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H818 Activity 2.1 Openness in a connected world of education

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Edited by Jonathan Vernon, Tuesday, 21 Oct 2014, 08:14

Fig.1 Posing for a scamp at the School of Communication Arts, 1987

H818 Activity 2.1

I will only publish in open access journals.

I'm not a professional academic. Should I publish then I imagine the calibre of the journal will count for something. As a professional writer (copy, scripts, speaches), with exception of blogging I am used to being paid for my words.

I will share all learning material that I create and own openly online.

From the moment I started to blog I have been part of self-help groups 'publishing' openly on everything from blogging to creative writing, swimming teaching and coaching, social media, the First Worldd War and e-learning. My goal over the next year or so is to produce under a Creative Commons module a series of 30 to 1500+ micro- OERs, one minute pieces with Q&A attached, as what Chris Pegler terms 'Lego Techno Bricks'.

I maintain an online social media identity as a core part of my professional identity.

It lacks professionalism as I don't edit it or write to a definable audience but I have a substantial e-learning blog that largelly, though not exclusively, draws on my MA ODE experiences (in fact I started on the MA ODL in 2001 and blogged on that too). I use Google+, Linkedin and Twitter haphazardly by pushing blog content to actual and potential commentators, participants and followers.

I take a pragmatic approach and release some resources openly if it’s not too much extra work.

I come from corporate communications where created content is closed to employees.

I have concerns about intellectual property and releasing my content openly.

Actual words of fiction I write is my copyright, Factual I care less about. Whilst a blog is largelly like a recorded conversation, a formal paper would need to be recognied in the appropriate way.

I will share all material that I create and own openly online, as soon as I create it.

No. I cannot hope to earn a living or sustain my interests if I cannot both charge for my time and my ouput.

 

 

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H809 Activity 6.2: Effects of audience on research (1 hour)

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Activity 6.2: Effects of audience on research (1 hour)

In the light of Activity 6.1, look again at the research question you chose for TMA01.

  • What kinds of audience were you assuming for the research findings?
  • How might this research question, and/or the methods you chose, be different for different audiences?

Post your thoughts in your tutor group discussion forum.

REPLY

The suggestion is that I am writing to a community of fellow researchers working towards the 'cutting edge' of e-learning in health care, in this instance to support patients and improve patient outcomes, through drawing on literature where various interventions have been successful with doctors.

If written for potential funders then, like the elevator pitch' for a movie script then my inclination would be to spice it up, certainly to push what is unique harder, but also to flag up those few papers that suggest that research of this nature is now required as the next step. i.e. to sell the logical progression of building on what has gone before, using my own experience and skills to say to funders 'you would be backing a safe pair of hands'.

The audience none of the papers talk about are the participants themselves. This is where an inevitable shift is occurring as patients chose to be better informed and in one piece of research I was reading the interviews were compromised as earlier interviewees had posted the questions and their responses online. Currently, from what I have read, the general public are reached via the press. In future, not just through books, radio and TV appearances, but also in blogs and other social media, academics will find they have an audience that includes students (not just their own), and other interested parties.

Just as a conference paper can lead to writing an article for a journal in future there are likely to be other audiences to be written for.

Rather than tailoring niche research for different audiences, as a hypothetical exercise I have presumed the funding would permit a broad approach that would generate material that would, edited and written and expressed in an appropriate way, suit a variety of audiences. Under Creative Commons some content might be offered to a community on the Internet to mash-up, share, curate on other platforms and so on - if the Social Media purpose is to 'spread the word' let those who are best at doing it do it.

 

 

 

 

 

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H809 Paper 1 Scrutiny of a research paper

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Edited by Jonathan Vernon, Sunday, 10 Feb 2013, 20:01

I should dig out the research but hasn't it now been shown that as long as students get to choose between classroom / lecture based, blended or online learning they are all equally happy with the outcome? This might suggest that institutions need to offer this mix ... but it shows how much better it is to start on a positive rather than feeling you have to have your module deliver in a set way whether you like it, or get along with this approach or not.

The other piece of reading I need to reference concerns a study, I think from the 1960s, and mentioned in The Gutenberg Galaxy by Marshall McLuhan that I am reading, that there are significant differences in how people interpret a piece of text, that we bring significant baggage to it, drawing conclusions and seeing patterns, making links and connections that are very much are own. This is particularly the case with 'open texts' that invite thought and require us to construct our own meaning compared to 'closed texts' which aim to present a thesis as an absolute. Is this why so many research papers are dry? Why they leave little impact? It suggests that a paper should be written up in two forms - for peer review and scientific scrutiny on the one hand, and to invite comment, feedback and contributions on the other.

A reason to blog? Your paper is published, then your write it up in a blog in a more accessible and 'open' manner?

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What the publishers mean

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A witty lok at what publishers at saying at the London Book Fair and what they mean. http://www.guardian.co.uk/books/2012/apr/27/what-publishers-really-mean-euphemisms?fb=native&CMP=FBCNETTXT9038
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Buzzing

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Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 06:10

I'm not tired, which is the worry; it'll catch up with me. When I wake up with a clear, original thought I've learnt to run with it. Time was I could have put on a light, scribbled a bit then drifted off again. 17 years of marriage (and 20 years together) I've learnt to get up. And once I'm up, then I know it'll be a while before I can sleep again.

(I'll sleep on the train into London; at least I can't overshoot. I once got on the train at Oxford on the way into town and woke up in Cardiff).

I have the thought nailed, or rather sketched out, literally, with a Faber-Castell Artist Pen onto an A5 sheet of cartridge paper in Derwent hardback sketch book. This seems like a waste of good paper (and a good pen), but this doodle, more of a diagram, almost says it all. My vision, my argument, my persuasive thought. My revolution?

Almost enough, because I then show how I'll animate my expression of this idea by drawing it out in a storyboard. I can do it in seven images (I thought it would take more). I hear myself presenting this without needing to do so, though, believing myself quite capable of forgetting this entire episode I'll write it out too.

I once though of myself as an innovator, even an entrepreneur. I had some modest success too. Enough to think such ideas could make me. I realise at this moment that such ideas are the product of intense mental stimulation. To say that H808 has been stimulating would be to under value how it has tickled my synapses. The last time I felt I didn't need to sleep I was an undergraduate; I won't make that mistake. We bodies have needs. So, to write, then to bed.

(This undergraduate thing though, or graduate as I now am ... however mature. There has to be something about the culture and context of studying that tips certain people into this mode).

You may get the full, animated, voice over podcast of the thing later in the week. I'll create the animation myself using a magic drawing tool called ArtPad and do so using a stylus onto a Wacom board.

(Never before, using a plastic stylus on an a plastic ice-rink of a tablet have I had the sensation that I am using a drawing or painting tool using real ink or paint. I can't wait 'til I can afford an A3 sized Wacom board ... drawing comes from the shoulder, not the wrist and certainly not the finger tips. You need scale. Which reminds me, where is the book I have on Quentin Blake?)

Now where's a Venture Capitalist when you need one at 04.07am. That and a plumber, the contents of the upstairs bathroom (loo, bath and sink) are flooding out underneath the downstairs loo. Pleasant. A venture capitalist who is a plumber. Now there's something I doubt that can even be found if you search in Ga-Ga Googleland.

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What chance does a book have in 2011? Book 2.0?

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Edited by Jonathan Vernon, Tuesday, 28 Dec 2010, 04:03

The opportunist are even better for the someone with something to say or the skill to tell a good story. Without the support of a publisher your book may take time to find a market, but it will: narrowcasting and micropublishing makes this possible.

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Once a dirty word, 'self-publishing' makes sense; have a website, say something often, build a readership then have a book, CD or T-shirt to sell. i.e. be commercial, sales are better than hits.

Books will be bought in great numbers, but in a plethora of genres and volumes, because on the one hand this micromarket can be winkled out, while on the other, if there is a marketing campaign behind the book which uses the Web successfully, it might attract millions.

I dare say it helps to be writing in this global language which I call 'English English,' that might in time transmogrify into 'global English' or even 'globalish'.

Steven Pressfield is a prime example of an author who has embraced the web.

Screen Grab of Steven Pressfield Online homepage

I'd also recommend his book 'The War of Art', though despite my taking several years out to write I find resistance always gets in the way; blogging is my form.

These words will add to the 1,8 million I've pumped into Cyberspace since 1999.

Perhaps it is about time I put some of the following online:

Escape from Alien Zoo

Kids returning home in the school bus are abducted by aliens and put in a zoo.

Fortune Photobooth

An handful of coins used in a Photoboth take the person back to the time on the coins. I've had them back to 1066, 1914 and 1957 so far.

Get Jack Back

Henrietta Wilson, a nurse on the Western Front, successfully poses as a Machine Gun officer to go in and get her brother Jack Back from a pillbox on the edge of Houthulst Forest, Passchendale.

Airborn

Gustav Hemel a pre-World War 1 aeronaut faces internment, or worse, being shot as a spy soon after the outbreak of war. He fakes his own death and returns a training officer and fighter pilot George Hepple.

The Watersprites

A couple of water-living humanoid creatures are forced out of their sanctuary in a small lake and hole up in a condemned public swimming pool. Befriended they journey from city to the mountains to be reunited with their own kind in deep lake in the Alps.

The Girl in the Garden

Three 10 year old prep school boys find a young girl in their den in the woods. Sworn to keep her hidden from adults and other boys they successfully fend of all 'attacks' and dangers. When she dies they bury her in a their garden plot which wins that summer's 'Gardening Cup.' 1972.

Driving Blind

On a whim a guy takes a bet from an American tycoon to drive a car on public road for 100 miles wearing a blindfold. The prize isn't the $1,000,000 but the technology that is developed, tested and stolen.

Skieasy

The best 1000 ski runs on the planet lovingly analysed!

Perhaps I can do this one, when I've sold a few million of the above sad

Perhaps it is time for me to decide how I am going to survive 2011

 

 

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