OU blog

Personal Blogs

Design Museum

Distance Learning 80 years ago

Visible to anyone in the world
Edited by Jonathan Vernon, Tuesday, 26 Jun 2012, 17:55

DSC04797.JPG

I am reading a 52 piece part work 'World War' edited by Sir John Hammerton and published between 1936 and 1937 with occasional contributions from H G Wells, this alongside various staple and new reads on World War One.

As a piece of learning design what could be simpler? A magazine delivered each week, chapters deliberately left unfinished between parts, photos offering points of interest explained and developed in later issues.

Tommy%2520SNIP.JPG

Perspectives shift of course, just as they had a view on the Napoleonic Wars. However, in many cases 1914 was not dissimilar to a battle of 1814, or 1870.

'Read in a period until you hear its people speak' E H Carr.

I play this trick of falling asleep with an event in mind and courtesy of the painkillers I am currently taking I enter a vivid dream world much of which I can recall.

The problem with WW1 is the clammer of voices, not just what you can read, but the voices you can listen to on DVD or podcasts, indeed I have several hours of my own grandfather in a County Durham accent that those not familiar with the North East would call Geordie and find, at times, incomprehensible.

How does an historian deal with history when the record is everything? Had a soldier gone into battle in 1914 with a video headset what would we do today with years of material? My grandfather, for example, had no leave from the day he left England in early 1916 to his transfer to the Royal Flying Corps at the very end of 1917.

Would the reality be a huge amount of sitting around dealing with the boredom, discomfort and fear?

DSC05047.JPG

This is a map I drew with my grandfather in his 97th year. This and his visit to the trenches the previous year would allow me to retrace his steps, almost by the day between September and end of December 1917.

But why?

A researcher from UCL quizzed me on this some years ago and I had to conclude that for me it was less an obsession with WW1, but rather reminding me of a dearly loved grandparent. I can't see drawing up maps of my grandmother's trips into Newcastle on the tram having the same appeal (or historical record or value).

Gradually online I am connecting with grandchildren of veterans and others interested in WW1 so that there is a component of 'Social Learn' between blogs and Facebook. All the books I read I share on Twitter, which may help promote the book, but is also attracting many like-minds.

At what point do I become so well informed that I could sit an exam without sitting for the qualification?

Can I short-circuit the steps to an MA in History? There are two parts to the degree, but it is the second part, the ellective, that takes me into WW1 territory.

Permalink 3 comments (latest comment by Jonathan Vernon, Wednesday, 27 Jun 2012, 16:47)
Share post
Design Museum

Immersive reading and research

Visible to anyone in the world
'Read in a subject until you can hear its people speaking', said the Historian EHCarr but who said 'Research in a subject until the narrative reveals itself?'
Permalink 4 comments (latest comment by Jonathan Vernon, Tuesday, 13 Mar 2012, 15:19)
Share post
Design Museum

B822 Techniques Library 'Working with dreams and imagery'

Visible to anyone in the world
Edited by Jonathan Vernon, Tuesday, 5 Feb 2013, 06:05

There's a warning on this activity, that the techniques may draw up uncomfortable events from your past.

This also highlights a major problem with such techniques:they can throw up the unexpected.

I like to think I have ample experience 'working with dreams' ; I have used them to develop story-lines and ideas, even to some degree for personal cognisance so it felt like an obvious one to give a try.

Context is vital, picking the right activity or game for the people you are working with.

How well do you know them?

It also makes me realise that I'd like to be in a working environment with the kind of colleagues and friends where I could employ such techniques.

I feel like a big fail; there are two activities suggested for problem solving, or creativity, innovation and change: keeping a dream diary and this, which offers ways to explore a dream's meanings and to re-enter and work with this environment created by your subconscious.

There's plenty troubling me at the moment but I find repeatedly that holding onto a dream is like chasing autumn leaves in a stiff breeze.

Take this morning; just a few moments awake I recall I had been dreaming and that it had been a 'good one': vivid but apparently not memorable enough. I tried all the tips in the book to recover or return to the dream: you have to place yourself exactly as you were as you had the dream. I still can't get it; I feel like MacBeth clutching at the dagger; it is always just out of reach.

By way of example I have a snippet of a dream from a few days ago: returning to the campsite after some kind of trip or activity in the woods I find my tent has gone: everything has been removed, as if I had never been there. The plot is bare. Why should I be thinking this as I return to work after a two week break?

The 'activity' is then to work with and develop your feelings about this moment, been to re-enter the dream, not simply to see what happens next but to change or influence the outcome. This then MAY offer a solution or at least an understanding of your feelings so that you can deal with them.

How to work with a dream or metaphorical image:

  • Entering the dream
  • Studying the dream
  • Becoming the images
  • Integrating the viewpoints
  • Reworking the dream

Appreciating, reflecting, looking forward and emerging

P.S. I just returned to work and couldn't have entered a more friendly environment, my desk as I'd left it.

P.P.S. I realise why I am 'losing' my dreams: stress. I'm waking up with a jolt, some unpleasant thought in the back of my mind.

Steve Jobs was hugely influenced by Zen Buddhism; this I understand would play to the importance of intuition. Intuition alone is not enough; this for Jobs was also the product of intense effort to get his head around an issue; he immersed himself in it until, to paraphrase the historian E.H.Carr he could 'hear it speak'.

20 LIFE LESSONS FROM STEVE JOBS

http://mashable.com/2011/12/18/steve-jobs-20-life-lessons/

REFERENCE

Glouberman, D. (1989) Life Choices and Life Changes Through Imagework, London, Unwin, pp. 232-6

Isaacson, W. (2011) Steve Jobs. Little Brown.

Permalink 6 comments (latest comment by Jonathan Vernon, Wednesday, 4 Jan 2012, 22:04)
Share post
Design Museum

Social Media – Listen for long enough then join in and draw your own conclusions

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 2 Nov 2012, 18:06

What%2520is%2520history%2520SNIP.JPG

The historian E.H.Carr said,’Read bout a period until you can hear its people speak.’

It’s what took me to Oxford to read Modern History and what for some periods in history inspired me to attempt screenplays on the events in the year 1066 … and 850 years later on the Western Front. It’s the quote that impressed Bill Clinton enough to quote it in his autobiography. It suggests, short of being their, you must immerse yourself in a subject in order to understand it, in order to be able to speak its language.

‘Research a subject until the research reveals the narrative’.

Sounds like an excuse for there being no assessment, but perhaps reflects how we pick things up through ‘doing’.

I caught this on Radio 4, Saturday 9.00am, 9 days ago? I’d reference it if I could.


Permalink Add your comment
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 11296387