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LT DAY 2:1 Learning Technologies Day Two: Trying out new positions

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Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 16:12

It ended here.

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It began with this.

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And this

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Preparation IS everything.

The poster for Reed sums up my current mode - new positions, whether on my own account or employed, freelance or in a business, whether an agency or in-house. My conviction is that I have most to offer embedded in an international organisation's Learning & Development Department using the substantial external 'creation' and production experience that I have while exploiting some knowledge and insights from coaching swimming; the Open University MA in Open & Distance Education binds them; each new module is another thread that makes me a cohesive bundle. H800 opened its doors yesterday. H807 and H808 are done. Practice-based research in educational technology (H809) may follow.

Yesterday at Learning Technologies I felt like a minnow ...

Today I felt like a Manta Ray, sliding between seminars and stands seamlessly, observing, taking notes and pictures, having thoughts that I jotted down or shared with a colleague.

Paper and bumph. Would it have been different armed with an iPad? Suprisingly few were being used. It was all Smart Phones and occasional netbooks or Flip cameras.

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Surely 'bumph' in a bag could be reduced to a PDF file blue-toothed wirelessly into a portable device?

We're not there yet.

I'll be dipping into a referring to this material, its content and contacting the people I met and have subsequently Linked In to for many weeks.

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Freindships and professional relationships may result. Business will be done. We'll have fun.

I hope so.

ON REFLECTION

The Open University should have had a major presence here.

I began the MA ODE in 2001 as a form of business training; I recommend the MA in Open & Distance Education to anyone who will listen. It would complement the careers and interests of hundreds of the thousands attending Learning Technologies 2011, both visitors and those on stands.

Next time?

Next event?


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Over Feeding @ Learning Technologies 2011

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Edited by Jonathan Vernon, Saturday, 29 Jan 2011, 21:15

I've got indigestion of the head and stomach; the mind is full and the gut is suffering from conference coffee.

A second day is the right way to do this; we know our way around. Over night I've planned all the seminars I wish to attend and all the stands I need to visit; anything else would be a bonus. With two of us we can cover things we may otherwise miss. At one stage three Brighton agencies, Brightwave, Kineo and Epic are presenting simultaneously.

My day starts twit ha visit to Raise the Bar and a discussion with Jonathan Stanger on how they take large groups of people and put them through a day or half day course with an inspirational person/presenter, with my interest in swimming this might mean Steve Parry.

(more to follow ....)

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LT1.1 Learning Technologies. Day One. Snack from the eLearning Smorgasbord of Learning Technologies 2011

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Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 16:05

Olympia is like the interior of some vast World War II Normandy Gun Emplacement – all exposed blocks of concrete, exposed pipes, clattering stairwells and distant skylights.

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The catering is marginally better than that at Conference League game of football.

The layout of stands (or should I call them stalls) reminds me of an East European Department store in the early 1990s.

On registration you are handed a fat catalogue worthy of IKEA, sadly your journey around the show is anything like as smooth or as comprehensive – more like shuffling through a multi-story car-park full of baldy parked 4x4s.

The lecture ‘theatres’ are open plan and back to back; they conflict for attention. The combination of two speakers at it, never mind music from surrounding stands, obliges a ‘sit-forward and concentrate’ mentality. Imagine two noisy street shows in action simultaneously on the cobles of Covent Garden.

Stalls, not stands, was the behaviour too of some selling their services, with leaflets thrust into your hands and conversations started that you didn’t want whether eye contact was made or not); the inclination is to make a blunt response; the danger is that you soon find yourselves burdened with the equivalent of every Sunday newspaper in one go.

There was a hint of desperation about some of it.

None of this is conducive to enjoyment or appropriate for a showcase of e-learning technology 2011.

Despite this I’m preparing to return for a second day.

_______________________________________

I attended with a producer from E-Learning Productions. I go wearing three hats: producer of content, learning manager wannabe and Open University MA student in his 'second year' of Open and Distance Education - starting H800 around now (I think the virtual gates to the module open on the 27th).

The quality of the Learning Technologies presentations (with one exception) and the stands that we chose, rather than chose us, was impressive.

Much of it rings true, reinforcing our views on where we feel the market is going, this was especially the case with the Video Arts presentation ‘Video learning: anywhere, anytime and just in time.’

Blog entries below indicate where and why I think video will take over from print; this was demonstrated by Video Arts.


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Drawing on a back catalogue of high quality, humour and drama-based learning Video Arts have created a digital platform that allows users to pick ‘n mix clips to assemble a learning programme of their own.

These ‘chunks’ of ‘stuff’ make a bespoke learning programme.

I question how ‘right way, wrong way’ illustrated with humour always works, wondering if the humour and the performance is recalled, but the message lost. Which is why I’d expect all learning to be measured for effectiveness, the brutal answers of success or failure being the test of a good learning programme.

Emerging challenges in learning: proving the business value answered any concerns or interest I might have in gauging effectiveness.

Though competing with presentation immediately behind in Theatre 2, Jeff Berk delivered an insightful, packed, brutally stark means to measure the effectiveness of training.

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Jeff's background as an auditor showed, but my creative head said that whatever ways or means of communicating ideas, of sharing knowledge and experience, of teaching, of learning, that I may devise or select ‘off-the-shelf’ or from one of these ‘stalls,’ www.Knowledgeadvisors.com will tell me if it worked or not, if not why not, if so where so, and what to change and how.

An invaluable service that must form the part of any learning and training programme budget.

The thread of the presentation, that felt like an attempt to run through the contents of Wikipedia in 30 minutes, was that Training Managers should ‘replace the smile sheet, with the smart sheet.’

I buy that.

Jeff spoke of ‘improving human capital performance.'

I like the idea of ‘sensitivity analysis’ and ‘action metrics’ helping the learning consultant in a business discussion identifying actual rather than perceived problems to get a fix.

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I take away too the idea of ‘Scrap Learning’ and ‘Pointers for Change,’ as well as ‘Actionable Metrics,’ a ‘dashboard of summarised information for senior managers.

Had I been to Learning Technologies the week before rather than a week before a job interview I wonder if the outcome would have been different?

This stuff matters, and now I know it.

Jeffrey Berk is quotable; it is corporate speak at its best. ‘Leverage methodology into the spirit of the technology,’ he said.

There’s a White Paper ‘Standard Reports of the Future’ that you can request by email Jeff the COO of Knowledge Advisors on jberk@knowledgeadvisors.com.

Leadership for the 21st Century and how to achieve it was a dreary, ill-considered Slide Show read out by a presenter who I sensed hadn’t seen the slides until the moment they appeared on the wall behind him. He read, verbatim from notes, his head buried in the lectern.

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No introduction, just started reading as if someone had put 50p in a Juke Box.

The best demonstration of how to present badly I have ever witnessed and after two minutes I was desperate to escape.

Mercifully what was billed as 30 minute presentation barely lasted 10.

The clichéd jigsaw piece analogy, the lengthy self-quoting of the long dead American who devised the programmed smacked of an attempt to sell 1970s fashioned Moon Boots at a desert oasis.

Fusion Learning have a theatre-cum-stand.

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They compete successfully with the hubbub and take the idea of the market stall to its obvious corporate conclusion. It would be unfair to say that Steve Dineen was selling product out the back of a lorry, but the simple lay-out of stand as platform, replete with headset and microphone suggested something of this ilk. Though no visitor to a street market is going to be sitting in front of a laptop, watching an interactive presentation and receiving a back massage.

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Quotes can be scattered around a presentation like baubles on an over-decorated Christmas tree, but this one from Einstein worked in this context.

‘Everything should be made as simple as possible, but not simpler.’ Albert Einstein.

Fusion Universal take an idea that is a decade old and do it better.

How to animation on Microsoft Product delivered via a searchable ‘just in time format.’

For example, I can’t get my head around the plethora of choices regarding headers and footers in the new word package. Type, search, click and I get a voiced animation of how to do it. A decade ago I bought this kind of thing on a CD-ROM for £75, today I take out an annual subscription, select from a multitude of bite-size ‘info drops’ and may even contribute my own ‘how to ‘ clips should I think I have a fix, a better fix, or an alternative fix or just fancy myself as a presenter, voice over artists and director/writer of video-based assets.

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Like Steve, I too change into ‘soft shoes’ when faced with being on my feet all day.

Had I a budget this alone would have had me signing up to their services.

He wore sheepskin moccasins. I think if all delegates left their shoes at registration and padded around in slippers or socks it would be conducive to a far more chilled atmosphere.

walk around the lanes in Brighton and you will come across many of the organisations presenting here; Epic, Kineo, Edvantage and Brightwave are four that come to mind. Perhaps these organisations should band together to bring customers to them on the Brighton Seafront; or does Wired Sussex does this already? __________________________________________________________________________________

Naomi Norman introduced Epic beginning with a reminder of their impactful, PR coup, the annual e-learning debate in the Oxford Union.

This is a non-Oxford event, despite the implied cache, that uses the debating chamber ahead of the academic year.

It attracts interest, not least to Epic’s LinkedIn E-learning forum that I find a constant stream of intelligent, current thinking, or as Naomi put it, ‘good, memorable, engaging interactions.’

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The presentation in relation to mobile learning is succinctly expressed as:

‘Learning in the moment, Learning across space and learning across time.’

We saw highly simplified 2d animations that mixed a bit of silent movie text and Captain Pugwash paper-cut outs to give gobbets of information on First Aid. More at www.firstaid.co.k (free download).

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Also some of the 20 hours of materials, 4 hours of it video, for Collins for whom Epic have turned an entire two years GCSE Maths Curriculum into a smart phone App.

My colleague and I debated some of the more confusing visuals for this course on the way home and reckoned our children would only engage with the content if they had to, and would probably try to cram it all in the day before an exam. i.e. parents become tutors and facilitators, somehow having to cajole some interest in engagement early on, with rewards for completion of modules.

The idea that a book will teach a 13 year old something, let alone a game like platform, ignores the fact that in isolation this kind of self-directed learning doesn’t happen without the outside influence of schools, parents and most especially peer pressure.

Marcus Boyes clicked through a mobile learning website developed by Epic.

It was a convincing demonstration of how rapidly a complex task that may have taken many months, can be compressed into a few weeks, leaving content creators to compose. I liken it to an conductor having an assembled brass band with players who can play and instruments that work, rather than finding you have to first make the instruments and then learn how to play them.

Go compose.

Far from farting about (as he put it) I found Marcus informed, engaged, practical and agile. He is the perfect tech savvy person, passionate about what he does and mindful of the need to make things easy. I want to go home and 'make an App' myself. In fact, with a shelf of 4,000 charts, 400 photos and about 10,000 words the Skieasy Books I took to Collins in 1991 may yet find their way into publication.

I can see virtue in going straight to Mobile application.

If it works in this format then you’ve got something write, as Einstein desires, you’ve made it simple. Then you get all the gains of being mobile, engaging the learning any moment in the day when they have downtime.

There’s a White Paper. Stand 54. Or from Epic’s website.Or from me now that I'vedownloaded it.

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Go register. They're worth it.

And this App for LinkedIn from EIPC looks useful.

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I like these papers, but sometimes question their academic validity.

A white paper pre-supposes peer review and scrutiny in an academic setting. Has this happened? I let my OU colleagues take a view. If published in a reputable journal I'd buy it.

Go see.

Much more on Video Arts to follow.


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New blog post

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Edited by Jonathan Vernon, Wednesday, 26 Jan 2011, 07:35

Who are you?

DSC00379.JPG From Drop Box

As a student my head's in the pot, as a coach and trainer, teacher or instructor, I'm the guy with the water-can. I like the sentiment, the idea of nurturing talent.

I wonder if e-learning would be a 'cloud' of digital rain that does away with the guy?

See you at the Learning Technologies, Olympia? I'll be attending both days. I don't suppose I'm supposed to give my mobile number out here so look out for this chap (sans tan, san teeth, sans eyes, sans taste, sans everything).

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From Drop Box
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Video expands the mind ... and use of the Internet

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Edited by Jonathan Vernon, Tuesday, 20 Mar 2012, 16:58

 

 

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I call it the coming of 'WikiTVia;' the tipping point where we view and listen to wikipedia. This will engage, persuade, educate and entertain audiences the way reading can never do (however many links you have).

Jakob Nielsen and his team, as well as academics, are stripping the blogosphere bare to understand how it works.

Birds of a Feather: How personality influences blog writing and reading.

It ain't like you imagine.

Those who generate content are a fraction of total users, 1% is the figure Nielsen gives. This 1% generate content beyond the ken of lesser mortals; you may say they are obsessive about it. Nielsen cites the Amazon book reviewer who wrote 1,275 reviews in one year (is that all). I liken these people to what advertisers call 'champions.' The key influencers of a cohort or group, early adopters, who innovate first and do so with conviction and passion.

Nielsen eleaborates on this and calls it 90-9-1.

Taking this into the realm of video my intuition supposes that these 'Golden Boys & Girls' of content generation will be and are the same people who will have a Flip camera in their pocket (or simply use their phone) to capture or generate orignial content then upload. Content generated on a theme, from a premise, that has some link or basis in its text form will generate an explosive interest in the subject matter beyond its original audience. Video has this power to engage, to persuade, to intrigue and interest the viewer.

Rich content enriches minds.

VJs ?

Like DJs they have a following.

Though the content should be king, not its author.

Me?

I'm this 1%.

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Gobbets

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Edited by Jonathan Vernon, Wednesday, 31 Aug 2011, 11:54

Chunky assets, often hard to swallow. Insightful or irritating, they should be peppered across a blog like seasoning.

If a gobbet looked like something I fancy it (she/he) would look like this:

 

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Gobbet came up on Seaford Beach nine years ago. He has a precarious existance as my wife has wanted him in the bin from day one. I'm glad at last he serves a purpose; everything about him says 'gobbet' - he makes you smile or squirm in equal measure.

If you are new to blogging then might I suggest that you try the odd gobbet, once a week would do.

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Text Volume Control Slider Thingey

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Edited by Jonathan Vernon, Monday, 4 Feb 2013, 14:20

 

Once you have the definitive response to a fact, something composed as a wiki that has been thoroughly reviewed I'd then like to see this thinking, initially just in words, animated via a slider, the kind of volume control we're used to seeing, only this, instead of increasing the volume of sound, increases the number of words.

 

Text Volume Control drawn in Dia

 

In this way you choose your moment to read a bit, a bit more, or a lot, the whole thing, and or everything (in theory) that went through the author's mind when they wrote their chapter/boo/report in the first place by having not just the links, but the references open and ready to read in an instance.

Indulgent?

The expert mind does this anyway. By the time you've read so extensively on a subject that you hear its authors speaking, you tap into a form of this. You could at any moment offer a summary, or talk for hours on 'your' subject.

I would like this opportunity from the start, from the point of ignorance, to nudge back and forth, to 'rock n roll' as a soundengineer would put it, finding the point to cut a sound track, the 'sweet point' for where I was at, where enough was being said to engage me ... or, were I about to alight from a train, a bitsize thought on which I could chew 'til the opportunity arose to indulge and nudge this 'text volume control' along the scale.

Now think of this as a slice in a pie.

 

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From Drop Box


Open it out and you migrate away from text alone to include stills, video and sound. For example, the image-based expression of this concept, and a particular issue/idea/fact/report, begins with a single image, like a book cover, or TV title sequence ... as you run along our 'volume control' the number and range of images expands.

Just a thought.

 

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E-learning is like a trillion binary threads we splice to the learning rope

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Edited by Jonathan Vernon, Sunday, 23 Jan 2011, 14:28

I have an idea. I can illustrate it with a knot unpicked for splicing.

Is sums up the relationship between learning and e-learning in no words.

And I thought I was struggling with word count parameters of 2,500 or 5,000 words during H807 'Innovations in E-learning' and H808 'The E-learning Professional.'

This is what I do; I simplify the complex.

Stylus in hand, logged in to ArtPad I do a sketch then  feast my eyes on this.

Images of Knots

45 minutes later I give up the picture search - you cannot shoe-horn an idea into someone else's shoe. You do and the idea my misfire.

I give up on ArtPad because of the licensing agreement which, if I have understood it, does not allow me to copy and paste into a second platform. If there is a way to link I haven't found it. I therefore fall back on Paint which is bundled with the laptop.

My thesis (a picture is a thousand words, even if I only use three to illustrate my point) ... my thesis is that we won't call it e-learning for long. There's always been learning and there always will be, e-learning, like books, is but a strand we've added.

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So here we have an expression of learning over the last 100 years. We begin with Edwardian or Victorian teaching, then tease it apart with with telegraphy, telephones, radio and TV, even more so with computer-based learning and Web-based learning: the 'enhancement' complete the threads become re-bound.

For presentation purposes I may now give this out to an illustrator. I'd like to see where this could be taken, keeping it simple, but perhaps expressing the electronic, cabled, wireless and digitised version of e-learning. No binary code though, far from convincing an audience, a cliche bores.

I even have an illustrator in mind.

Neil Gower

P.S. Thread might work better, then I'd be talking about fibres, which sounds right, though I shun puns as I would cliches (though of course in my lazy way I use both all the time.)

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When is a blog not a blog?

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Edited by Jonathan Vernon, Tuesday, 20 Mar 2012, 03:48

Try deciding where the North Atlantic becomes the South Atlantic.

The boundaries are somewhat fluid.

I go back through my OU blog from day one early Feb 2009 and amend, rewrite, 'doube-up' or muck-up this content, reviewing and ameliorating my recollection.

Is this a blog, or re-blog?

It's the same memory. All I'm doing is what we do all the time to make a memory stick; I'm reflecting on it. Taking a difference stance. And depending in good part on my mood thinking either postive constructive things about it or negative destructive things.

Does an amended 2FEB2010 become an entry for 2FEB2011, if for simplicity's sake this is how and when I do this?

You see, I know what happens. As a teenager I kept one of those Five Year Diaries ... I could see year after year what I was doing this time last year, or five years, or far more years than that ago.

Businesses compare quarters, and year on year. All false constructs. All chosen periods of a time.

My mind don't care.

It's simply stuff.

And often you have no control over what you recall in any case.

I smell Swarfega and I am a six year old washing oil from my bike-chain off my hands with my Grandfather. And I see the work bench, the shed and the bike. I can smell his tweed jacket and see his flat cap.

It will be extremely interesting to see how a professional take on looking at OU Blog entries Feb 2010 to Jan 2011 works out.

 

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Enter@Random

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Edited by Jonathan Vernon, Saturday, 22 Jan 2011, 18:32

I have a diary with 17000+ entries and 1.6m words started in September 1999; about 20% of the content is from a diary started in March 1975.

The most important button here is 'Enter@Random.'

This works because the randomisation is taking place in my mind.

It's a fillip.

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Better out than in

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Edited by Jonathan Vernon, Saturday, 22 Jan 2011, 12:48

I'm taking the view that if I have an idea it should be expressed and shared, that with legs it will walk, and others might give it a tickle to make it laugh.

Currently there are two ideas eager for my attention (and anyone else who will make a fuss over them).

So instead of holding ideas back, or expressing them in print and sending them to a solicitor (did that) I'm taking the view that the corpus of my inventiveness is of worth and that my ability to have ideas so expressed implies an ability to do so over, and over, and over again.

The first the advent of what I am calling 'Hyper TV.'

These are video based pieces posted like blogs, under 3 minutes duration that can be stuck together like Lego block to create nonsense ... or not. I like the 'not' possibilities that would be the product of million of people being engaged in the activity.

Illustration to follow.

The second is a slider, like a volume control, that takes you through a choice of the following:

Titile, Sub-title, Synopsis, Abstract, Review, Student Precis, Academic Precis, the Report/Journal/Book it self ... then in an explosion of content (and volume) all references, not only linked, but attached ready for instant reading.

Illustation to follow.

Noticing Domain Names I registed in 2001 it raises an eyebrow that I'd nobbled 'Form Photo.' What had I in mind with that one? 'A Grade Essays' speaks for itself ... for the underlyung immorality of it wasn't something I seriously though of persuing, though others did. 'TCMB' stands for 'The Contents of My Brain' and of course, commercial outlets such as 'Reinvention' and 'Skieasy,' both of which I allowed to lapse and long ago lost. Which is a shame.

 

 

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My head's like a hedge-hog with its paws on a Van de Graff generator

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Edited by Jonathan Vernon, Sunday, 6 Nov 2011, 17:54

Or a guinea-pig chewing an electric cable behind the TV.

Same thing

Strange things are going on with my head.

The synapses are snapping.

This is the state of my mind.

It's exciting. It's exploitable.

The internal goings on of my cerebellum have gone from guinea-pig to hedgehog via a Frankenstein-like jolt of the old juice.

Last like this?

Undergraduate 1983.

(And most of yesterday, and the day before of course).

This is what studying does to my mind. It's taken eleven months in OU Land. The buzz began ... a few weeks ago.

It is like going from clueless first year undergraduate to the second year. Even online, you need to get the lay of the land. Even now that are vast swaves of OU activities, e-tivites, buttons, bolt-holes and affordances to discover, chew over, toy with and adopt, or adapt and move on, or stay with, or who knows what.

Funny. I never use the OU library anymore.

Once signed I just Google. Same thing? Instance ... rather than the time it takes to make a coffee.

Web-entrepreneur 2000. I was buzzing then too, mind and on two postgraduate courses - the OU (a somewhat earlier version of Open and Distance Learning) that in technology terms was like using a hand-pushed lawnmower to cut a path through a waterlogged meadow full of cattle. The mismatch between cutting-edge practice with a leading web agency and the course was the difference between reading an e-book or going into the Bodleian and thumbing through a vast, leather-bound index.

The best place to sthink on the planet. At a desk surrounded by ancient books ... with a lap-top. It's as if you are sitting inside the minds of everyone who has ever thought there before. Now we can get an inkling of this when you feel like minds are listening. Are they?

I feel the desire once more to spill the content of my mind ... to empty every moment I have sought to catch. Why? Not just because I can (although I appreciate there are plenty of people who keep diaries all there lives. But because of the way it wakens up your mind to a version of a moment in your past. These moments flip and change perspective as you revist them. Most odd.

"It's a matter of love; the more you love a memory the stronger that memory becomes."

Nabakov.

Note the time. I have slept in the last 24 hours.

About four hours between 15h30 and midnight in two or three chunks.

Actually I've buzzed a lot over the years. It's who I am, when I'm being me at my best.

Skieasy was an interesting idea.

I still have the chess set I made out of a selection of bottled-waters. Dasani, that Coca-cola flop, is the King of the Black Pieces. I cheated a bit, Copella with their squared off bottles are the Castles and I had to use Fabreze for the Horses.

INSERT PIC HERE

There are currently several voices in my head, people from the past, smiling and asking questions.

I'm being emotive and passionate about some new fangled way to do use video and they're listening. I feel this way about the Internet. My head is firmly back in 2000, with the electricity of an undergraduate and the knowledge of a PhD. (I could have one if the various courses I've done had been or could be validated and LinkedIn). Eventually.

I intend to study for life, life-long learning - literally.

I'm planning a module beyond the MA in Open and Distance Education that I'll complete in October 2011.

Foundations in research probably rather than a different subject, though in good time Modern History (yet again), and Geography (yet again).

E-learning enables this

Fine Art can never happen; I can't hunker down like that. (Unless I can do Fine Art via an A3 sized tablet? If it's good enough for Hockney, it's good enough for art students. Fine Art as a e-learning course. (Now there's a challenge. And an opportunity.)

Never say never when it comes to e-learning. Someone will be running an e-learning Fine Art MA within the year. You could use a Kinex to draw onto a tablet rolled like a piece of Clingfilm onto a pane of glass. Observed at work by your tutor a million miles away (or a few hundred at least). You see it is possible.

Never say never when it comes to e-learning, which is why I propose a new module for the MA in Open and Distance Education. It's called 'The E-learning Entrepreneur.' Any one listening? (Not at 2h05). I'll linkIn with it and see what bubbles up from the digtal hyrdrosphere.

I don't care if it takes six years for each one of these courses, I'll be around for a long while yet.

My grandfather made it to 97 and never lost his marbles. Bless. He died with some thoughts on Newcastle United and a swig of Newcastle Brown Ale (he'd worked in brewing from the age of 14 to retirement).

My mind wanders. Good. It should. So should yours.

New thinking doesn't idle around in one pocket of your subconscious, it dances like a Minx feeding on your the maelstrom of your mind.

And I'm yet to say what I sat down to write. Right.

Doodles on backs of envelopes. I have a lot of envelopes. I must have invested in a large supply a decade ago. Stick down the back and use them for notes. Light, a soft write with a gel-pen. Takes a doodle. A gem. An idea.

This process started 48 hours ago.

One image. A second. (The PDP thermal idea). And since then I've been revisited by an idea I had in .... 1998, I suppose.

ADD SKETCH HERE ... currently on

a) the back of an envelope

b) on a piece of scrap wallpaper (very good for doodles as you can spread wide)

and c) in my head (which should be in bed)

Title, Synopsis, Abstract, Review, Précis, Student Notes, Book, Book + References.

This is a volume control for 'volume' of words rather than sound.

Depending the time you have to engaged with the contents of the author's (or authors' heads) you skate or roll this slider back and forth until you hit on a what you're prepared to take in. You can always expand, if the mind takes you there ... you can always roll into the synopsis if your train comes in or you see an email you're prepared to answer.

(Email, I'm starting to treat it like the old postal service - two deliveries a day, at a time to suit me. So before breakfast and after lunch. If you want me otherwise phone.)

Where was I? So, text volume control thingy.

I was just learning Dreamweaver, on a Mac, probably an LCII or something c.1998.

Maybe or earlier. TBT hadn't been born I was sleeping where he'd shortly be sleeping (actually I was sitting where he was born a few weeks later, at home, caught by me some time before the Midwife made it over from Cheltenham. Another story.)

I won't have a record of it, I was months away from blogging. Unless, which is likely, I was keeping a diary off-line. Would that be 'logging?It'll be just as lost though as it'll be a floppy disc. Or were there CDs by then? Or possibly an IOMEGA Zip drive?

And now we have LCD TVs the size and thickness of a postage stamp.

Re-reading 'Contemporary perspective in E-Learning Research' can't help my sleeplessness.

Far from boring me to sleep, which it did six months ago, I find single words are scorched into my forehead and sentences are like liquid gold being poured down my ear. Oh dear. I think I understand it.

I commit a book crime.

Historically I have always read a book and taken notes at the same time. This goes back to Oxbridge Entrance exam reading lists and beyond.

Get it while it's hot on the first shot.

I did this with Conole et al in August.

I could even read those notes, but those notes WERE WRITTEN BY SOMEONE ELSE.

So I have to start over, this is TAKE TWO.

Anyway.

The sacrilege is the use of coloured Marker Stabilo Market pens on the pages of the book. This is because I'm treating the book as if it isn't there, as if it is in an iPad (I don't have one, I'll give me my address if you feel I should have one).

Yes, I am using a highlighter pen on the paper-based text because I've got so used to doing this in e-journals exported into Word.

Of course, this Stabilo Pen should DOUBLE as a TEXT READER so that said highlighted words could be drawn straight into my laptop and quoted here ... with the link and correct Harvard Reference put in place for me too. Pretty please. Tech person reading.

(Do tech people read? I suspect they call it something else. Scan?)

Oh heck. Not another idea. It's only 1h36. (or was when I started. That was nearly an hour ago. I don't edit, I know not how, I ellaborate.)

I have this fear that having an idea is pointless, because whatever you can think of someone has done it before.

Which makes this a race, catching wave after wave after wave of information as it comes in on the digital ocean, hoping, believing, that from time to time it'll be a big wave, my wave and I'll ride it like a pro-surfer. Enough. I need a coffee. That'll send me to sleep.

Anything's possible.

I look at this, my invention, my interpretation of how Personal Development Planning can lift a life, raise your spirits, send your career into a controled cycle of advancement and I want to sing about it. I want to be on this ride and bringing others along with me.

What can go wrong?

Coffee poisoning.

So, this Microsoft guy who is recording every moment of his day (and night? and ablusions?). You have to be at the head of the team, not the pond fodder. I gave this a momentary go voice recording three one hour swim coaching sessions. I am yet to listen over. Perhaps I'll do it once to see what lessons I learn.

On the other hand, someone interested in coaching swimmers may listen to the lot of it. And with nothing in vision there are no Safeguarding Children issues ... I consciously only used swimmer's names once I had hit pause.

My coffee's cold.

Do I warm it up? I'll not sleep. I haven't exhausted the possibilities.

A swimming pool beacons.

Once was the time I swam every day. I'll do so again. I can subdue my mind only if I sink the body around it.

 

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H808 ECA away!

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 19:53

ECA AWAY three times this morning, only and hopefully correcting some typos and sentences in the last few paragraphs as the minutes ran away.

Here's a pretty view

End Grab H808 ECA

I'd prefer to set a false deadline, like a day ago, to have pushed to the final version then, given it the 'over night' treatment and revised it. This is often what clients do with their creative suppliers ... very wise. Gives you a day or two safety, and a little time to reflect and make something better still.

Problem was, because of how I had developed my thinking yesterday I had to rewrite from the top. That ran beautifully but I had to ditch half the evidence I was going to use, though I only replaced it with a couple of more fitting items. This was easy, the problem was diddling around with the loading process. I'm sure for H807 I ended up submitting version 6 when I meant to submit version 16. This can of course be disastrous if not corrected, so I'd recommend submitting a least a day before and then verifying that only what you wanted to be sent in is there.

Debrief anyone?

Now's the time to do it.

Then a visit to the PDP. the real one.

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PDP as an ascending thermal. Come glide with me!

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Edited by Jonathan Vernon, Friday, 28 Sep 2012, 12:28

Love this. My PDP thermal. It works.

PDP Cycle Close Up

It works because everything hangs onto the concept without being shoe-horned.

I want to run with is as my philosophy for PDP and do someting whizzy with it as a video, animation, conference opener or something. I'd like to think it could capture peoples' imaginations, which is just what you want if you are going to motivate them to be the best they can be, so that their team can be the best they can be ... and in turn the business can be the best that it can be too.

If this is clearer try it in the long-shot.

PDP in situ

The upwards rotation, like a glider riding a thermal, is akin to a person's PDP ascendency.

What drives this, the enery as it were, is their motivation.

Tap into this and everything else will follow.

Though the timings for PDP to occur, or for self-assessment and needs analysis should be varied and applied as required, rather than becoming onorous and regular, it should nonetheless happen. This is in effect when our 'glide' banks and turns (yaws?). If following a glider in action then there varied loop/cycle sizes would be easily accommodate within the idea.

Around this mistral I have added various standard e-learning tools, which I would rank in importance. Such ranking would/will vary by person, by platform, by subject matter, but I'm certain that blogging and forums are up there as far more important than anything else in terms of engagement, collaboration and effectiveness.

BloggingAs you can see I've put in:

  • Forums
  • Eportfolios
  • Wikis

I've wrapped 'motivation' around the edges like those 'go faster' agitation marks you use in cartoons. I'll redraw it all now that I have some time to beautify and develop it further.

Around each of the above e-learning tools there are micro-loops (loop the loops even), where I've added (all colour coded by the way), things such as reflect, skill, communication, technology, reseach, analyse and so on.

Collaboration and communication are ever present as continual themes (or thermals) currents that should be ever present.

What else?

PDP%20thermal%20Midshot%20Cycles.JPG

  • Share
  • Lead
  • Inform
  • Critique
  • Assessment

I can work with the logic, keep it simple, and adjust accordingly.

Podcasts are a form of blogging, whether audio or video, as well as resources/assets in their own right.

Skype, email, TXT, Messaging ... and even 'face-to-face' communication (what's that?!) have been included.

This, in an image, is what I do.

PDP%20thermal%20Motivation.JPG

Files of research and work, days of debate and deliberation, playing around with ideas then the pressure to sum it as succinctly as possible.

This, turned into animation, or video ... i.e. rich media, is what I do to.

I hear Michael Nyman. He's permited me to use his muix before. It has pace, it is querky and challenging, and exciting ... and repetive, and driven and motivating.

And for a voice?

  • Female
  • On verra.

No one's offered me a budget yet.

£40k for a ten minute jaw-dropping conference opening extravaganza.

£500 and you get me in front of Sony Cybershot stills camera, my son's collection of Sharpies in one hand, a sheet of wall-paper backing paper taped to the kitchen door.

 

 

 

 

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Come Fly with PDP !

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Edited by Jonathan Vernon, Sunday, 8 Jul 2012, 07:58

I had an interview in London that by fortuitous timing ties directly into the H808 ECA (end of course assessement) that I have to complete and upload in the next 13 hours. What is more, every part of the MA in Open in Distance Education with the OU would have some application to the role for which I'd applied. Personal Development Planning (PDP), the subject of the ECA, would be imporant too, indeed it is a vital component of 'learner-driven' or 'learner-centred' education. Successful, engaged, pumping PDP is at the heart of e-learning - people must be motivated to take the initiative, to drive their learning while others support them in every way they can with appropriate resources, many of which will be 'electronically enabled,' i.e. 'e-learning'.

I have a draft of the ECA written, the choices of evidence have been made, collated and labelled.

I've already uploaded a draft so feel confident that the ETA system will handle whatever else I do.

I had the file, rather more chunky printed out and clipped into an Arch-Lever Folder than on a memory stick or zipped on the laptop so that I could review it on the train journey in and out of London. I like paper; things need to be expressed in other ways that via a QWERTY keyboard. It helps to talk, to discuss, to animate your thoughts with your hands even ... as we shall see.

On the way into town I find myself sitting with a friend who is 18 months into the Creative Writing course at Sussex Univeristy and was having a second interview with a literary agent; our respective career paths were shared. He is a professional photographer who has an online resource of stock photos targeted at UK Councils. I don't look at the ECA.

The interview, like so much I now do, is duly reflected upon, though for reasons of privacy not here as an open blog. This debrief, this self-assesment, served a dual purpose, at the front of my mind, of course, is the possible outcome and responses to the interview. And notes on how and where I felt it went well, or not so well, for future reference and to judge what improvements I might make when attending such interviews in future and how to compose my written thanks when I reply.

I recognise the purpose and value of reflection and make the time to do so

At the back of my mind, of course, as we talk, is the ECA.

Coming to the end of the interview process I felt compelled to share this sketch to add conviction to my belief that Personal Development Planning is 'at the heart of things'.

f1a749e0e8e2fe72ed06794383f7f981.jpg

I did this earlier today to get a handle on how in one shot I now see PDP, not as a self-contained 'do it and move on unit' at the start of a course, but at the heart of what you do: at the beginning, the end, everything in between ... and beyond. (And yes, you should hear Buzz Lightyear (Tim Allen) saying it!).

It was somewhat evangelical of me, but I feel passionate about it. I believe it as a consequence of my own personal experience and from others who take this approach.

Reflection with a second person can help; it is natural that my wife would take an interest in the day's events. This is invaluable, and is a form a assessment. However, where I find I become increasingly animated regarding PDP is that I felt I still hadn't got it right, that had I seen myself in that meeting what was I doing with my hands? What else was I trying to express? Sometimes recording an interview to look over it afterwards has advantages. You need to be winkling away to find ideas and inspiration.

I'd mentioned life-long learning, that PDP can benefit both your career, how you organise a hobby, even family life.

And then I remembered this:

My interpreation, visualised, of what life-long means from H807.

4ee8ecb0ed3cd82e948ab0f7fc2bbd1b.jpg

The problem I have with my sketch of 'PDP at the heart of things' is that it loops back on itself, there is no suggestion of improvement, of advancement.

I toss around further ideas like a board game, the PDP process being, for example, what happens every time you 'Pass Go' in Monopoly. Then I imagined climbing up a helter-skelter, or fairy-lights around a tree. I thought too about Kolb's cycle of development ... and then, as I was standing up waving my hands about I got it ... a great analogy would be of a glider catching a thermal and rising in a series of circles.

'A load of hot air.' My wife remarked, laughing.

And yes, I could imagine giving a presentation and a heckler saying exactly that - so I'd have to have a reply prepared. (Be prepared for anything)

With this in mind I set to work.

Earlier this week I threatened to photograph myself standing next to the family washing-line with my evidence pegged out. This is how I said I would make my choices and write the assignment. As it was raining instead I got a roll of wall-paper backing paper and stuck it to the bedroom wall with masking tape; I would draw my washing line. I have just taken this down and taped it virtically.

At the bottom I draw this.

bcf13c7d5e943bded0d7569befcbd350.jpg


Then I go for this.

 

JFV PDP Cycle as thermalJFV PDP Cycle thermal close up


In a live presentation I would draw this from scratch on the largest sheet I could find, talking my way through it, seeking input, offering explanations.

As a video-asset I would lock off an overhead camera and draw it onto a sheet of A3 paper, possibly over a lightbox, and then use EFX to speed it up. I would then add a voice over.

There are many other ways to play with it to varying degrees of simplicity (authenticity) or ellaboration. Not least by using stock footage of a glider or Condor or some such catching a thermal with labels tagged onto the video archive footage as it played out. Indeed, going from the basic sketch it might be better still to invite course particpants to create their own expression of this PDP as an ascending cycle - say playfully spinning around in front of camera with a balsa-wood model glider with the person's name on it! Fun is good. Originality is good. Personalisation is good. This makes it memorable without needing it as an APP or an electronic alert.

The conclusion I find as convincing as the process.

The process here includes reflection, blogging, collaboration ... and could in due course include video, podcasting, presentation and moderation.

As I was able with ease to add every aspect of H808 onto this simple diagram I felt I had reached an important point, not least vindicating my methodology that might look as if it is depends on technology, but does not. Often the route to get an idea from the mind into the public domain is via face-to-face discourse, a few movements of the arms, then reaching for pen and paper.

This diagram can be draw it up differently depending on the context.

This implied versatily suggests it effectiveness.

PDP as indicated here suggests a set period to repeat or revist the process ... this ought to be expressed to occur every quarter, rather than after every cycle as suggested here with loops that might represent a typical OU unit of two weeks and the activites one engages with along the way.

A productive day then.

 

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Sleep is fuitile. I'll keep it for the weekend

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Edited by Jonathan Vernon, Saturday, 8 Oct 2011, 13:24

Two voices are at each other

The one prattles on about 'how to do it', the other is saying 'shut up, go to sleep'.

One I can deal with, two is one too many.

A moment's irritation, tinitus or the fridge rumbling through the floorboards of the house and I think I may just go to sleep when a third voice pops up.

'I've had an idea!'

Oh boy. So I'm back here, getting it off my chest, as it were, though actually it is more a case of getting it out of my head before it drowns in idea number three.

First the sketch.

This time of a TV box.

There may be just enough happening in the frame to keep my son in one place. He regularly does three things at once: plays World of Warcraft, watches 'Mock the Week' or 'Outnumbered' ... and does his homework. Possibly while listening to music on his iTouch. I really can't tell. Though it is apparently possible to have a conversation with him as well. He's twelve. Can't you tell.

I put a title to my idea

'Towards a new kind of Television'

I think 'hyper-television' might be more appropriate.

And what on earth am I doing bringing a copy of Norman Davies, 'The Isles. A History' downstairs?

This, as it has never had a mention these last four months, is my light relief. My escape from all things e-learning and the Internet or the OU, or stuff. (That technical term again). Norman Davies bores me to sleep at night. But it doesn't, not always. This is the second time I've read this tome ('Europe. A History' will follow in due course).

Balances and difference help the mix.

Mixes, mash-ups and such like have a role to play.

A highly advance tome on Competitive Swimming that makes the sport look like civil engineering is another one for bed. It all goes into my head. Sinks away. Or does it? This is why and how this works, blogging, it gives a thought or a fact a second chance to swim to the surface, to bubble up.

Humble, Bubble, Toil and Tumblr

How to?

I began this process with a video production workshop in the Senior Common Room (Or Middle Common Room) at Balliol College in March 1982? I just tried searching for the entry in my diary, but obviously that bit hasn't been blogged yet. We had Philips micro-cassette video-cameras. We gave them out to fellow students, gave them the basic language of TV shots and techniques as I understood them courtesy of the Kluwer's Production Manual having by then shot and cut a few dozen hours of material myself.

Kit is almost as cheap  today as it was then (we were given it), only the quality is now HD 35mm for a camera the size of and shape of a Ventolin inhaler.

Is it easier to teach the three shot language of video production than say 400 to 2,000 words of vocab to teach English as a Foreign Language?

Of course it is

You don't even have to say anything.

How then to turn basic TV production techniques viral in order to lift the quality of this micro output globally?

Or do people give a monkeys?

If something interesting is going on they'll look at it through any amount of noise. It's called the Zapruder effect. Don't go and see it. How did snuff movies become easy-to-see viewing? The Zapruder effect excuses all the 'You've been framed' clips - rubbish camera work, but cute dog, cat, baby, child, oaf etc:

We'll see

I take the view that however short, there needs to be an idea behind it, a thought, an occurrence, even a narrative.

I'm constantly reminded of a Radio 4 challenge to three speakers to make their point in 45 seconds.

We got 'Bing Bang', 'String Theory' and the 'Offside Rule'. The first, like the opening pages of Genesis was a story with a beginning middle and end in 135 words or so; the second slightly lost its way, but the analogy worked, whereas anyone listening to an attempt at explaining the offside rule in 45 seconds would be left utterly befuddled.

People prefer story to befuddlement.

So who is going to turn Wikipedia into TV?

I cease to be entertained by it. I fear Wikipedia has had its day. Long live 'WikiTVia.'

Half an hour later. What's this about Norman?

I was googling a plumber ventriloquist venture capital person I know. (I have some versatile friends. He can also identify seven kinds of harvester ant).

'As his colleague Thackeray once observed (this is about Thomas Babington Macaulay), 'He reads twenty books to write a sentence; he travels a hundred miles to make a line description.'

All this reading and travelling can of course be achieved in front of computer screen with access to the Internet.

Many more minds, can be liked-minds and big minds.

REFERENCE

Thackeray, quoted by W. Speck, 'Thomas Babington Macaulay', The History of England (Everyman, (London, 1911) vol.II, pp. 488-9.


 

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Buzzing

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Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 06:10

I'm not tired, which is the worry; it'll catch up with me. When I wake up with a clear, original thought I've learnt to run with it. Time was I could have put on a light, scribbled a bit then drifted off again. 17 years of marriage (and 20 years together) I've learnt to get up. And once I'm up, then I know it'll be a while before I can sleep again.

(I'll sleep on the train into London; at least I can't overshoot. I once got on the train at Oxford on the way into town and woke up in Cardiff).

I have the thought nailed, or rather sketched out, literally, with a Faber-Castell Artist Pen onto an A5 sheet of cartridge paper in Derwent hardback sketch book. This seems like a waste of good paper (and a good pen), but this doodle, more of a diagram, almost says it all. My vision, my argument, my persuasive thought. My revolution?

Almost enough, because I then show how I'll animate my expression of this idea by drawing it out in a storyboard. I can do it in seven images (I thought it would take more). I hear myself presenting this without needing to do so, though, believing myself quite capable of forgetting this entire episode I'll write it out too.

I once though of myself as an innovator, even an entrepreneur. I had some modest success too. Enough to think such ideas could make me. I realise at this moment that such ideas are the product of intense mental stimulation. To say that H808 has been stimulating would be to under value how it has tickled my synapses. The last time I felt I didn't need to sleep I was an undergraduate; I won't make that mistake. We bodies have needs. So, to write, then to bed.

(This undergraduate thing though, or graduate as I now am ... however mature. There has to be something about the culture and context of studying that tips certain people into this mode).

You may get the full, animated, voice over podcast of the thing later in the week. I'll create the animation myself using a magic drawing tool called ArtPad and do so using a stylus onto a Wacom board.

(Never before, using a plastic stylus on an a plastic ice-rink of a tablet have I had the sensation that I am using a drawing or painting tool using real ink or paint. I can't wait 'til I can afford an A3 sized Wacom board ... drawing comes from the shoulder, not the wrist and certainly not the finger tips. You need scale. Which reminds me, where is the book I have on Quentin Blake?)

Now where's a Venture Capitalist when you need one at 04.07am. That and a plumber, the contents of the upstairs bathroom (loo, bath and sink) are flooding out underneath the downstairs loo. Pleasant. A venture capitalist who is a plumber. Now there's something I doubt that can even be found if you search in Ga-Ga Googleland.

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One day at a time, one year at a time, each decade of his life

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Edited by Jonathan Vernon, Tuesday, 18 Jan 2011, 18:49

1976 – 1983 -

I could keep going to Jan 2011. Like a returning diarist the New Year offers hope and a desire to record what goes on, though some of the tougher times would make better reading.

Reading this I could imagine a character who comes out of a coma with the New Year's Fire Works but nods off again by February 1st. There's a thought. There's a screenplay. There's another year or two of my life lost inside my head ...

January 5th

1976
Got up late, had bath, watched T.V. XXX and I were sent to our rooms, I couldn’t care because I had records, radio, typewriter, crayons etc: Watched TV. Cycled, Took down Xmas decorations and tree. Dad rang. No Tuesday. Didn’t mind. Used to him. Watched heart surgery on Horizon.

1977
Up at 8ish, breakfast with XXX and XXX, get stuff and leave dead on 9. Smash ice on pool. Wait for Mum 15 mins. Dad going to a meeting at Middlesbrough. Home, nothing changed, odd pieces of money from Aunties, chess from Uncle XXX. Still haven’t got rec: player, get record from Realm Records. No money though. Try to get rec: players in Town. Talk to XXX, bath, hair, TV, fall to sleep.

1978
Sleepy – read book. I, Claudius, Robert Graves. XXX at King’s Cross. XXX gets off to school. Phone me at 12 – stopped – continued. Very persistent, glad I answered – to meet XXX in Town. Tell her about disco – couldn’t get her Mum’s permission. Wonder town, Sit in restaurant for an hour left at 5. Danced at GRC with XXX

1979
Tell Mum were coming home on Sat. Train + XXX, Have People’s ringing P about a Top hat. Must try and get all my gear back somehow. More interesting XXX, in bed most of the day, XXX and more XXX and more comments about XXX with XXX.

1980
Felt ill in morning and up early and bath, Breakfast with XXX, late so not for XXX and Dad. Drift round Paris, stop at Cafe, then Louvre for the rest of the day. Late lunch and Eiffel Tower, slowly drive to Le Havre – pouring, Find Taverne Basque and have beautiful end of hold French meal., Mostly ski-estates on ferry, only Fiji for XXX.

1981
Strong wind – cleared snow and filled bus with Japanese (took photos of us). Clear Maison Rose, returned and sat in Cafeteria, Told off by Mme R as though I didn’t work. V. little to do so just got bored. Skied. Binding lose and broke twice. Up button lift and x4 the Telecabine (great) just starting to get legs (met XXX) – deadly, clean ski room/chocs for XXX (bleeper went) able to go early (7.10pm) really needed it as was most chattered.

1981
Hate the near depredation of the customs having to look through the boot. Expectantly. Dad missed a turning. As I did. He blew up. Rain and floods became snow at Appleby. Wanted to dash on to Newcastle to see XXX. After mean. Burst tire outside Appleby. A66 closed to Brough so drove via Brampton and straight to XXX’s. Being quite Telly ... Andrew XXX. Out for Midnight hedge, soaked but fun came in late and nicely ‘til 1.00 great to be back.

1983
Man rip to find out what I will to – to Hexham Infirmary with Mrs XXX and Granny and XXX, Plaster off and re enraged badly diagnosis by a seemingly drunk Dr XXX was to leave them alone. Work at 4.00 TV & XXX home to change before Tuxedo junction and had to get trews from Jonathan XXX, Mike XXX, Simon XXX, Rob XXX etc home to a bath end of dear but climb into bed for XXX v had the mattress from XXX’s room and on floor.

and on, and on, and on ...

Meaningless to non-participants (or should that read combatants) but most of these notes bring back the events of the day to me. Try this with a clear object in mind, studying a course with the Open University, a speculative project you want to bring about, clearly know when and what to keep private ... even write it in a book rather than online. Though I don’t think anyone has read anything I’ve locked online.

But do it. Even 50 words a day adds up over a year. And after a year it might inspire you to write 100 words a day. That's how I got going age 13 years 6 months. Exactly like Adrian Molehouse.

At family gatherings, several big ones are due in 2011, I am known as the archivist, I have the stories too, memories passed down to me of brothers and sisters growing up, but also of our long gone ‘ancient aunts’ who would all be 105+ by now. Photos of them too, old double 8mm film, me at my christening, photos of a World War 1 machine gunner, another an RFC bomber pilot.

Memories can be treasured. They should be treasured.

It doesn’t diminish the genre of keeping a diary to do so online, or to share some of the content with others, or do what the internet is great at doing – ‘Chunk’ your stuff into bite-size pieces; some of the above looks like a Twitter, keep to 250 words for a blog, but do it every day.

If words aren’t your thing load a picture a day, just one of many you may have snapped that will remind you of this day forever.

I listened to a busker sitting on Cliffe Bridge, Lewes yesterday afternoon.

Great, Passionate, Rough, Poignant. Thinking about it I wish I’d gone over and asked if I could take a snap, or video him on the phone for YouTube. I’ll do so next time I see him.

That would have nailed the day for me.

Then tag it. I have a tag fetish going. I do try to use the same word, but it looks as if I try to make up something different for the same thing, which rather spoils the purpose. Though I do rather like the ridiculous, tumbling, cascade of words and typos I have going in my tag clog, list thingey (another technical term that is a natz less technical that ‘stuff.’ all if which are eminently quantable to, of or by someone or something somewhere.

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How to make educational blogs effective

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 13:47

Simply expressed in a comprehensive report from authors who will be publishing more on the subject after further research.

Blogs work in many ways, not so good for the 95% who only read them, but you've got to work on that. Good PR, Marketing and Promotion would help.

Report flowchart graphic

REFERENCE

Computers and Eduation (2010) Deng, L and Yeun, A.H.K. Towards a frame

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The most important report you'll wish you had read before your submitted your H808 ECA

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 18:20

Birds of a Feather: How personality influences blog writing and reading. (2010) Jami Li and Mark Chignell. Science Direct. International Journal of Human-Computer Studies 68 (2010) 589-602.

I could blog on it at great length and no doubt will as I chew over their 8500+ words, but this shall have to wait a week.

 

 

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Discomblogulated

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Edited by Jonathan Vernon, Saturday, 27 Aug 2011, 14:51

Discomblogulate

  • to disconcert or confuse (someone) by obliging them to read then link through a series of blogs
    • an hour spent reading blogs totally discomblogulated Nina.
    • Neil is looking a little pained and discomblogulated
      discomblogulate, discomblogulated, discomblogulator, discombloguting, discoboggling,
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Belbin Team Roles. Who are you?

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Edited by Jonathan Vernon, Tuesday, 29 Nov 2011, 07:25

Belbin Team Roles

So who are you?

Shaper

• Highly motivated with a lot of nervous energy and a great need for achievement.

• Like to challenge lead and push others to action, can be headstrong and emotional in response to disappointment or frustration.

• Generally make good managers because they generate action and thrive on pressure.

Plant

Innovators and inventors – can be highly creative. Often enjoy working on their own away from other members of the team.

• Tend to be introvert and react strongly to criticism and praise. Great for generating new proposals and to solve complex problems.

Co-ordinator

• Ability to pull a group together to work towards a shared goal.

• Mature, trusting, and confident they delegate readily. They stay calm under pressure.

• Quick to spot an individual’s talents and use them to pursue group objectives.

• Co-ordinators are useful to have in charge of a team with their diverse skills and personal characteristics.

Monitor/ Evaluator

• Serious-minded, prudent individuals.

• Slow deciders who prefer to think things over – usually highly critical thinking ability.

• Usually make shrewd judgements by taking into account all the factors.

• Important when analysing problems and evaluating ideas and suggestions. Resource investigator

• Good communicators both with other members of the group and with external organisations.

• Natural negotiators, adept at exploring new opportunities.

• Adept at finding out what resources are available and what can be done.

• Relaxed personalities with strong inquisitive sense and a readiness to see the possibilities of anything new.

• Very good for finding resources and heading negotiations. Implementer

• Well organised, enjoy routine and have a practical common-sense and self discipline.

• Systematic approach to tackling problems • Reliable and hardworking.

• Will do what needs to be done whether or not they will enjoy the task. Team worker

• Supportive members of the team.

• Flexible and adaptable to different situations and people.

• Perceptive and diplomatic.

• Good listeners

• Avoid conflict

• Good at allowing everyone in the group to contribute.

Completer-Finisher

• Have a great capacity for follow-through and attention to detail, and seldom start what they cannot finish.

• Dislike carelessness

• Reluctant to delegate, they prefer to tackle tasks themselves.

• Good at tasks that involve close concentration and a close degree of accuracy.

Specialist

• Pride themselves on acquiring technical skills and specialist knowledge.

• Priorities are to maintain professional standards and advance their own subject.

• Very committed.

• Important in providing the technical expertise and are usually called upon to make decisions involving in depth experience and expertise.

REFERENCE

Belbin, M. (2004) Management Teams: Why They Succeed or Fail (Butterworth Heinemann, 2nd ed.,)

Who are you?

 

Permalink 3 comments (latest comment by Pam Lloyd, Monday, 17 Jan 2011, 20:01)
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Dreams. If you've just had one, try this.

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Edited by Jonathan Vernon, Saturday, 18 Apr 2015, 07:04

"Nights through dreams tell the myths forgotten by the day." — C.G. Jung (Memories, Dreams, Reflections)

1: Who are you in the dream?

2: Who are you with in the dream?

3: What details stand out?

4: What do you feel about these details?

5: What are the various actions in the dream?

6: How are you acting and behaving in this dream?

7: What relation does this dream have to your personality?

8: What does the dream want from you?

9: What are the various feelings in this dream?

10: What relation does this dream have to what is happening right now in your life?

11: Why did you need this dream?

12: Why have you had this dream right now?

13: What relation does this dream have to something in your future?

14: What questions arise because of this dream work?

15: Who or what is the adversary in the dream?

16: What is being wounded in this dream?

17: What is being healed in this dream?

18: What or who is the helping or healing force in this dream?

19: Who or what is your companion in this dream?

20: Who are your helpers and guides in life as well as in your dreams?

21: What symbols in this dream are important to you?

22: What actions might this dream be suggesting you consider?

23: What can happen if you work actively with this dream?

24: What is being accepted in this dream?

25: What choices can you make because of having this dream?

26: What questions does this dream ask of you?

27: Why are you not dealing with this situation?

28: What do you want to ask your dream spirits?

My older sister got me into this in the 1970s when I was in my early teens.

I would cite where it came from if I had the foggiest idea. Do help if you know as I think we all deserve to be recognised (and occasionally rewarded) for the words we write.

Extraordinary as the mind is, reading a few lines about a dream I had 35 years ago does bring it all back.

Actually I can recall a dream I had when I as about four, being strangled by Rolf Harris. I asked my mother recently if my father had a beard at the time, he didn't, though there were plenty of times he said 'I could strangle you.'

Bingo! Eureka!

That's it, I wanted him to be like Rolf Harris but he was rubbish at painting and wanted to kill me smile

So that's explained, 44 years on.

Nothing like giving it time ...

Permalink 2 comments (latest comment by Lucy Hollingworth, Thursday, 20 Jan 2011, 16:52)
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The importance of the words

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Edited by Jonathan Vernon, Monday, 29 Aug 2011, 08:15

Writing is everything.

I'd master it now. Keeping a blog is a sure darned way to do that. Handwritten is fine; find yourself the perfect pen.

Writing, or rather the ability to write.

It is the key to communication, to learning and to e-learning, and a great deal else besides.

On my passport it says 'writer, director.'

I like that, though I think of my skill as a visualiser and the writing and directing is rarely TV, but corporate and classroom training, desk-top learning, and product launches, change brand and change management.  Still there can be drama in it, and tears, and death, and love, and life, and music and dance. We go underwater and scale mountains, enter shear caves of nuclear power plants and wade through sewers, track super-models along catwalks in Paris and record the last words of a man dying of cancer in Carlisle.

I see things in pictures.

Perhaps the MA in Fine Art IS what I should have started a year ago ... though I fear I may have missed out.

It's easy enough I find to get my 'hand back in' if I want to draw something as it is rather like riding a bike, or skiing in deep powder snow, or racing a Fireball, or pushing off a wall in Breaststroke and emerging from a legal transition half way down a 25m pool ... once you've put in the days, months, years (even decades) learning to do these things, barring ill-health and great age, you ought to be able to do them for some time to come.

Which reminds me, I want to crack written French in 2011.

Clients think of me as something in addition to writing and directing (I produce), but no. that's not it; there are words, voices, images, cut together and linked in various ways that form linear and non-linear assemblages, but to them I am 'a problem solved', a job delivered, with passion, on time, on budget (of course), sometimes as a team of one, but sometimes in a team of a few or many more. I do wonder if sometimes an email with the finally agreed Creative Brief is the end of the process, rather than beginning.

Today, once you've solved that you can invite everyone to come up with their own creative execution.

Now there's a thought I'd not heard coming.

All of this takes words, expressing and solving the problem and sharing this requires words. A fast, reliable typing speed helps too. So perhaps my Mum was right to get me a typewriter when I was 13 when I wanted an electric guitar.

Sometimes I find the problem for the client and share it with them in all its beautiful ghastliness.

This is what good writing means. And experience. And judgment. And belief. And your approach and thoroughness. And the write people around you. And sometimes conviction that £60,000 will deliver the job, but £600 will not.

Good writing is less about the words chosen and put on the page (unless you are a novelist or poet, and I am neither), no, good writing is a good idea, clearly expressed, in as few words as possible. (Which in due course requires editing something like this).

Who is it who said the selling is a good idea?

That all it takes to sell something, is to have a good idea.

Good writing has a purpose and the author knows how to put the words to work by addressing a problem, because you know your audience and whether you or someone else is the subject matter expert, it is your responsibility, even if the words are hidden by a creative brief, a synopsis, treatments and scripts, to get the message across ... like, with some or many images (photos, graphics, cartoons), or with the spoken words and/or similar images that move ...

A swimming club session plan written on a whiteboard to take a squad of swimmers can be beautifully written if it is magically composed, and serves its immediate purpose. The good swimming coach rarely leaves such things in the head. It is thought-out, it is planned, it fits into the scheme of things, it is the right session for that hour or two.

Good writing hits a chord; it too is of the moment.

I conclude that a good teacher, a good tutor, educator, practitioner of e-learning ... all have this ability to write well at the core of their being. They are confident with words, words that are as carefully chosen even if spoken on the fly, as a result of their experience and all the lesson plans or scripts, or class programmes, they have written in the past that bubble up to the surface when faced with a problem - a fresh student.

(My only caveat is the from the podcasts I've heard before an educator is interviewed they should at least have the wisdom to do some media training).

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When is a blog, not a blog?

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Edited by Jonathan Vernon, Saturday, 15 Jan 2011, 18:37

When it's a photo-journal.

As I work from home I alleviate the boredom of the day by at various times moving to my wife's desk.

Hot Desk 3

Assuming she is not, which she often isn't because she has a laptop and also likes to spend part of the day looking out the front window.

iBook

Meanwhile I might shut myself in here. Actually at the end of the bed like a teenager doing A' Levels, in this case on an iBook which I think is eight years old, which in dog-years makes it about 86. The battery has been replaced, the screen has gone and the operating system doesn't support most Flash and crucifies MyStuff. I did H807 on this and nearly didn't survive the experience.

Print off

And then I get fed up with computer screens, and do this (onto recycled paper used for professional projects which risks getting me very confused if I look at the wrong side of the sheet).

K2 ECA

And so I spend an afternoon away from the computer and have found this an effective way forward.

Which is often the case.

I also like to write on wallpaper backing sheets that come in long scrolls. I have one taped to the wall above the bed right now. My wife tollerated its presence last night, she may not once I've scrawled H808 ECA stuff all over it.

Of course, if a picture is worth 1,000 words then I have once again said far, far too much.

 

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