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Martin Weller: ten digital scholarship lessons in ten videos

The greatest quality of a Martin Weller lecture is that leaves so much unsaid and unexplained. This isn't a fault of the lecturer, rather it is either his personality to take an answer so far, to ask questions and then to leave question marks of various shapes and sizes hanging there. Your mission, if you care to take it, is to go and find answers. 

In this talk, or presentation ... or seminar (responding to questions afterwards lasts as long as the talk itself) Weller considers what it means to be a digital scholar, and in relation to H818 addresses the benefits and pitfalls of being open.

He begins with his book 'The Digital Scholar'. 

You can buy it - it's a book and an eBook. You can also download it for free. Its creative commons copyright also permits you to distribute it, attributed, even to mash it up i.e. to play around with it. I do - often. I Tweet it line by line, grab pages and annote with text and graphics. I try to bring the pages to life, to re-animate the dead. Which is the problem all books have - certainly compared to anyone used to the attraction of interactivity and mulitmedia and multi-sensory 'sit forward' content.

Privacy and online pressence

Do what works for you in different situations - there are many degrees of openness. The pay-off of pressence is enegagement, is to gravitate towards and to be a magnet for like-minds. Weller doesn't say it, but the best thing you can do online is to ask for advice and to know where to do this - in the right forum you will find an expert with the right voice, tone and techniques of explanation just for you. I have been taken by the openness of Amanda Palmer and her philosophy of knowing what she wants and asking for it.

Scholarly practice in the digital domain means:

• Sharing

• Engaging with networks online

• Using resources

And it is, according to Weller, the intersect between openness, digital and networking were transformation occurs. I'd go further than this and put this Venn diagram in an unexpected context - not 'out there', not 'here' but rather between regions of your brain. It changes you. Those parts of your that you share, that you are open with, through the quasi-omnipresence of your digital being as it is networked, as connections form - as they do at home, around you with your friends and colleagues, so it creates new and otherwise unlikely tingles of response and activity in your brain. It is neurological.

Scholars have been there defining what scholarship is. However much I look at these guidelines and lists, as though they are prerequisites to get into grammar school and take a degree,  I think rather of 1901 and possibly still 1911 Census Returns where anyone attending school is defined as a 'scholar'. The act of being engaged in learning makes you more scholar than anyting else - the potential was there even if it was stymied when kids left school armed with the basics at age 14.

Wherein lies the problem. Weller says ten years, his peer group gives it longer, for the 'digital scholar' to emerge. I have argued that the digital scholar is imminent. I would now say that in time, retrospectively, we will identify people who already are the digital scholars - the 18 year old how schooled law graduated recently called to the bar, the 14 or 15 year old who has drilled through academic research to come up with his own viable solution to a medical issue ... the academic communtiy won't accept it for the very reason that they ONLY see scholarship as it is defined and won through traditional, conservative, tightly controlled levels. The digital scholar will transcend these ... people will simply appear, professor-like in all but name, as a result of the root they have taken into a subject that circumvents the 'required' pathway. 

Gobbledygook it may be ... but there are what we would understand to be quite normal conversations that plenty around us may have little understanding of. Those brought up in a digital world have always been familiar with its architecture - it just IS, like houses and trees. Whereas we - most of us anyhow, knew what the landscape looked like before. We have seen the bits and pieces, sometimes do disassembled as to make little sense and we have witness the folly and false starts too and the many white elephants. 

My niggle with any presentation that quotes somebody is not having the reference. Several hours of searching and I have found only some of the authors quoted and in the case of Waldrop above I can find him, but have no idea where he said it. This matters more to me than ever now, not simply because the level of engagement with the subject that I have reached, but because I expect there to be links and I expect the answer to be a click, and therefore a momentary glance away.

I cannot find Le Muir anywhere. This despite having read more than most on blogging over the last decade. To blog is interesting because the reality is that only a fraction of us take to it ... the teenager who kept a diary will make the best blogger, it's part of you. Now the academic community is beginning to expect the 21st century scholar to blog - to have a digital presence, to wear their research on their sleeve, to become like a special edition iPad or iMac, with a see-through skin. We don't care what you are like, but let us see all the same.

Weller compares before and after slides in relation to the blank with an OU logo and these colourful visualizations. He shows up a failing though. Someone who is good with words may not be able to visualise their thoughts - simply repeating a word in many fonts or creating a Wordle does not in any way complement or enhance the message. Advertisers discovered the answer in the 1960s - you put an art director and copywriter together. How can we get more of that in education? When I see and listen to academics I almost always see a group of strangers who happen to be in the same room. Even or especially in a jointly written paper I don't see how or where the collaboration has occured. It's not as if they are team behind a TV series, each person with a role so clearly defined that it has a title. That'll be the day. It would require the 'digital scholar' to become the equivalent of the producer or director with others taking part having clearly defined roles. As happens, for example, in a product trial.

 I would also question screen grabs as a way to illustrate anything. I'd far prefer that anyone picks up a pen and does a doodle that expresses what they see in their heads - this after all is closer to the meaning the author is trying to put over.

I will return to this moment repeatedly - I admire Weller and those academics who with determination stay on the platform and observe the world as it passes by rather than pandering to the futurologists and revolutionaries who think that we have to sweap away what went before rather than build on it and work alongside it. The first newspapers was printed on the 6th November 1605 - they've survived this far. Their savour might be augmented reality. 

I particularly like the above. I gave a few weeks of my life to writing a scaving book review of Nicholas Carr and 'The Shallows' and then supporting my perspective in a thread that emerged in the Amazon reviews. Perhaps I need to go a few rounds with Lanier and Turkle too then accept that a Master's education means that I will never stand, virgin-like, infront of authors such as these and offer them my body and soul. They are journalists, popularist, scaremongering, plausible and always wrong. 

This grab from an animation by David Shriver might be a life-changer - taking me back to a way I did things a couple of decades ago. I just got on with it. Something that is going to work big one day, has to work small first then multiply. I keep itching to start a lecture tour - I have the projector and lecturn. I know what I want to talk about. I need to book a venue and get on with it. 

 I agree with the above with an important caveat:

What has become self-apparent to me during the course of the last few years studying online education, and 'education' is that human beings are extraordinarly diverse. However much we see ourselves as part of a race or community or cohort or class, we are ultimately very alone in our uniqueness. What ever impression you get, say of tens of thousands in North Korea doing drills together in a stadium, they are, each of them, their own person. One of the most wonderous human traits is the contrarian - even against inclination they will do the opposite so as not to be the same. I particularly like the idea that 'not learning' should be see as an educational theory. It's true - keeping your sheet blank while everyone around you takes notes is an approach. Not learning means that you stand still, or go somewhere else while the conveyor belt of the class moves everyone else forward (though in different steps).

See the 20th March 2012 Lectures at LSE here.

Notes attached as a PDF.

I'm keen to expand on these notes. To fill in the gaps. To find the precise place where Weller refers to what someone has written.

Next step is cutting and pasting this into my external blog. Then spitting it out in bits as and when required. And nailing the references. A couple of clicks and I not only found the reference to John Naughton, but I'd bought his book. 90p on Kindle. 

Where have I been the last coupld of years to miss Near Field Communication ?

Certainly over the last six months I've been reflecting on the desire for some kind of situation-based, intuative, just-in time information-tailored system for applied learning ... and more recently for use in museums anf galleries. I have kids. I go to museums and galleries. The last time I looked we were still being invited to buy audio-guides.

Maybe that explains it. Does a museum or gallery want to diminish the value of its own paid-for services, even to reduce the likelihood of the purchase of a guide or any other sundry books or postcards if you're getting a suitably rich record of your visit for free?

NFC, QR codes and the ubiquitous Smart Phone must in time give way to wearable technology, the wrist band with a chip in it that I got at the 'In Flanders Fields' museum Ypres is the first step towards something bigger and brainier. The wrist band with a memory stick embedded in it from the University of Birmingham was a lost opportunity too - it should have been loaded with a 'good bag' some software, a piece to camera from the head of department and maybe an eBook to get us going. 

In the past, and still, pen on paper, sometimes with coloured felttips, is the main form of 'user generated content' for students - apt as they will be assessed by writing and colouring in. This needs to be replaced by UGC that uses the devices they have in their hands - their images, typed in text (or voiced) with annotations and mash-ups. 

Fig. 1, Ken Robinson: On education ... and a fix for the huge drop-out rate in American Schools.

An excellent TED lecture. Worth taking notes. These are mine.

Offered by fellow student Marshall Anderson on the H818: The networked practitioner journey.

Worth listening to a couple of times (as I have just done).

Music to my ears, though I am not a teacher and have given too much of my career to the mechanised teaching he knocks ... digital and interactive learning is and has been, surely, a product of the mechanised approach? But you don't question the legitimacy of e-learning in an e-learning agency and suggest that a blended approach would be better.

They have one product on the shelf.

Which puts me at odds with the hand that has fed me for the last couple of decades. Next stop Finland? There is of course an answer here and that is recognising, please, that children, whilst deserving a better education system and approach, are NOT always at school ... this curiosity and motivation can be developed at home if and where a family have parents with the time and inclination and where, ideally, they also have contact with grandparents and even cousins, and especially friends.

FIG.2. TED Lecture with Ken Robinson

Ken Robinson is right to celebrate the human side of the child, that:

1. human beings are naturally different and diverse
2. that 'lighting the light of curiosity' is key and that
3. human life is inherently creative.

For the moment my interest is with my 17 year old daughter and 15 year old son ... hoping and helping them to find and know what motivates them. It is this that will get them through school, a worthwhile goal beyond the barriers that exist in formal education - you still have to satisfy the standardised tests in order to get a place at university. Which is another schooling environment Ken Robinson doesn't touch upon - you can give us human beings too much freedom. Parameters are stimulating, both the negative and positive ones.

A struggle makes something worthwhile.

It helps to create a common memory too. Fundamentally this reminds me that any learning and especially e-learning needs to be seen in context - an e-learning platform or project is never exclusive, it is always part of what else is going on in the participant's life.

Blended, rather than pure e-learning is surely therefore the way forward?

Wise words put succinctly and with wit. Common sentiments that we struggle to realise. Privately educate? Home educate? Or move to Finland, Canada or Singapore?

We're considering the nature of 'openness' in education as part of this new Master of Arts in Open and Distance Education (MAODE) module.

This is increasingly about ease of access to information, all of it, uncensored.

Often for ease of access and to gain a qualification with a marketable value, information that is packaged in books, journals and lectures, though increasingly in 'sexier' interactive and multimedia forms with the related 'scaffolding' that comes with learning design and planning. The natural tendency is to consider the hectic last decade of the Internet at the expense of the history of openness in access to information and an education over the last century.

A hundred years ago all but the most privileged were in the dark: leaving school after an elementary education, with reliance on biased newspapers, magazines and part works. Libraries, BBC radio and affordable paperbacks, secondary then tertiary education, cinema and TV have each had a role to play, as has the Open University.

Does enlightenment come with access?

What does it say of power of information and ideas where access is controlled, as in China? Does connectedness within openness lead to even greater coalescing of likeminds in cliques, reinforcing stereotypical biases rather than exposing them to valid alternative views?

Nothing is straightforward when it comes to people - heterogenous by design, homogenous by inclination.

Fig. 1 When Learning Theory met Engestrom

(Clicking on this might take you to the original, as well as each doodle as a separate image)

I am forever 'mashing things up' with whatever tools I stumble across - recently adding images and text with an App called 'Studio' - essentially loads of layers, typically text and graphics over a photograph. In an attempt to assemble paper scribles and add annotations I've produced the attached. I'm trying to visualise 'opennness' with this, and by doing so implying that what goes on between groups of people is perhaps similar to what goes on with different parts of your brain - it is contrasts and differences that assemble to create something new. It also relates to learning theories and practices - so didactic behaviorist, for constructed to cognitive. I suppose what I might be proposing is looking at how a person, a couple of people or a group of people interact and how openness in such situations is more conducive to problem solving and creativity.

Fig.1 Posing for a scamp at the School of Communication Arts, 1987

H818 Activity 2.1

I will only publish in open access journals.

I'm not a professional academic. Should I publish then I imagine the calibre of the journal will count for something. As a professional writer (copy, scripts, speaches), with exception of blogging I am used to being paid for my words.

I will share all learning material that I create and own openly online.

From the moment I started to blog I have been part of self-help groups 'publishing' openly on everything from blogging to creative writing, swimming teaching and coaching, social media, the First Worldd War and e-learning. My goal over the next year or so is to produce under a Creative Commons module a series of 30 to 1500+ micro- OERs, one minute pieces with Q&A attached, as what Chris Pegler terms 'Lego Techno Bricks'.

I maintain an online social media identity as a core part of my professional identity.

It lacks professionalism as I don't edit it or write to a definable audience but I have a substantial e-learning blog that largelly, though not exclusively, draws on my MA ODE experiences (in fact I started on the MA ODL in 2001 and blogged on that too). I use Google+, Linkedin and Twitter haphazardly by pushing blog content to actual and potential commentators, participants and followers.

I take a pragmatic approach and release some resources openly if it’s not too much extra work.

I come from corporate communications where created content is closed to employees.

I have concerns about intellectual property and releasing my content openly.

Actual words of fiction I write is my copyright, Factual I care less about. Whilst a blog is largelly like a recorded conversation, a formal paper would need to be recognied in the appropriate way.

I will share all material that I create and own openly online, as soon as I create it.

No. I cannot hope to earn a living or sustain my interests if I cannot both charge for my time and my ouput.

Fig.1 Hevner (2009) on the whiteboard. From Laurilard (2012)

From time to time an idea stops me in my tracks - taking notes won't do, I have to get it out of my head in bigger ways. I'll mull over this for days as it succinctly states where or how any e-learning intervention might occur and in what ways research can then be undertaken. I guess this is of relevance to most of the MA ODE modules, though H809 Researched-based practices in e-learning appears particularly appropriate. 

The temptation is to BluTack sheets of backing wall-paper to the wall and continue my doodles there. 

One to develop. I'll go and get the Hevner paper from the OU Online library.

REFERENCE

Hevner A. R. (2009) Interview with Alan R. Hevner on 'Design Science' Business & Information Systems Engineering, 1, 126-129.

Laurilard, D (2012) Teaching as design science. Building pedagogical patterns of learning and technology.

And breathing space.

How I prepare a TMA or EMA is completely unlike anything I did in the early days, even in the first couple of years or more of the Masters in Open and Distance Education (MA ODE). It is far more like designing an Airfix model, making the parts, then constructing the thing. At this stage, having thought about and written up all the component parts I did a rough assembly and came up with 3437 words for a 4000 word assignment.

Actually this is too many words - not a problem as I know where the fat lies, ideas expressed in too large a chunk. After that it's a case of getting the prose to flow.

Prioritise and give it time to breathe. I've pretty much given up on social media too - this is study journal and a moment to reflect. 'Blogging' and writing an academic paper are very different things - even journalism doesn't get close. Blogging is playing in the sand, journalism is a papier-mache self-indulgent sculpture, whereas academic writing is gathering together a complete set of artefacts, carefully arranging them in a cabinet and including all the labels.

Telling stories to others is the means by which unconscious stories become conscious, with language reflecting the person’s mental state (Bucholtz and Hall, 2005).

Fig.1 Exhibit A. Vital to any museum. A place to crash, reflect, nod off ... then pick yourself up to do some more.

This is going to read like an excuse to visit yet more museums.

As I reach the end of my Open University learning journey my final task is to write an EMA in which I propose a piece of research on e-learning. My inclination, with 12 days to go, is to look at the use of mobile devices in museums and how the visit experience can be enhanced by personalising the physical journey. It appears the the two problems to deal with are information overload and cognitive overload. There is too much of everything. Whilst I will always applaud serendipity there needs to be a balance between the stuff that you want to stick and the stuff that can be ignored or discarded.

Too many museum visits earlier this week has me wishing I had electric wheels and a pair of Google Glass that could take it in and edit.

• Museum of Contemporary Art - Barcelona
• Picasso Museum - Barcelona
• National Museum of Catalonia - Barcelona
• Joan Miro Foundation - Barcelona

As I prepare this assignment I plant to queue to get into the Bowie at V&A and try Google WebLab at the Science Museum and possibly the RA and Design Museums too. At least I'm within an hour of London.

My interest is, as I take teenagers to these things, to wish I could get them to that artefact or story about the artifacts creations, or the artist/creative that it will so intrigue them that they are inspired to put some heart into their art or DT.

Two years ago my late mother took her granddaughters around the RA when the Van Gogh exhibition was on. My daughter was treated to my mother, gentle and informed, guiding her then 14 year old granddaughter from quite specific letters, paintings and sketches - pointing things out, talking about technique and the thinking behind it. This was as personalised and as intimate as it gets.

I can understand how Picasso, showing interest and talent, must have been guided by his father who taught art at undergraduate level.

Internet Studies is the 'just about to get stuck in' read. The War of the World from Naill Ferguson is a lyrical and intelligent romp through decades of global conflict ... that only recently ended? Tales of the Field is a wonderful introduction to ethnogrpahy and offers a dozen further reads. Then some 'studies' related stuff. Capital ain't mine ... I got it so my 85 year old father-in-law could read it on my iPad when I was visiting. Teeangers and Technology is a must read from Rebecca Eynon.

It took me a year ... no longer, 18 months. Even longer than that, two years, to recognise what it took to get consistently high marks.

I couldn't fathom what people were doing.

Is it a formula? Or just application? Is there a method? Whatever it takes until you feel confident you know what is going on ... so read, read again, ask questions. Then going and read something else. Disagree, agree ... sleep on it. Then, ever so slowly it starts to dawn on you. This is what they are on about. I am prone to read well beyond the listed resources though, picking through papers until I find the one that speaks to me - the voice that expresses it in a way that has ressonance. And I am prone, within reason, to get the book that is cited in a paper I like ... so a collection of second handbooks under the table and a larger collection of eBooks. eBooks I read faster, highlight and take notes as I go along, then migrate notes and quotes into a Google Doc. I kid myself when I have a lot to read that it is different on the Kindle, the iPad or on the TV size screen that is ... well the TV (but my computer too).

A couple of weeks ago I took the TV and put it in the shed. One of those things the size of a pedal car.

No one misses it.

Everyone is on a screen elsewhere in the house. We stream movies. We use BBC iPlayer.

I don't miss clicking between channels looking for something to watch, finding nothing much but glued to the thing for a few things all the same.

Movies?

Ironclad

That's the way to do Medieval!

A week away in April and I still haven't recovered my old rhythmn. Nor will I. Instead of bloggin I have every conceivable thing to sort out with the house and garden. Somehow both were abandoned for three years - I wonder why that was?

The lawn was so bad I needed an industrial strimmer. The lawnmower I bought in 2007 is still in its original packaging in the shed.