Personal Blogs

I have a diary with 17000+ entries and 1.6m words started in September 1999; about 20% of the content is from a diary started in March 1975.

The most important button here is 'Enter@Random.'

This works because the randomisation is taking place in my mind.

It's a fillip.

Or a guinea-pig chewing an electric cable behind the TV.

Same thing

Strange things are going on with my head.

The synapses are snapping.

This is the state of my mind.

It's exciting. It's exploitable.

The internal goings on of my cerebellum have gone from guinea-pig to hedgehog via a Frankenstein-like jolt of the old juice.

Last like this?

Undergraduate 1983.

(And most of yesterday, and the day before of course).

This is what studying does to my mind. It's taken eleven months in OU Land. The buzz began ... a few weeks ago.

It is like going from clueless first year undergraduate to the second year. Even online, you need to get the lay of the land. Even now that are vast swaves of OU activities, e-tivites, buttons, bolt-holes and affordances to discover, chew over, toy with and adopt, or adapt and move on, or stay with, or who knows what.

Funny. I never use the OU library anymore.

Once signed I just Google. Same thing? Instance ... rather than the time it takes to make a coffee.

Web-entrepreneur 2000. I was buzzing then too, mind and on two postgraduate courses - the OU (a somewhat earlier version of Open and Distance Learning) that in technology terms was like using a hand-pushed lawnmower to cut a path through a waterlogged meadow full of cattle. The mismatch between cutting-edge practice with a leading web agency and the course was the difference between reading an e-book or going into the Bodleian and thumbing through a vast, leather-bound index.

The best place to sthink on the planet. At a desk surrounded by ancient books ... with a lap-top. It's as if you are sitting inside the minds of everyone who has ever thought there before. Now we can get an inkling of this when you feel like minds are listening. Are they?

I feel the desire once more to spill the content of my mind ... to empty every moment I have sought to catch. Why? Not just because I can (although I appreciate there are plenty of people who keep diaries all there lives. But because of the way it wakens up your mind to a version of a moment in your past. These moments flip and change perspective as you revist them. Most odd.

"It's a matter of love; the more you love a memory the stronger that memory becomes."

Nabakov.

Note the time. I have slept in the last 24 hours.

About four hours between 15h30 and midnight in two or three chunks.

Actually I've buzzed a lot over the years. It's who I am, when I'm being me at my best.

Skieasy was an interesting idea.

I still have the chess set I made out of a selection of bottled-waters. Dasani, that Coca-cola flop, is the King of the Black Pieces. I cheated a bit, Copella with their squared off bottles are the Castles and I had to use Fabreze for the Horses.

INSERT PIC HERE

There are currently several voices in my head, people from the past, smiling and asking questions.

I'm being emotive and passionate about some new fangled way to do use video and they're listening. I feel this way about the Internet. My head is firmly back in 2000, with the electricity of an undergraduate and the knowledge of a PhD. (I could have one if the various courses I've done had been or could be validated and LinkedIn). Eventually.

I intend to study for life, life-long learning - literally.

I'm planning a module beyond the MA in Open and Distance Education that I'll complete in October 2011.

Foundations in research probably rather than a different subject, though in good time Modern History (yet again), and Geography (yet again).

E-learning enables this

Fine Art can never happen; I can't hunker down like that. (Unless I can do Fine Art via an A3 sized tablet? If it's good enough for Hockney, it's good enough for art students. Fine Art as a e-learning course. (Now there's a challenge. And an opportunity.)

Never say never when it comes to e-learning. Someone will be running an e-learning Fine Art MA within the year. You could use a Kinex to draw onto a tablet rolled like a piece of Clingfilm onto a pane of glass. Observed at work by your tutor a million miles away (or a few hundred at least). You see it is possible.

Never say never when it comes to e-learning, which is why I propose a new module for the MA in Open and Distance Education. It's called 'The E-learning Entrepreneur.' Any one listening? (Not at 2h05). I'll linkIn with it and see what bubbles up from the digtal hyrdrosphere.

I don't care if it takes six years for each one of these courses, I'll be around for a long while yet.

My grandfather made it to 97 and never lost his marbles. Bless. He died with some thoughts on Newcastle United and a swig of Newcastle Brown Ale (he'd worked in brewing from the age of 14 to retirement).

My mind wanders. Good. It should. So should yours.

New thinking doesn't idle around in one pocket of your subconscious, it dances like a Minx feeding on your the maelstrom of your mind.

And I'm yet to say what I sat down to write. Right.

Doodles on backs of envelopes. I have a lot of envelopes. I must have invested in a large supply a decade ago. Stick down the back and use them for notes. Light, a soft write with a gel-pen. Takes a doodle. A gem. An idea.

This process started 48 hours ago.

One image. A second. (The PDP thermal idea). And since then I've been revisited by an idea I had in .... 1998, I suppose.

ADD SKETCH HERE ... currently on

a) the back of an envelope

b) on a piece of scrap wallpaper (very good for doodles as you can spread wide)

and c) in my head (which should be in bed)

Title, Synopsis, Abstract, Review, Précis, Student Notes, Book, Book + References.

This is a volume control for 'volume' of words rather than sound.

Depending the time you have to engaged with the contents of the author's (or authors' heads) you skate or roll this slider back and forth until you hit on a what you're prepared to take in. You can always expand, if the mind takes you there ... you can always roll into the synopsis if your train comes in or you see an email you're prepared to answer.

(Email, I'm starting to treat it like the old postal service - two deliveries a day, at a time to suit me. So before breakfast and after lunch. If you want me otherwise phone.)

Where was I? So, text volume control thingy.

I was just learning Dreamweaver, on a Mac, probably an LCII or something c.1998.

Maybe or earlier. TBT hadn't been born I was sleeping where he'd shortly be sleeping (actually I was sitting where he was born a few weeks later, at home, caught by me some time before the Midwife made it over from Cheltenham. Another story.)

I won't have a record of it, I was months away from blogging. Unless, which is likely, I was keeping a diary off-line. Would that be 'logging?It'll be just as lost though as it'll be a floppy disc. Or were there CDs by then? Or possibly an IOMEGA Zip drive?

And now we have LCD TVs the size and thickness of a postage stamp.

Re-reading 'Contemporary perspective in E-Learning Research' can't help my sleeplessness.

Far from boring me to sleep, which it did six months ago, I find single words are scorched into my forehead and sentences are like liquid gold being poured down my ear. Oh dear. I think I understand it.

I commit a book crime.

Historically I have always read a book and taken notes at the same time. This goes back to Oxbridge Entrance exam reading lists and beyond.

Get it while it's hot on the first shot.

I did this with Conole et al in August.

I could even read those notes, but those notes WERE WRITTEN BY SOMEONE ELSE.

So I have to start over, this is TAKE TWO.

Anyway.

The sacrilege is the use of coloured Marker Stabilo Market pens on the pages of the book. This is because I'm treating the book as if it isn't there, as if it is in an iPad (I don't have one, I'll give me my address if you feel I should have one).

Yes, I am using a highlighter pen on the paper-based text because I've got so used to doing this in e-journals exported into Word.

Of course, this Stabilo Pen should DOUBLE as a TEXT READER so that said highlighted words could be drawn straight into my laptop and quoted here ... with the link and correct Harvard Reference put in place for me too. Pretty please. Tech person reading.

(Do tech people read? I suspect they call it something else. Scan?)

Oh heck. Not another idea. It's only 1h36. (or was when I started. That was nearly an hour ago. I don't edit, I know not how, I ellaborate.)

I have this fear that having an idea is pointless, because whatever you can think of someone has done it before.

Which makes this a race, catching wave after wave after wave of information as it comes in on the digital ocean, hoping, believing, that from time to time it'll be a big wave, my wave and I'll ride it like a pro-surfer. Enough. I need a coffee. That'll send me to sleep.

Anything's possible.

I look at this, my invention, my interpretation of how Personal Development Planning can lift a life, raise your spirits, send your career into a controled cycle of advancement and I want to sing about it. I want to be on this ride and bringing others along with me.

What can go wrong?

Coffee poisoning.

So, this Microsoft guy who is recording every moment of his day (and night? and ablusions?). You have to be at the head of the team, not the pond fodder. I gave this a momentary go voice recording three one hour swim coaching sessions. I am yet to listen over. Perhaps I'll do it once to see what lessons I learn.

On the other hand, someone interested in coaching swimmers may listen to the lot of it. And with nothing in vision there are no Safeguarding Children issues ... I consciously only used swimmer's names once I had hit pause.

My coffee's cold.

Do I warm it up? I'll not sleep. I haven't exhausted the possibilities.

A swimming pool beacons.

Once was the time I swam every day. I'll do so again. I can subdue my mind only if I sink the body around it.

Love this. My PDP thermal. It works.

It works because everything hangs onto the concept without being shoe-horned.

I want to run with is as my philosophy for PDP and do someting whizzy with it as a video, animation, conference opener or something. I'd like to think it could capture peoples' imaginations, which is just what you want if you are going to motivate them to be the best they can be, so that their team can be the best they can be ... and in turn the business can be the best that it can be too.

If this is clearer try it in the long-shot.

The upwards rotation, like a glider riding a thermal, is akin to a person's PDP ascendency.

What drives this, the enery as it were, is their motivation.

Tap into this and everything else will follow.

Though the timings for PDP to occur, or for self-assessment and needs analysis should be varied and applied as required, rather than becoming onorous and regular, it should nonetheless happen. This is in effect when our 'glide' banks and turns (yaws?). If following a glider in action then there varied loop/cycle sizes would be easily accommodate within the idea.

Around this mistral I have added various standard e-learning tools, which I would rank in importance. Such ranking would/will vary by person, by platform, by subject matter, but I'm certain that blogging and forums are up there as far more important than anything else in terms of engagement, collaboration and effectiveness.

BloggingAs you can see I've put in:

• Forums
• Eportfolios
• Wikis

I've wrapped 'motivation' around the edges like those 'go faster' agitation marks you use in cartoons. I'll redraw it all now that I have some time to beautify and develop it further.

Around each of the above e-learning tools there are micro-loops (loop the loops even), where I've added (all colour coded by the way), things such as reflect, skill, communication, technology, reseach, analyse and so on.

Collaboration and communication are ever present as continual themes (or thermals) currents that should be ever present.

What else?

• Share
• Lead
• Inform
• Critique
• Assessment

I can work with the logic, keep it simple, and adjust accordingly.

Podcasts are a form of blogging, whether audio or video, as well as resources/assets in their own right.

Skype, email, TXT, Messaging ... and even 'face-to-face' communication (what's that?!) have been included.

This, in an image, is what I do.

Files of research and work, days of debate and deliberation, playing around with ideas then the pressure to sum it as succinctly as possible.

This, turned into animation, or video ... i.e. rich media, is what I do to.

I hear Michael Nyman. He's permited me to use his muix before. It has pace, it is querky and challenging, and exciting ... and repetive, and driven and motivating.

And for a voice?

• Female
• On verra.

No one's offered me a budget yet.

£40k for a ten minute jaw-dropping conference opening extravaganza.

£500 and you get me in front of Sony Cybershot stills camera, my son's collection of Sharpies in one hand, a sheet of wall-paper backing paper taped to the kitchen door.

Two voices are at each other

The one prattles on about 'how to do it', the other is saying 'shut up, go to sleep'.

One I can deal with, two is one too many.

A moment's irritation, tinitus or the fridge rumbling through the floorboards of the house and I think I may just go to sleep when a third voice pops up.

'I've had an idea!'

Oh boy. So I'm back here, getting it off my chest, as it were, though actually it is more a case of getting it out of my head before it drowns in idea number three.

First the sketch.

This time of a TV box.

There may be just enough happening in the frame to keep my son in one place. He regularly does three things at once: plays World of Warcraft, watches 'Mock the Week' or 'Outnumbered' ... and does his homework. Possibly while listening to music on his iTouch. I really can't tell. Though it is apparently possible to have a conversation with him as well. He's twelve. Can't you tell.

I put a title to my idea

'Towards a new kind of Television'

I think 'hyper-television' might be more appropriate.

And what on earth am I doing bringing a copy of Norman Davies, 'The Isles. A History' downstairs?

This, as it has never had a mention these last four months, is my light relief. My escape from all things e-learning and the Internet or the OU, or stuff. (That technical term again). Norman Davies bores me to sleep at night. But it doesn't, not always. This is the second time I've read this tome ('Europe. A History' will follow in due course).

Balances and difference help the mix.

Mixes, mash-ups and such like have a role to play.

A highly advance tome on Competitive Swimming that makes the sport look like civil engineering is another one for bed. It all goes into my head. Sinks away. Or does it? This is why and how this works, blogging, it gives a thought or a fact a second chance to swim to the surface, to bubble up.

Humble, Bubble, Toil and Tumblr

How to?

I began this process with a video production workshop in the Senior Common Room (Or Middle Common Room) at Balliol College in March 1982? I just tried searching for the entry in my diary, but obviously that bit hasn't been blogged yet. We had Philips micro-cassette video-cameras. We gave them out to fellow students, gave them the basic language of TV shots and techniques as I understood them courtesy of the Kluwer's Production Manual having by then shot and cut a few dozen hours of material myself.

Kit is almost as cheap  today as it was then (we were given it), only the quality is now HD 35mm for a camera the size of and shape of a Ventolin inhaler.

Is it easier to teach the three shot language of video production than say 400 to 2,000 words of vocab to teach English as a Foreign Language?

Of course it is

You don't even have to say anything.

How then to turn basic TV production techniques viral in order to lift the quality of this micro output globally?

Or do people give a monkeys?

If something interesting is going on they'll look at it through any amount of noise. It's called the Zapruder effect. Don't go and see it. How did snuff movies become easy-to-see viewing? The Zapruder effect excuses all the 'You've been framed' clips - rubbish camera work, but cute dog, cat, baby, child, oaf etc:

We'll see

I take the view that however short, there needs to be an idea behind it, a thought, an occurrence, even a narrative.

I'm constantly reminded of a Radio 4 challenge to three speakers to make their point in 45 seconds.

We got 'Bing Bang', 'String Theory' and the 'Offside Rule'. The first, like the opening pages of Genesis was a story with a beginning middle and end in 135 words or so; the second slightly lost its way, but the analogy worked, whereas anyone listening to an attempt at explaining the offside rule in 45 seconds would be left utterly befuddled.

People prefer story to befuddlement.

So who is going to turn Wikipedia into TV?

I cease to be entertained by it. I fear Wikipedia has had its day. Long live 'WikiTVia.'

Half an hour later. What's this about Norman?

I was googling a plumber ventriloquist venture capital person I know. (I have some versatile friends. He can also identify seven kinds of harvester ant).

'As his colleague Thackeray once observed (this is about Thomas Babington Macaulay), 'He reads twenty books to write a sentence; he travels a hundred miles to make a line description.'

All this reading and travelling can of course be achieved in front of computer screen with access to the Internet.

Many more minds, can be liked-minds and big minds.

REFERENCE

Thackeray, quoted by W. Speck, 'Thomas Babington Macaulay', The History of England (Everyman, (London, 1911) vol.II, pp. 488-9.

1976 – 1983 -

I could keep going to Jan 2011. Like a returning diarist the New Year offers hope and a desire to record what goes on, though some of the tougher times would make better reading.

Reading this I could imagine a character who comes out of a coma with the New Year's Fire Works but nods off again by February 1st. There's a thought. There's a screenplay. There's another year or two of my life lost inside my head ...

January 5th

1976
Got up late, had bath, watched T.V. XXX and I were sent to our rooms, I couldn’t care because I had records, radio, typewriter, crayons etc: Watched TV. Cycled, Took down Xmas decorations and tree. Dad rang. No Tuesday. Didn’t mind. Used to him. Watched heart surgery on Horizon.

1977
Up at 8ish, breakfast with XXX and XXX, get stuff and leave dead on 9. Smash ice on pool. Wait for Mum 15 mins. Dad going to a meeting at Middlesbrough. Home, nothing changed, odd pieces of money from Aunties, chess from Uncle XXX. Still haven’t got rec: player, get record from Realm Records. No money though. Try to get rec: players in Town. Talk to XXX, bath, hair, TV, fall to sleep.

1978
Sleepy – read book. I, Claudius, Robert Graves. XXX at King’s Cross. XXX gets off to school. Phone me at 12 – stopped – continued. Very persistent, glad I answered – to meet XXX in Town. Tell her about disco – couldn’t get her Mum’s permission. Wonder town, Sit in restaurant for an hour left at 5. Danced at GRC with XXX

1979
Tell Mum were coming home on Sat. Train + XXX, Have People’s ringing P about a Top hat. Must try and get all my gear back somehow. More interesting XXX, in bed most of the day, XXX and more XXX and more comments about XXX with XXX.

1980
Felt ill in morning and up early and bath, Breakfast with XXX, late so not for XXX and Dad. Drift round Paris, stop at Cafe, then Louvre for the rest of the day. Late lunch and Eiffel Tower, slowly drive to Le Havre – pouring, Find Taverne Basque and have beautiful end of hold French meal., Mostly ski-estates on ferry, only Fiji for XXX.

1981
Strong wind – cleared snow and filled bus with Japanese (took photos of us). Clear Maison Rose, returned and sat in Cafeteria, Told off by Mme R as though I didn’t work. V. little to do so just got bored. Skied. Binding lose and broke twice. Up button lift and x4 the Telecabine (great) just starting to get legs (met XXX) – deadly, clean ski room/chocs for XXX (bleeper went) able to go early (7.10pm) really needed it as was most chattered.

1981
Hate the near depredation of the customs having to look through the boot. Expectantly. Dad missed a turning. As I did. He blew up. Rain and floods became snow at Appleby. Wanted to dash on to Newcastle to see XXX. After mean. Burst tire outside Appleby. A66 closed to Brough so drove via Brampton and straight to XXX’s. Being quite Telly ... Andrew XXX. Out for Midnight hedge, soaked but fun came in late and nicely ‘til 1.00 great to be back.

1983
Man rip to find out what I will to – to Hexham Infirmary with Mrs XXX and Granny and XXX, Plaster off and re enraged badly diagnosis by a seemingly drunk Dr XXX was to leave them alone. Work at 4.00 TV & XXX home to change before Tuxedo junction and had to get trews from Jonathan XXX, Mike XXX, Simon XXX, Rob XXX etc home to a bath end of dear but climb into bed for XXX v had the mattress from XXX’s room and on floor.

and on, and on, and on ...

Meaningless to non-participants (or should that read combatants) but most of these notes bring back the events of the day to me. Try this with a clear object in mind, studying a course with the Open University, a speculative project you want to bring about, clearly know when and what to keep private ... even write it in a book rather than online. Though I don’t think anyone has read anything I’ve locked online.

But do it. Even 50 words a day adds up over a year. And after a year it might inspire you to write 100 words a day. That's how I got going age 13 years 6 months. Exactly like Adrian Molehouse.

At family gatherings, several big ones are due in 2011, I am known as the archivist, I have the stories too, memories passed down to me of brothers and sisters growing up, but also of our long gone ‘ancient aunts’ who would all be 105+ by now. Photos of them too, old double 8mm film, me at my christening, photos of a World War 1 machine gunner, another an RFC bomber pilot.

Memories can be treasured. They should be treasured.

It doesn’t diminish the genre of keeping a diary to do so online, or to share some of the content with others, or do what the internet is great at doing – ‘Chunk’ your stuff into bite-size pieces; some of the above looks like a Twitter, keep to 250 words for a blog, but do it every day.

If words aren’t your thing load a picture a day, just one of many you may have snapped that will remind you of this day forever.

I listened to a busker sitting on Cliffe Bridge, Lewes yesterday afternoon.

Great, Passionate, Rough, Poignant. Thinking about it I wish I’d gone over and asked if I could take a snap, or video him on the phone for YouTube. I’ll do so next time I see him.

That would have nailed the day for me.

Then tag it. I have a tag fetish going. I do try to use the same word, but it looks as if I try to make up something different for the same thing, which rather spoils the purpose. Though I do rather like the ridiculous, tumbling, cascade of words and typos I have going in my tag clog, list thingey (another technical term that is a natz less technical that ‘stuff.’ all if which are eminently quantable to, of or by someone or something somewhere.

Birds of a Feather: How personality influences blog writing and reading. (2010) Jami Li and Mark Chignell. Science Direct. International Journal of Human-Computer Studies 68 (2010) 589-602.

I could blog on it at great length and no doubt will as I chew over their 8500+ words, but this shall have to wait a week.

Belbin Team Roles

So who are you?

Shaper

• Highly motivated with a lot of nervous energy and a great need for achievement.

• Like to challenge lead and push others to action, can be headstrong and emotional in response to disappointment or frustration.

• Generally make good managers because they generate action and thrive on pressure.

Plant

Innovators and inventors – can be highly creative. Often enjoy working on their own away from other members of the team.

• Tend to be introvert and react strongly to criticism and praise. Great for generating new proposals and to solve complex problems.

Co-ordinator

• Ability to pull a group together to work towards a shared goal.

• Mature, trusting, and confident they delegate readily. They stay calm under pressure.

• Quick to spot an individual’s talents and use them to pursue group objectives.

• Co-ordinators are useful to have in charge of a team with their diverse skills and personal characteristics.

Monitor/ Evaluator

• Serious-minded, prudent individuals.

• Slow deciders who prefer to think things over – usually highly critical thinking ability.

• Usually make shrewd judgements by taking into account all the factors.

• Important when analysing problems and evaluating ideas and suggestions. Resource investigator

• Good communicators both with other members of the group and with external organisations.

• Natural negotiators, adept at exploring new opportunities.

• Adept at finding out what resources are available and what can be done.

• Relaxed personalities with strong inquisitive sense and a readiness to see the possibilities of anything new.

• Very good for finding resources and heading negotiations. Implementer

• Well organised, enjoy routine and have a practical common-sense and self discipline.

• Systematic approach to tackling problems • Reliable and hardworking.

• Will do what needs to be done whether or not they will enjoy the task. Team worker

• Supportive members of the team.

• Flexible and adaptable to different situations and people.

• Perceptive and diplomatic.

• Good listeners

• Avoid conflict

• Good at allowing everyone in the group to contribute.

Completer-Finisher

• Have a great capacity for follow-through and attention to detail, and seldom start what they cannot finish.

• Dislike carelessness

• Reluctant to delegate, they prefer to tackle tasks themselves.

• Good at tasks that involve close concentration and a close degree of accuracy.

Specialist

• Pride themselves on acquiring technical skills and specialist knowledge.

• Priorities are to maintain professional standards and advance their own subject.

• Very committed.

• Important in providing the technical expertise and are usually called upon to make decisions involving in depth experience and expertise.

REFERENCE

Belbin, M. (2004) Management Teams: Why They Succeed or Fail (Butterworth Heinemann, 2nd ed.,)

Who are you?

Writing is everything.

I'd master it now. Keeping a blog is a sure darned way to do that. Handwritten is fine; find yourself the perfect pen.

Writing, or rather the ability to write.

It is the key to communication, to learning and to e-learning, and a great deal else besides.

On my passport it says 'writer, director.'

I like that, though I think of my skill as a visualiser and the writing and directing is rarely TV, but corporate and classroom training, desk-top learning, and product launches, change brand and change management.  Still there can be drama in it, and tears, and death, and love, and life, and music and dance. We go underwater and scale mountains, enter shear caves of nuclear power plants and wade through sewers, track super-models along catwalks in Paris and record the last words of a man dying of cancer in Carlisle.

I see things in pictures.

Perhaps the MA in Fine Art IS what I should have started a year ago ... though I fear I may have missed out.

It's easy enough I find to get my 'hand back in' if I want to draw something as it is rather like riding a bike, or skiing in deep powder snow, or racing a Fireball, or pushing off a wall in Breaststroke and emerging from a legal transition half way down a 25m pool ... once you've put in the days, months, years (even decades) learning to do these things, barring ill-health and great age, you ought to be able to do them for some time to come.

Which reminds me, I want to crack written French in 2011.

Clients think of me as something in addition to writing and directing (I produce), but no. that's not it; there are words, voices, images, cut together and linked in various ways that form linear and non-linear assemblages, but to them I am 'a problem solved', a job delivered, with passion, on time, on budget (of course), sometimes as a team of one, but sometimes in a team of a few or many more. I do wonder if sometimes an email with the finally agreed Creative Brief is the end of the process, rather than beginning.

Today, once you've solved that you can invite everyone to come up with their own creative execution.

Now there's a thought I'd not heard coming.

All of this takes words, expressing and solving the problem and sharing this requires words. A fast, reliable typing speed helps too. So perhaps my Mum was right to get me a typewriter when I was 13 when I wanted an electric guitar.

Sometimes I find the problem for the client and share it with them in all its beautiful ghastliness.

This is what good writing means. And experience. And judgment. And belief. And your approach and thoroughness. And the write people around you. And sometimes conviction that £60,000 will deliver the job, but £600 will not.

Good writing is less about the words chosen and put on the page (unless you are a novelist or poet, and I am neither), no, good writing is a good idea, clearly expressed, in as few words as possible. (Which in due course requires editing something like this).

Who is it who said the selling is a good idea?

That all it takes to sell something, is to have a good idea.

Good writing has a purpose and the author knows how to put the words to work by addressing a problem, because you know your audience and whether you or someone else is the subject matter expert, it is your responsibility, even if the words are hidden by a creative brief, a synopsis, treatments and scripts, to get the message across ... like, with some or many images (photos, graphics, cartoons), or with the spoken words and/or similar images that move ...

A swimming club session plan written on a whiteboard to take a squad of swimmers can be beautifully written if it is magically composed, and serves its immediate purpose. The good swimming coach rarely leaves such things in the head. It is thought-out, it is planned, it fits into the scheme of things, it is the right session for that hour or two.

Good writing hits a chord; it too is of the moment.

I conclude that a good teacher, a good tutor, educator, practitioner of e-learning ... all have this ability to write well at the core of their being. They are confident with words, words that are as carefully chosen even if spoken on the fly, as a result of their experience and all the lesson plans or scripts, or class programmes, they have written in the past that bubble up to the surface when faced with a problem - a fresh student.

(My only caveat is the from the podcasts I've heard before an educator is interviewed they should at least have the wisdom to do some media training).

I would title a talk on writing for the web, 'There's nothing new about new media' in 2011 as I did in 1999. Or I might say 'It changes nothing.'

The web, via this QWERTY keyboard is merely the final expression of something that has been going on somewhere else, mostly in your head. For me I have to get it out on paper.

As it is pelting down with rain I cannot peg my EVIDENCE for the ECA to the washing line as I plannes, so instead (to my wife's delight) I have Sellotaped some Wallpaper Backing paper to the bedroom wall. I have laid across the bed individual piles from each unit and I am selecting my evidence.

My favourite is a report on eportfolios which opens with the line '500 words on eportfolios. I need only one. Don't.'

You see it is why I wrote that, not what I wrote that matters.

How many authors write longhand on paper then move to the computer for some Word Processing?

I love the fact that I've printed off diddley-squat these last few months; I can handle reading it on a laptop as I have at least upgraded my computer so that it will handle the software.

So, a washing line DRAWN on this paper around the bedroom wall, sheets of paper stuck to it ... then I'll dwell on it. I may make notes into a digital recorded.

The issue I have is with the context for my thinking as this now splits three ways: sports, leadership and movie production. I am currently moving from one, to the other.

And I wonder why four hours sleep is good going?

I'll catnap during the day, but once I'm conscious I have to get to work. That's me.

From BBC Radio 4 Today New scientific research reveals that students learn better when learning is made harder, specifically when using a font that is more challenging to read. Neuroscience blogger Jonah Lehrer discusses his own gut feeling that we remember ugly fonts much more easily.

Comically ugly fonts are the best.

So perhaps I should blog like this?

Try these:

And what about handwriting?

'It’s a really interesting way to convey information', says Jonah Lehrer, 'as it can take a lot of work to decipher handwriting'.

How about these for examples if you’ve forgotten what handwriting looks like?

or this?

Let's get back to handwriting.

Or find a way to handwrite here. With a stylus and tablet?

The handwritten note, letter, or journal entry tells you something about the writer' mood, gender, age, level of education (or intoxication), even their occupation.

I've collected hand-written letters between 1969 and 1993 from family members and friends, including my grandfather whose 1918 RAF Log Book I feature above. If ever published, these artefacts will be best read in their original form rather than transcribed.

1. Are we hard-wired to how we conceptualise ideas?

2. Does this help or hinder the way we use eLearning tools?

3. Will children, say, 50 years from now, look at paper and pen in the same way as a person does now when they take a first look at computer?

4. Are we at some 'transition' point, and if we are, what does this mean?

My tutor in H808 asked me this on 12th September.

I feel far better able to reply now after four months of H808 and some fortuitous reading, though I did respond at the time. My forum thread exchange then and reflection on it today will form part of my ECA.

It surprises me that I have subscribed to a magazine at all, but I find the New Scientist offers plenty on our e-world upon which to reflect and insights to all kinds of other things that tickle my brain.

It matters that you read broadly.

The French Film Director Francois Truffaut was a firm believer of reading everything and anything that caught your attention. He’d have loved the web. It matters that you follow what the web offers, then browse the shelves for magazines at the newsagent on the forecourt of your station.

My favourite button that has been crucial to the longevity of my blog (elsewhere) for the last seven years is ‘Enter@Random.’

We don’t think in chronological order.

thinking is a mess, it selects ideas and makes things up sing different sides and corners and crooks and crannies of our brains. I unplugged the calendar on my diary in year one and replaced it with 12 themes that have now grown to 37. For a period there were 37 blogs, but try managing that, to say you end up with a split personality is an understatement.

My tutor put it to me (and us) the H808 Tutor Group:

1. Are we hard-wired to how we conceptualise ideas?

Dr Vilayanur S Ramachandran thinks so. We have a unique capacity to think in metaphors. This matters. It is this ability that makes us creative, allows us to be inventive, it is what makes us human beings.

Read all about in the New Scientist.

Quoted here within the 200 word count permission for a student quote.

Added as for student reading in a non-commercial academic context having read the copyright permissions.

Ramachandran is particularly interested in metaphor because it ties in neatly with his previous work on synaesthesia - a kind of sensory hijack, where, for example, people see numbers as colours or taste words. "Metaphor is our ability to link seemingly unrelated ideas, just like synaesthesia links the senses," he says.

After spending years working with people who have synaesthesia, he believes "pruning genes" are responsible. In the fetal brain, all parts of the brain are interconnected, but as we age, the connections are pruned. If the pruning genes get it wrong, the connections are off. "If you think of ideas as being enshrined in neural populations in the brain, if you get greater cross-connectivity you're going to create a propensity towards metaphorical thinking," he says.

I don't have synaesthesia, neither does Ramachandran, but he points out to me the strangeness of asking why, say, the cheddar cheese in your sandwich is "sharp". It's true, cheese isn't sharp, it's soft, so why do I use a tactile adjective to describe a gustatory sensation? "It means our brains are already replete with synaesthetic metaphors," he says. "Your loud shirt isn't making any noise, it's because the same genes that can predispose you to synaesthesia also predispose you to make links between seemingly unrelated ideas, which is the basis of creativity."

www.NewScientist.com.

Thomson (2010)

Of the 12 photographs in this issue as many as 8, I think, are from the Getty Image bank. I wonder if one day, especially if I’m reading this on an iPad the images will move, rather as the paints are alive in the background of a Harry Potter movie. It wouldn’t take much for a photography to video as well as, or instead of taking a photograph. Indeed, the BBC now permit directors to generate HD TV footage using digital SLR cameras … the lenses are better, the creative choices wider.

Interesting.

2. Does this help or hinder the way we use eLearning tools?

How we use the web, let alone e-learning tools is in its infancy. We are still putting old ways online, still making web-pages into slide shows and calling them immersive learning. Gaming may change this, with the budget. Better, faster tools will enabled more. Collaboration on world wide wikis with like minds, and great minds, contributing will speed up the rate of change.

We’ll think in the same metaphors though, share and reinforce new metaphors and then some Leonardo da Vinci of the 21st century will come along and break it apart. Though we may not appreciate their insights at all.

Mobile learning, smart-phone learning on the move, or whatever you want to call it should shake things up. At first this will be, and is, the same old stuff sent to your phone, basic card to card Q&A even if it includes a bit if video or an animated graph.

I want learning projected onto the back of my scull, I want it in my head, not online or in a device. I want interactions with specific parts of my brain. I want my brain duplicated so that I can take more lessons at the same time, to learn multiple languages and to take several degrees simultaneously.

3. Will children, say, 50 years from now, look at paper and pen in the same way as a person does now when they take a first look at computer?

It is extraordinary the relationship between our minds and out limbs, or arms and finger tips. With training we can sight read a score and play complex musical pieces, we can scroll, cut, edit, fly and colourise images into a piece of drama that has us crying, or heads in our hands and we can type, like the clappers.

We can draw too, and sculpt, and swim and dance and do gymnastics.

Our relationship with the nerves in our body is a complex one. As for handwriting, our relationship with fountain pens, marker pens and pencils? It ought to be a skill still taught at school, there need to be handwriting competitions as there once were … even if they are tied into art classes and design.

How different is a stylus on a tablet to a piece of chalk on a slate?

I implore my children to write and draw. An illegible Christmas list is no list at all. They’d type, they do type. Yet how backwards is a QWERTY keyboard?

4. Are we at some 'transition' point, and if we are, what does this mean?

Yes. And I mean to be part of it.

We have reached the Tipping Point.

A book a read if I recall in 2001 when we thought we were approaching a tipping point, actually we were reaching the point at which the first e-bubble would burst. First and last? These things go in cycles, whatever the politicians do to stymie human nature. Greed and regret, progress, reflection, reinvention … then we do it all over.

We’re not even less violent than we were at the times of the Viking raids.

Meandering? A stream of consciousness? Reflection? Regurgitation?

All of this, and it all matters. You don’t have to read it, and you probably haven’t. This is here for me to find when I need it in seven months or seven years time.

It is remarkable how your views change; so it matters to have what you originally thought in front of you. There are memories I have that haven’t just been reworked over the decades, but have become different events. This isn’t simply age, though that has much to do with it, I view what I did as a child or teenager as I observe my own children today, the difference is, I can’t influence the behaviour and actions of my younger self, though I can, I hope listen to and guide my own children to actions and decisions they will feel comfortable with in the years to come

Tweet

REFERENCE

Thomson, H (2010) V. S. Ramachandran: Mind, metaphor and mirror neurons 10 January 2011 by Helen Thomson Magazine issue 2794.

90% of people only read a blog, 9% occasionaly write leaving 1% to do it all.

If you get 1 or 2 comments you may have what, 90-180 readers? With better stats that offered here you can validate this. All skewed by the distinct narrowcasting of an OU Blog, as we are in theory writing to our tutor group or course cohort.

So why might comments skew the content?

Who are this 1%? If they are being negative or abusive (never here of course), they are flaming. In my experience you will never placate or please them, only pour oil on their self-hate, attitude or whatever is going on. They may be cutting and pasting the same nastiness in dozens of blogs.

Other comments I feel are akin to a wave from a friend who I've noticed across the road. I like this. I'll let people know I am reading them, out of politeness, but also to encourage them. If I've read them once, I'd like them to write more and read again.

Comments, if you are chasing the stats, will skew your blog to the extreme views these commentators are expressing, or to the particular parts of the blog they find attractive.

Nearly three hours after sitting down to work on the ECA I have blogged ONE only of the two ideas in my mind (expressing them takes considerably longer than simply having them). The good news is that this effort has developed my ability to use Artpad and a tablet to do a sketch and share it, to link articles from New Scientist and my entries to various versions of me. I have contributed to the Tutor Group and H808 Course forums, and so no doubt confirmed my approach to the ECA, which is still 9 days away ... and grabbed, cut or loaded five or six items into my OU eportfolio, which I still trust will be successfully transmogrified into something better during the course of 2011 without content being lost. I really do not want to give a week to transferring over 1000 pages ... one at a time. Currently nothing will export by the routes supplied.

I'm not ADHD but I am easily distracted, drawn into a web of my own making as I click here, there and everywhere to achieve some simple goal.

However, I am grinning from ear to ear because my brain is buzzing with ideas; I like it this way. I'll keep the blog on quantum evolution 'til tomorrow. Meanwhile I have to have a haircut, and decorate a wall in my wife's study so that when I am on Skype to New York this evening I don't look as if I've just got out of bed ... which is of course how anyone looks if they work from home and call this work.

The thing is there are relevant voices speaking to me from all kinds of directions.

I relish the LinkedIn E-learning 2.0 forum threads that pop up all day; they are read, some deserve a response, or at least being snatched for future reference. And when I want to achieve something with an image, audio or video, I will stick with the software, or ditch it for something else, until I get the outcome I desire.

So am I learning, even if the contents of my head must wait while my fingers play.