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Lilia Efimova - Post PhD on Blogging (with purpose)

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Edited by Jonathan Vernon, Tuesday, 12 Feb 2013, 09:10

Lilia Efimova

PhD Blogger

http://blog.mathemagenic.com/

REFERENCES

Anjewierden, A, & Efimova, L 2006, 'Understanding Weblog Communities Through Digital Traces: A Framework, a Tool and an Example', Lecture Notes In Computer Science, 4277, pp. 279-289, British Library Document Supply Centre Inside Serials & Conference Proceedings, EBSCOhost, viewed 12 February 2013.

Efimova, LL 2007, 'Getting value from employee weblogs: a knowledge management approach', Online Information -International Meeting-, p. 43, British Library Document Supply Centre Inside Serials & Conference Proceedings, EBSCOhost, viewed 12 February 2013.

Sauer, I, Bialek, D, Efimova, E, Schwartlander, R, Pless, G, & Neuhaus, P 2005, '“ Blogs” and“ Wikis” Are Valuable Software Tools for Communication Within Research Groups', Artificial Organs, 29, 1, pp. 82-89, Academic Search Complete, EBSCOhost, viewed 12 February 2013.

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Marshall McLuhan

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'After three thousand years of explosion, by means of fragmentary and mechanical technologies, the Western world is imploding. During the mechanical ages we had extended our bodies in space. Today, after more than a century of electric technology, we have extended our central nervous system itself in a global embrace, abolishing both space and time as far as our planet is concerned. Rapidly, we approach the final phase of the extensions of man - the technological simulation of consciousness, when the creative process of knowing will be collectively and corporately extended to the whole of human society, much as we have already extended our senses and our nerves by the various media'.

Understanding Media, The Extensions of Man, 1964

Change a few words and this could have been written last week about the Internet. Someone will be witing this kind of copy for the press, even getting books published in this kind of vien - indeed 'The Shallows' by Nicholas Carr is one of a handful that do this. 'The Clue Train Manifesto' is another. Populist bunkum.

Whilst Marshall McLuhan was well read, what he had to say was sensationalist at the time, and can be dismissed - that or you take what he said and state the the OPPOSITE is how it has turned out.

Fifty years ago authors like McLuhan thought we'd lose the ability to remember because everything was in print and being put onto electronic formats. Today authors like Carr - an MA in American and English Literature hardly makes him a credible webscientist, and Gordon Bell at Microsoft are doing it again - claiming revolution and radical change. It won't happen. It didn't in the past and why should it today. Human life is too transitory, these technologies evolve and are taken up in the context of their age at a snail's pace.

 

 


 

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True or False

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Edited by Jonathan Vernon, Monday, 11 Feb 2013, 10:26

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The 15 second quiz

Merriam-Webster - the 'sticky' web dectionary using gamification to build the brand and hold your attention.

Who'd have thought it a decade ago.  'Sticky' was the Holy Grail - but applied to an online dictionary?

I love words.

I have used many online dictionaries, including 'the dictionary' and the OED, and of course Wikipedia. Increasingly I pick Merriam-Webster from the list offered.

The response page is clean (ish) i.e. you get an unclutted, quick and short defintion, which is all you want if you are trying to read a text.

You can, by default, find you are 'embedding' your relationship with the word by adding a comment. What brings you here? Why were you after this word? You may then be intgrigued by the responses other people have left.

Then there's the quick 15 second quiz.

A crafty way to up your Pub Quiz or Mastermind General Knowledge.

Merriam-Webster%2520Video.JPG

And there's a pithy video clip on some highfalutin stuff about words. Except of course it isn't, you'd just expect it to be so. They're very down to earth. There's the best explanation of the important difference between - its and its - for example.

My distraction? My word(s)

  • Foveal
  • Profoveal

That collection of nodes in the retina we subconsiously use when focusing on the fine detail of something - often used for reading tough texts where the 'profoveal words' i.e. those just out of vision and typically a few down the line from your centre of focus couild distract if and where the word is bold, in colour, underlined ... or the purposes of the research papers I am reading, if the word or phrase has a hyperlink.

Do you want you reader to read at an uninterupted measured pace - or tangle their eyes in barbed wire?

The aim, as they eventually figured out with the printed word, is a form or set of patterns and guidelines that make the reading of text on a screen easier, engaging enough so the the issues and facts begin to stick, without it being a mess.

I often wonder if a 'porta-pront' App - so you read as a Newsreader would do, offers the most uncluttered way to read text?

We're still a long way short of a digital expression of the written word - the guitliest group are academic papers. These are for the most part highly formalised layouts based on analogue moveable print.

Where I can I cut and paste and entire paper into Google Docs, then reformat so that I can scroll through.

Now what on earth did I get up to do 20 minutes ago?!

Ah yes.

This little gem.

Risse, S, & Kliegl, R 2012, 'Evidence for delayed parafoveal-on-foveal effects from word n+2 in reading', Journal Of Experimental Psychology: Human Perception And Performance, 38, 4, pp. 1026-1042, PsycARTICLES, EBSCOhost, viewed 11 February 2013.

 

 

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A quick guide to evaluating websites (for students)

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Edited by Jonathan Vernon, Monday, 11 Feb 2013, 10:53

This looks handy.

 

Florida Gulf University

QUICK GUIDE TO EVALUATING WEBSITES

 

H809 has as considering the validity of research papers. I'm translating this cautious approach not only to papers, but also to books and websites. This matters. Do they know their subject? Was the research creditable? Do the references stack up? Where, what, under whom and how did the study and come to these concusions? What else have they written? What do others think (reviews in reputable publications can offer an invaluable perspective on some of the popular authors who capture the public's imagination but are often academical spurious).

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H809 Paper 1 Scrutiny of a research paper

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Edited by Jonathan Vernon, Sunday, 10 Feb 2013, 20:01

I should dig out the research but hasn't it now been shown that as long as students get to choose between classroom / lecture based, blended or online learning they are all equally happy with the outcome? This might suggest that institutions need to offer this mix ... but it shows how much better it is to start on a positive rather than feeling you have to have your module deliver in a set way whether you like it, or get along with this approach or not.

The other piece of reading I need to reference concerns a study, I think from the 1960s, and mentioned in The Gutenberg Galaxy by Marshall McLuhan that I am reading, that there are significant differences in how people interpret a piece of text, that we bring significant baggage to it, drawing conclusions and seeing patterns, making links and connections that are very much are own. This is particularly the case with 'open texts' that invite thought and require us to construct our own meaning compared to 'closed texts' which aim to present a thesis as an absolute. Is this why so many research papers are dry? Why they leave little impact? It suggests that a paper should be written up in two forms - for peer review and scientific scrutiny on the one hand, and to invite comment, feedback and contributions on the other.

A reason to blog? Your paper is published, then your write it up in a blog in a more accessible and 'open' manner?

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Umberto Eco

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Edited by Jonathan Vernon, Sunday, 10 Feb 2013, 07:40

What's there to read?

Where to begin?

A lecture

Umberto Eco (Italy, 1932) is an eclectic theorist whose work in semiotics has contributed greatly to the development of a philosophy of meaning.

The reader of the text must use his/her encyclopedia to actualize the message and yet avoid overinterpreting the textual indices that are present (Interpretation and Overinterpretation, 1992). The model reader (Lector in fabula, 1979) is able to grasp the meaning of the text by discerning the modes of sign production and interpretation (A Theory of Semiotics, 1976 [1975]).

From a biography

REFERENCE

ECO, U., The Open Work, trans. Anna Cangogni, Cambridg, MA : Harvard University Press, 1989 [1962].

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The Gutenberg Galaxy

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Edited by Jonathan Vernon, Sunday, 10 Feb 2013, 20:03

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Reading this as it is name dropped so often. Stripping it bare and re-interpretting it for 2013.

‘I don’t know what I mean until I have heard myself say it', said Irish author and satirist Jonathan Swift

Conversation plays a crucial element of socialised learning.

Courtesy of a Google Hangout we can record and share such interactions such as in this conversation on and around ‘personal knowledge management’.

Here we can both see and hear why the spoken word is so important. Trying to understand the historical nature of this, how and when the written word, or other symbols began to impinge on the spoken word requires investigating the earliest forms of the written word and trying to extrapolate the evidence of this important oral tradition, the impact it had on society and the transition that occurred, after all, it is this transition that fascinates us today as we embrace the Internet.

Humans have been around for between 100,000 and 200,000 years.

(Encyclopedia Britannica). There are pigments and cave painting have been found that are 350,000 years old. (Barham 2013), while here are cave paintings as old as 40,000 years (New Scientist).

Stone Age man's first forays into art were taking place at the same time as the development of more efficient hunting equipment, including tools that combined both wooden handles and stone implements. (BBC, 2012).

Art and technology therefore go hand in hand - implying that the new tools of the Internet will spawn flourishing new wave of creation, which I believe to be the case. This era will be as remarkable for the development of the Web into every aspect of our lives as it will be for a epoch identifying renaissance - a new way of seeing things.

We’ve been seeking ways to communicate beyond the transience of the spoken word for millennia.

McLuhan takes us to the spoken word memorised in song and poetry (Lord, 1960 p. 3) while a contemporary writer, Viktor Mayer-Schonbeger, (2009. p. 25) also talks about how rhyme and meter facilitated remembering. McLuhan draws on 1950s scholarship on Shakespeare and asks us to understand that Lear tells us of shifting political views in the Tudor era as a consequence of a burgeoning mechanical age and the growth of print publishing. (Cruttwell, 1955)

McLuhan suggests that the left-wing Machiavellianism in Lear who submits to 'a darker purpose' to subdivide of his kingdom is indicative of how society say itself developing at a time of change in Tudor times.

Was Shakespeare clairvoyant?

Did audiences hang on his words as other generations harken the thoughts of  H G Wells, Aldouz Huxley, George Orwell and Karl Popper, perhaps as we do with the likes Alan de Bouton and Malcolm Gladwell?

'The Word as spoken or sung, together with a visual image of the speaker or singer, has meanwhile been regaining its hold through electrical engineering'. xii. Wrote Prof. Harry Levin to the preface of The Singer of Tales.

Was a revolution caused by the development of and use of the phonetic alphabet?

Or from the use of barter to the use of money? Was the 'technological revolution' of which McLuhan speaks quoting Peter Drucker, the product of a change in society or did society change because of the 'technological revolution'? (Drucker, 1961) Was it ever a revolution?

We need to be careful in our choice of words - a development in the way cave paintings are done may be called a ‘revolution’ but something that took thousands of years to come about is hardly that.

Similarly periods in modern history are rarely so revolutionary when we stand back and plot the diffusion of an innovation (Rogers, 2005) which Rogers defines as “an idea, practice, or object that is perceived as new by an individual or other unit of adoption. (Rogers, 2005. p. 12). To my thinking, ‘diffusion’ appears to be a better way to consider what has been occurring over the last few decades in relation to ‘technology enhanced communications’, the Internet and the World Wide Web. But to my ears ‘diffusion’ sounds like ‘transfusion’ or ‘infusion’ - something that melts into the fabric of our existence.

If we think of society as a complex tapestry of interwoven systems then the Web is a phenomenon that has been absorbed into what already exists - this sounds like an evolving process rather than any revolution. In context of course, this is a ‘revolution’ that is only apparent as such by those who have lived through the change; just as baby boomers grew up with television and may not relate to the perspective that McLuhan gives it and those born in the last decade or so take mobile phones and the Internet as part of their reality with no sense of what came before.

Clay tablets, papyri and the printing press evolved. We are often surprised at just how long the transition took.

To use socio-political terms that evoke conflict and battle is a mistake. Neither the printing press, nor radio, nor television, nor the Internet have been ‘revolutions’ with events to spark them akin to the storming of the Bastille in 1789 or the February Revolution in Russia in 1917 - they have been evolutionary. Are we living in 'two forms of contrasted forms of society and experience' as Marshall McLuhan suggested occurred in the Elizabethan Age between the typographical and the mechanical ages? Then occurred between in the 1960s  between the industrial and electrical ages? 'Rendering individualism obsolete'. (McLuhan 1962. p. 1)

Individualism requires definition. Did it come with the universal adult suffrage?

Was it bestowed on people, or is it a personality trait? Are we not all at some point alone and individual, as well as part of a family, community or wider culture and society? We are surely both a part and part of humanity at the same time? Edward Hall (1959), tells us that ‘all man–made material things can be treated asextensions of what man once did with his body or some specialized part of his body.

The Internet can therefore become and is already an extension of our minds.

A diarist since 1975 I have blogged since 1999 and have put portions of the handwritten diary online too - tagging it so that it can be searched by theme and incident, often charting my progress through subjects as diverse as English Literature, British History, Geography, Anthropology and Remote Sensing from Space, Sports Coaching (swimming, water-polo and sailing). This aide memoire has a new level of sophistication when I can refer to and even read text books I had to use in my teens. It is an extension of my mind as the moments I write about are from my personal experience - there is already a record in my mind. What is the Internet doing to society?

What role has it played in the ‘Arab Spring’?

McLuhan considered the work of Karl Popper on the detribalization of Greece in the ancient world). Was an oral tradition manifesting itself in the written word the cause of conflict between Athens and Sparta? McLuhan talks of ‘the Open Society’ in the era of television the way we do with the Internet. We talked about the ‘Global Village’ in the 1980s and 1990s so what do we have now? Karl Popper developed an idea that from closed societies  (1965) through speech, drum and ear we came to  our open societies functioning by way of abstract relations such as exchange or co–operation. – to the entire human family into a single global tribe.

The Global kitchen counter (where I work, on my feet, all day), or the global ‘desk’ if we are sharing from a workspace …

or even the ‘global pocket’ when I think of how an Open University Business School MBA student described doing an MBA using an iPad and a smartphone as a ‘university in my pocket’. You join a webinar or Google Hangout and find yourself in another person’s kitchen, study or even their bed. (Enjoying one such hangout with a group of postgraduate students of the Open University’s Masters in Open and Distance Education - MAODE - we agreed for one session to treat it as a pyjama party. Odd, but representative of the age we live in - fellow students were joining from the UK, Germany, Thailand and the United Arab Emirates). I have been part of such a group with people in New Zealand and California - with people half asleep because it is either very late at night, or very early in the morning.

McLuhan  (1965. p. 7) concludes that the 'open society' was affected by phonetic literacy ...

... and is now threatened with eradication by electric media. Writing fifty years ago is it not time we re-appraised McLuhan’s work and put it in context. We need to take his thesis of its pedestal. Whilst it drew attention at the time it is wrong to suggest that what he had to say in relation to the mass media (radio and TV) if even correct then, others insight in the era of the Internet.  This process of creating an open society has a far broader brief and with a far finer grain today - , the TV of the sitting room viewed by a family, is now a smart device in your pocket that goes with you to the lavatory, to bed, as you commute between work and in coffee and lunch breaks.

It will soon be wearable, not only always on, but always attached as goggles, glasses, ear-piece, strap or badge. If 'technology extended senses' McLuhan, 1965. p.8 then the technology we hold, pocket and wear today, are a prosthesis to our senses and to the manner in which the product of these senses is stored, labelled, interpreted, shared, re-lived, and reflected upon.

If Mercators maps and cartography altered 16th century mentality what do Google Maps and Street View do for ours?

Did  the world of sound gives way to the world of vision? (McLuhan, 1965 p.19). What could we learn from anthropologists who looked at non–literate natives with literate natives, the non–literate man with the Western man. Synchronous conversation online is bringing us back to the power and value of the spoken word - even if it can be recorded, visualised with video and transcripted to form text. The power, nuance and understanding from an interchange is clear.

REFERENCE

Barham, L (2013) From Hand to Handle: The First Industrial Revolution

Carpenter, E and H M McLuhan (19xx) 'Explorations in communications'. Acoustic Space

Cruttwell, P (1955) The Shakespearean Moment (New York; Columbia) New York. Random House.

Hall, E.T. (1959) The Silent Langauge Lord, A.A. (1960) The Singer of the Tales (Cambridge. M.A. Harvard University Press)

Drucker, Peter F. "The technological revolution: notes on the relationship of technology, science, and culture." Technology and Culture 2.4 (1961): 342-351.

Mayer-Schönberger, V (2009) Delete: The Virtue of Forgetting in the Digital Age

Popper, K. (1945)  The Open Society and Its Enemies, Volume One. Routledge (1945, reprint 2006)

Rogers, E.E. (1962) The Diffusion of Innovations.

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OLDs MOOC 2013 WK5 Activity 1.2 Design-Based Research:A Decade of Progress in Education Research

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Edited by Jonathan Vernon, Wednesday, 22 Oct 2014, 14:06

Skim through the article Design-Based Research:A Decade of Progress in Education Research? by Anderson and Shattuck, noting in particular the section on iterative design

Bridging the chasm between design and execution

I found this article on design based research not only fascinating, but oddly synchronous with the MAODE (Master of Arts: Open and Distance Education) module I am currently doing - H809 Practice based research in educational technology - as my interest is in how we construct learning programmes for use through our various Internet connected devices.

‘DBR is a methodology designed by and for educators that seeks to increase the impact, transfer, and translation of education research into improved practice’. (Anderson and Shattuck, 2012. p. 16)

We are currently stripping down a couple of papers.

I can see that I will automate this process, do a review of who, what, when, why a paper is written. Then check as a skim read for other signs that make it credible for my interests (or creditable at all).

  • Being Situated in a Real Educational Context
  • Focusing on the Design and Testing of a Significant Intervention
  • Involving multiple iterations
  • Involving a Collaborative Partnership Between Researchers and Practitioners
  • Evolution of Design principles

In action research, the educator is both researcher and teacher
(Kuhn & Quigley, 1997).

This becomes inevitable. And is played out in just about anything we do if we think either that there is a problem with it or that it can be improved and we want to improve it. On the one hand as player and participant we are in the best position to understand what is going on, on the other we may be so adapted to certain behaviours and to the familiarity of a situation that we cannot see it with either fresh eyes or the eyes of an objective observer. These are techniques and attitudes that can be taught. 

Mingfong, Yam San, and Ek Ming (2010) identified four design characteristics that they suggest must be aligned to create effective interventions. These are:

  1. Frameworks for learning,
  2. The affordances of the chosen instructional tools,
  3. Domain knowledge presentation,
  4. Contextual limitations

(Mingfong et al 1020 p. 470).

Design practice—whether in the manufacture of cars or of fashions—usually evolves through the creation and testing of prototypes, iterative refinement, and continuous evolution of the design, as it is tested in authentic practice. (Anderson and Shattuck, 2012. p. 17)

“Research through mistakes.”  (Anderson and Shattuck, 2012. p. 17)

I came across this in the OU MBA module B822 'creativity, innovation and change' - where mistakes are recognised as a test and a way forward, rather than a barrier to change or innovation.

Grayson Perry - is one of several artists and creatives who talk positively of mistakes. It's how we learn.

Martin Sorrell - on mistakes in business

There are many others - a search 'mistakes' in this blog will find more.

Further Reading

Journal of the Learning Sciences, vol. 13, no. 1; Educational Researcher, vol. 32, no. 1; and
Educational Psychologist, vol. 39, no. 4.

REFERENCES

Anderson, T, & Shattuck, J 2012, 'Design-Based Research:A Decade of Progress in Education Research?', Educational Researcher, 1, p. 16, JSTOR Arts & Sciences IV, EBSCOhost, viewed 8 February 2013.

Mingfong, J., Yam San, C., & Ek Ming, T. (2010). Unpacking the design process in design-based research. In Proceedings opedagogy

Kuhn, G., & Quigley, A. (1997). Understanding and using action research in practice settings. In A. Quigley & G. Kuhne (Eds.), Creating practical knowledge through action research (pp. 23–40). San Francisco: Jossey-Bass. Looi, C.-K., Chen, W. the 9th International Conference of the Learning Sciences (Vol. 2). International Society of the Learning Sciences.

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Web 1.0, Web 2.0, Web 3.0

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Edited by Jonathan Vernon, Monday, 18 Mar 2013, 06:47

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Fig. 1. Way is will be ...

  • Way was
  • Way is
  • Way will be ...

Web 1.0 Top down and traditional

Web 2.0 Democratization of information - anyone can publish

Web 30 The data takes over - construction and reconstructing itself to form unique and original combinations, even coming up with new ideas?

This is doodled on the back of a handout from the Web Science Docotoral Training Centre, University of Southampton where I had spent the afternoon. Serendipty really - the long train journey in and back and the iPad had run out of juice obling me to do some reading. In any case, pen on paper is often the best place to express thoughts, to 'get them out there' in a skamp or draft form.

This is how Dion Hinchcliffe expresses it:

Linked%2520Learning%252014thc%2520to%252021st%2520c%2520GRAB%25205MAY2011.jpg

With a link to hundreds of his diagrams

 

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Three years blogging here

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Edited by Jonathan Vernon, Wednesday, 6 Feb 2013, 22:09

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That's every day. Invaluable.

Day one ... of 1097.

So there ought to be 1097 posts ... it looks like it, but is there some way of knowing?

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Wikipedia is the diving board ...

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Edited by Jonathan Vernon, Tuesday, 5 Feb 2013, 14:34

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... the rest of the Internet is the pool.

I may even skip the diving board these days. I am used to viewing Wikipedia content, but once you get into a subject you may find that a) it is inaccurate b) it is rather thin c) there are choices and selections that build in the bias of the last editor.

So I defer to Britanica, or Google Scholar, then I check the author, or the institution or the credibility of the paper.

You can have huge fun drilling through to the detail.

 

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Here are the newly weds - Franz Ferdinand and Sophie.

I challenged myself to write 60 seconds on the Assisination of Archduke Franz Ferdinand and found myself, whether or not I was meant to be there, in the Hapsburg Family blog looking at family photos of historic figures and hearing stories about grandparents and greatgrandparents.

Every morning Sophie Chotek, Franz Ferdindand's non-royal wife, would peel him an apple.

Mmm. Not sure what I'm meant to do with that information!

The power of Wikipedia of course is when you feel suitably informed to go back and correct something. As I got to know all the players in the assassination of 28th June 1914 I was able to go in and correct errors. It said somewhere that Franz was an only child - actuall there is a brother and sister. They, like Franz Ferdinand's father and grandfather the Emperor didn't attend their heir to the Austrian Empire's thone because they thought Sophie beneath their royal status.

Some other nonsense had crept in about Princip eating a sandwhich after the earlier failed attempt to blow Franz Ferdinand up with a hand thrown bomb. (There were no fewer that seven of them up and down the street waiting for thier chance).

It'll be interesting to see what nonsense the film makers bring to the countless revisting and rewriting of this period in history - scripts will have been written, any series will be in production.

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What e-learning looks like

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Edited by Jonathan Vernon, Tuesday, 5 Feb 2013, 12:01

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Fig. 1.

Spaced education Randomized controlled trial. Kerfoot et al 2008.

 

Since 2006 Harvard Medical School has used a straightforward spaced education tool to deliver sets of questions to medical students. These multiple choice questions are both the resource and the test, they teach as you go through the 'pack'. In the case of urology there are 100 questions. A randomised controlled test shows how those who use the system do so much better than those who do not. It helps to lodge information in the long term memory, by feeding questions back to participatns, even once they have got them right, the natural tendency to forget is thwarted.

FURTHER READING

Kerfoot, B, P (2008) Interactive Spaced-Education to Teach the Physical Examination: A Randomized Controlled Trial. Armstrong,E.G., O’Sullivan,P.M., JOURNAL OF GENERAL INTERNAL MEDICINE Volume 23, Number 7 Harvard Medical International.

Kerfoot, B, P., & Brotschi, E (2009a), ‘Online spaced education to teach urology to medical students: a multi-institutional randomized trial’,American Journal Of Surgery, 197, 1, pp. 89-95

Matzie, K, Kerfoot, B, P., Hafler, J, & Breen, E (2009b), ‘Spaced education improves the feedback that surgical residents give to medical students: a randomized trial’, American Journal Of Surgery, 197, 2, pp. 252-257

Kerfoot, B, P., Armstrong, E, & O'Sullivan, P n.d., (2009c) 'Interactive spaced-education to teach the physical examination: A randomized controlled trial', Journal Of General Internal Medicine, 23, 7, pp. 973-978, Science Citation Index, EBSCOhost, viewed 5 February 2013.

Shaw, T, Long, A, Chopra, S, & Kerfoot, B,P. (2011), ‘Impact on clinical behavior of face-to-face continuing medical education blended with online spaced education: A randomized controlled trial’, Journal Of Continuing Education In The Health Professions, 31, 2, pp. 103-108

 



 


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I had a dream ... and I blame the Open University

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Edited by Jonathan Vernon, Monday, 18 Nov 2013, 15:06

Fig. 1. A mash-up in Picasa of a 3D laser generated image generated at the Design Museum during their 'Digital Crystal' exhibition.

The image exists and is transformed by the presence of the observer in front of a Kinex device making this a one-off and an expression or interpretation of that exact moment.

'Working with dreams' and 'Keeping a dream journal' are taught creative problem solving techniques at the Open University Business School. I did B822 'Creativity, Innovation and Change' in 2012 (Henry et al 2010). I have the problem solving toolkit. I even got a hardback copy of VanGundy's book on creative problem solving.

Using your unconscious isn't difficult. Just go to bed early with a 'work' related book and be prepared to write it down when you stir.

I woke soon after 4.00am.

I'd nodded off between 9.30 and 11.30 so feel I've had my sleep.

Virtual bodies for first year medical students to work on, an automated mash-up of your 'lifelog' to stimulate new thinking and the traditional class, lecture and university as a hub for millions - for every student you have in a lecture hall you have 1000 online.

Making it happen is another matter.

I'm writing letters and with far greater consideration working on a topic or too for research.

"Nights through dreams tell the myths forgotten by the day." — C.G. Jung (Memories, Dreams, Reflections)

How to work with a dream or metaphorical image:

  • Enter the dream
  • Study the dream
  • Become the images
  • Integrate the viewpoints
  • Rework the dream

Appreciating, reflecting, looking forward and emerging

REFERENCE

Glouberman, D. (1989) Life Choices and Life Changes Through Imagework, London, Unwin, pp. 232-6

Henry, J., Mayle, D., Bell, R., Carlisle, Y. Managing Problems Creatively (3rd edn) 2010. The Open University.

Isaacson, W. (2011) Steve Jobs. Little Brown.

VanGundy, A.B. (1988) Techniques of structured problem solving (2nd edn), New York: Van Nostran Reinhold.

 

 

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Lonely Little Cloudworks

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Edited by Jonathan Vernon, Wednesday, 22 Oct 2014, 11:29

Lonely Little Clouds

There are all kinds of ways to share your learning online.

Have you tried Cloudworks?

The group I've been wokring in have dubbed them 'lonely little clouds'.

They are.

I takes me a while to spot my own, let alone find anyone else or specific group activity. Navigation is a nightmare. Instead of being tethered to the ground like a kit, every time you enter Cloudworks it is like trying to get a helium filled party baloon to go in a specific direction by blowing on it.

Serendipty built in.

There's no sign in page. To login in I click through pages until something I want to do requires a sign in.

Bonkers

Blog posts can be the same.

Finding the place, space, time and group where there will be some co-ordinated as well as vicarious engagement is not so easy. Getting it to work is a science not an art.

I had experience of listServ in 2001 on the original Masters in Open and Distance Learning.

I rather think it was a bit like this platform. It worked because you could respond in turn.

I also find the right forums in Linkedin work where there are enough people contributing to the degree that an asynchronous conversation becomes quasi synchronous.

There are ways and habits and even an acquired culture of behaviours with all of these.

The most valuable insights I have gained comes from being part of this Open University Student Blogging Platform.

You have a basic blog, but every post from all students is posted in a strict chronology just like the old, threaded ListServ. One hand on top of the other.

Like cards being dealt from a pack.

Your voice gets its chance. Never mind if it isn't picked up. It has its life in your blog too.

It's as if it is getting two chances of being spotted. A third would be to 'stack' an entry in a subject specifc platform too. i.e. common categories creating another distinct list.

This means that anyone who is active has a chance of being read.

There's no obligation. But it impies when you post publically that you are part of a collective enterprise rather than a diarist writing on your space, strictly on your terms.

And it doesn't offer bells and whistles.

Nor should it. This platform offers a way in for the novice. In fact, I recall how I struggled three years ago when I first joined in. Why couldn't it be like WordPress or Blogger or LiveJournal? I'm glad that it isn't, glad that there is a sense of continuity with bulletin boards and the ListServe.

It works.

Both from my own modules and especially the eclectic mix of everyone else here, I have been introduced to a wonderful myriad of possibilities, ideas and perspectives.

There's a very tricky balance that decides if one means of communicating catches on, or even works with a particular group.

I am going to throw myself at the OLDs MOOC afain this afternoon and see if I can see where my head should be.

 

 

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H809 WK1 DAY 2 Nerves

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Edited by Jonathan Vernon, Sunday, 3 Feb 2013, 17:18

Lava%2520Lamps.JPG

Fig. 1. Lava Lamps - and how we learn - on a rising thermal and in coloured, slimy blobs ...

There is a physiological response to the first moments of a new module - I am nervous. This is like meeting the cast for a student play for the first read through. Intrepidation and expectation. As ever, I know no one, not the tutor or fellow students, though many of us have surely crossed paths on previous MAODE modules. We certainly have all of that in common so will have a set of themes and authors, favourite moments and gripes to share.

Visually I see this as my 'Lava Lamp' year!

The blob is starting to stretch and will at some stage take me away from the Master's Degree - now complete - and onwards either returning to learning and development in the multinational / government department arena of my past, or into research.

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Fig. 2. Lava lamp inspired quilt - illustrates this idea of the thermal. Is this how we learn? It's how I visualise it.

If you want the wordy, academic response then read Kolb.

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Fig. 3. How I see learning occuring - as expressed during H808 - The e-learning professional

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If a moment is to be captured, maybe David Hockney has the answer with a iBrush painting on an iPad.

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Fig.1. Hockney on iPad. Now here's a lifelog to treasure. How does the master i-paint?

This is closer to the truth of a moment, seen through the artist's being, their psychological and physiological approach to what they both see and perceive in front of them. When we do we form a real memory of the actions required to undertake a task. We build on our initial attempts. The memory to ski, to dance, to swim, to skip, to ride a bicycle, to write, to draw, to pay a musical instrument – these cannot be caught by a complex collection of digital recording devices. Perhaps if the player wore a total bodysuit as actors do to play CGI generated character then we'd have a record of the memory of this experience. It wouldn't a digital memory make – just a record.

The Semantic Web aims to standardize transmission and translation of information, is an important effort in this area. (Bell and Gemmel, 2009 p. 220 )

Bell, G., and Gemmel. J (2009)  Total Recall: How the E-Memory Revolution Will Change Everything

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Can I Show it To My Grandparents?

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Edited by Jonathan Vernon, Sunday, 4 May 2014, 13:02

This is the first blog I came across in 1998.

A few months later I was up and running. I couldn't code so had to wait for a generic platform to post to. This was Diaryland. Then along came LiveJournal. And five years or so ago I decamped to WordPress.

Millions of words, and millions of bloggers later and the world of self-publishing (we now call it user generated content) is a profoundly important form of global and universal communication.

I like the line 'can I show it to my grandparents' as if in 1998 they would be online and looking.

I re-found these pages courtesy of waybackwhen - type in a defunct web address and discover to your delight or horror that everything that was ever posted online is still out there.

If you thought that locking the pages would save you, you're mistaken.

One click and it's there forever.

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The Good, the Bad and the Ugly - all you need in the learning mix

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Edited by Jonathan Vernon, Friday, 1 Feb 2013, 09:03

JENGA.JPG

I love the beauty of  Jenga. Like Google, it's simple and it works.

Simplicity has a purity about it. Don't knock it. Behind its functionality and its look and feel there will be some hard thinking.

'Keep it simple, stupid'. (K.I.S.S) may be a training cliche but there is considerable truth in it.

I've now had three years here at the OU and here on this Student Blog platform (short of five days, first post 6th Feb 2010).

I've been working on my ideas regarding learning and e-learning design in particular Courtesy of THE OU hosted OLDs MOOC 2013 (Online Learning Design - Massive Open Online Course)

I'm experiencing what feels like undertaking an 8 week written examination - the contents of my brain are being pushed through the cookie cutter.

And out comes this:

The Good, the Bad and the Ugly

(Of course I had shut down for the gadgets for the day and was brushing my teeth when this came to me).

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The Good

Learning events or activities, moments that make the participant smile, think, reflect, nod in agreement, understand, be informed and generally feel good about the world and this particular learning experience. Hit them with some of this, as the say so succinctly across the Atlantic - at the 'get go'.

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The Bad

The effort required and built into the learning. OK, we want them to love this too, and you can if you're 'in the flow', have done your work, have wrestled with what you didn't understand, asked for help, listen to fellow students, gone out of your way to do extra reading and research until you have it, one way or another.

There needs to be assessment.

An assignment is a soft assessment to me - though like everyone I have terrible days when the thing just slips through my fingers like a snowball on the beach. A dissertation or end of module assignment is tougher, but tough and 'bad' in a certain way - like commitment to a triathlon. And a good analogy as working on and developing three issues at 2,000 words a pop is about right. And you won't get far if you leave training to the week before. It's a slow burn.

The 'bad' has to be the written examination.

They have to be hated and feared, and like learning lines for that school play, you have to get it right on the night (or day). And what do you do if you act? You have good lines to learn, you learn and rehearse your lines and you practice, and do a test run or two. The curtains going up is the equivalent of your turning the examination paper over. I feel the fear from a year ago - April 2012. I hadn't sat a written exam in 30 years. All my undergraduate and school-boy fears came back. I used rusty techniques that had last seen service during my first degree.

Bad is good. You want to do everything not to feel like you are naked on stage - a dream we all have when faced with such an 'exposing' test?

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The Ugly

Shock 'em. Not scare the witless. Have up your sleeve some smart stuff. Whether an idea or the technology offer a creepy and certainly memorable surprise.

Boring a student into making a fact or issue stick is like throwing mud at a brick wall - it'll stick, it'll coagulate and build up, but is easily washed away in a shower and destroyed in a storm.

Use storytelling techniques perhaps, better still, follow the pattern of a ghost story.

Scare them? I'm back on fear I guess.

We humans are fearful of many things and will go out of our way to avoid, run away or confront our fears. As I said, the idea here isn't to lose your students, but to empathise with them, understand the ugly side of their learning experience then help them confront their worst fears. It is ugly having to tackle the parts of a subject that stink, but inevitably these are the blocks at the base of JENGA.

So can I apply it? And can I go back to bed now?

Which leads me to another theme - we no longer simply bring work home with us, we take it to bed and sleep with it. If this pisses you off then let me introduce you to 'working with dreams'. If you are prepared to get up for an hour in the dead of night, or can flick on a light without invoking divorce then scribble stuff down to catalyse the thought in the morning. Can work wonders, can produce nonsense, can just be some things you need to put on the supermarket shopping list ... or another dream of being naked on the stage, not knowing your lines and needing the lo but all the exits are locked and the orchestra has stopped and you have to say something.

Which, courtesy of the wonders of the mind, has me in the front row of a performance of The Tempest at the University Theatre, Newcastle when I was 13 or 14. Caliban was naked, covered in mud and wearing a prosthetic erect penis.

HORROR!

P.S. And give me 20 minutes searching the Internet and I will be able to name the actor, date the show and possibly even find a picture. Perhaps you'd like to have a go. But before you do so, be very fearful of what the search terms you use might throw up.

P.P.S. It may have been David Suchet, with Juliet Stevenson or some such as Aerial. The performance was in 1974, possibly a precursor to the RSC doing a Newcastle Tour every March at the Theatre Royal and Gulbenkien. It may have been Jim Carter. Or none of these!


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OLDs MOOC 2013 'Precision in creative output'

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Edited by Jonathan Vernon, Thursday, 5 Jun 2014, 05:27

I spent yesterday afternoon at my alma mater (or one of them at least).

The School of Communication Arts, partially industry financed, develops the creative talents of would be advertising creatives.

'Precision in creative output' is the perfect definition of what is taught.

Working to the exceedingly tight parameters and demands of a creative brief to sell or promote a product or service, the creative teams (there are always at least two people assigned to a problem) must come up with an idea or concept that meets the demands of the brief ... and then craft, cling onto, nurture, protect, raise, build and sell their idea.

A creative director in this situation will try to help maintain the precision which permits the creativity.

If David Jennings worries that learning might be over designed, over engineered and over specified, then reading the above may suggest that I am just adding another layer that wants to see learning as a commercialised, branded, designed and marketed product. Is it not anyway?

My hope is for something far less complex, demanding or expensive that what may seem to be implying - it is about working collaboratively, so trying to bring academics into a new kind of working practice, those in research out of their cupboards and those in the class or lecture hall away from the crowd of students to bravely do something as a joint enterprise - and yes, build on what others have done before.

When it comes down to it all I'd like to see are ideas that are confident, and wear the thinking behind them expressed with skill.

I know from some good experiences that when you get the thinking right the outcome might be easy to deliver on a microbudget ... and if a budget is required one would hope that the quality of the thinking behind the idea will help it get financed. I know this is education, certainly not advertising, or even 'corporate training' - but aren't things like TED lectures and the Khan Academy neat expressions of a simple idea?

Another one I can think of is Qstream - a spaced educational delivery system developed by a Harvard Medical School Prof.

 

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OLDs MOOC 2013 - Week 3 Hang Out on the 7Cs of Learning Design

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Edited by Jonathan Vernon, Wednesday, 22 Oct 2014, 08:52

‘Teachers want support and guidance to help them rethink their design practice, to think beyond content to and activities to make pedagogically informed design decisions that make good use of technologies’.

I’ve just been listening over the OLDs MOOC hangout for Week 3 and particularly enjoyed the Q&A with

Professor Gráinne Conole

The sentence above stood out from the 60 minutes, as well as how this was put into context for the MOOC in Week 3 and coming up in Week 8. Personally I wish we’d had something like this to begin the week. I got in early, did a couple of activities then followed the noise from the active design group I've joined. Give others a turn. Let things roll over. This works. Leave gaps and sometimes others will come along and think, OK, he's done that so I can see how it works, or might work for me. I won't bother with that tool, I'll try something else and see what people make of it. I cherry picked and as this hangout suggests and recommends, I’ll go back and pick out more as required. I enjoyed downloading, colouring in, cutting out then using the Activity Cards. This is more my thing than the EXCEL spreadsheet - which I planned on a sheet of paper then transferred over. I might use an APP to generate such a thing. I find EXCEL somewhat heavy handed, or I’d want to design it in a way that I like. We learnt about the background to 7Cs. The background and context was invaluable. Credibility ought not be taken for granted. Work like this needs to be put on a pedestal and people told of its credentials and worth - i.e sell it to me! 7Cs is an OU with OU Learning Design Initiative with JISC through the Curriculum Design Programme. Activity Profile and Course Map. Trialed thoroughly. Gráinne Conole continued this work with the JISC funded CARPE Dium learning design workshops at Leicester whiuch provides a ' rich storyboard of learning design'. More on this from: Gabi Witthaus Ming Nei More at http://www.olds.ac.uk/ And http://e4innovation.com/ Overarching conceptual framework A lot Cs here: Conceptualise - vision for the course, who is it for, what is the nature of the learners and personas Course features - the essence of it. Creative activity - capture, communicate and consider Conceptual Combine - into course map and activity profile Consolidate - running it as face to face, or VLE, or more specialised learning design tool, or …. From Gráinne's blog:

7 cs of learning design fromGráinne Conole

7Cs element
Learning Design tool
Conceptualise
Course features
Design Narratives
Personas
Analysing context: factors and concerns
Capture
Resource audit
Repository search strategy
Create
Course map
Activity profile
Task swimlane
Storyboard
Communicate
E-moderating framework
Mapping forums, blogs and wikis
Communicative affordances
Collaborate
Collaborative affordances
CSCL Pedagogical Patterns
Consider
Assessment Pedagogical Patterns
Learning outcomes map

With current thinking on 7Cs Various systems offered and can be tried. Listening to OLDs MOOCers it appears that the 7Cs framework has been received well

  • It articulates what teachers already do.
  • There are 7 aspects in a whole design process.
  • What level are you teaching, what level of support do they need etc:
  • Teachers (all of us I would say, educators, learning designers, L&D managers) are bewildered by the range of tools, the range of approaches so fall back on their own content. So use the tools to think about the activities, the core essence of hte course.

Gráinne introduced the work of Helen Keegan, Augmented Reality and risk. More on use of augmented learning 7Cs has been found useful in Australia

  • Indigenous Culture on locality.
  • Introducing elements of serendipity.
  • Activity profile
  • Is it the right mix of learning for what you want the students to do.
  • Correlation of time mapped out to what students are achieving … so she is poor at communication in Spanish … and there is little communication in the course she is doing.

Is this the right tool set?

  • Covers all the aspects of design.
  • Getting a taster for these in the course.

‘A huge amount in the MOOC is mix and pic, so take your time, come back to the resources. Six months down the line, you discover which ones you like’.

  • Some love the activity profiles some don’t, so find the mix that works for you.
  • Some with learning outcomes.
  • Some with the content.
  • Some with the characteristics of the context of the learners.
  • Different tools will mean different things to different people.

‘We’re offering a Smörgåsbord of offerings that you can develop and use over time. Pick the ones that are relevant to you, don’t feel that you have to use all of them’.

Larnica Declaration on Learning Design

(More coming up in WK 8 to act as a springboard to reflect)

  • What is learning design?
  • How has it come about?
  • Why is it different to structural design?

Professor James Dalziel

2011 ALTC National Teaching Fellow

  • Driven by people in Europe and colleagues in Australia.
  • What is learning design? How has it come about?
  • How is it distinct from instructional design?
  • Major Epiphany moment Sept 2012
  • Two days in Cyprus
  • Timeline of key moments since 199 learning design

REF: Key books on design science (Dianna Laurillard)  Teaching Design as a Science It’s aimed to be pedagogically neutral so that it can be used across a range of methodologies and pedagogies.

  • Tools for guidance and support
  • Tools for visualisation
  • Tools for sharing like Cloudworks

What works for you

  • It depends on the nature of how people want to go about things
  • Visual
  • Linear
  • Connect and be sociable
  • Open, unstructured … to form some kind of navigatable way through, as well as enjoying the serendipity. Having the options of the long and short routes.
  • Is something more needed in the middle ground. B MOOCs.

BLOG http://www.larnacadeclaration.org

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The idea of gathering a substantial part of one’s life experience fascinates me, as it has often inspired others

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Edited by Jonathan Vernon, Tuesday, 19 Nov 2013, 09:42

Fig. 1. Hands by Escher.

The danger is for it to become one’s modus operandi, that the act of gathering is what you become. I recall many decades ago, possibly when I started to keep a diary when I was 13, a documentary - that can no doubt now be found on the Internet - on a number of diarists. There were not the well-known authors or celebrity politicians, but the obscure keeper of the heart beat, those who would toil for two hours a day writing about what they had done, which was to edit what they’d written about the day before … if this starts to look like a drawing by Escher then perhaps this illustrates how life-logging could get out of hand, that it turns you inside out, that it causes implosion rather than explosion. It may harm, as well as do good. We are too complex for this to be a panacea or a solution for everybody. A myriad of book, TV and Film expressions of memory, its total recall, false recall, falsehoods and precisions abound. I think of the Leeloo in The Fifth Element learning about Human Kind flicking through TV Channels.

Fig. 2. Leeloo learns from TV what the human race is doing to itself

Always the shortcut for an alien to get into our collective heads and history. Daryl Hannah does it in Splash too. Digitisation of our existence, in part or total, implies that such a record can be stored (it can) and retrieved in an objective and viable way (doubtful). Bell (2009) offers his own recollections, sci-fi shorts and novels, films too that of course push the extremes of outcomes for the purposes of storytelling rather than seeking more mundane truth about what digitization of our life story may do for us.

Fig. 3. Swim Longer, Faster

There are valid and valuable alternatives - we do it anyway when we make a gallery of family photos - that is the selective archiving of digital memory, the choices over what to store, where to put it, how to share then exploit this data. I’m not personally interested in the vital signs of Gordon Bell’s heart-attack prone body, but were I a young athlete, a competitive swimmer, such a record during training and out of the pool is of value both to me and my coach. I am interested in Gordon Bell’s ideas - the value added, not a pictoral record of the 12-20 events that can be marked during a typical waking day, images grabbed as a digital camera hung around his neck snaps ever 20-30 seconds, or more so, if it senses ‘change’ - gets up, moves to another room, talks to someone, browses the web … and I assume defecates, eats a meal and lets his eyes linger on … whatever takes his human fancy.

How do we record what the mind’s eye sees?

How do we capture ideas and thoughts? How do we even edit from a digital grab in front of our eyes and pick out what the mind is concentrating on? A simple click of a digital camera doesn’t do this, indeed it does the opposite - it obscure the moment through failing to pick out what matters. Add sound and you add noise that the mind, sensibly filters out. So a digital record isn’t even what is being remembered. I hesitate as I write - I here two clocks. No, the kitchen clock and the clicking of the transformer powering the laptop. And the wind. And the distant rumble of the fridge. This is why I get up at 4.00am. Fewer distractions. I’ve been a sound engineer and directed short films. I understand how and why we have to filter out extraneous noises to control what we understand the mind of the protagonist is registering. If the life-logger is in a trance, hypnotized, day dreaming or simply distracted the record from the device they are wearing is worse than an irrelevance, it is actually a false cue, a false record.

Fig. 4. Part of the brain and the tiniest essence of what is needed to form a memory

Mind is the product of actions within a biological entity. To capture a memory you’d have to capture an electro-chemical instance

across hundreds of millions of synapses.

Fig. 5. Diving of Beadnell Harbour, 1949. My later mother in her teens.

An automatically harvested digital record must often camouflage what might have made the moment a memory. I smell old fish heads and I see the harbour at Beadnell where as a child fisherman brought in a handful of boats every early morning. What if I smell old fish as I take rubbish to recycle? Or by a bin down the road from a fish and chip shop. What do my eyes see, and what does my mind see?

I love the messiness of the human brain - did evolution see this coming?

In ‘Delete’ Mayer-Schönberger (2009. p. 1) suggests that forgetting, until recently was the norm, whereas today, courtesy of our digital existences, forgetting has become the exception. I think we still forget - we don’t try to remember phone numbers and addresses as we think we have them in our phone - until we wipe or lose the thing. In the past we’d write them down, even make the effort to remember the things. It is this need to ‘make an effort’ to construct a memory that I fear could be discombobulated. I’m disappointed though that Mayer-Schönberger stumbles for the false-conception ‘digital natives’ - this is the mistaken impression that there exists a generation that is more predisposed and able than any other when it comes to all things digital. Kids aren’t the only ones with times on their hands, or a passion for the new, or even the budget and will to be online. The empirical evidence shows that the concept of a digital native is unsound - there aren’t any. (Jones et al, 2010., Kennedy et al, 2009., Bennet and Maton, 2010., Ituma, 2011) The internet and digital possibilities have not created the perfect memory. (Mayer-Schönberger 2009. p. 3)

To start with how do we define ‘memory’ ?

A digital record is an artefact, it isn’t what is remembered at all. Indeed, the very nature of memory is that it is different every time you recall a fact or an event. It becomes nuanced, and coloured. It cannot help itself.

Fig. 6. Ink drops as ideas in a digital ocean

A memory like drops of ink in a pond touches different molecules every time you drip, drip, drip. When I hear a family story of what I did as a child, then see the film footage I create a false memory - I think I remember that I see, but the perspective might be from my adult father holding a camera, or my mother retelling the story through ‘rose tinted glasses’.

Fig. 7. Not the first attempt at a diary, that was when I was 11 ½ .

I kept a diary from March 1973 to 1992 or so. I learnt to write enough, a few bullet points in a five year diary in the first years - enough to recall other elements of that day. I don’t need the whole day. I could keep a record of what I read as I read so little - just text books and the odd novel. How might my mind treat my revisting any of these texts? How well and quickly would it be recalled? Can this be measured? Do I want it cluttering the front of my brain?

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The power to remember and the need to forget

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Edited by Jonathan Vernon, Wednesday, 30 Jan 2013, 11:10

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Fig 1. Your life? Remembered or forgotten?

Digitally record or better to delete?

INTRODUCTION

It frustrates me to try and read two complementary books in two different formats - the first is marketed in its traditional hardback edition with a designer cover and eye-grabbing introduction from Bill Gates, while the second, an eBook I find understated - as if it is ashamed to compete. They are a pair. Twins separated at birth. They argue from opposite sides of the digital coin, one in favour of digitizing everything under the sun, the other for circumspection and deletion. Perhaps there should be a face off at the Oxford Union Debating Society. My role here is to bring them together and in doing so provide a one word conclusion: selection.

TOTAL RECALL

‘Total Recall’ (Bell and Gemmel, 2009) with its film-reference title and sensationalist headline ‘how the e-memory revolution will change everything’ risks ostracising a discerning academic readership in favour of sales reputation and coining a phrase or two. It’s hero Gordon Bell might be the protagonist in the movie. The shame is that at the heart of what is more biography than academic presentation there is the desire to be taken seriously - a second edition could fix this - there needs to be a sequel. My copy of Total Recall arrived via trans-Atlantic snail mail in hardback. It took over a week. With its zingy dust jacket - it feels like a real book. I’m no bibliophile but I wonder if the pages are uncut and this edition has been pulled from a reject pile. It was discounted Amazon and as I’m after the words contained in the book rather than the physical artifact its state ought not to be a concern. Though the fact that it is a physical book rather pegs it to a bygone era. Total recall refers to the idea of a photographic or 'eidetic memory' - this needs to be stated and ought to be a design feature of the book. It ought to be an e-book.

 

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Fig.2 DELETE

‘Delete’ (2009) Viktor Mayer-Schönberger is subtitled ‘The Virtue of Forgetting in the Digital Age’ and sounds as if it was authored by a vampire from Transylvania. It is a foil to ‘Total Recall’ with Viktor the antagonist to ‘Flash Drive’ Gordon. Delete hasn’t been - its in its fourth printing, needless to say I got mine in seconds as a Kindle version. I only ever buy a book-book if I have to. I am too used to the affordances of the eBook to skim, search, highlight and share - and to have on a Kindle, iBook, laptop and smartphone to browse as I wish.

The copyright notice in Total Recall on ‘the scanning, uploading, and distribution of this book via the Internet’ is ironic because this is what Bell does with his life - he has scanned and uploaded his life (though access is totally private). A double irony as he elects for Web 1.0 but won’t join the Semantic Web 2.0 and share. I have been an exponent of ‘exposure’ - the release of a substantial part of who you are for others to chew over. The online diary.

The way forward stands between the two, selective extreme gathering, storing and retrieval of your personal archive, while discretely deleting the irrelevant, possibly illegal (copyright, plagiarism, stalking, libel) and otherwise potentially reputationally damaging to kith or kin.

They could be landform and landfill.

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Don't look through these 'mighty illusions' if you have an essay crisis ...

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Edited by Jonathan Vernon, Wednesday, 30 Jan 2013, 11:13

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Mighty Illusions

(I just can't sleep. I'm waiting for the roof to come off the house, a tree to land on the car or Dorothy and Toto to fly by)

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Vygotsky

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Edited by Jonathan Vernon, Monday, 5 May 2014, 07:25

As several post-Vygotskians have pointed out (Davydov & Radikhovskii, 1985; Robbins, 2001; Van der Veer & Valsiner, 1991; Wersch, 1985) Vygotsky's monism can be linked to Spinoza's ontological distinction between substance attribute.

 

If anyone at all has the foggiest idea what this sentence means please, please try and explain!

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Open University Learning Design Initiative

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Edited by Jonathan Vernon, Saturday, 26 Jan 2013, 16:30

If you're interested in learning design, this is good:

Open University Learning Design Initiative

 

 

 

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