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Enough to drive you Quackers!

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Here's the latest in the ongoing Great Vector Experiment. This time I upped the ante a bit by attempting to create a sense of movement and energy as well as trying to define form in a loose and carefree,sketchy fashion. Have to say, good people, it ain't easy!

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Going ape now

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Still having fun exploring vector illustration and I'm beginning to get a sense of how they can be used in a swift, loose way. Here's a self-portrait.

Gorilla  vector illustration

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More blobs in the name of art

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Edited by Clive Hilton, Tuesday, 28 Jun 2011, 19:13

Mmmmmm. I'm still somewhat engaged by the idea of producing vector art that has something of the qualities of freehand drawing that I like to do on paper. I really like the sort of slightly rough, sketchy, exploratory feel of 'proper' drawing and I'm currently trying to expand the limits of pure vector drawing to see how far I can push it in that direction. Waffle aside, here's the latest experiment.

Detail close up

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And here's the complete drawing

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Randomness and faking it

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Edited by Clive Hilton, Tuesday, 21 Jun 2011, 15:23

I've been playing around with vector illustrations recently, with the particular object of trying to make something that looks less, well, 'vectory'. My innate drawing style tends towards the freer end of the spectrum and I like to incorporate happy accidents when they crop up - smudges, blobs, smears, mishaps in general. I think it adds something. The problem with vector drawing is that it tends to be very precise and it's not easy creating something 'sketchy'.

Anyway, here's drawing I did that shows the effect that I'm after - it's all vectors and no post-production handmade mixed media. You might notice, if you look closely, some blotchy bits (white blobs on shirt and 'ink blob' on hair line. The stark truth is that these too are carefully constructed vectors and as such are a rather dishonest artifice.

Question is, are there any means by which a vector based illustration package could be made to create random effects during drawing, like blobs and slips and so forth so that there is a genuine element of randomness, instead of having to contrive it?

Obama - Clive Hilton

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Thank you, Mr. Chips...

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Just thought I'd share a few thoughts on the role of teachers that have come to me as a consequence of recent events.

I've been to Greekland as part of the 'responsible adult contingent' (aka, one of the parents) that accompanied the boys at my son's school on a Classics tour of Greece.

Now, as someone who left school at 16 with buggerall by way of qualifications, this was as near scholarly heaven as I can imagine; and I have a big imagination. The Acropolis, Delphi, Olympia, Tiryns, the palaces of Mycenae...Astonishing. And to stand in the very starting blocks on the stade running track that's still there from  about 2-and-a-bit-thousand years ago when the original buttnekkid Olympians did the same was mildly brain boggling.(Not that we were buttnekkid ourselves, you understand...)

But what bought all this to life was Mr. Barry, my son's classics teacher, who at 74 (yup, your read it right!) is still full of zest (I've really resisted the word 'passion'), enthusiasm and utter joy for his subject. His gentle, quiet, easy charm had the boy's eating from his palm as he bought the stones and ruins to life with his seemingly fathomless knowledge of Greek antiquity and his mesmeric storytelling of the ancient myths and legends. He never had to raise his voice or admonish a single soul. The respect he afforded the boys was returned in spades. The nearest he got to having to bring on the heavy guns of discipline was to say something along the lines, of, 'now listen boys, this is really interesting...' - and he'd have them back eating from the palm of his hands. Think Mr. Chips and you're someway toward understanding the genteel calibre of the man.

Ask the boys what was the best aspect of the trip and I'm certain that they'd all mention Mr. Barry telling tales of Greek mythology as we travelled by coach across the Peloponnese. In true style, having captured their attention and imagination for an hour or so he'd get to the cliff-hanger moment -('and what do you think happened to Perseus, boys? Well, that's a story for tomorrow...') - to the howls of anguish from the boys - 'Ohhh, but Sir.....!!'

My son and his friends - aged between 11 and 13 - may not ever realise the preciousness and extraordinarily rare privilege they were afforded by being guided by such a talented, gifted and inordinately generous teacher. In a world in which we read almost daily about how little teachers are held in respect by students and parents alike, I know beyond any measure of doubt that the likes of Mr. Barry are a rare and possibly vanishing kind.

The school only runs this particular Classics trip once every four years. The stark reality is that it's highly unlikely that Mr. Barry will do the trip again. To have been a part of it was to have witnessed something very special. And not least, what it made me realise is that truly great teachers are extremely rare; that they truly can help shape the lives of those in their care; that they can fire dreams, ambitions and a lust for learning. Such teachers that do exist should be among the most treasured members of our society.Why aren't they?

My son and his peers may not fully realise quite how special the likes of Mr. Barry is. But as a grizzly fifty-three-year-old, hanging onto his every sagely insight, I most certainly, humbly, do.

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Copying changes things

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Edited by Clive Hilton, Sunday, 13 Mar 2011, 23:02

One of the activities we did at yesterday's day school was a visual version of Chinese whispers (which we also did last year). I made the point that no man-made mechanism for copying any object had yet been devised that could reproduce something without introducing change - even if only at the tiniest level. Eventually, I argued, though individual iterations of change would be insignificant, the accumulated change would lead eventually lead to versions that are radically different from their origins.

In a stroke of serendipity, I came across this fascinating example today:

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The original key, (at right) was copied and then copies were made of subsequent copies. Eventually, this led to the disappearence of the original  profile in the key at far left. Full article here:

http://thingsorganizedneatly.tumblr.com/

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To know the joy of winning...

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Edited by Clive Hilton, Tuesday, 1 Mar 2011, 11:09

I've been an avid supporter of the England rugby union team since I was introduced to the sport at a rugby mad school - Caludon Castle, in Coventy - as an 11-year-old. Caludon had a number of England international old boys playing at the time; David Duckham, Fran Cotton, Keith Fairbrother, but those early years - especially the 1970s were spectacularly grim for any serious England fan and to see the boys in white being routinely thraped by France and the other home nations - especially the majestically and magically talented ranks of the legendary Welsh side of that era - installed in me, at an early age, the powerful reality that losing hurts. And losing a lot of the time really hurts a lot  - and England really did lose a lot of the time. And frankly, losing doesn't get any easier with age. Which served to make all the sweeter the occasional wins that England managed to somehow steal from the table of the rugby gods. It trascended mere ecstasy.

I remember when Bill Beaumont's side did the Grand Slam in a year in which Gareth Edwards was unequivocal that the only certainty prior to the start of the annual bloodletting was that come the end of the tournament it would be England, as usual, who would be left clutching the wooden spoon. How utterly, deliciously wrong he was.

Of all England's victories, in my memories, it still ranks second only to England winning the World Cup. (I understand that there is also a football tournament of the same name, but it isn't very important, I believe.)

Strange then, that when England faced up against a formidable French side on Saturday, for some reason it evoked in me the same sense of dread, apprehension and tension that I can only recall when I watched Beaumont's side play for that Grand Slam against Scotland decider in 1980 and again against Australia in 2003. It's not that this game decided anything - either side, win or lose, could still go on to win the tournament. It was more, I think, the barely palpable sense that this was a moment of nexus; that either England had turned a corner and were once again gelling into a side capable of beating the very best; of becoming feared again. Or, as with so many times in the past, that once again, this would be a false dawn; that when tested to the limit they would be found wanting.

It wasn't a beautiful game. It was error strewn, both sides trying to do too much, too quickly. What it was though, was unutterably majestic and relentlessly compelling. The irresistable force meeting the immovable object. The sheer physicality and brutality of some the tackling was shuddering. No quarter asked, none given. It was only with something less than two minutes left on the clock did I allow myself to relax and recognise that France would not win this time. England had won and they might just be on the verge of being a truly great side. That is the bigger, heart-stoppingly tantalising prospect.

With barely any voice left I've been on an emotional high for a couple of days now. To know this exquisite level of pleasure at winning is only possible when one has experienced the abysall despair of losing far, far too many times.

With England, you can never be certain when the next crushing disappointment will come along.

And that's precisely why I love my England rugby.

 

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Older than Methusela

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You know how it is, one topic on a forum begins to take on a life of its own. Anyway, here was such a one. The preamble needn't bore you, but this is where it led to...

In about 1996ish - when I was still in my late thirties and long before I had hair growing on my shoulders like a grizzly bear pelt (unlike now, though the upside is that it's cheaper than buying winter woolies) - I was delivering a lecture on post-war [WW2] design in the UK  (Utility furniture and all that) to design students. Mid-way through, one student interrupted to ask me what my own memories of the war were like!

Now I can accept that in the eyes of an early-twenty-something student, anyone over the age of twenty-nine should be euthanised out of plain aesthetic decency, but I still found it tricky to come to terms with the idea that either a) this student thought WW2 ended some time in the 1960s, or b) that the student knew the dates of WW2 but decided that I looked old enough to have not only lived through it but to have been sufficiently old to actually remember any of it.

I had no choice but to run him through with a bayonette.

It was all hushed up.

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Oh deer...

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I emerged half-asleep from the house the other morning to wander down the path to our garden office which nestles in quiet seclusion under the mature oak and pine trees at the end of our garden. My dreamy reverie was suddently shattered when a startled muntjack deer seemed to explode from a pile of fallen leaves near the office pausing only for a quick glance before dashing off under some bushes, out of sight. Difficult to know who was more stunned, me or the deer.

Anyway, over the course of the next few days I've seen the deer, never far from the office, on several occasions and I've noticed that it has is carrying an injured hind leg - probably hit by a car, I imagine. At some level I feel quite privileged that it has chosen our garden to seek sanctuary, and I'm certainly hoping its leg will mend and isn't so badly damaged as to endanger its survival, so really, I want it to wander back to wherever it belongs. Having said that, it is quite lovely seeing it in the garden as I type these words. What to do about it? Savour the moment and just let events sort themselves out?

Probably the best thing.

 

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Good grief! Someone's nicked a couple of months

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Edited by Clive Hilton, Wednesday, 19 Jan 2011, 08:59

I'm hardly bringing anything new to the table with the hackneyed observation that time does indeed appear to speed up with advancing years. With more than half-a-century of my days now little more than a rapidly diminishing dot in the metaphorical rear view mirror, I'm nevertheless still continuously stunned at how fast time is rocketing by.

Notwithstanding that, I've got a nagging feeling that someone's been quietly nicking some of my time while I haven't been looking. Just a bit here, a bit there. Nothing that you'd notice at any given moment, but all of which, I reckon, has added up to about two months.

It was in January last year that I was interviewed for my current AL post. A couple of weeks later I was attending the inaugral tutor's meeting for the then new U101 course. Comes October and that's it - first year done and dusted. And on Satuday 22nd Jan I shall be attending the second tutor's course induction day. I can intellectualise and rationalise it all day long, but nothing is really going to convice me that somewhere along the line, chronologically at least, I've been pick-pocketed.

I just don't know when.

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Eeek! Where's the time gone?

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Blimey! Weird stuff, time. TMA marking seems to take ages yet the course is practically all over, bar the ECA (and since I'm not doing any ECA marking, that's more or less it for me).

The early AL introductory day in February, when the snow lay thick on the ground, seems a long time ago now. So that'll be the end of my first OU course as an AL. Quite a learning curve.

Highs? Undoubtedly getting to meet some of the studes in the day school sessions. There was some astonishingly creative and fun times there that will stick with me for a good long time (unless the dementia gets me).

Lows? None really, though I was surprised at the length of time needed to mark the TMAs - especially the later ones - and it was always a huge relief to finally return the last one.

What next?

Sleep. As much as I can get.

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Does poo cluster?

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I once heard the phrase that money is like manure; it's of no use when it's all piled up in one place so it has to be spread around to do any good; - and it's stuck in my mind ever since. At some childishly simply level it resonates in my mind and I can identify with it on principle. I can't help but wonder, for example, if, instead of the government shelling out literally unimaginable sums of cash to prop up banks and the financial system, it had distributed that money to the wider populace at large. I'd have used my share to pay of the mortgage (or at least, some of it) and at a stroke that would leave me with a significant disposable monthly income that I could then choose to spend and by so doing, would help, along with millions of others, to rebuild the economy, purchase by purchase. I wouldn't even want any bonuses for taking the government money either.

There's another very direct reason why manure - or poo - shouldn't be allowed to build up in one place and that's because it stinks and is very difficult to deal with. That's as true of real poo as it is of metaphorical poo. And over the last three weeks or so, I found myself having to deal with an awful lot of unexpected metaphorical poo, all clustered in one place.

On one day alone, the two most important and formally utterly reliable computers in our small agency failed catastrophically. Sure, the data was backed-up, no probs there, but both machines were functionally dead and despite the best efforts of the techies, there was no option but to purchase replacements -  no big deal in the scheme of things as they were due for renewal later this year anyway. But to have to do so at short notice with all of the implications for the reinstallation of software (some of legacy versions of which won't run under Windows 7) together with all of the associated license activation hassle (and it was, and remains, hassle) and synchronisation issues and trying to keep our business running and work delivered meant only one thing. Pain.

Had we been able to do the hardware upgrade at a pace as originally planned, we would have had the scenario of a small bit of metaphorical manure (the aggro of the upgrade process) reaping its rewards as the new machines provided for greater productivity. As it was, we just had a lot of poo and are still in the process of clearing up the poo. The benefits will come, for sure, but given all the other pressures on time and the knock-on effects, in no time soon.

Over the coming days more unexpected poo piled up - personnel on holiday, sudden childcare let downs - elderly parent suddenly falling very ill,  TMA marking, car trouble, overflowing water tank, BT broadband failure at local exchange for several days - again - which for a design company is decidedly not good news... and heaven knows, seemingly endless minor niggles that just kept on coming.

Yes, no doubt about it, over recent days, my conviction that too much poo clustered all in one place is most definitely of no use whatsoever has been well and truly cemented in place.

 

 

 

 

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They don't exist until you see one

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Edited by Clive Hilton, Saturday, 24 Jul 2010, 00:27

In much the same way that I'm no twitcher, but I like to see birds as I go about my everyday business, I'm no mycologist, but I am curious about funghi.

My garden, over the course of a year, throws up all kinds of weird and wonderful funghi; from ubiquitous small brown toadstool type things to the rather more bizarre offerings that seem entirely otherworldly. I've gradually come to know some of them by name, which, according to one guide on mushrooms and toadstools that I own, is at least a small step on the way of avoiding death - or at least, a very unpleasant few days of the heebie-jeebies - by inadvertant misidentification and ill-advised consumption.

Among the mushrooms that have stuck in my mind is one that I only know based purely on a single image and a rather lurid description of its lethal capacity. It's called the Poison Pie. And for good reason. Its cap is about the same size - with looks to match - as a pastry topping to some delicious cooked pie. And therein lies the peril. Its appetising looks flatter to deceive the unwary for it contains toxins that can most certainly kill if eaten.

My guide tells me that it's not particularly uncommon, yet in more than half-a-century on this planet I've never knowingly seen one in the flesh, as it were. Until yesterday. Walking back with the children from a trip to a local park, there it was, beside the path; every inch a perfect Poison Pie. Innocent as you like.  It evoked in me precisely the same reaction I experienced when I came across my first Destroying Angel (and my first Death cap, come to think of it).

Bugger me these things can kill you and here it is, bold as brass and right out in the open where anyone can see them. What a nerve.

They really do exist. Sometimes, one has to see things to really believe in them.

 

 

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Blackbirds - the story continues

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A few posts ago I  wrote about the sad tale of a dead blackbird. Well, there is a follow-up.

The male blackbird who was so clearly absorbed by the corpse of the other blackbird has, since then, stuck around and become very tame. I don't feed it or pay it any particular attention, but it does come very close to me while I'm about my potterings in the garden and I see it  practically every day. A few weeks back I noticed that it was gathering a great deal of food - largely bundles of caterpillars that it seemed to be gathering from the mature trees at the end of the garden. I suspected that it had young to feed.

Well, this last week, my hunch was proved to be true. There, on the lawn, was the male blackbird in the company of two full-sized, but still clearly young, fledglings. The youngsters were calling to be fed and didn't seem entirely sure what to do while the adult male was doing his best to show them how to look for and peck out an assortment of grubs among the grass. On only a couple of occasions have I seen the adult female in attendance with the youngsters, presumably while the male is off somewhere having a bit of me time.

Over recent days the sightings have become fewer and I would guess that the fledglings are now close to independence and so presumably life for our blackbirds moves on to whatever the next phase is.

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Only mark when you're grumpy - Official

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I knew it all along!

Having been branded as Mr Grumpy by my children (that I choose to take as code for 'Dad won't let me have my own way') I've finally found the justification for my Meldrew gene, which, rather neatly, I can now put to good use while marking:

"An Australian psychology expert who has been studying emotions has found being grumpy makes us think more clearly.

In contrast to those annoying happy types, miserable people are better at decision-making and less gullible, his experiments showed.

While cheerfulness fosters creativity, gloominess breeds attentiveness and careful thinking, Professor Joe Forgas told Australian Science Magazine"

 

http://news.bbc.co.uk/1/hi/8339647.stm

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Bye Bye blackbird

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Edited by Clive Hilton, Wednesday, 12 May 2010, 23:57

While pottering around the garden I came across a sad sight. A young male blackbird had, at some prior time, somehow caught its leg in the mesh of a fence and had, it would appear, spent some time stuggling by the time I found it, dead.

Sad in itself. But what made the discovery more intriguing was that there was another, second, young male blackbird - perfectly alive - in absorbed attendance beside the body of the dead bird. It seemed to be almost magnetically attracted to the corpse. In what appeared to be a considered manner, it would hop up to the dead bird and gently touched its beak with its own before moving away a few feet and repeating the gesture time after time.

Over the course of the day - from early morning to late afternoon - the bird never strayed far from the dead bird. I was only when I removed the dead bird and buried it that the other bird moved away any distance. Over the course of the following days and weeks I've seen the second blackbird in the garden almost every day and rarely far from the spot where the dead bird met its untimely end.

 

 

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The vulcans have buggered up the sky

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Edited by Clive Hilton, Thursday, 15 Apr 2010, 23:47

Ah, been a while since I last wrote. Major demands on time and all that; Easter, end of school term for heir and spare, wedding anniversary, hols, birthday, TMA marking (as yet unfinished - eeek!) and now it seems that just as la famille Hilton was due to fly home from ace break to see friends in France, someone has gone and let a volcano off in Iceland without considering the consequences for anyone else. Now that the air above Britain has been turned into something Very Dangerous it transpires that our flight home has been cancelled. As indeed has everyone elses.

As news goes, this is is not what I would describe as 'good'.

Still, we haven't had to endure the sort of mindless fiction from the airlines that passes for excuses in the rail transport system. One can well imagine that had it been Network Rail in charge of the current situation we'd have been blithely apologised to, in blandly indifferently tones, for the current delay to services which would no doubt be due to the wrong type of volcanic effluvium in the air...

It's an ill wind, and all that.

 

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What you can learn from fishing in a field

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Edited by Clive Hilton, Monday, 29 Mar 2010, 10:37

I took my son and his friend fly fishing at the weekend. My son is a veteran of three previous outings, me similarly, and young Jim had never done any fly fishing before. My first introduction to fly fishing was as part of a 'dads and sons learn to fly fish day out' organised by my son's school. It was a wonderful day, the height of summer, glorious weather and the boys and the dads were segregated so that there could be no competitive dad syndrome at work. While the boys were being given their instruction, us dads were being coached in the finer arts of casting. Lots of casting. And yet more casting. And a bit more. And all this in a field quite some way off any sign of water. While we were becoming Olympic casters I could see the boys fishing and, more importantly, catching fish.

The instructor was extremely knowledgeable and gave us the full benefit of his experience, including lots of technical background knowledge about the difference between line weights, line types, rod flex characteristics, the effects of humidity, the technical niceties that make a shooting head so much better than a weightforward fast taper, and god knows what else. We were even given a grounding in the life cycle of some of the insects that the trout might be feeding on. At the end of four hours I felt confident that I had I been about to appear on Mastermind then I'd be completely at home in my chosen subject of 'Everything there is to know about the theory of fly casting as practised in a field but not actually on water or anywhere near a trout'. Mind you, I don't remember much of it now.

Four hours later, we were deemed to be ready to actually start fishing, by which time we were well into the peak heat of a hot summer's day and by then all the trout had gone off for a snooze. It was only as the temperatures began to cool in the early evening that the fish began to show any interest again. So, while the dads had been flailing about in a field, the boys - who'd had a much shorter training period - had been having fun catching fish. Unlike the dads. Some eight hours after we'd started our training I caught my first trout, but just as the fishes interest in feeding began to awaken, it was time to go home.

Anyway, I was determined that Jim would not have to suffer the same frustration, so I set him up on a lawn next to the lake and we spent no more than fifteen minutes perfecting a basic cast technique that saw him safely, successfully and repeatedly cast a fly about forty feet (more than adequate for the water we were on). I declared him ready and we headed for the lake. His first cast shot out straight and true. He straightened his line like a pro and promptly hooked straight into his first trout. Total time - five seconds, max. A few minutes later, a gleaming 2lb trout lay in the landing next.

Jim's face was a picture, he was hopping up and down with excitment. My son soon hooked into his first fish and some time later I too joined the club. The rest of the day saw regular action for the two boys, who between them landed a dozen fish before they were reluctantly dragged off the water to go home in the gathering dusk. They were still buzzing a day later and there could be no doubt that they'd had a fabulous day.

It set me thinking about learning. I couldn't help concluding that my highly knowledgeable instructor - good intentions aside - had missed the whole point of the day. I suppose he felt that as adults we would benefit by being given a much more intensive training, backed up by lots of theory before we would be ready; we'd be given added value, I suppose. In contrast, the boys' trainer thought that the boys wouldn't need the theory and so the focus was on perfecting technique, then they would be ready. My own view with Jim was that all was needed was to just give enough instruction to get on with things in safety and with confidence, make a start and the rest would follow. And it did.

Sometimes, surface learning is all that is required. If Jim takes to fly fishing - as my son has - he's got the rest of his life to learn about the arcana.

 

 

 

 

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Post-it script

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Edited by Clive Hilton, Monday, 15 Mar 2010, 20:42

As part of my first OU day school for the U101 course that was run on Saturday the students were set a number of activities that called upon their creative skills. It is no exaggeration to say that they responded magnificently, producing works and thinking that were a delight to be part of.

One of the lighter-weight activities was a game we called, visual chinese whispers. Essentially, a post-it note pad with each sheet numbered sequentially had upon the first sheet a simple doodle. The brief was simple; As accurately as possible, copy the drawing on the following sheet and when you have done, keep the one you received and pass on your own to your neighbour. Repeat as necessary.

I've done this exercise many times and it never fails to amaze me how the drawing evolves, often beyond all recognition from its starting point. Generally, the greater the number of participants the more interesting the result.

Even so, it still works when one only has a few people and the pad has to be circulated several times to get a decent result, as was the case on Saturday.

visual chinese whisper, first and last

The image above shows the first and last drawings in the sequence. To appreciate the evolutionary changes I created an animation that illustrates the phenomenon best:

http://www.hiltoncreative.co.uk/ou_101/ds130310/vw1.html

 

Good fun.

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Dogger, Fisher, German Bight be blowed...

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 13:11

Now I'm not averse to words. Quite the contrary, I love 'em; I like what they can do. I like the way that words can conjure up whole words in my mind. I like novels; I like dictionaries; I even like cereal packets in the mornings. I need my fix of words. I like the spoken word too, which is why I generally go for Radio 4 in the morning. I like to hear John Humphries when he goes off on one, all bristly and cantakerous. It sets me up for the day. Until we get to the weather forecast.

So what is it with me, words and weather forecasts? On telly, it would seem that most female weather operatives are surreptitiously auditioning for a part in a daytime soap opera and most of their male colleagues believe that what they are really delivering is a  monologue from Richard III.

Either way, instead of telling us what the weather is going to be for the day, I find myself having to absorb bits of meaningless guff along the lines that a particularly itinerant low front will be casually ambling up the Welsh Marches and probably making a bit of a nuisance of itself in the process before fizzling out over the Black Country to be replaced by a playfully hesitant high working its way in from the east before it too joins the spent ranks over Rockall. Uh?

Within 3-and-a-half seconds my mind has turned to mush and my eyes have glazed over in a sort of aural equivalent of the rabbit in the headlights phenomenon. When I've come to and pulled my face out of my cereal I find myself no wiser as to what the weather might be, so I revert to Plan B, which involves looking out of the window. Can it really be so difficult to say what the weather might actually be in terms not dreamt up by someone who writes get-outs in small print for a living?

As a matter of fact, it can be done, the delicious irony being that the Beeb did it rather well when they first put their mind to it about 300 years ago. As an example of GOOD DESIGN (LOLA! students, take note), ladies and gentlemen, I give you -

The shipping forecast.

If ever there was a better example of sublime economical word efficiency - maximum info, minimum fluff, maximum meaning - I've rarely come across it.

 

As Einstein had it, make it as simple as possible, but no simpler.

 

 

 

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The other man's drive is always greener

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 12:58

Christmas Day 2008 at Hilton Towers was warm, as indeed was most of autumn and winter that year. I know this because in the middle of the overcrowded Christmas lunch dining table was a small vase in which two full blown daffodils were quietly wondering how on earth they'd suddenly got there. Well, they got there because I'd picked them, in full bloom, only moments prior from a patch in the garden where they generally put in an appearence in early spring. So mild had been the autumn and winter season that the daffs had bloomed three months early.

This year, as I write, the same patch of daffs is only now showing a few tightly wrapped flower heads which still seem to be some way off being inclined to poke their heads out. This is probably how it should be.

Another thing I've noticed is that we've had a lot of rain. A lot of rain. So much rain in fact, that parts of our drive are now green with a thin skin of algae or moss or lichen or seaweed - whatever it is, it's green. It's also the first time I ever seen it green. Similarly, the moss growing on the roof tiles has now taken on the appearence of vivid green hairy clods, clustering together for warmth like mutant miniature legless sheep that seem to have multiplied exponentially over winter to the point of population explosion. Makes me wonder what they're eating.

And my sage has rotted in a ground that is normally so free draining that in dry spell the wind whips up the soil like mini dust-devils.

I have to say, right now I fancy a bit of this climate warming stuff.

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Made a minor milestone

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 12:57

Just returned first real eTMAs for the new U101 course, or LOLA to it's friends.

Mild sense of relief gradually being pushed aside by desire to celebrate with a glass of, er, ice cold tap water.

Really.

What?...

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Ummm, I thought that might happen...

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 12:59

For some time now, one of my work machines has been a bit temperamental and I'd begun to think that perhaps it's time to retire the beastie. It was fully backed up a couple of days ago, but since then I've created some heavyweight photoshop files on it (about 500MB each). Presumably, this was the straw that broke the camels back, 'cos a little while ago the damn thing quitely died. At least, it went to sleep in its favourite armchair and didn't wake up. Joy.

Anyway, sole crumb of comfort is that as I write we've been able to apply a metaphorical defibrillator to its entrails and we're currently retrieving said files while it lies in a near vegatative state. Assuming - nay, hoping - all goes well, should be back in action and on the case again.

Not for the first time have I been grateful for a recoverable backup. Makes me wonder about all that data lying on servers out there in internet wonderland - Facebook, Google, Twitter, (OU?) etc. Do those electons ever die or will our digital footprint hang around in cyberspace forever?

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Caught knapping

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 12:59

On a beach that we visit on the south one can find endless numbers of chalk pebbles, varying in size and form, though typically they fall into the category of round ovoids that range in size from small eggs to large chocolate easter eggs. As it happens, there are also just as many flint lumps scattered in clusters. On a lazy summer's day my thoughts idly turned to the flint and how early man might have first tumbled across the discovery that shattered shards of flint could make first rate tools. In a spirit of empirical research I began bashing bits of flint together and very quickly had before me a selection of lethally sharp proto-tools. Seeing the chalk lumps around me triggered the idea that it might be interesting to see what my new tools could do. So, I put flint to chalk, sat on my haunches and began carving. To my great thrill and satisfaction the flint sliced into the chalk with ease. Some happy hours later I had several assorted carvings. As I got used to the materials I got a better sense of what they were capable of. Here's a couple of the heads that I created.

Carved chalk head

Carved chalk head with flint shard tool

Flint shard carving tool

And here's a typical flint lump from which the flint shards were knapped. Some of the shards were thinner than razor blades and sharper too.

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A new way of seeing

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Edited by Clive Hilton, Wednesday, 10 Mar 2010, 13:00

One Eye - 5 minute sketch

I've been thinking about the notion of new ways of seeing, which we will be discussing as part of the Design & Creative Thinking course. My left eye is my master eye and as I've got older I'm finding it harder to stop my 'lazy' right eye from turning in slightly, with resulting double-vision. For a number of years now, as a coping strategy I've tended to draw with my right eye closed, which has become a habit. For this intentionally fast and loose 5 minute sketch I decided to close my left eye for once and let my right eye do the looking - literally, a new way of seeing.

It did feel strange as I stared into the bathroom mirror in the small hours, scribbling away, holding off a persistent urge to use the other eye. A bit like drawing with my left hand I suppose (I'm right handed). Good to step out of the comfort zone occasionally. Maybe I'll try a complete switch next time; right eye, left hand.

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