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H800 WK19 Twitter

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Edited by Jonathan Vernon, Sunday, 1 Jul 2012, 17:52

I feel like a Kaizoo player in front of the Great Whirlitzer organ.

Reading 'Twitter for Dummies' doesn't help, but I am trying to master Linkedin, WordPress and Facebook at the same time. Which strikes me as trying to learn to play the violin, obeo and piano at the same time as having to conduct.

Thus far I manage the following:

  • Compose blog in Wordpress.
  • Tweet.
  • If it is OU related add the appropriate #.
  • May also add ^JV

I've been doing this for the 'Made in Britain' series with Evan Davies which starts on Monday with Business School input.

My handle in Twitter is JJ27VV. Someone had my name. This has stuck for a few years.

As I get my head around the OUBS website and this content is refreshed I and others authorised/enabled to do so, will Tweet pertinent content too.

Adding to the noise? Or or value? A must have ... because everyone esle is doing it?

I may Tweet things I find of interest, adding the hashtag or not. I am just as likely to 'Share' by sending the content to one of several WordPress blogs first.

There IS an educational value to this constant chattering, and that is to listen in and join conversations on something that is current.

So this week it might be conversatons on m-learning. (A suffix that is likely to become more quickly redundant than e-learning).

I wish I had the details to quote the person properly but in an interview a few weeks ago someone said 'research into a subject until the narrative reveals itself'.

I feel I have reached a stage where conversations that made no sense to me a year ago, now make sense and I can pick out threads, create my own narrative from it, even place the 'level' of conversation somewhere along that person's learning journey so that I can compare it to mine.

This in turn, again, there is a person to quote ... makes learning with this technology more akin to direct, face-to-face conversations that in the past would only be picked up by physically being on campus, in a student common room, lecture hall or tutor group.

The 'democratization' of education that I dismissed a year ago occurs because more often or not, the undergraduate gets to listen in and even join in discussion in the 'senior common room,' as it were.

This in turn picks up John Seely Brown's idea of learning through participation, starting on the periphery whoever you are and through listening and engagement slowly being enrolled and brought into the group.

Off hand I can think of my brother who develop his passion for all things mechanical buy watching his grandfather, then hanging around competent hobbyist mechanics, or pestering people who were servicing Mums car. He read the magazine, watch the TV shows, 'listen in' to the conversations and goings on around go-kart race tracks. He never had a lesson but is more than capable of rebuilding any car under the sun today.

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Moodle it for £5k

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Edited by Jonathan Vernon, Sunday, 4 May 2014, 09:56

Prices fly, then collapse. Services and products you need to buy in or off the shelf you can suddenly build for yourself. Web design and web sites have gone flat-pack in the simplicity and pricing.

 

Not the first time I've used IKEA as a model.Life has become far easier with the expert made redundant. Now we can all do it. All that's requires is an experience mind.


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LT2:4 Learning Technologies. Telling Storis.

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Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 05:38

Once upon a time ...

Did you here about ...

Three men went into a bar ...

Stories and humour work.

In the 1980s for a training film that told a story you went to Melrose for humour you went to Video Arts.

Video Arts were at Learning Technologies. I went to their presentation twice. Everything they are doing I applaud. They are reinventing themselves.

Melrose fell 15 years ago (or so). The market couldn't sustain the expense and somehow we always find ways to tell a new story. Whereas comedy never changes. All Video Arts need to do is to re-shoot with fresh actors on a fresh set.

Meanwhile I do Epic No.2 too.

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I don't need convincing that stories work.

Get up to make a presentation and you will hold your audience if you say, 'a funny thing happened to me on the way here ...'

You are about to tell a story (or a bad joke), but hopefully something true, or convincing.

With a child 'once upon a time ... ' can lead to anything you like. As a parent you make up bedtime stories and you find a way to keep them awake.

(Which is why my wife long ago banned me from bedtime stories. Too exciting, too long ... kept them awake).

So to the value of Storytelling.

I love the way Epic handled the BBC Guidelines challenge.

I have a copy.

How would I describe this fat, pack A5 arch-lever file manual of don't and don'ts and more don'ts?

(I'll dig it out and take a picture)

It's about as engaging as a brick wrapped in last week's Sunday Newspapers.

Trainspotting for creatives?

Coming from advertising you see that a story can be told in 30 seconds.

I was on Kit-Kat. 'Have a break. Have a Kit-kat.' This was the era of epics in microcosm, classic adds such as 'Middle of the road.'

Ask. Do ask.

'Like all good learning we're going to be interacting.' Said Naomi Norman.

And we did, to a degree.

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I love the science. I cannot get enough on how the mind retains and uses information.

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is not rocket science, it is obvious. Human kind have spent far longer sitting around fires telling tales than watching TV.

Academics in education recommend the use of narrative.

‘Stories are the method by which people impose order and reason upon the world.’ Fisher. (1987)

‘By framing events in a story it permits individuals to interpret their environment, and importantly it provides a framework for making decisions about actions and their likely outcomes.’ Weller. (2009:45)

‘Narrative … is a useful means of imposing order and causality on an otherwise unstructured and unconnected set of events, but it also means that some detail is omitted in order to fit into the narrative, and other factors are only considered in the limited sense in which they can be accommodated with the narrative.’ Weller (2009:48)

* spontaneous inclination to engage in a dialogue with material

* to improve some form of organisation upon it

* to make comparison with it

Bruner (1996.97)

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But what I look forward to is the story.

 

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As I boy I was sent to boarding prep school.

The 'dormitory captain' an older boy who supervised Ihe younger ones (i was eight) would tell a ghost story.

I could still tell 'the Monkey's Paw,' or 'The Mist,' or the 'Broken Stair.'

 

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I've been telling stories every since.

 

REFERENCE

Bruner, J.S. (1996) ‘Frames of thinking: ways of making meaning.’ In Olson, D and Torrance, N (eds) Modes of thought. Explorations in culture and cognition, pp. 93-105.

Fisher, W.R. (1987) Human communication as Narration: toward philosophy of reason, value and action.

Weller, M. (2007) Virtual Learning Environment. using, choosing and developing your VLE.

P.S.

More on Epic in due course. I've found a second page of notes. In the meant time yo can contact them yourselves:

DSC00623.JPG

 

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LT1.1 Learning Technologies. Day One. Snack from the eLearning Smorgasbord of Learning Technologies 2011

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Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 16:05

Olympia is like the interior of some vast World War II Normandy Gun Emplacement – all exposed blocks of concrete, exposed pipes, clattering stairwells and distant skylights.

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The catering is marginally better than that at Conference League game of football.

The layout of stands (or should I call them stalls) reminds me of an East European Department store in the early 1990s.

On registration you are handed a fat catalogue worthy of IKEA, sadly your journey around the show is anything like as smooth or as comprehensive – more like shuffling through a multi-story car-park full of baldy parked 4x4s.

The lecture ‘theatres’ are open plan and back to back; they conflict for attention. The combination of two speakers at it, never mind music from surrounding stands, obliges a ‘sit-forward and concentrate’ mentality. Imagine two noisy street shows in action simultaneously on the cobles of Covent Garden.

Stalls, not stands, was the behaviour too of some selling their services, with leaflets thrust into your hands and conversations started that you didn’t want whether eye contact was made or not); the inclination is to make a blunt response; the danger is that you soon find yourselves burdened with the equivalent of every Sunday newspaper in one go.

There was a hint of desperation about some of it.

None of this is conducive to enjoyment or appropriate for a showcase of e-learning technology 2011.

Despite this I’m preparing to return for a second day.

_______________________________________

I attended with a producer from E-Learning Productions. I go wearing three hats: producer of content, learning manager wannabe and Open University MA student in his 'second year' of Open and Distance Education - starting H800 around now (I think the virtual gates to the module open on the 27th).

The quality of the Learning Technologies presentations (with one exception) and the stands that we chose, rather than chose us, was impressive.

Much of it rings true, reinforcing our views on where we feel the market is going, this was especially the case with the Video Arts presentation ‘Video learning: anywhere, anytime and just in time.’

Blog entries below indicate where and why I think video will take over from print; this was demonstrated by Video Arts.


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Drawing on a back catalogue of high quality, humour and drama-based learning Video Arts have created a digital platform that allows users to pick ‘n mix clips to assemble a learning programme of their own.

These ‘chunks’ of ‘stuff’ make a bespoke learning programme.

I question how ‘right way, wrong way’ illustrated with humour always works, wondering if the humour and the performance is recalled, but the message lost. Which is why I’d expect all learning to be measured for effectiveness, the brutal answers of success or failure being the test of a good learning programme.

Emerging challenges in learning: proving the business value answered any concerns or interest I might have in gauging effectiveness.

Though competing with presentation immediately behind in Theatre 2, Jeff Berk delivered an insightful, packed, brutally stark means to measure the effectiveness of training.

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Jeff's background as an auditor showed, but my creative head said that whatever ways or means of communicating ideas, of sharing knowledge and experience, of teaching, of learning, that I may devise or select ‘off-the-shelf’ or from one of these ‘stalls,’ www.Knowledgeadvisors.com will tell me if it worked or not, if not why not, if so where so, and what to change and how.

An invaluable service that must form the part of any learning and training programme budget.

The thread of the presentation, that felt like an attempt to run through the contents of Wikipedia in 30 minutes, was that Training Managers should ‘replace the smile sheet, with the smart sheet.’

I buy that.

Jeff spoke of ‘improving human capital performance.'

I like the idea of ‘sensitivity analysis’ and ‘action metrics’ helping the learning consultant in a business discussion identifying actual rather than perceived problems to get a fix.

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I take away too the idea of ‘Scrap Learning’ and ‘Pointers for Change,’ as well as ‘Actionable Metrics,’ a ‘dashboard of summarised information for senior managers.

Had I been to Learning Technologies the week before rather than a week before a job interview I wonder if the outcome would have been different?

This stuff matters, and now I know it.

Jeffrey Berk is quotable; it is corporate speak at its best. ‘Leverage methodology into the spirit of the technology,’ he said.

There’s a White Paper ‘Standard Reports of the Future’ that you can request by email Jeff the COO of Knowledge Advisors on jberk@knowledgeadvisors.com.

Leadership for the 21st Century and how to achieve it was a dreary, ill-considered Slide Show read out by a presenter who I sensed hadn’t seen the slides until the moment they appeared on the wall behind him. He read, verbatim from notes, his head buried in the lectern.

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No introduction, just started reading as if someone had put 50p in a Juke Box.

The best demonstration of how to present badly I have ever witnessed and after two minutes I was desperate to escape.

Mercifully what was billed as 30 minute presentation barely lasted 10.

The clichéd jigsaw piece analogy, the lengthy self-quoting of the long dead American who devised the programmed smacked of an attempt to sell 1970s fashioned Moon Boots at a desert oasis.

Fusion Learning have a theatre-cum-stand.

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They compete successfully with the hubbub and take the idea of the market stall to its obvious corporate conclusion. It would be unfair to say that Steve Dineen was selling product out the back of a lorry, but the simple lay-out of stand as platform, replete with headset and microphone suggested something of this ilk. Though no visitor to a street market is going to be sitting in front of a laptop, watching an interactive presentation and receiving a back massage.

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Quotes can be scattered around a presentation like baubles on an over-decorated Christmas tree, but this one from Einstein worked in this context.

‘Everything should be made as simple as possible, but not simpler.’ Albert Einstein.

Fusion Universal take an idea that is a decade old and do it better.

How to animation on Microsoft Product delivered via a searchable ‘just in time format.’

For example, I can’t get my head around the plethora of choices regarding headers and footers in the new word package. Type, search, click and I get a voiced animation of how to do it. A decade ago I bought this kind of thing on a CD-ROM for £75, today I take out an annual subscription, select from a multitude of bite-size ‘info drops’ and may even contribute my own ‘how to ‘ clips should I think I have a fix, a better fix, or an alternative fix or just fancy myself as a presenter, voice over artists and director/writer of video-based assets.

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Like Steve, I too change into ‘soft shoes’ when faced with being on my feet all day.

Had I a budget this alone would have had me signing up to their services.

He wore sheepskin moccasins. I think if all delegates left their shoes at registration and padded around in slippers or socks it would be conducive to a far more chilled atmosphere.

walk around the lanes in Brighton and you will come across many of the organisations presenting here; Epic, Kineo, Edvantage and Brightwave are four that come to mind. Perhaps these organisations should band together to bring customers to them on the Brighton Seafront; or does Wired Sussex does this already? __________________________________________________________________________________

Naomi Norman introduced Epic beginning with a reminder of their impactful, PR coup, the annual e-learning debate in the Oxford Union.

This is a non-Oxford event, despite the implied cache, that uses the debating chamber ahead of the academic year.

It attracts interest, not least to Epic’s LinkedIn E-learning forum that I find a constant stream of intelligent, current thinking, or as Naomi put it, ‘good, memorable, engaging interactions.’

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The presentation in relation to mobile learning is succinctly expressed as:

‘Learning in the moment, Learning across space and learning across time.’

We saw highly simplified 2d animations that mixed a bit of silent movie text and Captain Pugwash paper-cut outs to give gobbets of information on First Aid. More at www.firstaid.co.k (free download).

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Also some of the 20 hours of materials, 4 hours of it video, for Collins for whom Epic have turned an entire two years GCSE Maths Curriculum into a smart phone App.

My colleague and I debated some of the more confusing visuals for this course on the way home and reckoned our children would only engage with the content if they had to, and would probably try to cram it all in the day before an exam. i.e. parents become tutors and facilitators, somehow having to cajole some interest in engagement early on, with rewards for completion of modules.

The idea that a book will teach a 13 year old something, let alone a game like platform, ignores the fact that in isolation this kind of self-directed learning doesn’t happen without the outside influence of schools, parents and most especially peer pressure.

Marcus Boyes clicked through a mobile learning website developed by Epic.

It was a convincing demonstration of how rapidly a complex task that may have taken many months, can be compressed into a few weeks, leaving content creators to compose. I liken it to an conductor having an assembled brass band with players who can play and instruments that work, rather than finding you have to first make the instruments and then learn how to play them.

Go compose.

Far from farting about (as he put it) I found Marcus informed, engaged, practical and agile. He is the perfect tech savvy person, passionate about what he does and mindful of the need to make things easy. I want to go home and 'make an App' myself. In fact, with a shelf of 4,000 charts, 400 photos and about 10,000 words the Skieasy Books I took to Collins in 1991 may yet find their way into publication.

I can see virtue in going straight to Mobile application.

If it works in this format then you’ve got something write, as Einstein desires, you’ve made it simple. Then you get all the gains of being mobile, engaging the learning any moment in the day when they have downtime.

There’s a White Paper. Stand 54. Or from Epic’s website.Or from me now that I'vedownloaded it.

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Go register. They're worth it.

And this App for LinkedIn from EIPC looks useful.

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I like these papers, but sometimes question their academic validity.

A white paper pre-supposes peer review and scrutiny in an academic setting. Has this happened? I let my OU colleagues take a view. If published in a reputable journal I'd buy it.

Go see.

Much more on Video Arts to follow.


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Video expands the mind ... and use of the Internet

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Edited by Jonathan Vernon, Tuesday, 20 Mar 2012, 16:58

 

 

GoldernGuysofVideo.jpg

I call it the coming of 'WikiTVia;' the tipping point where we view and listen to wikipedia. This will engage, persuade, educate and entertain audiences the way reading can never do (however many links you have).

Jakob Nielsen and his team, as well as academics, are stripping the blogosphere bare to understand how it works.

Birds of a Feather: How personality influences blog writing and reading.

It ain't like you imagine.

Those who generate content are a fraction of total users, 1% is the figure Nielsen gives. This 1% generate content beyond the ken of lesser mortals; you may say they are obsessive about it. Nielsen cites the Amazon book reviewer who wrote 1,275 reviews in one year (is that all). I liken these people to what advertisers call 'champions.' The key influencers of a cohort or group, early adopters, who innovate first and do so with conviction and passion.

Nielsen eleaborates on this and calls it 90-9-1.

Taking this into the realm of video my intuition supposes that these 'Golden Boys & Girls' of content generation will be and are the same people who will have a Flip camera in their pocket (or simply use their phone) to capture or generate orignial content then upload. Content generated on a theme, from a premise, that has some link or basis in its text form will generate an explosive interest in the subject matter beyond its original audience. Video has this power to engage, to persuade, to intrigue and interest the viewer.

Rich content enriches minds.

VJs ?

Like DJs they have a following.

Though the content should be king, not its author.

Me?

I'm this 1%.

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Text Volume Control Slider Thingey

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Edited by Jonathan Vernon, Monday, 4 Feb 2013, 14:20

 

Once you have the definitive response to a fact, something composed as a wiki that has been thoroughly reviewed I'd then like to see this thinking, initially just in words, animated via a slider, the kind of volume control we're used to seeing, only this, instead of increasing the volume of sound, increases the number of words.

 

Text Volume Control drawn in Dia

 

In this way you choose your moment to read a bit, a bit more, or a lot, the whole thing, and or everything (in theory) that went through the author's mind when they wrote their chapter/boo/report in the first place by having not just the links, but the references open and ready to read in an instance.

Indulgent?

The expert mind does this anyway. By the time you've read so extensively on a subject that you hear its authors speaking, you tap into a form of this. You could at any moment offer a summary, or talk for hours on 'your' subject.

I would like this opportunity from the start, from the point of ignorance, to nudge back and forth, to 'rock n roll' as a soundengineer would put it, finding the point to cut a sound track, the 'sweet point' for where I was at, where enough was being said to engage me ... or, were I about to alight from a train, a bitsize thought on which I could chew 'til the opportunity arose to indulge and nudge this 'text volume control' along the scale.

Now think of this as a slice in a pie.

 

Asset%20Slider.JPG
From Drop Box


Open it out and you migrate away from text alone to include stills, video and sound. For example, the image-based expression of this concept, and a particular issue/idea/fact/report, begins with a single image, like a book cover, or TV title sequence ... as you run along our 'volume control' the number and range of images expands.

Just a thought.

 

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PDP as an ascending thermal. Come glide with me!

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Edited by Jonathan Vernon, Friday, 28 Sep 2012, 12:28

Love this. My PDP thermal. It works.

PDP Cycle Close Up

It works because everything hangs onto the concept without being shoe-horned.

I want to run with is as my philosophy for PDP and do someting whizzy with it as a video, animation, conference opener or something. I'd like to think it could capture peoples' imaginations, which is just what you want if you are going to motivate them to be the best they can be, so that their team can be the best they can be ... and in turn the business can be the best that it can be too.

If this is clearer try it in the long-shot.

PDP in situ

The upwards rotation, like a glider riding a thermal, is akin to a person's PDP ascendency.

What drives this, the enery as it were, is their motivation.

Tap into this and everything else will follow.

Though the timings for PDP to occur, or for self-assessment and needs analysis should be varied and applied as required, rather than becoming onorous and regular, it should nonetheless happen. This is in effect when our 'glide' banks and turns (yaws?). If following a glider in action then there varied loop/cycle sizes would be easily accommodate within the idea.

Around this mistral I have added various standard e-learning tools, which I would rank in importance. Such ranking would/will vary by person, by platform, by subject matter, but I'm certain that blogging and forums are up there as far more important than anything else in terms of engagement, collaboration and effectiveness.

BloggingAs you can see I've put in:

  • Forums
  • Eportfolios
  • Wikis

I've wrapped 'motivation' around the edges like those 'go faster' agitation marks you use in cartoons. I'll redraw it all now that I have some time to beautify and develop it further.

Around each of the above e-learning tools there are micro-loops (loop the loops even), where I've added (all colour coded by the way), things such as reflect, skill, communication, technology, reseach, analyse and so on.

Collaboration and communication are ever present as continual themes (or thermals) currents that should be ever present.

What else?

PDP%20thermal%20Midshot%20Cycles.JPG

  • Share
  • Lead
  • Inform
  • Critique
  • Assessment

I can work with the logic, keep it simple, and adjust accordingly.

Podcasts are a form of blogging, whether audio or video, as well as resources/assets in their own right.

Skype, email, TXT, Messaging ... and even 'face-to-face' communication (what's that?!) have been included.

This, in an image, is what I do.

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Files of research and work, days of debate and deliberation, playing around with ideas then the pressure to sum it as succinctly as possible.

This, turned into animation, or video ... i.e. rich media, is what I do to.

I hear Michael Nyman. He's permited me to use his muix before. It has pace, it is querky and challenging, and exciting ... and repetive, and driven and motivating.

And for a voice?

  • Female
  • On verra.

No one's offered me a budget yet.

£40k for a ten minute jaw-dropping conference opening extravaganza.

£500 and you get me in front of Sony Cybershot stills camera, my son's collection of Sharpies in one hand, a sheet of wall-paper backing paper taped to the kitchen door.

 

 

 

 

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Sleep is fuitile. I'll keep it for the weekend

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Edited by Jonathan Vernon, Saturday, 8 Oct 2011, 13:24

Two voices are at each other

The one prattles on about 'how to do it', the other is saying 'shut up, go to sleep'.

One I can deal with, two is one too many.

A moment's irritation, tinitus or the fridge rumbling through the floorboards of the house and I think I may just go to sleep when a third voice pops up.

'I've had an idea!'

Oh boy. So I'm back here, getting it off my chest, as it were, though actually it is more a case of getting it out of my head before it drowns in idea number three.

First the sketch.

This time of a TV box.

There may be just enough happening in the frame to keep my son in one place. He regularly does three things at once: plays World of Warcraft, watches 'Mock the Week' or 'Outnumbered' ... and does his homework. Possibly while listening to music on his iTouch. I really can't tell. Though it is apparently possible to have a conversation with him as well. He's twelve. Can't you tell.

I put a title to my idea

'Towards a new kind of Television'

I think 'hyper-television' might be more appropriate.

And what on earth am I doing bringing a copy of Norman Davies, 'The Isles. A History' downstairs?

This, as it has never had a mention these last four months, is my light relief. My escape from all things e-learning and the Internet or the OU, or stuff. (That technical term again). Norman Davies bores me to sleep at night. But it doesn't, not always. This is the second time I've read this tome ('Europe. A History' will follow in due course).

Balances and difference help the mix.

Mixes, mash-ups and such like have a role to play.

A highly advance tome on Competitive Swimming that makes the sport look like civil engineering is another one for bed. It all goes into my head. Sinks away. Or does it? This is why and how this works, blogging, it gives a thought or a fact a second chance to swim to the surface, to bubble up.

Humble, Bubble, Toil and Tumblr

How to?

I began this process with a video production workshop in the Senior Common Room (Or Middle Common Room) at Balliol College in March 1982? I just tried searching for the entry in my diary, but obviously that bit hasn't been blogged yet. We had Philips micro-cassette video-cameras. We gave them out to fellow students, gave them the basic language of TV shots and techniques as I understood them courtesy of the Kluwer's Production Manual having by then shot and cut a few dozen hours of material myself.

Kit is almost as cheap  today as it was then (we were given it), only the quality is now HD 35mm for a camera the size of and shape of a Ventolin inhaler.

Is it easier to teach the three shot language of video production than say 400 to 2,000 words of vocab to teach English as a Foreign Language?

Of course it is

You don't even have to say anything.

How then to turn basic TV production techniques viral in order to lift the quality of this micro output globally?

Or do people give a monkeys?

If something interesting is going on they'll look at it through any amount of noise. It's called the Zapruder effect. Don't go and see it. How did snuff movies become easy-to-see viewing? The Zapruder effect excuses all the 'You've been framed' clips - rubbish camera work, but cute dog, cat, baby, child, oaf etc:

We'll see

I take the view that however short, there needs to be an idea behind it, a thought, an occurrence, even a narrative.

I'm constantly reminded of a Radio 4 challenge to three speakers to make their point in 45 seconds.

We got 'Bing Bang', 'String Theory' and the 'Offside Rule'. The first, like the opening pages of Genesis was a story with a beginning middle and end in 135 words or so; the second slightly lost its way, but the analogy worked, whereas anyone listening to an attempt at explaining the offside rule in 45 seconds would be left utterly befuddled.

People prefer story to befuddlement.

So who is going to turn Wikipedia into TV?

I cease to be entertained by it. I fear Wikipedia has had its day. Long live 'WikiTVia.'

Half an hour later. What's this about Norman?

I was googling a plumber ventriloquist venture capital person I know. (I have some versatile friends. He can also identify seven kinds of harvester ant).

'As his colleague Thackeray once observed (this is about Thomas Babington Macaulay), 'He reads twenty books to write a sentence; he travels a hundred miles to make a line description.'

All this reading and travelling can of course be achieved in front of computer screen with access to the Internet.

Many more minds, can be liked-minds and big minds.

REFERENCE

Thackeray, quoted by W. Speck, 'Thomas Babington Macaulay', The History of England (Everyman, (London, 1911) vol.II, pp. 488-9.


 

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Buzzing

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Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 06:10

I'm not tired, which is the worry; it'll catch up with me. When I wake up with a clear, original thought I've learnt to run with it. Time was I could have put on a light, scribbled a bit then drifted off again. 17 years of marriage (and 20 years together) I've learnt to get up. And once I'm up, then I know it'll be a while before I can sleep again.

(I'll sleep on the train into London; at least I can't overshoot. I once got on the train at Oxford on the way into town and woke up in Cardiff).

I have the thought nailed, or rather sketched out, literally, with a Faber-Castell Artist Pen onto an A5 sheet of cartridge paper in Derwent hardback sketch book. This seems like a waste of good paper (and a good pen), but this doodle, more of a diagram, almost says it all. My vision, my argument, my persuasive thought. My revolution?

Almost enough, because I then show how I'll animate my expression of this idea by drawing it out in a storyboard. I can do it in seven images (I thought it would take more). I hear myself presenting this without needing to do so, though, believing myself quite capable of forgetting this entire episode I'll write it out too.

I once though of myself as an innovator, even an entrepreneur. I had some modest success too. Enough to think such ideas could make me. I realise at this moment that such ideas are the product of intense mental stimulation. To say that H808 has been stimulating would be to under value how it has tickled my synapses. The last time I felt I didn't need to sleep I was an undergraduate; I won't make that mistake. We bodies have needs. So, to write, then to bed.

(This undergraduate thing though, or graduate as I now am ... however mature. There has to be something about the culture and context of studying that tips certain people into this mode).

You may get the full, animated, voice over podcast of the thing later in the week. I'll create the animation myself using a magic drawing tool called ArtPad and do so using a stylus onto a Wacom board.

(Never before, using a plastic stylus on an a plastic ice-rink of a tablet have I had the sensation that I am using a drawing or painting tool using real ink or paint. I can't wait 'til I can afford an A3 sized Wacom board ... drawing comes from the shoulder, not the wrist and certainly not the finger tips. You need scale. Which reminds me, where is the book I have on Quentin Blake?)

Now where's a Venture Capitalist when you need one at 04.07am. That and a plumber, the contents of the upstairs bathroom (loo, bath and sink) are flooding out underneath the downstairs loo. Pleasant. A venture capitalist who is a plumber. Now there's something I doubt that can even be found if you search in Ga-Ga Googleland.

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The importance of the words

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:15

Writing is everything.

I'd master it now. Keeping a blog is a sure darned way to do that. Handwritten is fine; find yourself the perfect pen.

Writing, or rather the ability to write.

It is the key to communication, to learning and to e-learning, and a great deal else besides.

On my passport it says 'writer, director.'

I like that, though I think of my skill as a visualiser and the writing and directing is rarely TV, but corporate and classroom training, desk-top learning, and product launches, change brand and change management.  Still there can be drama in it, and tears, and death, and love, and life, and music and dance. We go underwater and scale mountains, enter shear caves of nuclear power plants and wade through sewers, track super-models along catwalks in Paris and record the last words of a man dying of cancer in Carlisle.

I see things in pictures.

Perhaps the MA in Fine Art IS what I should have started a year ago ... though I fear I may have missed out.

It's easy enough I find to get my 'hand back in' if I want to draw something as it is rather like riding a bike, or skiing in deep powder snow, or racing a Fireball, or pushing off a wall in Breaststroke and emerging from a legal transition half way down a 25m pool ... once you've put in the days, months, years (even decades) learning to do these things, barring ill-health and great age, you ought to be able to do them for some time to come.

Which reminds me, I want to crack written French in 2011.

Clients think of me as something in addition to writing and directing (I produce), but no. that's not it; there are words, voices, images, cut together and linked in various ways that form linear and non-linear assemblages, but to them I am 'a problem solved', a job delivered, with passion, on time, on budget (of course), sometimes as a team of one, but sometimes in a team of a few or many more. I do wonder if sometimes an email with the finally agreed Creative Brief is the end of the process, rather than beginning.

Today, once you've solved that you can invite everyone to come up with their own creative execution.

Now there's a thought I'd not heard coming.

All of this takes words, expressing and solving the problem and sharing this requires words. A fast, reliable typing speed helps too. So perhaps my Mum was right to get me a typewriter when I was 13 when I wanted an electric guitar.

Sometimes I find the problem for the client and share it with them in all its beautiful ghastliness.

This is what good writing means. And experience. And judgment. And belief. And your approach and thoroughness. And the write people around you. And sometimes conviction that £60,000 will deliver the job, but £600 will not.

Good writing is less about the words chosen and put on the page (unless you are a novelist or poet, and I am neither), no, good writing is a good idea, clearly expressed, in as few words as possible. (Which in due course requires editing something like this).

Who is it who said the selling is a good idea?

That all it takes to sell something, is to have a good idea.

Good writing has a purpose and the author knows how to put the words to work by addressing a problem, because you know your audience and whether you or someone else is the subject matter expert, it is your responsibility, even if the words are hidden by a creative brief, a synopsis, treatments and scripts, to get the message across ... like, with some or many images (photos, graphics, cartoons), or with the spoken words and/or similar images that move ...

A swimming club session plan written on a whiteboard to take a squad of swimmers can be beautifully written if it is magically composed, and serves its immediate purpose. The good swimming coach rarely leaves such things in the head. It is thought-out, it is planned, it fits into the scheme of things, it is the right session for that hour or two.

Good writing hits a chord; it too is of the moment.

I conclude that a good teacher, a good tutor, educator, practitioner of e-learning ... all have this ability to write well at the core of their being. They are confident with words, words that are as carefully chosen even if spoken on the fly, as a result of their experience and all the lesson plans or scripts, or class programmes, they have written in the past that bubble up to the surface when faced with a problem - a fresh student.

(My only caveat is the from the podcasts I've heard before an educator is interviewed they should at least have the wisdom to do some media training).

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H808 Core activity 4.1: Multimedia as evidence

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 12:34

How can you create and store evidence of your engagement with different media in the following types of activity on H808?

Contributions to online discussion

  • Select and export to MyStuff
  • Screen Grab. Date and name.
  • Export to word, cut and paste. Store on hard drive.
  • Note any references, when accessed and URL
  • Cut and paste into PebblePad
  • Title and tag for easy search at a later date


Personal blog postings or comments on others’ blogs

  • As above
  • Or leave them where they are with links to the page(s) concerned.


Contributions to the course wiki

  • Link to course wiki where current content, history and edit history can be viewed.
  • Screen-grab of edit page
  • If not self-evident highlighter tool of contributions made (though this is hardly the point, its a collaborative effort, what your left with on the screen may be minimal if your contribution was to edit) i.e. the history of participation is more important than words you may 'claim' as your own (which you can’t and shouldn't - you wouldn't have written them if you hadn't been prompted by others ... and ohters might have written it if you hadn't) by the end of the thing,


Notes and informal reflections written by hand

  • Scan, label, store and back-up (as above)
  • Turn hand-drawn mind maps into bubbl-us or Compendium documents.

But why on earth keep all of this stuff?! At what point deos the storing and collating of assets become a neurosis or obsession? What matters is the end result (though not apparently in learning). Once was a time you teacher or tutor knew you were doing the work a) you turned up b) you wrote the essays c) you could talk intelligently on the topic in class and tutorials d) you passed exams e) you submitted a thesis. Do we know need a webcam grab to prove we are sitting at the coputer? An image of us in a library taking out a book?

Examples of formal writing (TMAs, reports, etc.)

  • Copy and paste into MyStuff
  • Upload into MyStuff as a file
  • Put in a file on hard drive.
  • Back up specific folder and/or hard drive

Extracts from PowerPoint presentations

  • Screen grab, date and label.
  • Note any references.
  • Cut and paste selected slides, content and notes.
  • Download the entire PowerPoint presentation and flag the slides/notes that are of interest
  • Store as above. (hard drive, zip, url link, as animation/movie in YouTube)

Extracts from audio presentations

  • download as MP3 files
  • transcribe and store as text
  • store online or offline as a podcast
  • Store or link in podcast host such as Podbean

Extracts or screen dumps from websites or video presentations

  • download to desktop
  • store in any of a variety of video playback tools

Link to YouTube favourites

  • link or add to Flickr
  • Cut and paste URL with dashboard into your blog or elsewhere online.

Comments from peers and tutors

  • Attached to the saved document where the comment(s) occur as a file or cut and paste into MyStuff
  • Downloaded onto hard-drive and saved/backed-up to zip drive.
  • Save/export selection into MyStuff, label, include access date and tag.


Extracts from published sources (images, newspaper/magazine stories etc.).

  • Linked or flagged in proprietary webpage
  • downloaded as text or saved as HTML
  • Scan and load as JPEG in any photo gallery (Kodak Easy Share, Picasa, Flickr, Tumblr etcsmile




 

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Taking steps to migrate MyStuff content to PebblePad

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:00

I'm reaching the stage where I feel I may have to type entries such as this in Word and then paste them in. Why? Too often it closes before I save or finish and everything is lost. My loss, not yours.

Just owning up to buying an annual subscription to PebblePad. All the pointers say it is the right step to take, I can see that it will absorb everything I've put into MyStuff these last seven months about (700 pages) and allow me to do much, much more with it.

The movies that run you through how things work are clear. The buttons and actions seem intuitive and desirable. For example, when it comes to reflect I can follow the prompts. Even I can do this. And in relation to building evidence, once again, I will follow this H.E. inspired creation to perform as a graduate should.

Otherwise I'm finding Filemaker Pro as easy as when it first came out in Clarisworks in the 1990s and the various versions I've used since. It's just a pain and a shame that I'll have to buy a new version once the 30 day trial is over and a greater pain that details of 800 swimmers and 44 teachers/coaches will have to be added manually. (I may be able to get around this only if I very carefully ensure that most of the many fields I use match. Though refreshing my memory with the swimmers and deleting out of date records might be worth the effort as poolside all this stuff has to be in your head).

Today I've had fun with Bubbl.us and have been introduced a a slide-sharing tool - both courtesy of fellow student Lesley Morrell. Always one to want first hand experience of a tool before I can recommend it, I plan to take the Bubble I created on Reflection (see below) and work it through with Compendium, seeking out and adding reports and references as I go along. Whether the end result can be written up as a 500 word report is quite another matter.

This and plans to have a professional crew video a number of swimmers above and below water to then put through a broadcast post-produciton house come to fruition. The plan is then to generate material for a substantial 'reusable learning object' or what Salmon (2002) wants us to call an 'e-tivity.'

So a busy day.

Risotto done, Mushroom soup to make.

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H800 SuppActs. Unit 3.3: 2nd -15th Oct 2011

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Edited by Jonathan Vernon, Sunday, 4 May 2014, 09:11

SuppActs. Unit 3.3: 2nd -15th Oct

Hi all!

This is a really great activity as Open Source has passionate advocates for and against, and a driving market reality which seems unstoppable.

I wonder, in addition to the course questions, what we have between us in the way of experience on this. It would dbe good to bring that in too. What is 'our' expereince for and against of working with Open source in education?

Discuss here, and  build resource and summaries in Wiki?

Helen

H808 Course Guide: Supplementary activity 3.3: Understanding open source

This is a collaborative activity [..]You may be able to present the output from this activity as evidence of exceptional proactivity.

Download Martin Weller’s paper on eportfolio products from the resources below, which was presented to the OU VLE project as part of its discussion on developing an eportfolio system in 2005, and do a ‘Find’ search through it for the keywords ‘open source’.

How well do you think Martin justifies his recommendation to the OU to consider an open source solution for its eportfolio system?

Do you agree with him? Join a discussion in (the H808 SA Forum &wiki ) with (others) who are interested in this topic and find out what the general opinion of open source software development initiatives is.

Resources

EduTools (2007) Product Listinghttp://eportfolio.edutools.info/item_list.jsp?pj=16 (accessed 25 May 2010).

Dr Helen Barrett’s Bookmarks (2007) Commercial E-portfolio Vendorshttp://electronicportfolios.com/portfolios/bookmarks.html#vendors(accessed 25 May 2010).

Himpsl, K., Baumgartner, P.(2009) ‘Evaluation of e-portfolio software’, International Journal: Emerging Technologies in Learning, vol. 4, no. 1, pp. 16–22: http://online-journals.org/i-jet/issue/view/51 (accessed 25 May 2010).

Martin Weller eportfolio report

Martin Weller's 2005 report for the OU on eportfolio products and strategic options for a university-wide system.
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H808 Core activity 3.1: Understanding e-portfolio software

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 19:06

Core activity 3.1: Understanding eportfolio software

  1. Select two eportfolio or eportfolio-type applications. Familiarise yourself with the facilities offered by each of them.

  2. Produce a comparison grid (such as the one you get from the EduTools review if you click the ‘Product comparison’ button) for the key features of the two systems. (Note: you do not need to go into the level of detail that the EduTools does. Restrict your comparison to about six key features.)

  3. Post your comparison grid to your tutor group forum. You may find that other people have selected features or facilities that you did not notice or value. Discuss with your colleagues which features really are ‘key’ for an eportfolio system. Decide which of the systems you have discussed might be recommended for use on H808.

Annotate your comparison grid with any relevant comments from the forum discussion and store it in your repository of evidence.

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H808 activity 2.3 reflection and blogging

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 18:10

I read the instructions and tips from our tutor on Core Activity 2.3 H808 - on Reflection and blogging and it had might as well have been an address from the form teacher to a class.

This boy is at the back of the room doing an observational sketch; every so often I jot down the teacher's words. On getting home I look at my home work. There is one word 'reflect.' I look in the mirror. I look at the guy staring back, figure out that this isn't a piece of art home-work so write something.

Thirty years on and initially I only saw the word 'reflection.'

I skim read, a block of text in one eyeful. I come away with impressions. I make assumptions. I am not good with clear instructions. I probably expect to have the school or university Sergeant Major forever on my back - indeed when I had an agent or a sales director exploiting what I could do this was the only way to extract something from my head that could be sold. I'm fine with clients too: succinct brief; tight schedule ... payment.

On reflection, therefore, I function better as a team of two or three.

Slowing down, writing it out, breaking it into its component parts I see that the request is multi-layered, that the end result will need to be composed within certain parameters: Moon and Creme, reflection in the specific academic context of H808 and the 'e-learning professional.' I have the 1990s OU Book 'How to study.' All of this is explained. I could take me an hour to dissect Trevor's instructions. Perhaps I have to until I can train my brain to do it this way.

Keying in 'creme', 'moon', 'reflection' and 'blog' in my My Stuff I come away with in turn 7, 14, 71 and 116 entries.

I have the articles downloaded somewhere (note to self to put online so that I can draw on them from whichever computer I'm at).

Keying in 'creme', 'moon', 'reflection' and 'blog' into my OU Blog I come away with in turn 6, 12, 46 and 68 entries.

These entries have been compiled since February. If I can tag all searches with H808 -  then some of these search findings would be reduced. I don't believe that either the Blog or My Stuff operate with an advanced search such as this. All the more reason for me to put everything into Fillemaker Pro (a task I began in week one of H807 in February, but dropped when I learnt I needed to spend £200 or more to replace my version of Filemaker that was now too old to upgrade sad

I cannot read and review 340 Blog and MyStuff entries.

Without spending much time with any, I must get the gist of what they contain, bearing in mind the criteria for this task.

The problem is one of how I tag this data. As it goes in I need to -self-review. to rate it with a star system, somehow, to add several filters. But how?

In any case, would this not all be better off in my head where my brain will do a more successful job of drawing to the surface the answers I need?

Filemaker Pro. A relational database I love. I could search by multiple tags, include a number-based scoring system, by date, or weight, or reference ... by word count. The list goes on. The trick is to do this early on. With Filemaker it is easy to take a template such as this one and re-arrange it to create a multiplicity of templates that all draw down the same information. This is where I need to be. It's software I can make 'sing'; I find the OU Blog and MyStuff plodding by comparison.

Beyond these walls there are nearly 2,000 blog entries containing 1.6 million words. On paper there are I estimate there are 3.5 million.

Habit? Obsession? More akin to a bodily function than either writing or reflection?

Is reflection useful? What about blogging?

Most of H808 is about getting students to do it. I might be a case of doing it less. Or putting on a totally different head when I do it here. Context is everything. But I don't want several blogs, one is fine. I don't want to twist this 'Voice' into words to get marks. Why don't others come round to my way of thinking, my way of doing things? This to me is learner-centred.

This amount of content might be exceptional, but are we saying that people should keep learning journals for life?

In their forties they are going to have several hundred thousand words. 500 words a day for twenty years? It doesn't take much.

Perhaps if I were compiling a book of 50,000 words. Otherwise I know that to write 500 words it will require a locked door, a blank sheet of paper, an ink pen and a clock. Thirty minutes max, twenty minutes may work better. This is how exams work, they bring it to the surface, they excite your body and mind and if you've been guided correctly the right ideas will emerge, first as a treatment, then as the 'essay.'

This or I need a) to get everything into Filemaker Pro and b) look for some kind of Artificial Intelligence add-on. But is that me? Letting the software make my choices? Or does it learn to make the choices I would by following my previous decisions (Another conversation, for another place)

Two hours of this and all I've done is think about answering the question ... I have read two items from My Stuff and one from my the Blog. And on these alone I have generated 300 words (not including these).

I got up in the middle of the night in order to do the task, not think about doing the task thoughtful

Maybe I'm not cut out for this. Or this is an example of where reflection and blogging can be counter-productive (or over productive?) Same problem, job not done.

I jam at a QWERTY keyboard where something more regimented is required.

And then I sleep, no doubt to dream. So there's no escape from it.

As I've suggested before, if I could provide evidence of a dream that showed I was thinking about reflection and bloggind in H808 would this count as evidence? If I could shove a web cam in my ear.

Now that's silly.

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Here's an idea - review and grade reports

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Edited by Jonathan Vernon, Friday, 1 Oct 2010, 12:44

Here's an idea.

I'd like to see a 'review grade' recommends star system on all the resources we're invited to read, whether they are a must read or supplementary.

Whilst it is a skill to skim read something before giving it your all, I'd like to have a second, third or fourth opinion. Or just a fellow student indicating, 'don't bother,' or just as useful, 'don't miss this one out.'

Too often I have got stuck into a report only to find I wish I hadn't, either I'm not ready for it, or someone else says it better.

On the resources on 'Reflection' (H808) I feel I came in as an MA student on a topic that in one context I understood, but in relation to its use in academic study I did not. The 'heavier' text simply wound me up. Then I got the RLO from the University of Central London. Simple.

Something happened. What happened? So what? What next?

See, I can even remember it.

Though required for H807 I don't recall it being emboddied in the module. Were too many of us left to flounder? Or allowed to flounder?

Moon, Creme and all the rest embed this simple message in so much learning theory and psychology that the only thing they needed to communicate got lost. It assumes previous knowledge.

Go back to Kolb, rather than tacking on ifs and buts and provisos, or invent your own 'cycle of reflection.' I want to read Dewey. The book, hardback. From a second hand book shop. In my hand. With a former teacher's pecilled in notes.

I've come across a system that is simpler than any of the above.

You ask the question 'what is the problem?' over and over and over again.

By the time you have answered this six times you may be surprised at the truth it reveals, the real problem that on fixing resolves everything else.

Reflection that produces an outcome, or simply a dog chasing its tail?

REFERENCE

(in due course, I think I've drawn on the thinking of a dozen above).

Imagine if we had to reference everything we said in a conversation at a cocktail party? Or in the pub? I feel a sketch coming along. I wonder if I could get Mel Smith and Rhys Grifth-Jones back together to do one of their head to heads? You know, over the table, resting on their elbows, deliberating. But whenever they say something that requires a Harvard Style reference they must give it. Try that as they have first one, then a second or a third pint of Harvey's ale.

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The skills I need as an e-learning practitioner

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Edited by Jonathan Vernon, Sunday, 8 Jul 2012, 08:32
The skills you need as an e-learning practitioner

Training as a TV producer I picked up some skills editing, writing and directing. A project was never too small that a person fulfilling each of these tasks wasn't required. Indeed, the 'one man band' was frowned upon. Some TV crews were still unionised so you had a cameraman, assistant and sound engineer, minimum.Today in TV production a producer may not only direct and write, but operate the camera and edit the piece. To be a TV professional in 2010 you need this variety of skills. I do. I did the courses. Camera, editing ... even six months as a sound engineer.

To be an e-learning professional it strikes me that as well as research, design and planning skills, with a healthy foundation from an appropriate course that takes in learning history, theory and practice, that you will also need more that just a modicum of IT skills. IT literacy is a given, but further familiarity, even a confident working knowledge of a variety of 21st century e-learning tools and platforms will be necessary, as well as that 20th century skilling of touch typing. (I have that).
With this in mind I am tackling some software that I have to date resisted. I managed without Outlook, now I'm using it through-out the day. I hadn't moved away from my original blogging platform of 1999, so have in the last two months started three new blogs in three different places, as well as continuing with the OU blog. I wanted to feel confident I know what these are doing. I signed into Facebook a ferdw years ago but have let it pass me by. It may feel like the exclusive domain of my children, nephews and nieces, but I am now determined to master it, instead of it having ontrol of me.
And finally, though I have grown familiar with MyStuff and have mine well stuffed ... I must decide on a second e-portfolio system to embrace. I want to try one, two at most. I'd like to run with Filemaker Pro as I'm familiar with it, but there is a cost and it won't be of any use to others who don't have it installed.
Time to look at the Tutor Group Wiki.
Google Docs Zoho Mahara Wiki MyStuff DropBox PebblePad Reflect Google Wave Edublog Adobe Acrobat FilmMaker Pro WordPress Windows Live ThinkFree

Which will permit easy export from MyStuff?

Can anyone explain this to me?

Export your MyStuff in the LEAP2A atom feed format (which enables transfer of data to and from other ePortfolio systems). Please click refresh feed if you have made any changes recently.

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Sit forward of sit back?

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Edited by Jonathan Vernon, Wednesday, 29 Sep 2010, 03:59

As a producer in 2001 I attended numerous pitches with cross-platform projects developed with a leading independent broadcast documentary production company.

Whilst there was always an eagerness to have these meetings it proved quite impossible to raise finances at a time when most organisations were scrutinising their web-production budgets and pulling back, or pulling out.

One project was developed through the European TV and Film development initiative EAVE.

Nine years on it is interesting to see that efforts are once again being made with such ideas, however, they are growing from the Internet as a platform, rather than the TV and a computer sitting side by side.

Observing with interest my 12 year old following a make lifted from YouTube in one frame while watching an episode of the Simpsons in another on this laptop while also sliding through a music video on an iTouch made me realise that interaction for his generation is multifaceted.

As an aside, intrigued that Google is the same age as him, 12, he reflected on what browser we used before Google. The suggestion that we used books to find out information left him dumbfounded. The world has moved on.

We used to talk about activities such as watching TV or reading a book as "sit back" while using a computer or video game was "sit forward."

I wonder if the reality, like finding a point of equilibrium on a rocking-chair isn't a bit of both?

You can watch a TV programme, and play a video game? They can be different things, rather than interacting ... indeed they being separate activities, affording different ways of engagement, makes this set up possible.

Which leaves me with a final thought -

We can watch two or more linear TV programmes simultaneously without losing the thread, but try doing two video games at the same time. They're not static like chess.

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H808 E-portfolio Case Study. Core Activity 2.3

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 17:23

1.       What were the anticipated outcomes of using an eportfolio in this case?

2.       What were the limitations to its implementation?

3.       How is the eportfolio in this case supposed to help the user to identify and manage their learning?

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Reflection on IT skills

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:04

There are several software packages I need to familiarise myself with.

This is the consequence of being a freelance, a one man band. If I cannot communicate the way I would wish without a better knowledge of various tools, then I must grasp the IT nettle.

I'm learning Outlook by using it

A 1000 member swimming club, its swimmers, parents, committee, teaching and coaching staff is my material. As I coach or teach five days a week there are a myriad opportunities to create groups, build profiles and get in touch to make things happen.

I prefer Filemakerpro over Excel, but need both.

Having someone who can make Excel sing I've decided to catch up on my knowledge of Filemaker Pro, after all, I can merge all Excel files in Filemaker then build templates from there. It is this ability to build a multitude of bespoke templates that appeals to me, it gives me as many ways as I want and can imagine into the information I store there.

This I will use for the swimming club, performance records of swimmers, tracking coaches too ... and collating data for the club's Swim21 submissions. I trust it will also become part of my e-portfolio for the OU, even a way, yet again, to tackle 90,000 word long fiction.

Let alone a place to gather client and project details.

On verra.

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e-learning not elearning

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 12:43

I've just noticed, that whilst the OU spellchecker recognises e-learning, it does not recognise elearning.

What about eLearning?

No.

Or e.learning?

Yes.

If I am corrected for using 'e.learning' am I right or wrong?

Does being right or wrong matter?

It's just a word.

It's not even that.

It's a letter.

e

 

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H808 Standards and Specifications. Weller. 2007

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Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 05:33

Although Weller applies this thinking to VLEs the same must apply to e-portfolios.

KEY ISSUES

  • Exchange of learning resources
  • Passing of data between institutions
  • Multiple platforms
  • Software applications that communicate with other students

'Agnostic’

Interoperability


The argument for standardisation is made in relation to electricity plugs.

  • platform agnostic
  • language agnostic
  • IPR terms to share


Modularisation – like music through Napster and the commercially through iTunes.

Problems

  • semantic
  • modularisation
  • security
  • quality
  • licensing
  • development tools

Standards

Is interoperability in relation to the transferability of data and resources like issues of access for disabled people?

Transferability adds a dimension from a point moving forward, as well as going back, and weaving across.

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Google Docs or perhaps EduBlogs?

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Edited by Jonathan Vernon, Wednesday, 15 Sep 2010, 11:02

Where and how do I share in a secure online environment with 40 swimming teachers, 12 admin staff:

Swimming teaching and coaching plans.

  • NPTS Grade 4-10
  • Squad Competitive Swimming County-Regional-National Standard
  • Micro & Macro-cyles

About 200 documents

  • Squad Books
  • Club Photos
  • Competition Details

Workforce Development

  • Courses
  • CPD
  • Licensing
  • CRB checks
  • Induction
  • Mentoring
  • Meetings

Parents

  • Newsletters by group and grade

This is has been a headache for years, which I feel can be resolved and better managed with something like Google Docs. Whatever Facebook can offer, its image is tarnished, so I can't see anyone taking me seriously if I place and lock documents there.

I'm very aware of Data Protection issues so none of the 'data base' info of our 1,000 members will go beyond a handful of people who keep it on their PCs. However this is some info that must be shared with specific teachers and coaches.

We have a website, but there is a limit to what volunteers can be expected to do and manage therefore 'free' software and service, or at small cost.

Early days to believe photos and video clips could be put here too for teaching-training purposes.

My thoughts thus far:

Google Docs

EduBlogs

Any other suggestions to give a go before I start migrating things here?

This will need to link with contact details in Outlook.

 

 

Permalink 2 comments (latest comment by Jonathan Vernon, Wednesday, 15 Sep 2010, 21:48)
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Design Museum

Finding My 'Stuff'

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Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 21:12

'The ultimate aim of personalization is to offer material that meets the needs of the individual learner at the exact moment they need that information.’ Weller. (2007:112)

Unfortunate then to look for Mark Prensky's piece on Digital Natives that I have read, taken notes on and surely put here in the OU Blog and MyStuff.

Unfortunate that I read a few months ago, and took notes, on a piece of research testing Prensky's ideas and concluding that they had no basis in fact. Whether or not a person is tuned into digital technology has nothing to do with when they were born, but everything to do with wherethey are born (opportunity/wealth), the level of education (socio-economic group) they receive and access to kit and Internet access (geography).

What have I failed to do? I tag furiously.

P.S. I use the term 'stuff' with its recently acquired modern defintion as in 'stuff online' or 'any digital asset, so photo, animation, podcast, text, pdf etc:'

P.P.S. I takes me over an hour to find the llink and article. I had quoted this in my ECA for H807. I searched by title and author in the E-Journal part of the OU Library, with no joy. Then went into the Journal itself, had no joy where is shared/managed through EBSCOT but finally had succcess through the publishers homepage and courtesy of my access privileges as an OU Student.

Helsper, Ellen Johanna and Eynon, Rebecca (2010) 'Digital natives: where is the evidence?', British Educational Research Journal, 36:3, 503 - 520, First published on: 17 June 2010 (iFirst)

Can be found here:

http://www.informaworld.com/smpp/content~db=all?content=10.1080/01411920902989227

My mistake, finally spotted. Not 2009 as I had, but 2010. I wonder if my tutor will spot this when marking my ECA. She's very good at this kind of thing!

REFERENCE

Weller, M (2008) Virtual Learning Environments

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Design Museum

Sunday 12th September 2010

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Edited by Jonathan Vernon, Tuesday, 14 Sep 2010, 14:54

Some of the software I am trying to get my head around:

  • Outllook
  • Zoho
  • Compendium
  • Learning Clubs
  • Word (2002-2010)
  • Skype
  • Google Docs
  • Mahara
  • Peeblepad

COMPENDIUM 09.15 12th SEPT 2010

Having created the contents for a map inside my home page I cannot figure out how to save it or to create another map. Listing through the movie, or screencast, or animation, or whatever you want to call it, I pick up, at last on the concept of a map being like a folder so by typing M I get a map (or folder) in which to build my content. Of course at first I do not simply type m, I type CTRL 'm' as I expect it to function in this way. Wrong, just type the letter 'm'. So, one step forward, three steps back, four steps forward and I get theresad

With a Map open, it being a folder, I hazzard a guess that my first experimental Knowledge Map can, through drop and drag go into this Mapfolder. Wrong. No probs. I spent 30 mins thinking it through, I can delete it all and start afresh and do a better job of it second time round. Just as well this isn't a real job.

Things need to be called what they do or are. When is a folder not a folder? When its a map. But it isn't a map, it's an electronic flip chart, or organiser, or plannogramme. It isn't a map in the Ordance Survey sense of the word. Though is it a Mind Map. (Didn't someone try to trademark the term?)

I press on.

I do expect this. Learn a bit. Have a bit of a go. Delete. Try again.

I take the project I developed in H807 and type in the 'Learning Problem' and put this at the core of building a response, not the assignment, but the way forward to seek financing, assemble a team, budget, schedule and then produce a piece of e-learning.

I rock 'n roll between the Knowledge Map I am constructing and the instruction in the Screencast Movie. I have seen that there are several of these, so will inch forward taking instruction, giving it a go, and hopefully producing something of use by the end of it. The test will be to send it to a.n.other for their input.

Making a Start. The second time.

  • Type M to start a folder/file thingey
  • Stuff includes:
  • Pro Nodes and Con Nodes
  • 'Populating' nodes with uploads, links and type notes/lists.
  • Questions
  • Ideas
  • Arguments
  • Linking ideas
  • Connecting up 'fragments' or 'ideas' (stuff, or assets, or nuggets)
  • Bringing in ideas (from folder and files, various types/formats)

 (As I'm in the process of migrating folder from my ancient iBook to a second hand PC laptop the 'assets' I might attach/enclose at this time aren't available. This 'dual existance' on MAC and PC can be resolve by using another e-learning tool - clouds. These assets, strategically chosen and appropriately protected, out to be online. Like I guess several hundred photographs that are currently 'shared' between Kodak Eashare (new version) and Flickr ... as well as Face Book.)

COMPENDIUM 11.45 12th SEPT 2010

Already feel I am creating a Map in Compendium that collates my thinking to date in a single page of links rather than a 2,000 proposal or a Power Point Presentation.

My immediate dilemma is starting to realise how Compendium could be used for several other projects that became hopeless tangled over the last decade. These are speculative writing and TV or film production projects. For instance, 'The Watersprites' is a photojournal that in part tells the story as well as identifying intended locations for shooting. It is also a shortfilm on YouTube. It is also a synopsis, more than one treatment, a handful of characters and a few too many scripts that would benefit greatly from this approach. I can see that by being reminded visually of where a project is going, parameters are set and a logical outcome is more likely.

Knowledge Mapping contains the fireworks and permits them.

  • Assigning tags
  • 'Harvesting' tags from one map or many
  • with a nod to Mac users (probably the presenters prefered platform)
  • But how to save? Can I assume this map will still be there when I come back?

I like the way a problem or tentative proposal can be thought through and shared without it needing to become what may on appearanve read like or look like a finished document.

COMPENDIUM 15.30 12th SEPT 2010 Part Two

I needed the break. The fact that I am playing more with the Knowledge Map I have created rather that listening to more 'how to movies ...' is a positive sign. The fact that I have pulled out a set of A1 card and laminated overlays of a presentation I gave a fw weeks ago ... is a positive step. I think I can create electronic, digitally enhanced versions of these on Compendium, the 'retro-fit' part of the learning process, but the end result something I can then share with colleagues.

I think with these A1 sheets I will photgraph them (far too large to scan) then create an overlay in Adobe Photoshop which in turn will be one of a series of slides in Power Point.

These in turn will be linked and expanded with Compendium so that at each step furthe information can be drawn upon. This is a five year/six year plan so we'll be coming back to it repeatedly using it to guide decissions as well as to provide evidence. (This is swimming, our National Governing Body, the ASA want all clubs to achieve then retain a national standard for best practice. We hold three accreditations and are aspiring to a fourth).

Tidying up a Knowledge Map with an 'arrange.'

With my example 'control R' turned an organic, flowing chart of links into a hideous 1960s string art thing that didn't read well at all. In other cases it doe work well, it depends rather on how well developed your thinking is. 

Organising the world the way you think about it

I like the sound of this ... which is good if you want to create something original (which I do), but is somewhat harder if you are trying to conform, i.e. to follow a pattern expected by others (for examples in an assessment). Even a Hollywood Movie ... there are certain prescribed patterns and expectations.

 

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