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Jim McCrory

Let's Escape This World and Rewrite the Story

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Edited by Jim McCrory, Thursday, 17 Apr 2025, 09:25

Let’s turn that news off and get into something positive. Let’s rewrite the story. No this isn’t a university essay; there are no bad answers or negative feedback. We all have the story inside us but we have never put pen to paper and told it. Here is the theme:

 

If You Were to Rewrite the Story of Life on Planet Earth, What Would You Create?

Go on now, get your notebook and start your story. No writer's block, we all have the story in our head and hearts.

No cheating now. Don’t look at my story until you have written yours.


Image kindly provided by https://unsplash.com/@goldenplover31


My Story


I remember walking through a small village in Italy one day when a family spotted us passing and called out from their terrace, “Ciao, benvenuti!”—or words to that effect—welcoming us to join them. I found it deeply moving.

That would be my first quality in the story I’d want to tell: a human family that is welcoming and compassionate. Where empathy isn’t a soft virtue but a foundational principle—extended to every person granted entry into my imagined world. There would be no families dying with their children as they attempted to negociant vast oceans to escape poverty. The migrant would feel safe and wanted and loved.

I’ve visited some stunning places in my life, but when I look at how people treat my own town, I feel ashamed. I see young people throw takeaway cartons and drinks cups out their car windows. I see illegal dumping—mattresses, building waste—left in rural spots like they’re rubbish tips. I read about fishermen scouring the surface of the ocean and reducing it to a desert wasteland. And then there’s the question of how future generations will deal with nuclear waste buried in mountains and other so-called "safe" places.

In my story, the human family would finally learn responsible stewardship of the earth. Humanity would live with nature, not above it. Forests wouldn’t be razed—they’d be revered. Oceans wouldn’t be dumped in—they’d be dwelt beside, with awe. Animals would be treated with respect, and the earth would resemble those beautiful places I’ve been fortunate enough to walk through.

Many people are hurting. There are bullies in schools and workplaces. Young people spiralling into depression because there are no opportunities. Exploitation in work. Child abuse. Economic hardship. Some are relying on foodbanks just to get by. I know that feeling. I remember growing up in Govan, Glasgow, when money would run out on a Wednesday night, and there’d be nothing in the larder for Thursday and Friday until my father got paid.

So in my story, work would mean something. It would nurture instead of consume. Imagine a society where work is aligned with purpose, creativity, and contribution—not just survival. A world where people farm, build, teach, and heal with joy. A place where tribalism gives way to kinship. Where children play safely in a Gyo Fujikawa-type world: treehouses, lakes, talking plants, and wise animals who speak.

But there’s something else my world would need—something crucial.

Redemption built into the system.

The right to begin again.
To rewrite your story as part of the bigger one.

A grace-filled society that offers second chances. I’ve spoken to street people whose stories are heartbreakingly raw: thrown out because they were autistic, given drugs and alcohol as children by their own parents, marriage breakdowns that led to financial ruin, and just plain lack of wisdom. We all long for the chance to wipe the slate clean—to keep the good memories and delete the bad ones, to have the right to rewrite the story.

And what about loss? The loss of a child. The loss of more than one child. The loss of a partner. Watching a loved one slowly taken by cancer or another cruel illness. What if we could wipe those slates clean too—and bring them back? Restore everything to perfection. Wouldn’t that be a beautiful story?

That’s why I must include it.

I’ll stop there.
Did you like my story?

I wonder—did you tick some of the same boxes as me?
Go on, tell me your story, even if it’s just a rough outline.


Post it in the comments below. You can do it anonymously email me confidentially at 

planetmilenia@gmail.com


We will return to this later this week.

 



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Jim McCrory

Let’s make a weeping child laugh

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Edited by Jim McCrory, Thursday, 17 Apr 2025, 05:10


The mosque is too far from home,

So, let’s do this,

Let’s make a weeping child laugh

Nidi Fazli



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The poet Nidi Fazli once wrote, "The mosque is too far from home, so, let's do this—let's make a weeping child laugh." In this simple yet profound reflection, Fazli invites us to shift our focus from the grandiosity of religious structures to the heart of religious practice itself. If we cannot reach the sacred spaces that tradition has marked for us, what then? Fazli suggests that perhaps the most sacred act is to comfort a child, to be a source of joy and compassion in the world.

This notion can be applied across religions. Christianity, too, emphasizes that faith must manifest in tangible acts of love and kindness. The early Christians, as described in the Book of Acts, sold their possessions and laid the proceeds at the feet of the apostles to be distributed to those in need (Acts 4:35). Here, religion isn't merely a matter of doctrine or ritual but of community, self-sacrifice, and compassion. It is a recognition that true faith calls us to serve others, to love our neighbours as ourselves.

 The early Christian community understood that their faith was to be expressed not just in words, but in action. The radical decision to give away one's possessions speaks to a worldview that sees material wealth as secondary to the well-being of others. Such acts reflect a deep understanding of the biblical command to care for the most vulnerable members of society. In Exodus 22:22, 23, God gives a stark warning to those who would oppress widows and orphans: 

“You shall not take advantage of any widow or fatherless child.  If you take advantage of them at all, and they cry at all to me.” (BSB)

This is not a passive God, indifferent to suffering. This is a God whose heart is aligned with the marginalized, the oppressed, and the vulnerable. I see this being acted out in modern times noticing churches that operate food banks providing whose facing difficult times with substance.

The principle in this passage reflects the core ethic of many religious teachings: to look out for those who cannot fend for themselves. It reminds us that faith is not only about our relationship with God, but also about our relationship with one another. God’s fury in the face of injustice towards the powerless underscores how central these issues are to the divine nature. The divine commands justice, mercy, and care for the “least of these” (Matthew 25:40). In fact, failure to heed this call is not just a personal moral failing, but a direct affront to God.

In the modern world, religious organizations continue to embody this ethic in various ways. Christian medical missions reach underserved communities, providing healthcare to those who would otherwise be neglected. Orphanages and charitable institutions offer homes and care for children who have been abandoned or orphaned, continuing a tradition of service that dates back to the earliest Christian communities. Churches, mosques, temples, and other places of worship provide not only spiritual nourishment but also tangible resources—food, clothing, and even shelter to those in need. Many Christians, inspired by Jesus' teachings, visit the homeless with food and toiletries, working to restore a sense of dignity to those who have lost so much.

Yet, Nidi Fazli’s lines also remind us that sometimes religion can be inaccessible or distant from everyday life. Whether through institutional failures, geographic distance, or rigid dogma, religious practice can sometimes feel disconnected from the immediate needs of our world. The mosque may indeed be too far from home. The church may seem irrelevant or aloof. But Fazli’s words urge us to see that the essence of faith transcends buildings or ceremonies—it is found in the simple, human acts of love, kindness, and empathy.

This idea resonates deeply with the teachings of Jesus, who spent much of his ministry among the outcast and downtrodden. His healing touch, his words of comfort, and his acts of service were done outside the walls of the temple. He showed that true faith is not confined to sacred spaces or religious professionals. Instead, it is lived out in the streets, in homes, and in the everyday interactions between people.

Faith, when genuine, leads us to actions that reflect God’s love and justice. Whether we are providing medical care to the sick, shelter to the homeless, or simply making a weeping child laugh, we are doing God’s work. Religion should be a force for good, a force that heals and brings joy, a force that defends the defenceless and uplifts the downtrodden.

Perhaps, then, the most important religious act we can perform today is not to walk into a mosque or a church but to walk into someone’s life with compassion. To see the crying child and, as Fazli suggests, make them laugh. It is in these moments that we live out the true essence of faith, embodying the divine command to love one another as God loves us.

So, be careful when someone claimed to be a Christian James 2, 15,17,

What good is it, my brothers, if a man says he has faith, but has no works? Can faith save him?  And if a brother or sister is naked and in lack of daily food, and one of you tells them, “Go in peace. Be warmed and filled;” yet you didn’t give them the things the body needs, what good is it? 17 Even so faith, if it has no works, is dead in itself. 18 Yes, a man will say, “You have faith, and I have works.” Show me your faith without works, and I will show you my faith by my works. (WEB).








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Jim McCrory

The Stories That Saved Me

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“For children are innocent and love justice.” – G.K. Chesterton




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The Stories That Saved Me

It happened one day that I woke up in a drawer with four strangers staring down at me. From the street below, the sounds of pop rivets, angry hammers, and the burning, neurotic sizzle of welding torches drifted in from the nearby industries. I was three months old, and these strangers—two older girls and a middle-aged couple—were to be my new family, for reasons that remain unclear to this day.

My new home was a third-floor tenement in the shipyard town of Govan, Glasgow. It was the late fifties. The landscape was subdued by rows of oppressive buildings that blocked out the light and, in my memory, left everything tinged in sepia. Ungroomed dogs roamed the streets, while infestations of vermin surfaced in the night, scuttling through the crescents and corners of our homes in search of food. It was a place where people knew the value of a Pound—and the price of poverty.

For a long time, I believed this environment was the starting point of my character’s formation. But something had already begun that process.

My father was a gifted storyteller. At night, as he wheezed gently—a lingering symptom of a bronchial condition—he would read to me from Oliver Twist and Huckleberry Finn. Like many Clydesiders of that era, he was a Socialist, and I believe it was the theme of justice in those books that appealed to him—and shaped me.

The stories I encountered in those early years remain as vivid as the stench and clatter of the town itself. Their characters expanded my world, became my companions, and taught me virtues that would influence both who I became—and who I sometimes failed to become.

Not far from our home was The Modern Book Shop, an Aladdin’s cave of wonders for a child. It sold toys, comics, and books—including imported American comics. My favourite was Casper, the Friendly Ghost. He was little more than a dialogue cloud with arms, eyes, and legs, but I was absorbed by his gentle adventures. Casper, a nonconformist ghost, refused to join the ghouls and hobgoblins who delighted in mischief. He just wanted to be kind. His creator, Seymour Reit, had written him to comfort a friend’s daughter who was afraid of the dark—a man who clearly understood the quiet trials of childhood.

One day in the sixties, in the school playground, I had one of those early encounters with the cruelty of the world:

“What’s that?” I asked Declan Walsh, a boy I played with.
“A party invite,” he replied.

I looked around. Other kids had envelopes too. I began to search for Janet, the birthday girl, and found her skipping with her friends.

“Can I have one?” I asked bashfully.

Janet stopped, spun on her heels, and danced around me singing,
“Bum, bum, bubble gum,
My mammy said you cannot come!”

I walked home that day feeling sorry for myself, unsure what I had done wrong.

Like Casper, I had a deep inner need to be accepted. He only wanted to make friends—but because of his very nature, he inadvertently frightened children, despite his wide smile and congenial eyes.

Tenement life was closed in. I don’t remember much contact with other children until I started school, and by then, I hadn’t yet developed the social skills needed to navigate it. I was shy—wired that way from the start—and found a kindred spirit in Casper. He was my friend, because he understood.

Looking back, it wasn’t the party itself that mattered. It was the experience of exclusion. We are social creatures, born with a need to belong. I hated the injustice of isolation, even if it seemed trivial to others. Like most humans, I craved the universal need to love and be loved. When I couldn’t find that in life, I found it in books. Suspended in their pages, I reimagined my life—and, for a while, made peace with it.

 







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Jim McCrory

On Promises, Cultures, and the Weight of Words

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Edited by Jim McCrory, Tuesday, 15 Apr 2025, 11:17


"A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness."



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On Promises, Cultures, and the Weight of Words


"When he promises to do something,
    he always does it. " Psalm 15:4.


When I was an eleven-year-old kid in Govan, there was a television series that hooked me. It was The Flashing Blade, originally titled Le Chevalier Tempête, and dubbed from French to English by the BBC; a swashbuckling epic. I would sing the theme song, Fight by The Musketeers, at the top of my voice. I knew the names of the characters: the Chevalier de Recci and his faithful servant Guillot. I suppose it offered a kind of escape from the gloom of living on the Clydeside in darker days.

One day, my mother promised we had to go somewhere, but assured me we would be back in time for my next episode. I trusted her. But we weren’t. She got caught up in conversation with a relative, and I missed the programme. I was crushed. It was only a boy’s TV show, perhaps, but the disappointment cut deep because a promise had been broken.

There’s a Dutch saying I’ve come to admire: "Een man een man, een woord een woord" — a man’s a man, a word’s a word. It feels ancient, as though it had been lifted straight from the pages of Scripture or chiselled into stone beside the commandments. The idea that your word is binding, that once spoken it carries moral weight, is deeply ingrained in Dutch culture. Promises are not suggestions. Agreements are not optional. Afspraak is afspraak. An agreement is an agreement.

This cultural ethos, the belief that a promise is in some sense written in stone, stands in sharp contrast to the more casual approach I’ve often observed in my own British culture. We are, I suppose, masters of softening certainty. “I’ll see what I can do,” might well mean no. “Let’s meet soon,” might mean never. It isn’t always dishonesty, more often a kind of social cushioning — language used to smooth things over rather than to commit. But even gentle evasions can have a cost. They can breed mistrust and wear down the soul when words are used without any real intention behind them.

The Dutch, shaped by centuries of necessity — reclaiming land from the sea and surviving through collective effort — seem to treat a promise not as a courtesy but as a cornerstone. When you say you’ll do something, it becomes a stone set in the dyke. Remove it, and the whole may weaken or collapse.

This reminds me of the ethical clarity found in Scripture. Jesus said, “Let your ‘Yes’ be yes, and your ‘No,’ no” (Matthew 5:37). Anything beyond that, he warned, comes from the evil one. His words are strong, but perhaps that’s what is needed in a world where speech is often slippery and truth is negotiated. James echoed the same thought: “Do not swear — not by heaven or by earth or by anything else. All you need to say is a simple ‘Yes’ or ‘No’” (James 5:12).

There is something profoundly human in our need to trust words. When we make promises to our children, our partners, our friends, they become the quiet architecture of love, the scaffolding of trust. When those promises are broken, something collapses. Sometimes it is only a little thing, like missing an episode of a childhood programme. Other times, it is much more.

Perhaps that is why the image of writing something in stone still resonates so deeply. Stone is not easily altered. It resists erosion, impulse, and whim. It represents a commitment to truth, to integrity, to something beyond ourselves.

And yet, there is room for error. None of us are perfect. We forget, falter, get overwhelmed. But perhaps the point is not to make no promises, but to speak fewer and mean them more. To take our words seriously, as the Dutch do. As Scripture calls us to do. To be the kind of people who, when we speak, don’t need to be cross-examined or second-guessed.

A man’s a man. A word’s a word. And a promise, if kept, can be a quiet kind of holiness.


Scripture quotations from The Message. Copyright © 1993, 2002, 2018 by Eugene H. Peterson. Used by permission of NavPress. All rights reserved. Represented by Tyndale House Publishers.


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Jim McCrory

Tell me something wonderful!

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Every second, your body creates 25 million new cells. In the time it takes to read this sentence, you’ve been renewed in ways you can’t see. Think about that, 25 million new cells and we don't have to think where we will put them, It's all done by design.

And yet—within all this flux, certain brain cells stay with you your entire life. They carry the story of who I am. The people I've met, the times I've laughed and the times I've cried. 

We are, from childhood wonder to present-day wisdom. Isn’t that astonishing? You are at once changing and enduring.

To me, it whispers of a design beyond randomness— a signature from the Creator, who formed us not only for now but for foreverA kind of biological poetry, written in the ink of eternity. It's a no brainer.


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Jim McCrory

Stars like the sand of the sea

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Edited by Jim McCrory, Monday, 14 Apr 2025, 12:02


“Two things fill the mind with ever new and increasing admiration and awe... the starry heavens above me and the moral law within me.” Immanuel Kant.



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I suppose it must have been the late summer of 1962, Telstar by the Tornadoes had been playing on the radio. I spent the summer days on the idyllic Island of Bute on Scotland’s west coast. We had a rural cabin. It had no running water or electricity. My job was to fill up the water containers from the communal well. Cows would cautiously approach and stare. The smaller calves would shuffle through for front-row viewing. I found their curiosity compelling.

At dusk, we would light paraffin lamps to illuminate the nights. My father would read children’s books borrowed from the library: Chinese Folk Tales, Heidi and 1001 Nights. We were all ears as we ate freshly made pancakes with homemade jam and washed down with small glasses of sweet stout. The lamp caused a sibilant sound as it burned up kerosene. It flickered and fostered sleepiness. It finally slumbered for the evening, and we would retire.

I lay there in my bed watching the stars cascading through the window; all of them. And I wondered if the Chinese farmer boys, or the Bedouin shepherd boys or the milk maids in the Swiss mountains were seeing and feeling the sense of awe that I felt in my heart as the universe entered in.

*

Childhood memories like that visited me often and reminded me of my spiritual awareness from an early age, albeit in my own childish way.

I had an ache to know who created the stars, the moon, and the beautiful island that was so distant from my industrial town where idle men lingered on street corners like characters from a Loury painting. Where post-war tenements blocked natural light. Where unkempt dogs savaged through bins for scraps. Where it always seemed, there was better places to be raised.

Years later I read the following verse from the Bible,


When I consider your heavens, the work of your fingers,

    the moon and the stars, which you have ordained;

what is man, that you think of him?

    What is the son of man, that you care for him?

— Psalm 8:3, 4.


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Jim McCrory

On Noticing

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Edited by Jim McCrory, Monday, 14 Apr 2025, 08:31

 

The greatest thing a human soul ever does in this world is to see something, 

and tell what it saw in a plain way.” 

John Ruskin 

 

I was at the Glasgow art gallery today and found myself returning to an old painting I liked as a teenager — The Poor Being Fed at a Monastery by the 17th-century Dutch artist Thomas Wijck. It hangs there still, mostly unnoticed by the crowds that drift through the gallery, eyes flicking from frame to frame, as if trying to take in the entire history of art before the afternoon coffee break.

The Poor Being Fed at a Monastery | Art UK

The painting doesn’t demand attention. It sits quietly, modest in tone, another “dull Dutch master” to the untrained eye. But there’s something in it that’s always held me — something that once stopped a teenage boy in his tracks and still calls him back decades later.

As I stood studying it again, I noticed how many people passed it by. Most didn’t slow down. It’s easy to miss. The colours are muted, the scene ordinary. But then, that’s the point.

I saw a young man approaching — young enough to still be shaped by moments like these — and I caught his eye just before he moved on. I simply said, “Look at this,” and pointed to a detail I had just been admiring: the figures at the foot of the monastery steps.

Wijck’s attention to detail is striking. The monks, serene and composed, are calmly giving out bread. The poor gather in varied postures — some with uplifted faces, others bent low, a legless man who pushes himself around in a tin bath — each figure rendered with a humanity that stops short of sentimentality. There’s gratitude, certainly. But there’s also fatigue. Hesitation. Even something like shame. The dignity of the recipients is not diminished by their need — and the act of giving, while central, is not made heroic.

The young man leaned in, intrigued. I said no more and walked on. I don’t know what he saw in it. Maybe nothing. Maybe something he’ll remember in a few years when life brings him closer to the quiet themes in that painting: hunger, humility, and the fragile grace of being cared for.

I’m not sharing this to paint myself as someone wise or perceptive. If anything, it was the painting that did the work.  I just happened to notice it — and then, for a brief second, helped someone else notice it too.

That’s what I keep thinking about. How much there is to see when we slow down. How much we miss when we don’t. In a world of fast answers and glowing screens, noticing — really noticing — might be one of the most human things left to do.



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Jim McCrory

The Most Enlightening Conversation Ever

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Edited by Jim McCrory, Sunday, 13 Apr 2025, 09:11

 


“The wind blows where it wishes, and you hear its sound,

 but you do not know where it comes from or where it goes.

 So, it is with everyone born of the Spirit.”




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One of the most hauntingly beautiful lines in Scripture appears in an evening conversation between Jesus and a man named Nicodemus. A Pharisee. A teacher of Israel. A man of reason, rank, and ritual. Nicodemus comes to Jesus by night, perhaps because it's easier to ask questions when the world is quiet. But what he receives isn't an answer in any conventional sense. It's a riddle wrapped in mystery:

“The wind blows where it wishes, and you hear its sound, but you do not know where it comes from or where it goes. So, it is with everyone born of the Spirit.”

I’ve returned to this verse often. Especially on long walks near the sea, where the wind has a voice of its own—restless, invisible, alive. It rushes over the hills and through the marram grass without explanation or apology. It moves in sudden gusts or gentle whispers. Sometimes it comes from the south, warm and coaxing, sometimes from the north, sharp and cold. I hear it. I feel it. But I don’t control it. I never have.

And that, I believe, is what Jesus wanted Nicodemus to understand. That the Spirit doesn’t fit neatly into doctrine or prediction. That new life is not the product of lineage or learning or ticking off the correct theological boxes. It is a divine mystery—like wind, like breath—impossible to contain or anticipate. Yet unmistakable in its effect.

There have been moments in my life when I’ve felt something shift in me. Not loudly. Not dramatically. But like a breeze brushing the soul—quietly turning me away from something bitter or drawing me closer to something beautiful. Often it hasn’t come from a sermon or a sacred text, but from the kindness of a stranger, a line in a book, a morning sky, or the simple honesty of my wife’s voice. These moments don’t arrive with credentials. They don’t come pre-approved by human authority. But they feel real. They leave something changed in their wake.

That’s the challenge and the comfort of John 3:8. It reminds me that faith is not a formula. That I cannot chart the Spirit’s movements like a weather map. I cannot predict whom God will touch or where renewal might begin. The Spirit may stir in the heart of someone I once dismissed. Or pass over me when I think I’ve earned its presence.

And so I’ve come to believe that the truest mark of a life born of the Spirit is not knowledge, or certainty, or impressive religious activity. It’s humility. It's the quiet courage to let go of control. To admit we do not know where this is going, only that something beyond us is breathing life into us still.

Nicodemus came seeking a system. He left with a Divine metaphor regarding the Spirit of God.




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Jim McCrory

Am I Virtue Signalling When I Write?

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Edited by Jim McCrory, Thursday, 10 Apr 2025, 11:05


"We all want to be loved; failing that, admired…We want to evoke some sort of sentiment. The soul shudders before oblivion and seeks connection at any price."

 — August Strindberg



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It’s a valid and searching question to ask oneself in this present society where the “I” stands erect as a Terracotta Warrior: Am I virtue signalling? Is the question. The very act of asking it risks becoming a kind of virtue signal itself—"Look how self-aware I am." 

And yet I ask myself in earnest.

When I write about empathy, kindness, gratitude, or faith, am I doing it to reflect what I believe to be good and true? Or am I polishing a self-image, hoping others will see me as thoughtful, moral, or enlightened? It’s easy to drift into that territory without noticing—especially in an age where sharing one’s thoughts with the world has become so effortless.

There is a tension here, and it’s worth acknowledging. We are all, to some extent, social creatures, shaped by others’ perceptions. But what concerns me is when the performance of goodness eclipses the substance of it. Jesus had a word for this—hypocrisy. Not in the modern sense of failing to live up to one’s ideals, but in the ancient sense of wearing a mask, like an actor on a stage.

The Pharisees, for all their public piety, were called out not because they failed to do good, but because they did good to be seen doing it. The applause of men had become their reward. I fear the same danger in myself.

Sometimes I write about the stranger who paid for my meal, the act of leaving a legacy for my grandchildren, or the quiet grief of losing a father at an early age, or simple anecdotes about being human. Sure, I like to be acknowledged, we all do. That’s what it means to be human. I do so not to impress anyone, but because these things pierce me and the fact that I have readers who visit regularly, indicates that you share similar experiences. They remind me I am human, and that other humans are carrying burdens I will never fully understand. But even as I write, I wonder—Am I telling this story to share the weight of the world, or to carry it like a badge?

Perhaps the difference lies in the motive—and in the fruit. Virtue signalling seeks affirmation. True virtue seeks transformation.

When I look at Jesus, I see someone who never signalled virtue. He simply lived it. Quietly, often in the margins, with no need for recognition. He didn't post his miracles. He told people not to tell others. He wept, he walked, he withdrew. And he died with few to witness it.

So I return to this question not as a condemnation, but as a check-in. Am I writing from the wellspring of grace—or from a desire to be admired? Am I confessing or performing?

To be human is to live in that tension. It is like navigating a river where currents are pulling you in two directions. But I hope, with each word, I am moving a little more toward the truth and a little further away from the mask.


“Two men went up to the temple to pray. One was a Pharisee and the other a tax collector. The Pharisee stood by himself and prayed, ‘God, I thank You that I am not like other men—swindlers, evildoers, adulterers—or even like this tax collector. I fast twice a week and pay tithes of all that I acquire.’

But the tax collector stood at a distance, unwilling even to lift up his eyes to heaven. Instead, he beat his breast and said, ‘God, have mercy on me, a sinner!’ I tell you, this man, rather than the Pharisee, went home justified. For everyone who exalts himself will be humbled, but the one who humbles himself will be exalted.”

                                                         Luke 10:10-14 (BSB).




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Jim McCrory

"I Have Taken the Lives of Many, Will God Forgive Me"

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Edited by Jim McCrory, Wednesday, 9 Apr 2025, 19:15


 "Forgiveness says you are given another chance to make a new beginning."

Desmond Tutu



Several years ago, I had the honour of addressing an English-speaking Christian convention in Italy. The night before my speech, I dined with friends, including one who was deeply committed to providing pastoral care to prisoners. Among those he ministered to was a former Mafia member wrestling with a heavy burden.

During one visit, this individual posed a heart-wrenching question to my friend:

“I have taken many lives and committed numerous acts of violence. Will God forgive me?”

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Although I don’t recall the exact words of my friend's reply, the essence of our shared need for divine forgiveness and comfort remains vivid in my mind.

Isaiah 1:18 offers a reassuring message from God: “Come now, let us reason together, says the Lord: though your sins are like scarlet, they shall be as white as snow; though they are red like crimson, they shall become like wool” (ESV). This powerful imagery highlights the profound transformation from guilt to forgiveness that God promises.

David, another significant biblical figure, experienced estrangement from God due to his sins of adultery and orchestrating a man’s life. In his repentance, he wrote these words of comfort: “As far as the east is from the west, so far does He remove our transgressions from us” (Psalm 103:12, ESV).

Imagine this: God gathers all of our sins, places them in a metaphorical box, and buries them forever from east to west. However, it's essential to understand that true forgiveness involves a commitment to cease sinful behaviours (John 5:14).

Thinking back to the man who asked that poignant question, one wonders if he found the solace he sought in the Bible's profound assurances. Few things are more painful than a conscience weighed down by guilt and remorse.




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Jim McCrory

Kindness Like a Fairy Tale

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Edited by Jim McCrory, Wednesday, 9 Apr 2025, 09:12



"No act of kindness, no matter how small, is ever wasted.”
   — Aesop



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George and his wife were driving home from Skye, weaving their way through the Highlands on a golden summer’s day. They stopped in Fort William to fill up the car, stretch their legs, and treat themselves to a Magnum each. The shop only sold them in packs of three.

On their way back to the pump, George noticed a man at the next bay, filling up a bulky SUV. On a gentle whim, George held out the spare ice cream.

          "Fancy a Magnum?" he asked.

The man looked startled, then deeply moved. “Really? That’s... incredibly kind of you,” he said, taking it like a small treasure. “You’ve no idea what that means today.”

George just smiled and waved it off. "It’s only a spare Magnum."

But the man stood there, touched to his core — and George carried that look home with him.

Later that weekend, George told his three young grandchildren about the moment, not expecting much. But they were all ears and wide eyed like meercats.

Two weeks later when they were staying over, as George tucked them into bed, he asked the usual question:  

           “What story shall it be tonight?”

          “Where the wild things are,” said the eldest.

          “The tiger who came to tea,” said the middle one.

But the youngest, with a finger to his lip and a quiet seriousness, said:

          “Grandad, can you tell us the story about the man who gave you a Magnum?”

George smiled; heart full. A small act, remembered like a fairy tale.

 



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Being Old; Who Really Cares?

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"Society cares for the individual only so far as he is profitable."

 - The Coming of Age, Beauvoir


Image kindly provided by Harli Marten at https://unsplash.com/@harlimarten


A friend at the weekend was out for a walk when two youths in quad bikes passed him and shouted, “Out the way yah specky old…!"

Excuse me for not finishing the sentence; their following words are too shameful to relate. Two things struck me about this scenario, my friend realised he is now old. And although there is nothing new about disrespect for the elderly, it demonstrates a society of people in some quarters that have lost their way and are without conscience. But what did we expect when parents and society have abandoned moral restraint. Who will be the role models for the younger generation?

In the golden years of life, when the hustle and bustle of youth and middle age have quieted, many older adults find themselves facing a new reality—one where the walls, quite literally, seem to close in around them. It's a time when the vibrant social tapestry that once coloured their days begins to fade into the background, leaving a stark, unnoticed, and often uncelebrated existence. This gradual retreat into the shadows isn't just confined to one's home but can happen anywhere—in church pews, community centres, and even within the bustling life of family gatherings.

Many elderly individuals often share a common, poignant grievance: the phone remains silent, and the days stretch on without a call from their children or loved ones. This isolation can be a profound source of sorrow and loneliness, making the twilight of life seem less like a chapter of relaxation and more like one of seclusion.

Yet, this doesn't have to be the narrative. Each of us holds the power to change this storyline and bring light into the lives of the elderly. We can choose to be the family they long for, the friend they miss, and the community they need. It begins with a simple, yet profoundly impactful act: engagement.

Imagine the difference a moment of your day could make if spent sharing a conversation with an older person. Consider the stories they have to tell, the experiences they can share, and the wisdom they're eager to impart. These are the threads that can weave new tapestries into their lives and rekindle the colours that once defined them. Taking an elder for a coffee or a meal out can be a simple gesture, but the significance it holds for them can be monumental. It's not just about the warmth of the drink but the warmth of the interaction, the feeling of being seen, valued, and loved.

Moreover, engaging with the elderly is not a one-sided affair. The benefits are beautifully reciprocal. In giving your time and attention, you are likely to find yourself enriched with newfound perspectives and insights that only years of experience can bestow. The emotional lift that accompanies these interactions is a testament to the profound human connection that sustains us at all stages of life.

This call to action is about more than combating loneliness; it's about reaffirming the dignity and worth of every individual, regardless of their age. In a society that often celebrates youth and productivity, it's crucial to remember that our elderly are reservoirs of history, knowledge, and life lessons that are invaluable to our cultural fabric.

Let us then make a conscious effort to reach out, to listen, and to embrace. Let's ensure that our elderly do not fade into the background but continue to be active, cherished members of our communities. By doing so, we not only uplift their spirits, but we also elevate our own, fostering a culture of care, respect, and mutual support.

So, the next time you pass by an elderly person, whether a familiar face or a new encounter, spare a thought, a moment, and perhaps a cup of coffee. In this simple way, we can all contribute to a kinder, more inclusive world where every stage of life is celebrated and revered. After all, one day, we too will hope for the same kindness and recognition in the autumn of our own lives.


Consider,

Pure and undefiled religion before our God and Father is this: to care for orphans and widows in their distress, and to keep oneself from being polluted by the world. - James 1:26,27 (BSB).


 






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Why On Earth Are We Here?

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Edited by Jim McCrory, Monday, 7 Apr 2025, 12:20


I see all this beauty and I don’t have much longer to live, but I want to stay.” 


Image kindly provided by https://unsplash.com/@anik3t


I live in Scotland, and I know it’s rude to ask, but what age are you? Not that I’m prying —— goodness, I run away from prying people. Anyway, I’m just wondering if you are at this stage in life where you wonder, what’s it all about? Life, I mean. Why are we here? Are we just products of an aimless evolution and were just dancing to our DNA?

Well, you may believe that, but is that something you reasoned into or something you just accept because everyone else does? Hmm!  That’s no way to understand why we are here.

Let’s look at the evidence: We live on a beautiful planet. To be honest, it’s man that’s ruining it. Science doesn’t know who or what put the universe here, and yet, our planet is perfect for human habitation. We see beauty in flowers, animals, the microcosm, and the macrocosm. We see all this in colour. We love poetry, music, sport, dancing and just sitting in a summer evening with that hygge feeling as we sit watching a sundown with family and friends.

But then, we grow old, and wonder, why all this? Will it all be over for me soon. Yes, and torschlusspanik kicks in; that feeling that the doors are closing in on you. And you ask yourself again, what’s it all about?

This is where it all gets contradictory. You see, if evolution were true, we wouldn’t ask these questions. We would just say hatches, matches, and despatches, concluding that we are here to be born, mate, keep the line going and then depart. But no, we want to live forever. No. you don't believe that? Okay, when would you like to die? Tomorrow, next week, next year. No, we want to hold on to life as long as we can.

My sister was out one day and observed an old man crying as he looked at the landscape.

“Are you okay?” my sister asked.

“I see all this beauty and I don’t have much longer to live, but I want to stay.” He answered.

The old man felt like that because we have been programmed from birth to have life indefinite in our heart. Look at Ecclesiastes 3:11,

“He has made everything beautiful in its time. He has also set eternity in the human heart…” (NIV)

So, what about you and me? Is God going to give us that feeling and not open the door for us in some way?

Jesus spoke to a man when they both were dying, the man asked for Jesus to remember him when he got into his Kingdom. Look what Jesus said,

Truly I tell you, today you will be with me in paradise.” Luke 23:43 (NIV).

This tells us where we can go, but not why we are here, right? Okay, here is my theory. Could it be that we are born here as a test?  You see there is this story in the Book of Job where Satan said to God that man only serves God for what he can get. Job chapter 1.

Let’s just stop there to take this all in. Satan has claimed that we would serve God for selfish gain only. I think Satan has a point, don’t you? But wait, that may be true of some, but not all. There are many people out there that would give their life to God and Jesus.

But there’s another factor here. 

God permitted Satan to test Job. So, there’s no doubt who’s in power here. Rather, it’s a moral issue. A moral issue that takes humankind’s lifetime to settle.

Let’s illustrate. If I were to say to you “I’m more honest than you. “How do we settle that? It would take our lifetime. And so it goes with God putting us here. We are here to be tested as to whether we are willing to side with God or Satan on this issue regarding man being selfish or selfless towards God. Look,

For the eyes of the LORD range throughout the earth to strengthen those whose hearts are fully committed to him.” 2 Chronicles 16: 9 (NIV).


 

 

Scripture quotations taken from The Holy Bible, New International Version® NIV®
Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.
Used with permission. All rights reserved worldwide.



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Jim McCrory

This is What I Told the Extra-Terrestrials

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Edited by Jim McCrory, Sunday, 6 Apr 2025, 14:20


For His eyes are on the ways of a man,

and He sees his every step.

Job 34:21 (BSB).


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This week, I returned from the Isle of Skye. Although I'm not a tourist guide, I ponder, what could I share about Skye? It boasts stunning views, welcoming locals, cosy cabins by the loch, and an educational lifeline where youths cross waters from neighbouring islands to attend school in Portree. Rural minibuses ferry younger children to their primary schools. Waking up was a delight with chickens strutting  around my cabin and a grand morning symphony orchestrated by the wilderness.

Yet, this morning, I find myself in a reflective mood, back home after attending a classical concert last night. While the music was sublime, requiring a serene environment for its delicate pieces, the ambiance was marred somewhat by attendees who frequently exited the auditorium for refreshments, alongside a noticeable number of latecomers. Wolf whistling during performances and at times, the concert seemed secondary to the party mood. Am I getting old and talking like my parents and grandparents as society changes? I don't think so Judging by the conductors’ comments, he seemed to indicate this was unique to my city. But I am sure this happens in other cities.

Afterwards, the city presented a stark contrast. The football crowd was caught up in a wave of drunkenness and aggression. On my journey home, the train scene was disappointing: people sprawled with their feet on seats, engaging in heavy drinking and smoking, leaving the carriage in disarray—a scene reminiscent of what my granny would call "Annaker’s Midden." I felt ashamed for my city.

In these moments, I contemplate what I would share if I were a guide to my own city. It's a city with many kind, respectful, and loving people, yet sometimes it also shows less commendable sides.

I sometimes muse about extra-terrestrials landing in my backyard, inquiring, "Is there any good reason for us to linger here a while?"

"Perhaps another time," I'd suggest, "when a transformative era (Armageddon) ushers in both moral and physical rejuvenation of our planet under God’s Kingdom."

For behold, I will create

new heavens and a new earth.

The former things will not be remembered,

nor will they come to mind.

But be glad and rejoice forever in what I create.

Isaiah 65:17,18.



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What Music Tells Us About Life Beyond This Realm

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Edited by Jim McCrory, Saturday, 5 Apr 2025, 08:31


"If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world."

 C.S. Lewis



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My wife and I have tickets for the André Rieu  concert in Glasgow tonight. I have been watching his concerts online and observed the great deal of joy that folk get from the music.

Music, much like a masterfully crafted poem, has a unique ability to transport us to places both vivid and vague, tethering our emotions to rhythms and melodies that echo through time and space. When I listen to music, especially classical pieces, I am transported far beyond my immediate surroundings. The sounds become landscapes, each note painting a vivid scene before my very eyes.

Take, for instance, Edvard Grieg’s "Morning." As the first few bars unfold, I envision a sunrise not just anywhere, but cascading over the lush, verdant pastures of Scotland—a place I hold dear. It’s a serene, almost sacred experience, as if the light itself is harmonizing with Grieg’s intentions, his notes the colours of dawn stretching across the horizon.

Contrast this with "Highland Cathedral," played on the haunting timbre of bagpipes. Here, the music encapsulates a dark winter evening in Glasgow, the soundscape morphing into the cold, brisk air that bites at exposed skin, the quiet solitude of a city holding its breath under the weight of the night sky. This music does not just speak; it evokes, conjures, and resurrects.

This auditory journey is deeply personal, reflecting my own narratives and memories. Each piece of music is like a poem whose meaning is reshaped by the listener's own experiences and emotions. What the composer intended and what I perceive are points on a triangle, with the third point being the unique interplay of my own inner life and the external piece.

However, not all musical journeys are without their interruptions. Ludovico Einaudi’s "Beautiful Night" and the lullaby "Suo Gan" carry me towards an ethereal realm, a place of beauty and tranquillity that feels just within reach. Yet, just as I am about to embrace this world fully, my mind, as if intimidated by the vastness of its own creation, abruptly pulls down the shutters. This sensation, akin to the German concept of Sehnsucht, reflects an intense yearning for something indescribably distant and unattainable, a place or experience that is deeply desired yet painfully out of reach.

This longing is bittersweet, filled with both the joy of near attainment and the sorrow of realization that some desires remain just beyond our grasp. It poses a profound question: when faced with the infinite, with existential mysteries that music so often touches upon, do we resign ourselves to defeat, or is there something more?

C.S. Lewis once suggested that our experiences of profound joy are but the scent of a flower we have not found, the echo of a tune we have not heard, and news from a country we have never visited. Perhaps, then, these moments of musical transportation do not merely escape but signposts, suggesting that our yearning for something beyond—this Sehnsucht—is not a mere emotional cul-de-sac but a hint of our destiny in another world.

So, where do we go from here? Do we accept these musical and existential journeys as fleeting moments of escape or recognize them as echoes of a deeper call to something beyond our earthly experiences? As I ponder this, I invite you, the reader, to listen closely not just to the music but to the responses it awakens within you. Maybe, just maybe, these sounds that resonate with our souls are inviting us to glimpse not just what is, but what might be, in a world yet unseen.

 


"If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world."

This quote from Mere Christianity suggests that earthly experiences do not fully satisfy our deepest longings, which C.S  Lewis interprets as evidence of our ultimate destiny beyond the physical realm.


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Benign Economics the Biblical Way

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Edited by Jim McCrory, Saturday, 5 Apr 2025, 06:32




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I guess the world woke up to the US governments tariffs with the feeling gloom that my a ancestors on Scotland's west coast may have felt when the Vikings had just raided. But listen up. Imagine a world where every 50 years, we hit the reset button on our economy. Land returns to its original owners, debts are wiped clean, and everyone gets a fresh start. Sounds radical, right? Well, that's exactly what the Biblical concept of the Jubilee Year is all about. Found in the Book of Leviticus, this ancient practice might seem a bit out of step with today’s fast-paced economic scene, but it holds some compelling lessons for how we might think about economics in a more community-focused, equitable way.

Every 50 years, the Jubilee Year rolled around, and all hereditary land was returned to the original family owners. Why? To prevent a few from accumulating too much and to ensure no one lost their grip on their family's future because of a few bad years or bad deals. It was a natural check on inequality, making sure that land, a fundamental resource, wasn't hoarded by the few.

Think about how this could translate today. We might not need to literally hand back properties every half-century, but what if our policies could reflect this spirit? Ideas like capping the amount of land one entity can own or taxing large land holdings more heavily could be a start. This could keep our housing markets fairer and prevent speculative land grabbing that drives up prices and drives out communities.

The Jubilee Year wasn't just about land; it also called for the cancellation of debts and the liberation of those who had become enforced  workers  as a result of their debts. This was about giving everyone a chance to start over without the burden of past failures hanging over them. It recognized that everyone could hit a rough patch and offered a structured way to ensure these rough patches didn't lead to lifelong poverty or bondage.

In modern terms, we might think about ways to prevent people from falling into crippling debt. Could there be a cap on interest rates for loans? What about more robust bankruptcy protections, or even periodic debt forgiveness programs for those in dire straits? These ideas might sound extreme, but they're all about ensuring that financial setbacks don't turn into life-ruining situations.

The Jubilee Year carried a deep theological message: the land belongs to God, and people are just stewards. This wasn't just about religion; it was a radical way of framing our relationship with the earth. Land wasn't something to be bought and sold without thought, but a vital resource that needed to be managed wisely and sustainably.

What if our policies reflected this stewardship mindset? Imagine laws that emphasize sustainable land use, that prioritize community and ecological health over private profit. Things like promoting renewable energy, supporting sustainable agriculture, and protecting natural areas could all be part of this approach, reflecting a modern-day take on the idea that we don't own the land—we're just borrowing it from future generations.

So, what can we take from the Jubilee Year today? It’s about more than just nostalgia for ancient times; it's about questioning the foundations of our economic systems. Are we building a world where wealth is shared and opportunity is universal? Are we taking care of the earth as if we truly believe it doesn't just belong to us?

While we might not institute a Jubilee Year tomorrow, we can draw on its principles to inspire policies that aim for fairness, sustainability, and community health. It’s about embedding a spirit of renewal and second chances into our economics, ensuring that our systems serve everyone fairly and reflect the kind of world we actually want to live in—a world where everyone gets a fair go.

The Jubilee Year teaches us that sometimes, the most forward-thinking ideas might just be buried in our past, waiting to be rediscovered and adapted to help us build a better future.

But something tells me that it would take a radical move to incorporate these principles. Man loves things, their possessions, their riches. Greed dominates today’s economic system and that is why Christian world wide utter the prayer, “Let your Kingdom come, let your will take place.”

 




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Morning Tranquillity On The Isle of Skye

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Edited by Jim McCrory, Friday, 4 Apr 2025, 11:40


            There's something about

            A blue bench

            With daffodils 

            Facing east

            Anticipating sunrise

            And waves gently slapping

            Ancient rocks.




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The Quiet Room

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Edited by Jim McCrory, Friday, 4 Apr 2025, 19:19


“All men’s miseries derive from not being able to sit in a quiet room alone.”

— Blaise Pascal, Pensées 



The idea that the root of human misery might be so simple—and so easily ignored—feels almost absurd. In an age where distractions are infinite and solitude is marketed as a problem in need of fixing, Pascal’s 17th-century insight cuts clean through time to strike the modern nerve.

Pascal, a philosopher, physicist, and man of faith, was not afraid of silence. Nor of God. He saw in the quiet room a mirror. Not merely a space of absence, but a presence—a reckoning. To sit in stillness, without distraction or agenda, is to be confronted with the self. And for many, that is unbearable.

The human spirit seems to resist solitude. We fill our lives with movement, conversation, television, scrolling, even the nobility of "being busy"—not always because these things matter, but because they spare us the confrontation with our own interior life. The still room is too loud with our unspoken questions: Am I loved? Am I enough? Am I avoiding something I must face?

And yet, Scripture speaks into this with a quiet but persistent voice: “Be still, and know that I am God” (Psalm 46:10). Stillness isn’t just rest; it’s revelation. It's where we remember who we are—not as consumers or performers, but as souls. The quiet room isn’t empty. It’s where God often waits.

When I was young, silence meant punishment. It was what lingered after arguments, or hung in the air at funerals. As I grew older, I began to see silence not as a void, but as a sanctuary. In moments of loss, of awe, of love too deep for words, silence became a form of prayer. Sitting alone, I could hear not just my thoughts, but something deeper—something eternal.

I think of the monastics who made their homes in deserts and caves. Were they running from the world? Or were they running toward something it so easily drowns out? To sit in a quiet room alone is to discover the subtle music of the soul, which is so easily silenced by the world’s noise. The still, small voice of God is not heard at the volume of TikTok or talk shows.

In our hyperconnected world, loneliness is feared, but solitude is sacred. The former is a hunger; the latter is a feast. But few ever learn the difference. We resist the quiet because it requires courage—courage to face our regrets, our mortality, our longings. And yet in doing so, we make peace with the self, and perhaps more profoundly, with God.

There’s a reason Jesus often withdrew to lonely places to pray. Not because he feared people, but because he needed the voice that came only in the stillness. If the Son of Man needed solitude, how much more do we?

So perhaps Pascal was right. Misery begins when we cannot endure our own company, when we fear being unmasked by silence. But healing begins there too. In the quiet room. Alone, but not abandoned.






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“The sole meaning of life is to..."

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Edited by Jim McCrory, Friday, 4 Apr 2025, 19:24

“The sole meaning of life is to..."

Is to what? Gather riches, build a bigger house? Indulge  in carnal pleasures? For Tolstoy, especially in his later years, life’s true depth wasn’t found in status or wealth but in moral and spiritual awakening. " The sole meaning of life was to serve mankind" . Or, one might say, love ones neighbour. 

After grappling with depression despite his success, he turned to simplicity, faith, and compassion—finding meaning not in what he could gain, but in what he could give.


 "The sole meaning of life was to serve mankind." 




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Living in the Moment. Skye, April 1, 2025

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Edited by Jim McCrory, Friday, 4 Apr 2025, 10:49


Steam from the mug meets morning mist,
as sunlight spills like melted gold
across the heathered hills and Loch,
where silence breaks in notes untold—

A curlew's cry, a distant bleat,
the lapping hush of silver tide,
wind whispering through pine and peat,
the rustle where the deer might hide.

The kettle sings, the eggs are done,
toast stacked beside the marmalade;
but more than this, it’s light and song
that nourish what the night unmade.

Each sip, each bite, a sacrament,
the sky a canvas still being born—
and I, beneath this vast event,
a witness to the grateful morn.

Here, time forgets its rush and race,
as sun climbs slow through saffron air—
and breakfast, on this porch in Skye,
becomes a quiet, whispered prayer.













"




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Someone Planned All This

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Edited by Jim McCrory, Friday, 4 Apr 2025, 19:21


"To see a world in a grain of sand"

William Blake


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Imagine holding a simple stone tool in your hand, its edges roughly chipped to a functional point. There’s no question about its origin. It’s clear that someone, long ago, shaped it with intent and purpose. No one would seriously argue that it came into existence by chance—that wind, water, or random collisions of stones could produce something so obviously designed for a task. Even its crude simplicity speaks of intelligence. 

Now, consider the double helix, the elegant structure of DNA that carries the instructions for all living things. It is a marvel of complexity, a masterpiece of order and precision. Its intricacies—billions of coded instructions, capable of replication and error correction—make the stone tool seem almost insignificant. Yet, for many, the prevailing belief is that DNA, with all its unparalleled sophistication, simply "happened" through random processes over time. 

This contrast raises a perplexing question: if a simple tool unequivocally points to a maker, how can the infinitely more complex double helix be dismissed as the product of blind chance? 

The Bible offers an explanation in Romans 1:19-21, where it says, “People can clearly see what God is like because He has shown it to them. Ever since the world was made, people have seen the amazing things God created. These things show us His power and that He is God, so no one has an excuse not to believe in Him.” The passage goes on to explain that even though people can see this evidence, they often reject it, becoming confused and darkened in their thinking. 

This ancient insight speaks to something deeply human. It isn’t that the evidence of a Creator is hidden—quite the opposite. It’s plainly visible in every leaf, every cell, and every galaxy. Yet, acknowledging that evidence leads to uncomfortable questions about purpose, accountability, and the nature of God. For many, it’s easier to explain away creation as a product of randomness than to confront the possibility of a Creator who might ask something of us. 

Think about how illogical this is. We celebrate human ingenuity when we see a work of art, a skyscraper, or a complex computer program. We admire these creations precisely because they reflect intelligence and purpose. Yet, when faced with the far greater complexity of DNA—the very code that makes life possible—many argue that no intelligence was involved at all. 

This denial, as Romans suggests, is more than intellectual; it’s spiritual. When people refuse to acknowledge the Creator, their thinking becomes muddled, and they lose their sense of wonder and gratitude. And gratitude is the key. When we look at the world around us—the delicate balance of ecosystems, the beauty of a sunset, the breathtaking intricacy of a single cell—the only fitting response is awe and thankfulness. 

It’s like standing in a gallery filled with masterpieces and refusing to believe there’s an artist. The evidence of design is overwhelming, from the simplest stone tool to the incomprehensible elegance of the double helix. But seeing it requires humility, the willingness to acknowledge something greater than ourselves. 

If we can so easily recognize intelligence in the small things—like a primitive tool—shouldn’t we be even more amazed at the brilliance behind the complexity of life itself? The Bible reminds us that creation is God’s signature, visible to everyone who chooses to see it. To deny that is not merely to miss the truth—it is to turn away from the very source of life and meaning. 

The double helix doesn’t just whisper of a Creator—it shouts it. The question is, are we willing to listen?











"




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Where Will You Go When You Close Your Eyes To This Life?

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Edited by Jim McCrory, Saturday, 29 Mar 2025, 11:02


"Why is there a deep hope within us that life does not end when we close our eyes to this life? 

Why are there concepts of Paradise, Heaven, a New World, Valhalla, Fiddler's Green, 

The Elysian Fields, Tian, Jannah, and many more? "


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 "Last Saturday, I visited the British Museum, and as I wandered among the artifacts, it was evident that the items found in graves, tombs, and burial chambers belonged to past humans who believed in an afterlife. In some instances, pharaohs and similar figures were buried with their servants, presumably so they wouldn't enter the netherworld without the convenience of having everything done for them.

However, a particular burial that caught my attention this week was a discovery in the Czech Republic due to its unusual contents. This Bronze Age burial, found accidentally near the town of Břeclav in South Moravia in 2021, included a unique artifact—a puppet-like figure with a ceramic head. Dating back approximately 4,500 years, the burial featured this puppet, which had a head mounted on what seemed to be a wooden body, though the wood has not survived the ages. The head was distinctively decorated with incised geometric patterns, suggesting it might have held cultural or possibly spiritual significance.

Yet, I can't help but wonder—archaeologists sometimes make mistakes as their conclusions often involve a degree of guesswork. Even if it's educated guesswork, considerable disagreement among scholars persists. My theory? Perhaps this puppet was how the individual earned a living and entertained. After all, who doesn’t enjoy a good puppet show? And what better way to tell future generations who he was?

But these burial practices raise some weighty thoughts regarding the human psyche; why is there a deep hope within us that life does not end when we close our eyes to this life? Why are there concepts of Paradise, Heaven, a New World, Valhalla, Fiddler's Green, The Elysian Fields, Tian, Jannah, and many more? Wherever you look in the world of cultures, there is a name for the afterlife.

The truth is, in God’s original purpose, mankind was given everlasting life. That was, until sin entered the mix and brought death through sin. Jesus came to release mankind who accept and believe in him to have the opportunity of life everlasting. That’s why he spoke to the repentant criminal on the cross and promised, “You will be with me in paradise.”

But returning to the burial practices, this discovery made me reflect on what I would want to be buried with. What could future generations learn about me from such items? Perhaps my writer’s notebook would be a fitting choice.

Now, what about you? What would you leave behind for future generations that would hint at your identity?"


“He will wipe away every tear from their eyes,

and there will be no more death

or mourning or crying or pain,

for the former things have passed away.”

Revelation 21:4 (BSB).







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Once I Read a Book and Never Stopped

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Edited by Jim McCrory, Thursday, 27 Mar 2025, 12:10


The more things that come into your head, the more room there is for others.” 



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I must have been eight when the janitor at St Anthony's in Govan brought in a big box of brand new books. The teacher handed us all a copy and I sat and got lost in the pages of mine. Many of the pupils got bored with theirs and asked for a change. "Look at McCrory" the teacher said, "He is enjoying his." The truth is, it was boring, but I got on with it and persevered. And if the truth were told, it was the only compliment I ever got from a teacher.

 In Selma Lagerlöf's The Wonderful Adventures of Nils, a profound yet straightforward insight is introduced: “The more things that come into your head, the more room there is for others.” This notion implies that the mind, unlike any physical space, expands with its contents. It grows ever vaster with each new thought, idea, or dream. Reflecting on this concept, I recognize its resonance in my experiences, especially in my interactions with others—both enriching encounters with individuals who read and think deeply.

My journey through life has often meandered along paths lined with books, through landscapes rich with paragraphs and ripe with rhetoric. Along these paths, I have met kindred spirits—people whose minds, like mine, seem to thrive on the endless nourishment of words and ideas. There is a palpable depth in conversations with these individuals, a shared understanding that reaches beyond the spoken word, facilitated by our mutual expeditions through literature.

This literary journey does more than just broaden our knowledge; it enhances our capacity for empathy. Like the trees I observe from my window in winter—prepared and eager for the abundance of spring—our minds, fertilized by myriad narratives and perspectives, grow branches and forge connections. Each book, each story, adds a layer of understanding, enabling us to relate more profoundly to others' feelings and experiences.

Moreover, empathy—a quality deeply tied to our ability to understand and share the feelings of another—seems enhanced by reading. Literature serves as a rehearsal space for empathy, inviting us into the minds and lives of others, promoting understanding across boundaries of time, culture, and circumstance. Without this engagement, my capacity to empathize would be stunted.

Reflecting on Lagerlof's wisdom, the more we fill our minds with thoughts, ideas, and emotions, the more expansive they become—not crowded, but enriched and deepened. Those who abstain from reading deny themselves not just the knowledge and entertainment books hold but also the chance to expand their cognitive and emotional capacities.

As I continue to navigate a world populated with both types of individuals—those open to the endless possibilities of thought and those closed off—I strive to advocate for the value of reading. Not just as a source of information, but as a vital exercise in building bridges between minds. My hope is that more people will discover the joy and value of reading, not only for their enrichment but for the greater empathy and understanding it fosters within our communities.

Thus, my journey, much like that of young Nils, remains an inward as much as an outward adventure—an endless exploration where the more I discover, the more I realize how crucial it is to encourage others to open the books, open their minds, and by doing so, open


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Jim McCrory

Treading the path of Wordsworth

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Edited by Jim McCrory, Saturday, 29 Mar 2025, 08:24


"We laugh, we cry, we care about characters on screen, not because we forget they aren't real, 

          but because they evoke real emotions in us." — Anonymous.



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Whilst Sir Walter Scott took a trip to Stratford-upon-Avon, Li, a Business Studies student at Glasgow University, was on a road trip with friends to see the Glenfinnan Viaduct. That same year, Kioko, a middle-aged widow, boarded a flight from Tokyo to Canada. Years earlier, her mother had flown from Tokyo to Edinburgh.

Aside from the obvious differences, they all had something in common: they were on similar missions. Each was indulging in what psychologists call parasocial relationships—or unilateral relationships. Sir Walter Scott set off to visit the home of his literary hero, Shakespeare. Li and her friends were headed to the spot where the Hogwarts Express crossed the viaduct. Kioko was travelling to visit the home of Anne of Green Gables, and her mother had once journeyed to the city where the Bay City Rollers had grown up.

I am no exception. One late spring in 2017, my wife and I took a trip to Britain’s Lake District. While there, we decided to visit Grasmere, the village where Wordsworth had lived, and the subject of much of his poetry.

When we arrived, Grasmere was ghostly—eerily still despite the bright summer morning. We strolled through the small village and eventually arrived at Wordsworth’s cottage. Suddenly, a group of forty or fifty Indian visitors appeared—professors, literature teachers, poets, and literary enthusiasts. Having studied English literature myself, I was intrigued to know why they had travelled from Delhi, Kerala, Gujarat, and Hyderabad to make this pilgrimage to the home of their beloved poet.

Their schedule was tight, but I managed to speak with one man from Delhi—a poet. I asked him a question that has often occupied my thoughts: Why do we make such journeys to visit the places that inspired our favourite writers, poets, and fictional characters?

I deliberately used the collective “we,” as I, too, am caught in this curious psychological phenomenon. Yet, in our brief conversation, we merely danced around the question. I walked away with a lingering sense that the answer remained incomplete—unexplored.



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Jim McCrory

Listening to the Rain, Listening to the Heart

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Edited by Jim McCrory, Wednesday, 26 Mar 2025, 10:50



Tìng yǔ tīng xīn (Chinese, 听雨听心)

 (Listening to the Rain, Listening to the Heart)




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 Spiritual Bankruptcy

The Chinese phrase "Tìng yǔ tīng xīn" beautifully captures a moment of profound reflection, implying a recognition of the emptiness within oneself—a poetic awareness of an emotional or spiritual void.

Recently, my wife and I watched an interview with Ayaan Ali, a speaker and writer who shared her harrowing experience of enduring a decade of severe depression. Her condition was so debilitating that she contemplated ending her life. This period of profound despair continued until a therapist suggested she might be suffering from spiritual bankruptcy. This insight sparked a significant spiritual transformation in Ali, leading to a personal epiphany that dramatically altered her perspective and brought her an enduring sense of happiness.

In a world where Christianity often faces scepticism and ridicule, particularly from atheistic quarters, Ali’s story is a poignant reminder of the limitations of a solely scientific worldview. Atheism and what is sometimes called 'fake science' do not serve as definitive arbiters of personal experiences. Indeed, there are dimensions of human existence, such as conscience and the deep, intricate ways the human psyche communes with God and Christ is yet to fully understand, let alone measure.

(2) Richard Dawkins vs Ayaan Hirsi Ali: The God Debate - YouTube

 




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