OU blog

Personal Blogs

Design Museum

The outcomes of H808 Unit 1

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 03:34

The outcomes of this first unit are:

  1. to appreciate the range of potential interpretations of the concept of an ‘elearning professional’
  2. assess the roles that different technologies might play in your own development during the first four units of H808.

The first has been covered thoroughly and discussions are now playing out in the tutor forum.

The second I need to get to grips with:

Blogging and forum entries I can do.

More work required on:

  • The OU Library
  • Wikis
  • MyStuff
  • Compendium

Have I?

Read carefully through the Course Guide and the Assignment Guide

Scan through the materials for each of the first four units.

Have I? Core Activity 1.3

Looked at the following resources:

  1. The map of the H808 virtual environment (in the Resources section of the H808 homepage). This will give an overview of the technical environment, and also some suggestions as to what you might focus on if you are a novice or an ‘old hand’ with these tools.
  2. The various technical guides that you will find in the OU Computing Guide at http://www.open.ac.uk/computingguide/start.html.
  3. The Technical and skills forum, where the online moderator will be available to answer questions and give advice, together with the more technically expert of the H808 student participants. Please make use of all these sources of help. If you hit a problem, don’t suffer in silence!
Permalink Add your comment
Share post
Design Museum

Re-invention of e-learning

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 31 Jan 2013, 06:07

Isn’t ‘re-invention’ the word? (Rogers, P114 & P115, 2002)

Not wholesale repurposing, but as Rogers puts it 'It should be acknowledged that rejection, discontinuance and re-invention frequently occur during the diffusion of an innovation and that such behaviour may be rational and appropriate from the individual's point of view.' (Rogers, p114 2002)

I wonder how my experience might have been with a group of colleagues or friends, signing up together ... but might this too ‘spoil the party.’ And how over a longer period fellow students would be emailing and messaging and getting on the phone ... let alone meeting up.

This fascinates me primarily because I am convinced that collaboration, sharing, discussion and so on is crucial to a deeper learning outcome. But does this not have to be down to the drive of the individual and permitted by the institution they belong to?

How much motivation can others really offer or be expected to offer?

If neither a carrot or stick will work with adult learners, especially in a online environment, then what do you do? ‘You can take a horse to the trough, but you can’t make it drink.’ As I’m about to take a course on the Psychology of Sport as a Senior Swimming Coach I may gain some further insights into waht motivates people to do something and how outsiders can influence this in a positive way.

And just because we’re invited to drink from this trough once, dos not mean we will do it again, or often or with enthusiasm. Our moods will wax and wane, or commitments beyond the course will impinge.

Deep learning, as I’ve learnt, benefits from, even requires a rapport with one or several others at various levels of understanding – a Subject Matter Expert (SME) or experts, a tutor, a couple of fellow students on the course, and perhaps someone more junior who can be in turn mentored or tutored by us (first years being buddied by a second year, a post-grad student supervising a fresher).

How much this mix can be set by what little the OU or other Distance Learning Provider knows about an individual is quite another matter.

Do you run a call-centre like team of facilitators/moderators ... or aspire to the one-to-one relationship of tutor or governess to student mimicking some land-owning/aristocratic model of the distant past? Where is or how can that rapport that can work between student and tutor be recreated here? Or is this something for a DPhil?

A free-for-all would create imbalances, inevitably ... for the institution. But whose experience are we prioritising here?

Whilst a balance must be found, if the best outcomes are to give tutors and SMEs much more time online to forge relationships then this should be - a good coach attracts the best athletes and attracts the interest of other coaches. How does she do that? (Expertise, training and personality ... enthusiasm, putting the athlete at the centre of things)

Perhaps by pursuing ‘educational social networking’ institutions are shooting themselves in the financial foot?


The time put in to make a freer networking between students, tutors and SMEs, with students in different time zones and different priorities would be prohibitive. Undergraduates studying on campus, in a homophilous cohort, with fewer worries (other than debt) don’t know how fortunate they are to have this opportunity to study, probably for the only time, before the life of the wider world impinges.

REFERENCE

Rogers, E,M. Diffusion of Innovations. (2005) 5th Ed.

Permalink
Share post
Design Museum

Blogging. A private journal, journalistic or academic?

Visible to anyone in the world
Edited by Jonathan Vernon, Sunday, 8 July 2012, 13:05

Three Degrees of Blogging

If it plays to how it is defined, a ‘weblog’ then it should be nothing more than a captain’s log, in the style of Star Trek, that logs position and events as they occur.

Web pages, cobbled together into a journal like experience defy what the web affords.

The person who keeps a diary in a hardback notebook, or one of those Five Year Diaries with a flimsy padlock, have to keep notes on specific dates in the calendar, online the daily webpage is a falsehood, it is a devise that obliges something that is wholly unnecessary.

Personally, long ago, I ditched all pretence at writing a daily entry (even if I did so), by archiving entries by category.

Weblog as webstorage or repository.

More like the modern e-portfolio I suppose. The idea concept is easily controverted. Writing pages of fiction, with comments turned on make sharing and critique immediately possible. Allow any number of readers to contribute directly to the pages and the weblog becomes both a blog and a wiki.

Can we ‘wikify’ a website?

And do I coin such a word as soon as I tell my dictionary to accept the term? Which makes me wonder – is there a way for multiple users to share the contents of their dictionaries?

Permalink
Share post
Design Museum

How talking to yourself makes you smarter. What about writing such a stream of consciouness into a blog though?

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 1 Nov 2012, 19:01

Anais%2520Nin%2520SNIP.JPG

Your inner voice.

How talking to yourself makes you smarter.

 

The Voice of Reason. Robson. (2010)

 

I was initially attracted to this edition of the New Scientist as the cover story offered to shed light on the value (or otherwise) of  what some term ‘stream of consciousness’ others ‘this voice in our heads.’ Of what value is it?  And if I can type as fast as I can think it is this a true reflection of what I am thinking, at the pace at which I am thinking it – or does the process lose something in translation? Using how we think and what we verbalise is given value here, which ought to bolster the views of H.E. institutions that ‘reflection’ has a purpose. The article also explains why we need to give things terms, though I’m also always curious to know why certain words last while others do not. If I’ve understood the ideas correctly then there is a suggestion that loose terminology, words for concepts that are not clear or still debated, are counter-productive, we need to be clear that our interpretation of a word, even something as simple as the colour yellow compared to orange, or hues of the colour blue, match the understanding that others have.

 

‘On average, 70 per cent of our total verbal experience is in our head.’ Boroditsky (2010)

 

Language helps us to think and perceive the world.

 

Naming objects helps us categorise and memorise them. Lupyan (2010)

 

i.e. things (concepts and objects) are more easily thought about if ‘verbalised’ through having a name.

 

However, labelling can also bury the detail. Lupyan (2010)

 

i.e. we humans work best at the macro rather than the micro level of terminology?

 

‘Labelling objects helps our minds build a prototype of the typical object in the group at the expense of individual features.’

 

Language shapes perception, argues Gabriella Vigliocca of University College London. Vigliocca. (2010)

 

The pumpkin test. 80% got the object from seeing it alone. 85 % of those who saw it and were told its name got it. While those who had what they could see in one eye ‘scrambled’ only achieved 75% suggesting that a visual with a verbal clue helps to anchor the object in the mind.

 

‘It seems that words prime the visual systems of our brain, conjuring up a mental image when it is seen’. Vigliocca (2010:32)

 

Boroditsky (2010b) recently found that Russian speakers, who have two words for different shades of blue, really are faster at discriminating between the different shades than English speakers. (The once discredited Whorfian hypothesis). The effect disappeared when they repeated a long number to themselves, as this interfered with their linguistic capacities.

 

Fundamentally, knowing the name for something helps identify it. Lupyan (2010)

 

‘It seems that our inner voice changes the way we experience the world. Language is like augmented reality – an overlay that changes how we think, reason and see’. Clark (2010:33)

 

With the above in mind I started the following list with a view to developing reasons for not using the word ‘stakeholder.’ With no end of this list in sight I may need to change my opinion, I may not like the word, but it works. But does it? Whilst ‘stockbroker’ I can see embodies a specific group of people, ‘stakeholder’ for shifts constantly, like a cloud forming under a summer sun.

  • employee
  • shop floor worker
  • management
  • owner
  • director
  • boss
  • line manager
  • people
  • brother
  • colleagues
  • stakeholders
  • staff
  • McWorkers
  • office staff
  • blue collar
  • white collar
  • sisters
  • champions
  • participants
  • slave labour
  • sweat-ship workers

‘Up to 80% of our mental experiences appear to be verbal rather than visual or emotional.’ Hurburt (2010) from the University of Nevada, Las Vegas.

‘It’s like a guidebook that has been developed by thousands of people before you, who have figured out what is important for to survive and adapt to our environment.’ Clark (2010)

 

Do you work with the radio on or off?

With the TV on or off? Or in an Open Plan office? Do you prefer a library or study? Can you work as you commute? Or on holiday?

 

Based on what we have learnt above what impact might this have on what you are thinking?

 

Does it depend on how easily distracted you are, how focussed? Work (study) in an environment that is relevant to the task and this enhances it whereas work (study) where verbal noise is a constant distraction and you cannot (or could not) work so well?

 

REFERENCE

Clark, A (2010) Language and Cognition, University of Edinburgh. Interview for New Scientist. 2776 (4 Sept  2010)

 

Boroditsky, L (2010a) Interview for New Scientist. 2776 (4 Sept  2010)

 

Boroditsky, L (2010b) Quoted in the New Scientist. 2776 (4 Sept  2010) from Proceedings of the National Academy of Sciences, vol 104, p7780

 

Hurburt, R (2010) Quoted in the New Scientist. 2776 (4 Sept  2010) from Psychological Medicine, vol 24 p385.

 

Lupyan, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Psychological Science, Vol 18, p1077.

 

Lupyan, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Journal of Experimental Psychology: General, vol 137, p348.

 

Robson, D. The Voice of Reason. pp30-33 Cover Story. New Scientist. 2776 (4 Sept 2010).

 

Vigliocca, G (2010) Quoted in New Scientist. 2776 (4 Sept  2010) from Psychological Science, vol 18, p1007.

 

 

 

Permalink Add your comment
Share post
Design Museum

Up and running. H808

Visible to anyone in the world

An hour in the middle of the night has been spent reading through the first task and all the various forum entries in H808 'The E-Learning Professional.'

This and applying for a job. Stymied by the need for three references. I've been such a hermit these last few years I worry that beyond family and friends the only reference I could get would be from my hairdresser and she might say something like 'he may be on time but I know he's seeing the barber down the road as well.'

Three dreams over the last ten days are bugging me - my lengthy reflection on these will go into the WordPress Blog (unless they prove to have something to do with the OU). I use a 27 point survey that usually reduces the dream to some mundane conclusion, though occasionally offers something more profound.

Ever on the look out for 'e-' words I spotted 'e-nose' in last week's New Scientist.

The e-nose refers to an 'electronic nose' rather than an 'electronically enhanced and largely online nose' that is the 'e-' of e-learning. The e-nose can identify certain scents electronically, it transpires ... (though not across, the Internet) ... yet. It wouldn't surprise me if a Google-e-nose were developed that could be used to search for and then offer recipes for food from your fridge that has escaped its packaging. Hold it up to your webcam and Google will advise.

The following was written out long hand with an ink pen.

I wonder if there is a stylistic difference, greater fluidity? (My son had squirreled the lap-top away and being the dead of night I didn't want to disturb him).

Is there software that can spot the stylistic difference of something written directly into a word-processor, like this ... or written out long hand, like this:

Reflection

Whilst reflection is meant to help tackle complex problems, what if the issues are so chaotic, long term and intractable that far from helping to resolve a problem the act and habit of reflection simply re-enforces the mess?!

E-Learning

How much of it is online?

And how much of it is even electronic and/or enhanced?

This happens to be a reflective note being written long-hand onto a recyled A4 ruled pad of paper. It is anything but electronic, or digital. Nor, as yet, is it shared or offers any chance of interaction, let alone collaboration with a group of friends, community of fellow students or the wider world.

The most important part of this experience is taking place in my head and is either one step behind, or one step ahead of this writing process. It is stream of consciousness. It is a singular, lonely and individual occurrence from which little will be gained by sharing it.

This is it: learning in which the 'e' is highly tangential.

Indeed, I'd go as far as to say that the 'e' component of my online learning, or web-based learning, or iLearning experience with the OU thus far is one in which the online quality of the process can be as discretely packaged as you would a book, a lecture or a face-to-face chat with a fellow traveller - it is one part, even a distinct part, an entity with barriers, parameters and a physical presence.

It is a part, not even a large part. But a catylst. A resource. A tool. A track. (a word-processed addition here)

An audit of how this learner spends his time studying shows that half is off-line doing that all too traditional act of reading and taking notes; that of the remaining half another 50% is spent at a computer keyboard sometimes not fully aware or bothered about whether I am working online or off, using software on my hard-drive or the OU server.

(a hand-written omission here replaced with the following while typing online)

And if I continue this fractal-like halving of time spent studying, at what point do I reach 'e-'

And does it matter?

The 'e-' is the fleck of saffron in a risotto.

Permalink 1 comment (latest comment by Elena Kondyli, Sunday, 5 Sept 2010, 00:11)
Share post
Design Museum

Making up e-words

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 04:11

Why is it so easy for English speakers to create words if one doesn’t exist.

‘Web-based learning’ or ‘e-learning’ ?

Which do you prefer?

Does it matter so long as we have a good idea of what it means and entails.  ‘e-tyres’, which I saw ten minutes ago on a van, confounds the logic of 'e-mail' or 'e-forum', it is easy to understand its meaning - ‘buy tyres here online’ (rather than ‘electronically enhanced tyres.’) But when was English ever logical?

The ‘Cambridge Encyclopaedia of the English Language’ talks about word-building or ‘compounding’. This is possible we are told because of the way the Old English vocabulary builds up through the process of affixation and compounding.

A prefix I wasn’t aware was one is ‘to’ as on the English prefix we see in ‘today, towards and together.’

One from my home town, so clearly embedded in its Danish roots is ‘gan’ as in ‘go’ which is used on Tyneside as in the Geordie for go home ‘gan yem’.

The readiness to build up words from a number of parts is a feature that has stayed with English ever since.

In English we tend to concertina words, to simply them. If it can be understood in one syllable, then this works best of all.

Most English vocabulary arises by making new words out of old ones – either by adding an affix to previously existing forms, altering their word class, or combining them to produce compounds. Cambridge Encyclopaedia of the English Language. (1995:128)

Common affixes are:

un-
de-
hyper-

I think there has to be something poetic, something logical, simple, immediately understood and that rolls naturally off the tongue. Web-based learning, web-based training, web-based virtual asynchronous communication ‘Web/VAC’ have had their day (a decade even, 1995-2005). We will ‘google’ forever – no need here for e-search (was that ever used?) and 'to yahoo; would not do. Or e-encyclopaedia when we had Britannica Online and now have Wikipedia.

Never hyper-learning, though if we create the holy grail of game-like learning for the current generation of net-savvy, game-savvy, texting, blogging, social-networking kids then ‘hyper-tivity’ could be exactly what would describe their engagement. I watch and listen in to my son’s antics on the X-box, using Skype, online to the world, organising games, while clicking through web-pages for the latest ‘cheat’ and viewing YouTube ‘how to ...’ Training or Learning?

Terms can be made to change their word class without the addition of an affix – a process known as conversion nouns from verbs – verbs from nouns.

‘e’ isn’t a prefix, it’s a compound of ‘electronic and/or enhanced’, that has been abbreviated to ‘e-‘.

Does it matter?

If it is in common usage and it is understood then whether it follows a rule or a former pattern or not means nada. The great thing with English is that anything goes. What counts is whether people adopt a word and if it sticks. and gets into everyday usage.

‘A compound is a unit of vocabulary which consists of more than one lexical stem. The parts are functioning as a single item which has its own meaning and grammar.' (Cambridge Encyclopaedia of the English Language. (1995:120)


REFERENCE

Cambridge Encyclopaedia of the English Language. 1995

 

 

Permalink 1 comment (latest comment by Sylvia Moessinger, Wednesday, 1 Sept 2010, 21:42)
Share post
Design Museum

Some interesting facts about English

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 30 Aug 2010, 12:02
Courtesy of Henry Hitchings. 2008

K.O. = 'Knock Out' so 'OK' ... not so!

I’ve learnt something. And so simple. I thought it might be American Airforce derived. Code. I always wondered about OK.

What about F.A.B? From ‘Thunderbirds.’

There are 6,900 different, mutually unintelligible natural languages.


96% of the world's languages are spoken by 4% of its inhabitants.

There are 750 languages in Indonesia.

Eleven languages account for the speech of more than half the world's population:


1. Mandarin Chinese
2. Spanish
3. Hindi
4. Arabic
5. French
6. Bengali
7. Portuguese
8. Russian
9. German
10. Japanese
11. English

Only SIX may be significant in fifty years time:


1. Mandarin Chinese
2. Spanish
3. Hindi
4. Bengali
5. Arabic
6. English

English dominates in diplomacy, trade, shipping, the entertainment industry and youth culture.

English is the lingua franca of science and medicine.

Its position is prominent, if not dominant, in education and international business and journalism.

There are more fluent speakers of English in India, where it persists as 'subsidiary official language' than in Britain.

English as a second language is spoken by some 120 million non-British.

English is spoken by

* 80% of the population of the Netherlands and Sweden
* 50% of the population of Germany, Slovenia and Finland
* 30% iof the population of Italy, France and the Czech Republic

REFERENCE

The Secret Life of Words. How English Became English. Henry Hitchings. 2008
Permalink 3 comments (latest comment by N D, Monday, 30 Aug 2010, 17:48)
Share post
Design Museum

Fingerspitzengefuhl

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 2 Nov 2012, 18:50

'A feeling in the tips of one's fingers.' Courtesy of Henry Hitchings (2009)

My journey through the English language courtesy of Henry Hitchings has come to an end. I have read his ‘The Secret Life of Words. How English Became English’ from cover to cover. I’ll have to read his book on Dr Johnson’s Dictionary next – unless I have something better to do in OU Land. Or get my hands on Mencken’s book on ‘The American Language’ which the late Alistair Cook would often quote.

I feel better armed to deal with concerns for the veracity of such words as ‘enculturated’ and ‘e-lapsed’ time that those of studying Online and Distance Learning (e-learning) must get used to.

I’ve learnt about loan words, calques and coinage; words taken straight from a foreign language, expressions that are literal translations of a foreign language and invented words.

English is a language of constant invention.


I have a put down from the 16th century for any new fangled multiple-syllable techno babble I come across. I can call the author a 'Controversialist  - a writer who spurts out horrid polysyllables; and I might use the line, ‘such addicts of exotic terms would rarely use a short word where a long alternative could be found.' From John Florio's A Worlde of Wordes (1598)

I love the French loan word 'Escargatoire' which is 'a nursery of snails'. I am sure I can find a way to use it.

It amuses me that William Fox Talbot wanted to call photography ‘photogenic drawing while after Louis Daguerre we have ‘daguerreotype’ but pushed by Sir John Hersche ‘photography’ and ‘photo’ caught on. (Queen Victoria asked a grand-daughter for a 'photo' in a letter).

I thought of ‘stakeholder’ as a word that had to be 1970s corporate speak, only to learn that it was first used in 1850, along with entrepreneur and capitalist

Etiquette has become ‘netiquette’ in OU Land

This is a Georgian notion and appears in Johnson's dictionary of 1818. One piece of advice given regarding etiquette is to 'be discreet and sparing of your words.'

With is in mind, as I begin a new module my self-imposed rules will be:

  • Messages under 50 words
  • Forum replies and entries under 250 words
  • OU Blog global entries under 250 words, OU entries under 500 and private entries as long as I wish, but probably under 2,000 words
  • MyStuff under 1,000 (though I plan to break these entries into more manageable ‘learning objects,’ like the paper equivalent of waht in 1990 the OU called a ‘Concept Card.’

(I have also broken this entry into four parts to keep the wordage down per entry. More to follow.)

Hitchings leaves mention of the Internet to the last pages of the final paragraph

'Online communities, which are nothing if not eclectic, prove an especially rich breeding ground for new words.'

* extremes
* deliriously ludic (sic)
* personalised
* localised

REFERENCE

The Secret Life of Words. How English Became English. Henry Hitchings. 2008

Permalink
Share post
Design Museum

E-words. E-terms. E-lexemes.

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 2 May 2014, 11:22

Inspired by The Secret life of words. How English became English. Henry Hitchings (2008)

‘Communications is essential to our lives, but how often do we stop to think about where the words we use have come from?’
Hitchings (2008)

Whilst ‘where words came from’ is the premise for ‘The Secret Life of Words’ it is much more: it is a history of the people who spoke English. It is a refreshing take on a chronology of events. We learn history through words for warrior, through the Anglo-Saxon, French and Latin word for the same thing ... and through the words the English language has so easily accommodated from across the globe. It is a fascinating journey, one made pertinent to someone studying on the cascading wave-edge of the digital ocean that is ‘e-learning’ with the frequent coining of new terms.

For a description of the way the English language functions (or mis-functions) I love this:

English is ‘Deficient in regularity.’

From James Harris (c1720) in Hitchings (2008:1)

It is exactly the kind of thing a teacher might write in red pen at the bottom of a school-boy’s essay.

This is another way of putting it. English, ‘this hybrid tongue’, as Hitchings calls it. Hitchings (2008:2)

A tongue that re-invents itself, twists and transmogrifies at every turn.

A couple of decades ago I recall there being suggestions that the English language would splinter into so many dialects, creoles and forms that a speaker of one would not understand the user of another. The opposite appears to be the case, that ‘core English’ has been stabilised by its myriad of versions. Users can choose to understand each other or not, to tolerate even celebrate their differences or to use difference to create a barrier: think of the class divide, the posh voice versus the plebeian, one regional accent set against another, or an accent from one former British Dominion compared to another.

‘Words bind us together, and can drive us apart.’ Hitchings (2008:3)

How is the Internet changing the English Language?

What impact has Instant Messaging, blogging and asynchronous communication had? Can we be confident that others take from our words the meanings we intend? As we are so inclined to use sarcasm, irony, flippancy and wit when we speak, how does this transcribe when turned into words? How can you know a person’s meaning or intentions without seeing their face or interpreting their body language? Must we be bland to compensate for this?

I love mistakes, such as this one from Hitchings:

Crayfish ... ‘its fishy quality is the result of a creative mishearing.’ Hitchings (2008:4)

Age ten or eleven I started to keep a book of my ‘creative mishearings’ which included words such as ‘ragabond,’ instead of ‘vagabond.’ I love the idea of the ‘creative mishearing,’ isn’t this the same as ‘butterfly’, shouldn’t it be ‘flutterby’? And recalling a BBC Radio 4 Broadcast on Creativity with Grayson Perry, ‘creativity is mistakes.’

Mistakes and misunderstandings put barbs on the wire strings of words we hook from point to point, between arguments and chapters. We are fortunate that the English language is so flawed; it affords scratches and debate, conflict and the taking of sides.

An American travelled 19,000 miles back and forth across the US with a buddy correcting spellings, grammar and punctuation on billboards, notices and road signs. His engaging story split the reviewers into diametrically opposed camps of ‘love him’ or ‘hate him.’ (Courtesy of the Today Programme, the day before yesterday c20th August 2010)

‘Our language creates communities and solidarities, as well as division and disagreements.’ Hitchings (2008:4)

My test for the longevity and acceptability of a new word coined to cover a term in e-learning will be twofold:

Can, what is invariably a noun, be turned with ease into a verb or adjective?

Might we have an Anglo-Saxon, French and Latin word for the same thing. We like to have many words for the same thing ... variations on a theme.

And a final thought

Do technical words lend themselves to such reverse engineering? Or, like a number, are they immutable?

If they are made of stone I will find myself a mason's chisel.

Permalink Add your comment
Share post
Design Museum

The use of narrative in e-learning

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 15 Oct 2012, 10:28

I fully buy into the idea of using narrative in teaching.

Without the pyrotechnics of e-technology some imagination from a well informed agent, perhaps assisted by a scriptwriter, could produce a script that is engaging, a journey from which a learner may deviate if something so intrigues them, a pattern with a beginning, middle and end that everyone can follow.

‘Teachers use narrative to teach children difficult concepts and to bring structure to the curriculum.’ Egan (1988)

REF

Bruner (1996.97) ‘Meaning Making’

  • spontaneous inclination to engage in a dialogue with material
  • to improve some form of organisation upon it
  • to make comparison with it

REF

McCloskey, D.N. (1990) Storytelling in economics

Bruner, J.S. (1996) ‘Frames of thinking: ways of making meaning.’ In Olson, D and Torrance, N (eds) Modes of thought. Explorations in culture and cognition, pp. 93-105.

It has been shown that experts in any field tend to embody knowledge in the form of narrative.

Schon, D (1983) The Reflective Practitioner: How professionals think in action.

‘Stories are the method by which people impose order and reason upon the world.’ Fisher. (1987) REF Fisher, W.R. (1987) Human communication as Narration: toward philosophy of reason, value and action.

‘By framing events in a story it permits individuals to interpret their environment, and importantly it provides a framework for making decisions about actions and their likely outcomes.’ Weller. (2009:45)

The framework is the logic of the narrative, the logic of the plot, the role-play of the protagonist (you the learner), the battle you have with antagonists (concepts you can’t grasp) supported by your allies (the community of learners, your tutor and institution) leading to a crisis (the ECA or exam), but resolved with a happy ending (one hopes).

Film-makers, naturally, but also documentary film-makers, bang on about the ‘narrative’ and the ‘story.’

This is how facts, whether naturally linear or not, need to be presented, if an audience, or a larger part of that audience, are to be suitably engaged by a topic.

Some months ago there was a news story concerning how much could be expressed in 40 seconds – BBC Radio 4, Today Programme. Any recollections?

Three experts were called and in turn tried to explain:

1) Bing Bang

2) String Theory

3) The Offside Rule in soccer

Bing Bang was pure narrative, like Genesis in the Bible, with a clear beginning, middle and end.

String Theory had a narrative in they way the theory came about, and just about got there.

The Offside Rule didn't even started well, then got hopelessly lost in ifs and buts and maybes. (I got lost at least. Coming to all three equally ignorant I only came away with full understanding of one, some understanding of the second, and barely a clue with the Offside Rule)

The use of scenarios:

  • as a device for determining functionality
  • as a means for engaging users in the stakeholder’s consultation

Having spent too considerable a part of my working life trying to write original screenplays and TV dramas I am versed in writing themes and strategies, storytelling in three acts, with turning points and a climax, antagonists and protagonists.

I use software like Final Draft and Power Structure.

These tools could as easily be used to compose and craft a piece of e-learning. Perhaps I’ll be given the opportunity to do so.

Narrative … is a useful means of imposing order and causality on an otherwise unstructured and unconnected set of events, but it also means that some detail is omitted in order to fit into the narrative, and other factors are only considered in the limited sense in which they can be accommodated with the narrative.’ Weller (2009:48)

Writing a narrative, for a novel or screenplay, is to some degree formulaic.

Is design of e-learning as straight-forward?

A decade ago it looked complex, five years ago with HTML code package in plug-ins and excellent ‘off-the-shelf’ software coming along the process appeared less out of reach.

Today I wonder if it is more matter-of-fact than some make out?

Addressing problems, devising a plan (a synopsis, then a treatment), threading it together … maybe its having it operate apart from the tutor or lecturer or teacher is what concerns you (teachers, lectures, profs). You are the ones who must learn to ‘let go of your baby,’ to have an actor or presenter deliver your lines. Once, and well. Or write in a team, as writers on a soap opera.

It works to follow the pattern rather than break it.

It strikes me that in e-learning design there may be only a few structures to cover most topics – really, there can only be so many ways to tell/teach/help someone understand a concept … or to do something, and remember the facts, the arguments and concepts … to be able to do it, repeatedly, build on this and even develop an idea independently to the next stage or level.

There is little meat on a popular documentary

There are micro-narratives and their are journeys, some more literal than others, for example, currently there’s a BBC documentary series, ‘The Normans’ and the third or so series of ‘Coast.’

From an educational point of view, what do audiences ‘learn’ from these programmes?

Can they typically recall anything at all, or do we/are we semi-conscious when watching TV, leaning back, not leaning forward, mentally as alert as someone smoking a joint. (Apocryphal or true?)

Try reading the script, try transcribing what is said and look at how far it goes.

Not very far at all.

Such programmes/series can be a catalyst to go to the website or buy the books, but otherwise the information is extremely thin, predictable and ‘safe.’)

If only links could be embedded into the programme so that as you view the programme relevant pages from the Internet wold automatically be called up.

Do you watch TV with a laptop?

Many do. Traders can manage several screens at a time, why not as mere mortals too?It becomes more engaging when you field of vision is nothing but screens, on topic. My preferred way of working is to have two screens, two computers, a mac and a PC, side by side. They do different things, they behave in different ways. I have a team of two, not one.

The medium may introduce a topic or theme, but there is little meat on the bone and we can be swayed by:

  • bias
  • the view of the author/presenter/channel
    • (commissioning editor)
  • negative or positive

(For any longer list of concerns take a course in media studies.)

And if its on a commercial channel there are interruptions for adverts, while even the BBC chase ratings.

Even seen a lecturer take a commercial break

How about the some rich e-learning sponsored by Lucoxade, Andrex or Persil?

This is how schools receive interactive cd-rom and online websites ‘for free.’

REFERENCE

Weller, M. (2007) Virtual Learning Environment. using, choosing and developing your VLE.

Permalink
Share post
Design Museum

The value of electronic literacy in the Internet Age

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 06:32

Did serendipity bring me to ‘Contemporary Perspectives in E-learning Research.’ Conole and Oliver (2007) or did I notice that H808 students were reading and critting it?

Either way I bought it as I’m yet to get my head around e-Reader.

Can you recommend an e-Reader?

A kindle or the Sony Reader perhaps? I can’t see the point in an iPad for reading academic journals and books. I don’t want to be printing off a forest and filing on shelves I don’t have either.

Chapter 11 of ‘Contemporary Perspectives in E-learning Research’ looks at ‘Academic literacy in the 21st century’

E-literacy is an irresistible term of course.

‘Electronic Literacy’ or ‘E-literacy’

‘Involving the capacity to locate, organise, interpret and use digital information.’ Conole (2007:160)

Martin (2003) appears to get the credit for coining the term.

There are many forms of literacy, all have their place:

  • information literacy
  • digital literacy
  • electronic communication
  • computer literacy
  • transliteracy
  • information/IT skills
  • computer-mediated communications
  • knowledge construction
  • research


Shetzer and Warshauer (2000), McKenna (2002), ‘Writing as a social practice’ (Ivonic et al, 1999)

These literacies are:

  • shaped by disciplinary norms
  • institutional power dynamics
  • impact of audience
  • notions of identity


‘What we choose to read and how we read may lead to fundamental changes in our understanding of authoritative scholarship.’ Conole (2007:160)

It interesting that Google is often the preferred means of locating academic information (Borphy et al, 2004). Does this apply to undergraduates and graduates? At times frustrated with the OU Library Services I ended up in Google Scholastic but no longer had the access privileges so had to back pedal. Too often links given in text, journals and book are out of date. By way of example of the three links I wished to follow up in this chapter I found only one and that was at a different URL I am yet to find the SCONUL or SCORM articles.

SCONUL (1999) ‘information skills in higher education’, SCONUL position paper. Available online at: www.sconul.ac.uk/activities/inf-lit/papers/seven-pillars.html (CAN’T FIND)

SCORM (2004) Shareable content object reference model. http://www.adlnet.org/scorm/history/2004/index.cfm (ERROR PAGE)

Ingraham (2005b) Filmic and even melodramatic narrative ... used purposefully.

Ingraham (2005b) Exploring the Frontiers of E-learning: border, outposts and migration. ALT-j, 2005. 6-8 Sept 2005.

Beyond the ‘essentially medieval apprenticeship system’ (Ingraham and Ingraham, 2006) ‘E-Quality: a dialogue between quality and academia’, E-learning, 31) http://www.wwwords.co.uk/elea/content/pdfs/3/issue3_1.asp

(ACCESSED 16 AUG 2010. But not at this address, but at this onesmile

http://www.wwwords.co.uk/pdf/freetoview.asp?j=elea&vol=3&issue=1&year=2006&article=11_Ingraham_ELEA_3_1_web

I have a problem with some PDF files too, but that’s down to an eight year old iBook not being able to upgrade to the latest ADOBE PDF software. A new iBook beckons.

This theme of literacy given a book in its own right. How though do institutions recognise the many different ways students may wish to pursue and assemble content and information in future?

Literacy and multiple literacies (Kress, 1997)

‘It is a normal and fundamental characteristic of language and literacy to be constantly remade in relation to the needs of the moment.’ Conole (2007:169)

Kress, G (1997) Before writing: rethinking the paths to literacy.

‘The are many ways of making and communicating meaning in the world today.’ Conole (2007:169)

The goals of education

The development of ‘concrete-operational skills of technical reason coupled with functional, utilitarian language skill.’ (Jones, 1991)

Two conflicting directions for education

‘The desire to stimulate the growth of autonomous, entrepreneurial, IT-literate, multi-skilled individuals’ or ‘the desire to create a compliant, low-expectation labour force inured to the demands of flexibilisation.’ Conole (2007:171)

Surely this isn’t a case of either or, and surely both ends of the scale can be viewed positively – society needs a community of people working at different jobs to remain viable and coherent. Conole should be quoting Government policy here but prefer to suggest that there is a choice while clearly favouring one over the other.

Prison Officers, we are told, don’t need a university degree; they aren’t the only ones. Unless you want people to endure their necessary jobs like Marvin the Paranoid Android. Adams. (1979)

REF Kress, G (2003) Literacy in the new media age.

REFERENCE

Adams, D (1979) The Hitchhiker’s Guide to the Galaxy.

Conole, G and Oliver, M (eds)  2007. Contemporary perspectives in E-Learning Research. Themes, methods and impact on practice.







Permalink Add your comment
Share post
Design Museum

Grayson Perry and Rose Tremain on Creativity

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 26 Oct 2011, 07:45

I meant to share this at the time of the broadcast a month of six weeks ago. Life and an OU TMA got in the way.

Please offer your thoughts and share

These are notes, things I picked out, some reflection on my take on all of this. Perhaps we are like minds? Perhaps not? I'm trying to make sense of it ... I'm not saying I've made sense of it here or in a hundred or more posting on a similar theme that I have made online over the last decade reading the likes of Stephen Pressfield, Norman Mailer and Ben Okri, even David Ogilvy) who amongst many creatives have chosen to share their wisdom with the wider world.

To be successful and creative is a rare thing, it isn't simply a result of luck or talent or endeavour ... a mind might be able to self-regulate and focus once it has found its medium and voice, but just as helpful are those around you who create parameters, who set deadlines, who chase you with a stick or reward you with a carrot.

In this BBC Radio 4 broadcast Grayson Perry explored the myths and misconceptions of creativity.

What does it take?

Like all things, hard work and single-mindedness.

From my point of view I see myself as a Catherine Wheel that has been lit and fallen of its stand - I spit and twist, sending out ideas all over the place. Not the best way forward.

The Myths and Misconceptions were:


  • The Eureka Moment (Spoke to Terry Pratchet)
  • Anyone can do it (Spoke to Rose Tremain)
  • Drugs are good for you. (But not for Satre)
  • A bid mad
  • Britain's got talent (Spoke to Hussein Shelian)
  • Creative Genius
  • Need to have suffered an early trauma (Ray Talis)


We are reminded the 'creativity' is a central part of the UK economy.

For 17 years I actively contributed to this. My wilderness years, the last eight, have resulted in very little output (if that means getting it out of the front door). I stack it. I'd prefer to see these ideas compost and die than give my ideas to the world.

It is essential that creativity has institutional underpinning.

How will this manifest itself with the cuts to arts funding now being proposed by the coalition government in the UK.

or is it necessary. Whilst education in the UK has its faults it nonetheless appears to favour and permit the individual so that talent can develop. This must be the state system, private schools are a sausage machine for exam results, they have to be given what parents are forking out.

'Creativity is mistakes.'

Says Grayson Perry, he has this carved into concrete across the mezzanine floor of his studio. You try, you fail, you try again. I would like to suppose I haven't tried hard enough to fix my failures (or what I perceive as failures). At time though I feel if I keep on trying I would eventually strip back a 90,000 novel to a few words.

Imaginative power is 'looking, looking, looking' to which Rose Tremain added, it is 'listening, listening, listening.'

I'm a looker, so I don't know how I've ended up writing.

You can never be fully relaxed on holiday.

I do, but sailing and skiing do occupy your head if you fall off cliffs and like to race dinghies. Moments of near-death are exhilarating, as those times the elements sweep you along.

I hate the computer as a writing tool, this facility to edit does me no favours. yet a writer Grayson interviews said the computer allowed him to write, that until then he had no way to start straight in with a few thoughts, some scenes (like episodes in a film), and assemble it all in a non-linear way.

I've worked so hard with programmes like Power Structure and Final Draft but somehow always tie myself in knots trying to add or remove a character or scene or changing the ending or beginning.

'Letting go at the end - that's as good as it will get.' Says Rose Tremain.

A year of Cognitive Behavioural Therapy and my last session was driving me to 'finish something.' I can, but there needs to be someone with a stick harrying me along, a reward at the end would help, reassuring words along the way too ...

My notes here (a month or so after the broadcast) say something about 'investigating in a way that is new and aiding their creativity by giving them love and boundaries.'

I would run with a lover, with the intensity of an unfulfilled affair. Something to make the heart race. I once spent a day drawing a girl I lusted for ... she was happy to be naked for me. I compelled myself into a state of denial without able to control my arousal. It all went into the drawing, the excited, confident marks across the page.

What about the University of East Anglia Creative Writing Course?

I've locked at the details and would be applying for 2011. Don't have the money. Anyone want to sponsor me? In return for a percentage of the royalties that would of course come about a year or two later?

Pretty please?

Or the MA in Fine Art at Sussex University?

'A life's work without any expectation of reward.'

My wife caught this line and said that was me. She should know, she's not had much out of me these last eight years. The novels I promised to write were written, but are considerably short of an edit I would send out. I would need to shut myself away from everything for 12 weeks.

Do you have somewhere I could hide?

Exam conditions six to nine hours a day, seven days a week. Not any man made disturbance - nature I can tolerate, nature I love. A hermitage on Farnes island would do, a ski lodge up a mountain pre-Season. somewhere. An empty barn, drained swimming pool, decommissioned nuclear power station.

Impulsive ideas that I run with:


  • A chess set made out of branded bottles of water.
  • Every ski run in the Ski Resorts of Val d'Isere and Tignes reconstructed as transects showing their true length and fall.
  • A short film about watersprites living in a public swimming pool
  • Story ideas galore for TV series or film.
  • A 6ft canvass of Lewes Castle in the snow from a series of photographs that could have been taken 800 years ago.

'When you are creating something you are drawing on so many parts of the brain.'

This was in response to someone with an MRI scan who claims to have identified creativity. It doesn't work like that, indeed, the creative mind goes more slowly ... it takes it times over these connections. It thinks, how else could it ever deliver anything original?

So when yo relax, you let go, that is when you have your great ideas. I resolved the ending to a story I haven't touched for three years on a dog walk so long I found worried messages on the mobile phone I had left in the car. My mobile is rarely on.

'The distressful bread of the day to day.' Said Rose Tremain.

Did I get that right?

Grayson Perry talked about his Inner Shed.

I have my inner shed, what I need is a 'room of my own.' It's hard to be creative perched on the end of the marital bed in a tiny room that is stacked to the ceiling with possessions that call for occupancy of a house twice the size.

Fretting over the non-blog affordances of the OU Blogging environment I have moved to EduBlogs where you will find me under 'Mymindbursts.'

Should institutions such as the OU ditch their own platforms and assemble the best off the shelf offerings in one place? What this environment lacks is personalisation, as well as stats, friends, freedom to add apps and plug-ins and all the rest of it.

This is a De Dion Bouton in the age of the E-type Jag.

Permalink
Share post
Design Museum

'e-learning' I'll accept, 'enculturated' I loathe.

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 14 Aug 2010, 16:06

“Debates around terminology and definitions often generate more heat than light with their length and ferocity almost indirectly proportional to their usefulness.” Weller (2007:4)

Whilst true it is difficult to accept another person’s definition of an invented word whose meaning shifts constantly and means different things to different people.

“It was through the rise of the Internet that the ‘e’ prefix came into popular usage, and in line with e-commerce, e-business and e-government, it is the internet that is really the defining technology in e-learning.” Weller. (2007:5)

If it is the case the Internet (capital ‘I’ anyone?) is the defining technology of e-learning, then it isn’t e-learning, it should be i-learning. Or was that term nobbled in the 1980s for ‘interactive’ learning.

What about www-learning?


It’s suitably polysyllabic to appeal to the academic community and no more unpronounceable than some of the terms academic writers feel it necessary to construct.

‘E-learning. Any learning experience that utilizes internet-related technologies to some extent.’
Weller. (2007:4)

Imagine this definition blown into a party balloon then let loose into the atmosphere of cyberspace; it will buzz about who knows where until it loses itself in the multitude of tools ‘out there.’

Will we reach a stage where we return to the more established global term ‘learning?’ that would embrace all these Is, Es and Ms.

Or as Weller, it’s not worth the trouble, just run with it, as we must run with podcasting and iPod, iPads and googling and so much more. Banned though should be the polysyllabic babble that academic writers prefer to use in favour of a couple of words in plain, unpretentious English.

The word I loath more than all, too often used by certain authors with abandon in relation to e-learning, is ‘enculturated.’

I don’t think much of ‘situated’ either.

REFERENCE

Weller, M. (2007) Virtual Learning Environments. Using, choosing and developing your VLE

It is the holidays, so this norming I read Michael Faber's 'The Fifth Gospel.'

Fun and quotable. And this easy and quick to read. A 3 hour train journey would do it.

Over the previous few days I have read Stephen King's 'Cell,' which begins like a text book, 'throw them out of the aerolpane' thriller but turns into such daftness I skim read the last half at great speed. You must admire his hutzpah.

Over the previous week I have not been enjoying Simon Schama's 'History of Britain' as I feel I'm getting too much of him and not enough history (He's very good on Caravagio though) ... while Andrew Marr's 'The Making of Modern Britain' at least had some micro-factoids to interest in a journalist sort of way.

Then I found my old copy of Norman Davies 'The Isles' which I read a decade ago and plan to read again ... followed by his History of Europe.

Unsure why I'm trying to pack my brain with such stuff, but it is in part due to my mind being re-awoken from a period of slackness courtesy of the OU.

Permalink
Share post
Design Museum

More visualization ... fewer words, greater comprehension!

Visible to anyone in the world

Creators of course content need to put thought into visualising information in simple, single page graphics that are easy to grasp.

“While such diagrams are useful to convey an impression of complex software systems, anyone who has tried to delineate the boundaries between such systems will know that boxes and arrows greatly simply a messy reality.’’ Weller (2007:4)

Well thought out expressions of data, facts and stats, as well as concepts, can not only be enlightening, but memorable. David McCandless is a recognised exponent of the art of making information beautiful. McCandless, 2009

Being here suggests that I am a words person, I call myself a ‘visualiser’ though I admit to giving up on writing HTML even with the likes of Dreamweaver some eight years ago. Get someone else to do it! Too much faff. Attended London’s School of Art, copywriting, art direction and design. Had the option to follow a Fine Art MA rather than turning up here. Might I have produced a few memorable canvases by now had I taken t hat route?

REFERENCE

McCandless, D. ( 2009) Information is Beautiful.

Weller, M. (2007) Virtual Learning Environments. Using, choosing and developing your VLE

Permalink
Share post
Design Museum

The importance of Face-to-Face (from the OU, 1990)

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 8 Oct 2011, 15:07

From the Good Study Guide – (OU) 1990 by Andrew Nortledge.

p65 ‘Where the lecture comes into its own is in helping you to understand how the ideas in the subject work. The lecturer can ‘project; meaning into the words for you. The sense of the word is signalled through tone of voice and embellished with gestures and fluid expression.’

A gem I fell upon serendipitously when my daughter emptied her bedroom of childhood books, including this one, sent to her rather hopefully by her grandfather when she was 12.

The relevance here is on why face-to-face lectures and tutorials will continue to have such an important role to play. Maybe fewer of them (per student) so that a far larger student cohort can be taught and managed, but necessary all the same.

Permalink Add your comment
Share post
Design Museum

Quote yourself happy

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 29 Aug 2011, 16:07

I was judgmental on Martin Weller quoting himself in H807 ... but I have just bought the book and buy into.

So why do I feel so uncomfortable about Weller or any other 'academic' quoting themselves.

Surely there are standards and expectations?

Who are we to quote ourselves, just because we got into print or had our words used in a piece of academic study to then cite ourselves and in so doing award ourselves additional recognition?

Imagine Simon Cowell deciding to get up and sing ... and then judging his own performance and deciding to award himself credibility?

Is there some etiquette regarding this kind of thing?

(Must be, academia has rules for everything, no wonder it's so dull)

Academically stimulating, but hardly a Caravagio.

At what point do you become 'self-quotable?

Did Churchill quote himself?

As Churchill said ... (he says) ...

(Or by writing your own speeches you are quoting yourself? Ditto lectures)

Can I quote myself as if this has some value ... things I posted online in 1999? Or put in a dairy in 1985? Or even wrote in a History essay on the Reformation in 1977? (Files saved, in a trunk, in an attic, in a room, in a building ... and could just as well be scanned and banged up online

Or is this lacks credibility then short films broadcast on mainstream TV?

Or things I said to important people ?

Look up the correct use of disinterested Mr Weller – (do you have an editor or proof reader?) It does NOT mean ‘no interested it means ‘not committed to one or other point of view, rather as a judge should be in a trial i.e. interested, but not taking sides.’

Odd how the pinnacle of my irritation is indicative of my reaching a tipping point

This is a watershed, where my opinions are expressed in increasingly frustrated ways until I find myself screwing up my face, then edging down the other side, won over to the opposing view, having convinced myself that black is now white. That ‘they’ are right and I am wrong ... I become evangelical on their behalf, whether they want it or not, before coming to some grey compromise.

I’ve just about read enough on learning theory to be able to categorise my approach to learning.


It is ?

This comes from reading ‘Contemporary Perspectives in E-Learning Research. 2007. Edited by Grainne Conole and Martin Oliver.

The turning point, the ‘flip’ came with looking up a reference for Martin Oliver ... and deciding that I needed to see fourteen points of reference. His book, his privilege. He’d wrong-foot himself did he not refer back to previously published papers.

I've got Martin Weller in box too, bought the book.

Permalink
Share post
Design Museum

Is this a blog?

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 28 Jan 2012, 15:16

I think not.

You can keep it private, or share it with the OU community or the wider world, but you can't personalise it.

Nor do you get to keep it afterwards.

Perhaps the OU should offer a blogging platform along the lines of EduBlog or WordPress and treat it as a worthwhile piece of PR, marketing and goodwill.

Afterall, why encourage people to blog for the first time and quickly lose them to another platform?

So what is this?

I don't mean for this to sound derogatory, but dwelling on this through the night, as you do (it is 02.53), I liken this to writing on a piece of loo roll. OK, it lasts a little longer (two years) and can be re-ussed.

Well, I won't stretch that analogy any further.

Scroll is the world I am looking for.

Like a papyrus scroll from Egypt 4000 years ago. Slung up over a line for all to see (or not).

Not a blog though.

Few, if anyone, posts an entry every day, as you would in a journal. Even if you go down the private route, it doesn't feel private, somewhere to disclose private thoughts, health, financial, family and political problems and views.

A learning journal? Part of the e-portfolio package? For reflection.

Yet again, if I am holding up a mirror to consider my experiences this public arena is surely NOT the place to do it?

Somewhere to paste stuff that is over 500 words long ... somewhere to link extended musings when you approach the 500 word mark in a Forum?

Some think 200 words in a Forum is about right.

So how many words for a blog entry?

Blogging mates from a decade ago struck on 1,000 words per entry. We also ran with the idea that is must all spew forth in one go. So in some respects perhaps my lavatorial analogy was the correct one.

I know exactly how you academics and intellectuals and non-obsessive journalers view this kind of thing.

How many characters in Twitter? I forget.

Perhaps the OU should set some parameters in forums and Blogs, as it does for assignments and limit us to 300 words in a forum entry and 600 here?

Or not.

Parameters serve a useful purpose. Give a sculptor a mountain and look what they do. Give me a e-scroll and look what I do.

Permalink 1 comment (latest comment by Mon Lang, Sunday, 1 Aug 2010, 09:23)
Share post
Design Museum

Migration!

Visible to anyone in the world
All of this is going to Edublogs or Wordpress or Diaryland ... or all three. See you there.
Permalink
Share post
Design Museum

Trigeminal Neuralogia? Hemicentrium something or other. Or as the school called it "Fakeritis.'

Visible to anyone in the world

This rings painfully true to my own experience. I have on three occasions age 17, age 41 and now age 48 gone through a two year loop to specialists trying to identify, categorise and medicate pain in the left side of my head/face ... body.

These things are always complex, but having finally got answers that make sense the pain is a touch easier to deal with.

At one stage it was seriously suggested that a new syndrome would be named after me!

Actuall it is complex, though it can be reduced to four interactions:

1) Asthmatic. I have to take inhaler steriods into my lungs and aerosol steriods into my nose twice a day. I am happiest on oral steriods but this isn't permitted long term sad i.e. too often the above doesn't function ... so a reaction results, painful swellling of the soft membranes of my sinuses = pain.

2) Allergy to housemite feaces. I.e. yes I should sleep in a tent in the garden and sleeping in or next to the bath also makes sense. I was born to sleep on wooden floorboards, ideal several centuries ago! And this is a major, major allergy ... when tested my skin comes up in a nasty rash/burn sting. I ought to be at sea, or live by the sea ... probably on a remote island such as St.Kilda. Or up a mountain. I have twice worked a season at 2000m + in the Alps and never had a problem, but then again, if I could ski for an hour or two every day I'd never complain about anything.

3) Food intollerance. Some foods, though not allergic to anything, cause mischief, triggering pain that can vary on a scale of 1 (irritating) to a migraine, bed, close the curtains. I tend to keep away from chocolate and mushrooms!

4) At the age of 6 or 7 I jumped out of a moving bus and hit the bus stop! This didn't break my nose but crushed some bones near the base of my nose which means, as my GP put it, 'You're like a Ferrari driving on an exhaust from a 2CV!'. As a former athlete (swimming) my lungs were forcing air through a blocked pipe ...

Surgery is the next step, though, unless there is an infection involved, I've learnt to tolerate the thing. But I absoultely must take the medication and ensure that all the bottles/inhalers are full. If I run out and panic my local GP and pharmacist have yet to fail to come up with the drugs they know I need within a few hours.

If this is totally irrelevant to your case my apologies, but I go through what I variously describe as:

  • a rusty fork stuck in my face
  • hit by a brick
  • bottled
  • hit in the face by a golf ball
  • hit in the face by a book
  • nettle stings around the skull
  • a wasp in my nose
  • a bruised lung

Yep, I've gone on ... as much a reminder to me of what I need to keep on top off. I ran out of everything a few days ago and felt miseable ... I

Permalink
Share post
Design Museum

ECA H807 DONE

Visible to anyone in the world
And having just pledged to stop doing this, perhaps I will. I have other existences online that may be calling out for attention.
Permalink
Share post
Design Museum

ECA Deadline 16 hours away

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 10:04

Parts 1 & 2 v.good. I like the writing style. vs Reflection seems a bit of a rant (My wife, 2010, this afternoon)

Me rant! Whenever?

OK.

This is the most tender exchange my wife and I have had in two years. She lives in another room in the house, rarely to leave, where at great expense to the pharmaceutical community she turns interviews with medical experts (in French and English) into multipage, overly quoted, qualitative reports which make an OU ECA look like a kindergarten doodle.

(A decade into this she is a better pharmacist and GP than our local ... pharmacist or GP. She has vetted and reviewed everything well ahead of it being issued. Which may explain why I have yet to die from asthma. I'm always pumped up with the latest best thing(s)

In an hour I'm poolside coaching Britian's future Olympian swimmers for the next few hours (think Rio in 2016 and beyond, some of them have only just turned 9).

I have a mindmap - hideous term, hateful concept, but when I've done one for a TMA and stuck to it the (bleep, bleep, bleep) things seem to provide structure for my unstructured way of thinking.

800 words of reflection.

Could I say it four ?

'Been there, done that?'

or a few more ...

'Been there, done that, enjoyed the learning journey, up for more.'

Not really worth 20% of the marks.

Meanwhile an eventful day in other ways, prioritise as you see fit:

A statue of Tom Paine was revealed in Lewes (where we live). It is July 4th. He had something to do with the 'Rights of Man.' (Or the rights of one man, him ...) as he was pissing off everyone in Sussex when he jumped ship to the Americas.

I found four baby guinea-pigs in the hutch that has been my responsibility to clean out for the last decade. Daughter just 14 couldn't give a monkeys, though 'til two years ago she adored them. I have called them: 'E,' 'C,' & 'A,' and 'H807.' As the children are finally beyond naming them. Though my son, now 12, did call them 'bite-sized.' Our dog, who has come to replace the G-Ps in our affections, is tender ... she was introduced to guinea-pigs as puppy and just about understands that they are neither small tennis balls or food. We have had some wonderful adventures with out pigs these last ... 12 years.

We haven't had rain for 17 years (or is that days, or weeks) so I felt I had to water the garden. This is having had rain from October 13th 2009 to March 11th without a break).

The papers are declaring it the worst lack of rain in the the first six months of a year since ... well, since the last time this happened in 1992, 1998 and 1976. I have been attempting to syphon water out of the bath into the garden as I did in 1976 age 13 ... and face the same problem. Gagging as the stuff reaches my mouth and finding the lip over the windowsill is impossible to overcome. Do I buy a pump?

What next?

My brain is yours for £ and $.

Oh, and a nine year old headache from my late father's estate that suggests I may be taken to court in France. The joke is the letter was sent by recorded delivery that requires a signature is unintelligible to our Postie so he just put it through our letter box. My wife suggests we could (and should) ignore it. Why when I write to France I do so in French ... while the French when they write to English speaking countries do so ... in French?

Anything else?

Not for now

800 words is probably harder to write than 2,000.

And what is reflection anyhow?

Not a rant, not 'stream of consciouness.'

An essay?

A grovel for marks.

Your choice.

But no one reads these things anyway.

Lurkers please say 'Hi'.

Permalink 1 comment (latest comment by Paula Roberts, Sunday, 4 July 2010, 17:24)
Share post
Design Museum

OpenLearn Research Report 2006-2009

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 18 June 2012, 00:57

Open%2520Learn%25202006%2520to%25202008.JPG

This report is highly worthwhile -  an insightful guide to distance and online learning, through e-learning to current best practice and what we might come to expect.

Some surprises here:

Whatever the web may afford in relation to social networking, do distance learners want this level of interaction ?

Apparently not.


Despite what the web offers in terms of content, would students be better off sticking with what is offered to them instead of getting distracted?

Probably. It’s less distracting, and no doubt of a higher quality and relevance. (Makes marking easier too as their is some chance your tutor has read it too).

Open Research Online

This 63 page report is a gem and offers some insights across distance and e-learning from some of the leading OU practioners and thinkers.

Some notes, verbatim:

The value of Open Learning


Free access to re-mixed OU courses is not only providing tens of thousands of users with a valuable resource, and step into a formal OU course, but is a lab for research, experimentation and design in the Web 2.0 World.

A shift towards Personal Learning Environments (PLEs)

Open Research Online offers an extraordinarily insightful chronology and pedagogical reasoning for 'free' online learning which indicates the degree of shift, or substantial fraying of the edges of traditional approaches through a wide variety of tools and their multiple affordances that make learning student-centred, and hopefully engaging, and effective.

Distance Learning no longer needs to be such a solitary affair

'Online learning is often undertaken by an individual in their home or place of work in physical isolation from others studying the same material. Social software that allows these individuals to come together with other learners can play a vital role towards the achievement of the desired learning outcomes.' (p. 25 McAndrew et al, 2009)

Ditch (or repurpose/re-invent, remix text in favour of hat" Podcasts and YouTube?

'Materials on the web should (ideally in many people's views) utilise the capabilities of the web and how people use it. Thus it was (and still is) believed there should be fewer words, more graphics and much more dynamism or interactivity in a highly structured, more resource-based style of pedagogy when authoring courses for the web.' (p. 29 McAndrew et al, 2009)

Content over interaction ... so much for the rise of 'Educational Social Networking.'

'A large choice of content is considered the most important feature of Open Learn and that interacting with other learners is low in this list.' (p. 39 McAndrew et al, 2009)

How easily are you distracted by what the web offers, pushes and invites?

'The Internet is not necessarily Utopian and the support that formal structures offer should not be dismissed too easily. A competition for attention means that users can be distracted from their intended purpose and that chance encounters with information may be an unsatisfactory solution in comparison with targeted offerings that constrain and direct interests towards specific goals.' (p. 4 McAndrew et al, 2009)

REFERENCE

McAndrew, P; Santos, A; Lane, A.; Godwin, S.; Okada, A.; Wilson, T.; Connolly, T.; Ferreira, G., Buckingham Shum, S.; Bretts, J and Webb, R (2009) OpenLearn Research Report 2006-2008. The Open University, Milton Keynes, England.

Permalink Add your comment
Share post
Design Museum

TMA03, Reflective Writing and e-learning (or not).

Visible to anyone in the world
Edited by Jonathan Vernon, Sunday, 16 Mar 2014, 06:14

I understood from the heading for TMA03 in H807 that 'it is permissible to use an extract from a very long message.' I therefore deleted the 900+ additional words that on two occasions occurred in a forum message.

At one stage I had in an earlier draft all messages including the Tutor's introduction, my full response and even a previous pertinent message from another contributor. This for 'context' and making marking easier might have been better than all the html links that I added PER MESSAGE. I checked these anchors/links and there was a graphic in the Blog message too - clearly something in the uploading/submission process fangled these up.
 
The links/titling were absolutely as clear as anyone could wish them to be. A message per page.

My understanding of what makes 'reflective' writing is perfectly valid. It is open ended, not prescriptive - it is after all my mind that is coming up with these ideas, which is the entire point of it, to develop my personal understanding. I am trying to enhance my way of thinking, not adopt someonelse's.

In relation to my continued dislike of the term 'e-learning,' it isn't difficult to refer to plenty of current articles, including JISC that agree that the term is not universally agreed or accepted. Salmon referring to 'e-lapsed' time for an 'E-tivity' is palpably ridiculous. Academic os this ludicrous desire to 'coin a word or phrase and a cliched attitude regarding e-learning that anything with 'e' attached gains the 'e-' branded values. Balderdash.
 
'The first decade of the 21st century is already on the wane and we stand at an interesting point as regards the use of technology to support and enhance learning and teaching. The fact that we still refer to much of this enhancement as e.learning (and still disagree about what the term actually means) signals that the relationship between technology and learning is not as yet an entirely comfortable one.' JISC 2007 (Introduction)

The lesson I have learnt is that it is vital to meet face-to-face, even to speak to someone through. Elluminate or on the phone where all kinds of important cues and nuances to understanding come into play: tone of voice, pauses, choice of words ... and then facial expressions and body language when face-to-face. As occurred at an ASA workshop the other week, I simply couldn't get my head around what the tutor was trying to say about Some aspect of Nutrition,I eventually left it, but a fellow student could see by my expression that I was just fed up of asking the same question and getting a numpty response that made no sense - this student made a far better job of explaining to me the point the tutor could not.
 
Two decades of sailing and I could tie and adequate Bolen knot with a struggle having been shown how to do it a hundred times - only when an instructor used the term 'it's a gripping knot' did I understand WHY the knot worked and WHY it was important. My father didn't permit the word 'why?' His favourite line was 'don't ask why, ask how high.' Whatever that means!?
 
I must know why.
 
My quest is to discover why. Why is my nemis. Get me asking questions and I become driven to find answers, my asnwers.

If I keep asking 'why?' regarding the ECA, it will be because I haven't had this 'Bolen knot' moment - I genuinely thought with TMA03, as occurred on about the 7th draft of TMA02, that this moment had occurred.
Permalink 1 comment (latest comment by Sara P, Thursday, 10 June 2010, 21:06)
Share post
Design Museum

Oxbridge History Exam 1980

Visible to anyone in the world
Edited by Jonathan Vernon, Monday, 5 May 2014, 07:03

The journey I set out on to get to Oxford or Cambridge took two years.

Not getting along with Economics I switched to History after a term in the Lower Sixth. (Not getting on with Sedbergh School, Cumbria, I left smile !)

My essays, though long (always, my habit, then, as now - why say something in six words when eighteen will do?) Tell Proust to write in sentences of less than six words, in paragraphs that don't flow from one page to the next (ditto Henry Miller).

Where was I?

See how a stream of consciousness turns into a cascade?

I digress.

My essays (I still have them. Sad. Very sad). Were on the whole terrible. A 'C' grade is typical, a 'D' not unknown. So what happened to get me to straight As, an Oxbridge exam and a place to study Modern History at Balliol College, Oxford?

Composting

I was bedding down. Putting things in a stack. And working my pile. Perhaps my history tutors detailed notes and bullet points fed on my poor essays? Perhaps the seeds that took root were carefully tendered?

Repeated testing (my self) and learning how to retain then regurgitate great long lists of pertinent facts helped.

Having an essay style I could visualise courtesy of my Geography Teacher helped. (Think of a flower with six or so petals. Each petal is a theme. The stamen is the essay title, the step the introduction and conclusion).

Writing essays over and over again helped. Eventually I got the idea.

Try doing this for an Assignment. You can't. Yet this process, that took 24+ months to complete can be achieved over a few weeks. Perhaps a blank sheet of paper and exam conditions would be one way of treating it, instead I've coming to think of these as an 'open book' assessment. There is a deadline, and a time limit, though you're going to get far longer than the 45 minutes per essay (or was it 23 minutes) while sitting an exam.

Personally, I have to get my head to the stage where I've done the e, d, c, and b grade stuff. When I've had a chance to sieve and grade and filter and shake ... until, perhaps, I reach the stage where if called to do so I could sit this as an exam - or at least take it as a viva.

Not a convert to online learning as an exclusive platform though.

Passion for your tutor, your fellow students ... as well as the subject, is better catered for in the flesh.

The way ahead is for 'traditional' universities to buy big time into blended learning, double their intake and have a single year group rotating in and out during a SIX term year (three on campus, three on holiday or working online.)

P.S. Did I mention teachers?

Have a very good teacher, it helps. The Royal Grammar School, Newcastle where I transferred to take A' Levels delivers.

Permalink Add your comment
Share post
Design Museum

Face to face over online learning

Visible to anyone in the world

Whilst I Adore being online, and feel it offers something to learning ... in many cases, certainly longer or more demanding coruse, face-to-face must be a built in component.

Oxytocin

BBC Radio 4. 25 MAY 2010. C 10.30.

Why face to face is better than Facebook, because with out real human contact you don't get this hit of oxytcin.

Passion for a subject is self-evident when you meet fellow students with such passion. Try this online when of your 15 strong tutor group only FIVE have made much active contribution.

Yet our 'access' to other tutor groups is restricted or throwned upon.

Imagine going up to Oxbridge and finding you student life (and education) reduced to that with your allocated tutor and tutor group ... with the doors to the JCR locked. (And the MCR & SCR for that matter).

Is the learner-centred education at its worst or institution-centric learning at its best?

Bereft of sharing such views at the 'front line' I am now reduce to pasting them to a hidden wall, in an underground tunnel. i.e. where my fellow tutor group, and fellow students are least likely to pick it up.

Am I learning something about online learning? Of course I am. H807 is in desperate need of 're-invention' Rogers. 2003

REFERENCE

Rogers E, M Diffusion of Innovation(2003. 5th edition)

Permalink
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 12769046