Thoguths on 'Speaking Freely', hosted by Edwin Newman4 January 1971 by PBS-TV in the USA.
I disagree with the premise that ‘The medium is the message’ or ever was.
The 'Word' wasn't the book itself - its being a book... but the work (the words it contained), to think of it in terms of Bibles being printed 500 years ago.
We have an inclination to hyperbole, today was we go all Internet, just as McLuhan did over TV. And every generation does whether it's the train, car, telegraph, telephone or TV, pages, video-games or Smart-phones. H.G.Wells was like this - at least he had the sense to write fiction most of the time.
Perhaps it is human-nature to crave and celebrate 'advancement' and 'invention.'
Could someone ask a neuroscientist. V.J.Ramanchandran probably has a point of view. I guess courtesy of social networks I could have a message to him in ten minutes. Should I? To make the point? To have a definitive and authoritative answer?
The typo of message as 'massage' is apocryphal surely?
It was a time of social confusion … because everyone of McLuhan generation and cohort were taking LSD weren't they?.
McLuhan is an elusive character best understood for the thoughts he provoked rather than as the source of a consistent and coherent body of ideas. He sound likes Marc Prensky of ‘Digital Natives’ infamy or Douglas Coupland and ‘Generation X’ now reborn as ‘Generation Y’ which I’d like to call ‘Generation Why not?’
'The surge towards the future' (a hackneyed phrase) is not just associated with new digital technologies, such as Web 2.0. The ocean analogies continue with the 'wave of analogue mass communications symbolised by television and the shrinking of the world into what McLuhan named ‘the global village’.' Indeed, though more so than the 1970s the events of the last few days surely make us feel like a global village. I've switched from CNN to NHK a Japanese Channel that has a simultaneous feed in English ... it could be local news. It is local news if we are thinking in terms of a global village. It has taken forty years to come about. TV takes the images from SmartPhones ... though the Internet is getting much of this too.
Speaking Freely, hosted by Edwin Newman4 January 1971 by PBS-TV in the USA.
People suddenly want to be involved in more dynamic patterns.
If this was what was felt in 1971, why is it still the mantra today? It is wishful thinking. Of course people want things packaged. They want to be spoon fed, from several sources. They are greedy for the choices of packages …
I disagree, consumers were being empowered, whether they were influenced by advertising or not (they were), they were not the less making choices.
Intriguing that we want the audience to be the producer, but only in so much as the producer interprets what they want then package it as a TV show.
Instant replay isn’t participation.
It is editing, then playing back in slow motion. This any other trick is firmly at the fingertips of the producer and in 1971 that of the Gallery Vision Mixer.
Commentators cannot help but reflect publicly on what so many quickly accept as the norm, the younger the audience, the more likely they are to consider it the normal modus operandi.
I thought watching CNN coverage 24/7 of the Japanese earthquake had me ‘there.’
I kept inviting my 12 year old son who was watching better footage free of the CNN ads on YouTube. Different generations, different means of consumption.
Old World, New World; His World, My World.
Watching how CNN collated the edited the material looking for the highlights was interesting. How they pimped it up into the mother of all trailers for news on the event touched on the distasteful, treating the event like a series of events from the American Football Series along with graphics, EFX and music. The events in Japan constantly interlaced with adverts … many of them tourist destinations such as Turkey. Incongruent.
If the medium is the message then I'm tired of the message that comes from TV if news like the Japanese earthquakes has to be packaged with such insensitivity and commercialisation. Shame on CNN.
I’d no longer think of editing TV as an artistic process as putting the car into gear at the traffic lights.
In the US they allowed the sponsors to alter their Football game, an idea that never caught on in the old world. A soccer game of four quarters? It isn’t water-polo.
Hints at what we have with SmartPhones, though people are as likely to be watching the news, a cartoon series, a movie or their favourite music.
I simply don’t accept, as someone at school in the 1970s, that at any stage students thought they were gaining control or wanted to participation in the production of learning process.
Things are packaged by those who know better for a reason – they know better, they are supposed to be the teachers, supposed to be the subject matter experts, supposed to be, and can be the only ones who know their audience, their class and can respond accordingly.
Sesame Street does show ‘the entire learning process in action and in the best advertising style’. Advertising works, or they wouldn’t do it. People are persuaded … and people can be persuaded to learn. I wonder what Marshall McLuhan would make of ‘In the Night Garden’ and the ‘Teletubbies’ – learning as entertainment, that is engaging and vicarious rather than the teachery/evangelically and now very dated Sesame Street.
We like to listen, laugh at or be taken in by commentators like Marshall McLuhan, with have our own generation, who get themselves known, on TV, publishing books. I even help them by mentioning their names, from Malcolm Galdwell to Marc Prensky, they are the Athenian Oracle. We should learn to dismiss what they have to say, rather than accept it, to look at the facts ... and if there aren't any to go and do some research so we understand what is actually happening, not what we would like to happen or think is happening.
The best form of participation I can think of regarding TV, no longer the family activity a generation or two came to love, is fighting over the remote control.
This and turning the TV off, rather than on is a form of participation. It's called doing something that doesn't send you to sleep which is partially the premise behind Ragdoll's 'In the Night Garden' by the way (whose your favourite character?)