590

Like the armour in the OU video, the decoration on display is stunning and must have been astoundingly costly.

Henry VIII's tonlet armour, made for the Field of the Cloth of Gold tournament, 1520 Close helmet with grotesque visor incorporating a moustache

The exhibition discusses the role of nobles within what was a hugely choreographed diplomatic spectacle, and their relationships with their monarchs. Their get-ups and entourages were crippling expensive and fell on the nobles to fund. At the last minute (well with 3 months to go) Francis changed the tournament rules and Henry had to commission a completely new set of armour.

I loved the 'metal moustache'!! This was from a different tournament, and illustrated just how much display and spectacular costume was part of these events.


King Henri II of France's 'Lion Armour' - About 1550

This is just an astoundingly beautiful and intricate piece artwork - and to imagine that you were rich enough to allow the possibility that someone else was going to hit it with a poleaxe! 😱


Armour for combat on foot, c. 1560

I thought this was a nice image to end with. Armour for a mercenary in the service of the Holy Roman Empire, fighting in European 'wars of religion' across the early modern period. 

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Steven Oliver

Coffee and flapjack with Lady Anne

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Edited by Steven Oliver, Tuesday, 3 June 2025, 19:46


Not sure if Book 2 of A223 will be as 'Yorkshire-centric' 🙂, but had a lovely (and tasty) 'Chapter 8' visit to Skipton [5/12/2024], with a chance to have some excellent flapjack whilst looking at a replica of 'The Great Picture' in the castle tearoom.


As the chapter explains, Lady Anne invested in a lot of rebuilding of her reclaimed properties after the Civil War. The second level of these towers were reconstructed, but had to be built too thin for the roof to support cannon! (The castle had very successfully resisted Parliamentarian siege during the war)


One very tangible measure of the passage of time is that Anne had a yew tree planted in the central courtyard to mark the completion of the rebuild. It is now quite a spectacle.

She also had the local parish church repaired, those windows she had replaced were marked with the date and her initials - by then in 1655 after her second marriage - Anne, Lady Pembroke.



She also paid for the magnificent tomb in the church for her father George - despite the will he made and all the trouble it caused her. 


This smaller tomb is for her younger brother Francis (the taller boy in the picture) who died aged 5.


There was a striking memorial board in the church to all the charitable donations that supported the poor of Skipton, which was a timely reminder of a TMA I needed to complete on the 'economy of makeshifts'!

 



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