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Peace in pieces

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Edited by Jonathan Vernon, Saturday, 2 Aug 2014, 10:58

Fig. 1. Poster commemorating the bombing of Hiroshima for Japan, 1985. Ivan Chermayeff, de la warr pavilion, Bexhill.

Trip FIVE to this exhibition, this time with my brother-in-law, is imminent. What I adore about exhibitions here is that they are 'bitesize' and smart; they are a perfect 'mind burst'. They are the ideal repeat show too as with each visit you see more, and see differently ... and are influenced of course by the person you are with.

The right image says what each viewer sees in it.

This idea naturally translates into any and every conflict we see today: MH17, fractured and not yet stuck together, the Middle East utterly smashed into dust - I have this visual in my head of Hanukkah Lamp, the smoke from which forms a fractured map of Israel and Palestine. 

From E-Learning IV

From a learning point of view to start with a poster such as this is to follow Robert Gagne theory of learning design; also the natural skill of storytellers and good communications: get their attention.

 

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Design Museum

Don't make it easy

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Edited by Jonathan Vernon, Saturday, 2 Aug 2014, 11:58

Fig. 1 Some ideas from the Ivan Chermayeff 'Cut and Paste' exhibition at the De La Warr, Bexhill

As photography isn't allowed instead of moving from the gallery with my iPhone or camera clicking at everything and anything that caught my eye I was obliged to get out a sketch pad. Just as Ivan Chermayeff says in a exhibition video 'most people don't know how to see'. 

We risk making everything too easy with e-learning: photos, screengrabs, instant research, transcripts of video, video as audio only or highlights or summaries thanks to others.

The above ideas were for:

a) A School of Visual Arts talk he was giving with a colleague

b) Arthritis - with letters torn from a type font catalogue and jumbled around

c) Mother and Child in modern art - a signal Margritte or Matisse like cut out.

What I would have missed entirely, and I do it no justice here, is a collage of tickets and seating allocation to the inauguration of John F Kennedy on the 20th January 1961. (Before my time, I'd been conceived a few weeks before at a New Year's Eve party. Not even I can remember that far back).

 

Fig.2 Sketch of an Ivan Chermayeff collage/poster using bits and pieces from attendance at the inaugurations of US President J F Kennedy

 

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Design Museum

Hang on lads, I've had a great idea!

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Edited by Jonathan Vernon, Thursday, 18 Oct 2012, 13:30

IMG_3487.JPG

Fig. 1. 'Hang on lads, I've had a great idea!' Richard Wilson at the De la Warr

If curation is the way forward to facilitate learning online then the next step will be for each of us to draw on our experiences as a visitors to countless museums and galleries, houses and castles - from the mishaps of a rainy day to the inspired and repeated visits to museum events.

Does this become a journey through your mind?

Is it any wonder that people who demonstrate extraordinary feats of recollection do so by pegging images to a journey through a familiar space?

Might a way to prepare for an exam to create a temporary exhibition of your own?

Where have you been that is worth forgetting or remembering?

For me it should be 'The Tank Museum' in Dorset. We only went because after five days of rain on a 6 day camping holiday we were running out of places to go. Another on the same trip was 'Monkey World'.

Both trips were memorable, 'The Tank Museum' because they had rigged up a First World War Vicker's Machine Gun to a video game so therefore the first time I personally placed my hands exactly as my grandfather would have done - explains why he had thumbs like a Spoonbill's beak.

As for 'Monkey World' - whatever that male monkey was up to on his own up a tree but in full view of visitors took some explaining (or not explaining) to a 10 and 12 year old.

Perhaps the most 'rubbish' trips are the most memorable for that very reason?

Where do you suggest NOT going?!

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