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Everything is miscellaneous

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 16:11

Think of this as a leaf

We've gone through an era of learning as 'trees of knowledge'; now all the leaves have blown off. With everything tagged and searchable you can still find what you need on the ground.

This is the idea

I buy this, more or less. I'd been thinking of it like this for some years, but today I've moved on - it doesn't work.

It doesn't work given that the leaves can be any asset that can be digitised. With the leaf analogy we have to set parameters and have types of leaf (even across plant species, or across the cycle of seasons in temperate climate, there isn't scale or variety that is adequate).

I question digital data or aggregations of binary code being given an organic reference

I prefer to think of the Internet and the World Wide Web as an ocean and 'stuff' as water molecules.With this analogy we can throw in the water-cycle, icebergs and glaciers, clouds, rivers and tributaries ... snow and storms.

Everything is random

It is until you give it value, until you file or tag it. If you neither file nor tag, then your digital 'stuff' may was well not exist, not for sharing at least. How will you find it?

'Everything is miscellaneous' (David Weinberger) is a worthwhile read: cover-to-cover.

'The best digital strategy is to dump everything into one large miscellaneous pile and leave it to the machines to find exactly the table settings we need for tonight's dinner'. p85

I was reading 'The Cluetrain Manifesto' that includes a David Weinberger contribution too - I loathe it (for now). I'll keep wondering why:

Because it reads like a collection of smalmy articles for 'Esquire' ?

Because it invites dialogue but in print form there is none - like going to a party and only being in a position to listen to the guys who have had too much to drink and think they know it all.

Harsh?

(This may be a love/hate relationship developing here ... it challenges me to return to the text. Which reminds me, it was intriguing to find the OU Library copy of the book full of pencil mark highlights and notes. See, a reader couldn't resist i.e. it isn't content for print).

Weinberger imagined what it would be like to be sitting in a new home with 157 moving boxes all labelled 'miscellaneous' - (87) Sound like a great way to get out of a house, just box it up and go. I even like the random nature of what you then find yourself with.

Where is the role of serendipity in this searchable and tagged world of ours?

Thinking allowed?

 

 

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Design Museum

Writing for the blogosphere

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 12:12

DSC01700.JPG

 

'From the outside the 'blogosphere' looks like a self-indulgent pool of slush that wouldn't get past the usual filters'. David Weinberger.

DSC01627.JPG

I see it like this (so does he).

Dandelion seeds that you allow to blow away in the wind.

The pictures of these seeds in the grass need some work .. and possibly a different lens.

All I need now is a picture of a pomegranate turned inside out. That's the way I see the creation of content for the social network. Though flicking the seeds out into cyberspace or bashing the fruit with a kitchen roller might be as apt.

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Design Museum

Wit, authority and a love for the subject

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Edited by Jonathan Vernon, Monday, 5 May 2014, 06:14

The analytics on your OU blog are none existent.

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This is my page views since Feb 2010.

That's all I get. Even 12 years ago I could learn every time I logged in the latest 'views' and the views for EVERY page in my diary ... with them ranked, and selected as favourites.

These are VITAL fuel to the blogger, especially the novice blogger who is desperate for signals that having offered their soul to the world that they are getting a response.

I think in my original 1999 blog I went through the 1,00,000 views three years ago (home page), the 170,000 on the favourites (a link into a category of pages) came next with some 18,000 or so on the most read individual page.

This is one indication of interest, the next is those pages picked out as favourites by other bloggers ... simple acts, no need to comment, just tick a box to indicate you're interest in what you've just said or expressed.

I have to say, my inclination to get in the Tardis and pick up on that 1999 blog is strong. It, they were better.

Back then it was a blank page. You needed some basic coding skills and a partner, a designer, always a total unknown, like a copywriter and art director working together.

I feel the loop has gone out far enough and us bloggers will welcome the return journey.

'Wit, auhtority and a love for the subject.'

This is all you need from a blogger you want to read, exactly what you'd like from a journalist. This is a description of the journalism of Sylvia Ryder.

I am first of all a diarist, then a blogger, also a writer and copywriter. I have decade of directing work (some on TV) to call myself a director. I have acted professionally. I even get up and play guitar and sing. I write for an audience. I would call myself an animateur, even a performer.

In this random, miscellaneous, uncatergorised world I am just the words I last put out. I am defined by then, Where they go, how I tag them ... I actually wish I could leave this to others. To wrap up here and say to my team ... you tage, you post, your spread my words where we've discussed is appropriate.

If I compose a song I want to perform it.

Listening to Sylivia Ryder being interviewed this morning (Radio 4, this Saturday) and mixing this up with 'Everything is Miscellaneous' David Weinberger I came up with my own conclusion.

We will no longer make do with the cherry on the top of the cake, placed there because those who know best have made this selection for us; we want all the cheries off the tree (let us decide) and all the cherries rotting on the ground too (it is for us to decide what to discard, not you).

We do and will discard the trash.

Therefore, we must offer at least a pummet of cheries.

This is easy to do.

Sony Flip, video and sound.

Cut in iMovie.

Turn an interview around with cut-aways in a morning.

Cost ?

Time of personnel ?

£100?

 

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