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Jim McCrory

Speak — That I May See Thee

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Edited by Jim McCrory, Sunday 15 February 2026 at 08:19

“Stranger, why do you not speak?
Speak — that I may see thee.”

— Walter Savage Lander

Arran 14 Feb 2026

The Island of Arran from the North Ayrshire Coast

Speak — That I May See Thee

Like many early mornings, the coast summoned me. Five degrees below zero, the air thin and bracing, the beach washed gold by a reluctant winter sun. I stood at the shore and looked across to The Island of Arran on Scotland’s west coast, its mountain crowned with snow, steady and austere. Something about that view loosens memory. Faces return. Voices follow.

On that mountain, some years ago, I climbed beside a family from Israel. They were making for the summit to camp beneath the wide, indifferent sky. We fell into step together. It did not begin with theology or history, only with courtesy. A shared breath. A careful footing. Yet as the path steepened, so did our conversation. I had read the Bible most of my life and often wondered what a modern family from Israel would be like in the plainness of daily life. I found no abstraction that day. I found a kind, considerate and generous family; that is if generosity of time is a gift and I am sure it is. They made space for this stranger. They asked about Scotland and about the rhythm of my days which I reciprocated. I listened. I answered. We parted close to the top as I returned for the Ferry home. I returned with smiles warmed by more than the climb. That is how life ought to be.

Another ascent brought a Norwegian family into my story. I had once lived briefly in Stavanger, and hearing their accent felt like opening an old letter. Familiar cadences. Quiet warmth. We spoke of fjords and long winters, of the sea’s mood and the discipline of light in northern lands. In their company, nostalgia became a companion rather than a burden. Yet even as I admired their homeland, my heart settled again on Scotland’s west coast, the place where I am most at ease and most awed. Home sharpens when contrasted with another’s home. Conversation does that. It teaches us what we love without diminishing what others cherish.

Still, we do not need summits to meet good people. This morning by the shore, as Arran held its silent vigil, I found myself speaking with a family from Birmingham. A mother, a father, two daughters bright with curiosity and a father returning to his homeland on this west coast for a time. We spoke of the view, of reading, of their daughter who loved to read and write creatively. There was nothing monumental in my exchange with this family, no shared pilgrimage, yet it was rich. I walked away wishing I had known them longer. I wished not to intrude upon their time spent as a family. Some meetings are gifts precisely because they are brief.

But what draws people to the sea in winter. It depends who we are I suppose. I was brought up in the Maritime city of Glasgow where I always looked out to faraway lands. That’s why I was gifted a Grundig Satellite World band Radio in the seventies. A gift that helped me explore the world albeit unilaterally.  I guess Robert Louis Stevenson was drawn to the coast due to his father’s business of designing light houses which marked the writer’s career and destiny in many ways. But I digressed.

There is a peculiar virtue in these encounters, any encounter. A stranger speaks, and suddenly you see them. Not as a headline or a stereotype. Not as a theory. You see patience in the way someone ties a bootlace or offers their last caramel wafer or get all passionate when you ask them their favourite book. Words open the door, but presence lets you step inside.

When we remain silent, we remain unseen. Suspicion fills the space where speech might have been. Yet when we risk a greeting, when we ask and answer with simple honesty, something shifts. We discover that beneath accents, flags, and histories, there is a shared longing to be understood and welcomed. It does not require grand speeches. Often it begins with a remark about the weather, the climb, the cold. Now, my wife and I keep in touch with these chance encounters we have met in life's highway.

So, if you will indulge me, I shall lift the book resting at my side. In its pages I have come to know many people whose conversations have shaped centuries. There is one meeting in particular, unplanned it seemed, that changed grief into recognition and despair into burning hope. Two travellers on a road, joined by a stranger who listened before He spoke. You can read along with me if you wish,

Luke 24:13-35 VOICE - Picture this: That same day, two other - Bible Gateway

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Jim McCrory

“Silent night, holy night… all is calm, all is bright.”

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Edited by Jim McCrory, Monday 22 December 2025 at 09:49

The race is not to the swift…  For time and chance happen to all.”

Ecclesiastes 9:11 (BSB).

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“Silent night, holy night… all is calm, all is bright.”

 

It was winter, 2010; close to the end of a very difficult year. I was returning from Oban, on Scotland’s west coast, weary from a speaking engagement. I am watching white darkness slide past the train windows. Snow had been falling heavily across the Highlands, thick and unrelenting, the kind that bends time and progress. Somewhere near Crianlarich the journey faltered and stopped for hours. Snow piled up on the rails and the time that passed was measured in patience. By the time we reached Glasgow it was close to midnight.

The station was hushed in that peculiar way only large places become when the crowds have gone—vast, echoing, half-asleep. Footsteps sounded louder than they should. Breath steamed in the cold air. And then, tucked away in a shadowed corner, I heard it.

A lone piper.

He stood almost hidden, the lamplight catching the curve of the pipes, the notes rising softly into the cavernous dark. He was playing Silent Night. Not loudly. Not for applause. Just letting the melody breathe into the space, as if the night itself had asked for it.

It was one of those moments that cannot be planned—only received. A gift given by delay, by snow, by circumstances that refused to hurry. The world slowed enough for wonder to slip in.

Silent Night itself began like that—quietly, almost unnoticed.

A century earlier, in a small village called Oberndorf, near Salzburg, peace was something people longed for but scarcely trusted. In that fragile stillness, a young priest named Joseph Mohr walked his parish with a poem in his pocket—a simple meditation he had written years earlier about the birth of Christ. No triumph. No thunder. Just calm. Just trust.

That evening he carried the poem to Franz Xaver Gruber, the village schoolteacher and organist. There was a problem: the church organ was broken. Silent. Useless. Whether mice or damp winter air were to blame hardly mattered. The grand instrument had failed.

So they turned to something smaller.

Gruber set the words to a gentle melody for guitar—an instrument of kitchens and firesides, not sanctuaries. And that night, by candlelight, the song was born. Two voices. One guitar. No choir. No ceremony. Just a fragile offering of peace.

“Silent night, holy night… all is calm, all is bright.”

I cannot help think that God moved these two men to bring comfort to these weary souls during that difficult time in human history. And to the world; for no one there imagined the song would travel far. And yet it did.

It passed from village to village on the lips of wandering singers. It crossed borders and languages, found its way into palaces and barns, into churches and prison camps. It was sung in times of joy and in the long shadows of suffering.

Once, on a frozen Christmas Eve during the First World War, it drifted across trenches—enemy voices meeting in the darkness, a brief and holy ceasefire born of melody.

And still, it comes to us like that.

In stations at midnight. In broken journeys. In unexpected corners of the world where the noise recedes and something gentler dares to speak.

The power of Silent Night has never been in its volume. It does not shout. It does not rush. It reminds us that Christ, the Saviour,  entered the world the same way the song entered history—not with spectacle, but with a child, a mother, and a night heavy with promise.

It began in silence.

And sometimes, if the snow is deep enough, and the train runs late enough, and the heart is quiet enough, we can still hear it.

 Image by Copilot

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Jim McCrory

When It's Dark Out There, You See Stars and Dream

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Edited by Jim McCrory, Monday 23 December 2024 at 06:53



"For my part I know nothing with any certainty, but the sight of the stars makes me dream."

Vincent Van Gogh



Image generated with the assistance of Microsoft Copilot


I suppose it must have been the late summer of 1962; Telstar by the Tornadoes had been playing on the radio. I had been spending my entire summer on the idyllic Island of Bute on Scotland’s west coast. We had a cabin sandwiched between Canada Hill and Bogany Farm.

 It had no running water or electricity. My job was to go and fill up the water containers from the communal well. Cows would cautiously approach and stare curiously whilst the smaller ones would shuffle through for front-row viewing.

At dusk, we would light paraffin lamps to illuminate the nights. My father would read children’s books. We were all ears as he read Heidi, Tales From 1001 Nights and Chinese Folk Tales. We ate freshly made pancakes with homemade jam and washed down with small glasses of sweet stout.

The lamp caused a sibilant sound as it burned up kerosene. It flickered and fostered sleepiness. It finally slumbered for the evening, and we would retire.

I lay there in my bed watching the stars cascading through the window; every one of them. And I wondered if the Chinese farmer boys, or the Bedouin shepherd boys or the milk maids in the Swiss mountains were seeing and feeling the sense of awe that I felt in my heart as the universe entered in.


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