OU blog

Personal Blogs

Design Museum

B822 : Why is anything but incremental change often so difficult for the most successful organisations?

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 19 Apr 2012, 14:12

What's your experience?

A gradual cultural shift or a new person at the top and overnight transformation?

Even with the most charismatic leader in charge, unless the company is privately owned, and depending very much on its size, I don't see how anything other than incremental change is feasible or given employment laws actionable.

Unless the business is a football club, or like a Film Producton Company moves from one project to another with a skeleton staff or perhaps a Government Department, but even here, with a new minister of a opposing political persuasion the inertia and scale of the department/organisation (as Cameron and his Cabinet are seeing) negates radical or swift change or your risk strike action and other forms of discontent.

How do Oxbridge Colleges survive?

Look at Balliol as it approaches its 750th year. It has been hosting the Institute of the Internet for a decade so it can't be thought of as backward looking. How much does the location and reputation count? Even, or especially the nature and value of the 'Quad?'

War and natural disaster forces change.

Economic down turn obliges organisations to cut back, to prune. In bad weather they hibernate? Is there a horticultural metaphor to work with? (With those Garden Festivals of the 1980s that was the route to regeneration).

Incremental change of the farming landscape?

Formal education survived concentration camps and the Burma railway. What does it take!

My inclination as a KAI Innovator is to seek immediate, overnight change.

The reality, and I have seen this in small organisations and large, public and private, even from the perspective of a Non-exec Chairman, that long term survival, especially over the lat few years, is the product of caution, indeed of being prepared for the worst while maintaining an brave if not positive and ambitious face. Where can apparent overnight change work? Pop 'acts' like David Bowie and Madonna, TV Series like Dr Who.

But this is the cover, the book remains the same?

Surely any organisation or brand can more easily make adjustments to its brand (yet these two will have been carefully planned far in advance for strategic effect).

Permalink
Share post
Design Museum

A fellow OU fan? Let the world know with a vote on Facebook

Visible to anyone in the world
Edited by Jonathan Vernon, Tuesday, 6 Mar 2012, 08:32

I wouldn't usually do this kind of thing, but you can do the OU a favour, prove a point to the world and be in line to win an iPad 3. Just go along to the OU Facebook page and 'like', for further Brownie Points add a comment.

Combined this sets us against other univwrsities. somehow we were beaten to the top slot in 2011.

http://www.facebook.com/photo.php?fbid=295349760517763&set=a.295346917184714.93370.139403029445771&type=1

I started in 2001, then took a break.

Back for the last two years with an MA a module away and more to follow for certain: MRes? MBA? Another MA in History of Art or Creative WritinG.

Permalink Add your comment
Share post
Design Museum

Here are a few ideas I developed earlier

Visible to anyone in the world
My Mind Bursts (FLICKR)
Permalink
Share post
Design Museum

Mess as the new paradigm for communications

Visible to anyone in the world
Edited by Jonathan Vernon, Friday, 2 Mar 2012, 14:26

Plastination%2520Ballet%2520Dancer%2520Snip%25201.JPG

Plastination of a Ballet Dancer 

The skin removed from a human body reveals a mess.

The walls removed from a business does the same. It has happened whether or not we like it, even without Wikileaks we are revealing more of ourselves than ever before.

Glass%2520Skull%2520dreamstime_l_6494214.jpg

Glass Skull by Rudat

Our minds are a mess if our sculls are made of glass: mine is, I expose and disclose and share my thougts.

Posting notes isn't laziness, it is mess: it is 'messy stuff'.

It is the beginning of something, or the end, it is both unstarted and unfinished. Notes go down well in our 'wiki- world' as it makes space for others to interject, to correct and fix in a way that feels less like criticism and more like collaboration.

Once was a time I'd pick out every misplaced apostrophe, especially concerning 'its', now I care less, ditto spelling. Would I have hewrd the incorrect apostrophe on the possessive of its? Would I have known that I'd hit the 'w' key instead of the 'a' typing as I am with my left hsnd only propped up in bed. And what about the missing 'h' I've left out of 'thougts'?

Too late, I've said it now and my next idea is coming through.

Permalink 4 comments (latest comment by Jameela Bi, Friday, 2 Mar 2012, 18:45)
Share post
Design Museum

Content is not an idea

Visible to anyone in the world
Neither is the platform
Permalink Add your comment
Share post
Design Museum

Creatives:

Visible to anyone in the world

1. Don't compare your work to others.
2. Don't give up when presented with an obstacle.
3. Ask for help. You can't be an “island” out on your own.
4. Don't be afraid of change.
5. Plan.
6. You can do it.
7. Don't blame someone else for your failings.
8. Work on yourself or try to improve.
9. Don't let past failings hold you back from future successes.
10. When something isn’t working fix it.
11. Your dreams are not too big.
12. Don't expect someone else to come in, work their magic and save the day.
13. Express gratitude for what you have.
14. Treat others as if they mean something to you.
15. Do professional work.
16. Forgive yourself and others for mistakes.
17. Choose friends who strengthen your dreams.
18. Keep Learning. You’re never smart enough.
19. Don't give a monkeys what others will think of you.
20. Just get on with it.
21. Be persistence.
22. Promote and sell it your only child.
23. Trust your instincts.
24. Good enough is better than never at all.
25. Keep creating.
Permalink 3 comments (latest comment by Susan Whelan, Wednesday, 29 Feb 2012, 23:49)
Share post
Design Museum

B822 Residential School

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 16:01

Group Fair Presentation

Elective 1


Getting to know each other
Offering something / wanting something
Group hum
Activities rushed

(people use their old picture of themselves before they look old)

"to socialise what's happening, exercise emotional intelligence, organise."

Networking

22 in a space for 100 

Divide by Facebook, active or very active.
Divide by part of the country (mostly midlands)
Divide by small or large,private or public companies.
Advice for TMA
Stick to your plan
Stick to the question
What gets you credit

MOSTLY small 1-25 people.  MUST do this and bring LinkedIn groups to the real world. TMA may use networking online to group solve a problem.

Elective 2


Vet and perceptions
Did I see the monkey or am I making the stuff up?
Zimmerman M 1989 The nervous system and the context e.g. David McAndless. individuals are different.
13 or B
Emotional biases
Hot states
Cold states "eddies and currents that steer us.”. Ben

How do you destroy the illusion?

Memory
Personality
Motivation
Anticipation
Culture
Learning

The implication for creativity?


If you have different motivations you will see different tings.

Tagged with significance.
2002. A picture is worth a thousand lies.

"Humans are very good at knitting patterns from very little information." Ben 2011

Assumptions - light from the sun
Anchoring - last four digits of phone number and how many doctors are there in London.

Ley lines and Stonehenge and the same between Woolworths stores in the North East.

Same same but different. Thialand.
If everything's the same creativity is stifled. BEN
Ability to reflect.
Acquire - Analyse - Act


Pulled apart by:


Perceptions
Assumptions
Me
Fundamental attribution
Confirmation bias
Focused on those in white at shirts bouncing a ball. Made it into a competition.
Definition Chaos
Physical state and nature or arousal Affects decision making e.g. Skiing.
MBA for grown ups.
We all have mini-models of how the world works.

Permalink 1 comment (latest comment by Susan Whelan, Wednesday, 29 Feb 2012, 14:09)
Share post
Design Museum

B822 Residential School : Facilitating Creative Thinking

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 16:05


Facilitating creative thinking


Imagery and metaphor
Group Fair
7 workshops
5 electives
General precepts
Specific techniques
Overall methodologies

To tackle concerns that really matter to you.
Reflecting on practice and networking
Understand what can inhibit creativity in a group
Self aware of how your own thinking may help or hinder
Creative problem solving (CPS) solves problems but splitting the process into a series of stages.


STAGE ONE

Exploration of and definition of the problem.
Open up: explore different angles. Clarification. Ask why? Repeatedly. Or the nub of the problem expressed as. 'how can we ...'
QQ for clarification only. 
Individuals write up an expression of the problem (as provocatively as they like). The client chooses one.
QQ redefined the problems using  what if ...  or a strange way of looking at this ... or it could be likened to ... or I wish that ... Close down: select key problem
N.B. use your skill in judging which technique is most appropriate for the problem as presented.


STAGE TWO

Alternative ways of dealing with the problem.
Generate ideas and plans
Open up: consider alternative ideas
Close down: select preferred option


STAGE THREE

Work out the implementation of the way forward
Open up: plan supporting action
Close down: undertake action


STAGE FOUR

Evaluate
Open up: monitor progress
Close down: adapt action
Seems rigid, in practice it is more relaxed and iterative (like a squad session plan, then more intuitive and tailored. The mind is not like the body, and the outcomes are far less easy to define compared to the need to 'go faster for longer'.
Getting off the 'mental tramlines'.
VS premature evaluation
To see something from various perspectives
To force the mind to go beyond its usual assumptions

Permalink
Share post
Design Museum

NHS and Sitecore

Visible to anyone in the world
Edited by Jonathan Vernon, Tuesday, 13 Mar 2012, 13:15

IMG_1764.JPG

NHS Direct use Sitecore to manage their content in order to help ensure that the right content is found by the person who needs it.


Content is at the centre of everything.

This means getting content produced by NHS Direct to the right audience hubs, though reversioned so that Google doesn't ignore it.
The Problem for NHS Direct is that people are unsure of the obline choices.


The solution was seen from a persona perspective the answer a combination of the 'Online health and symptom checker' that in a series of steps would get you either to:

  • Deal with it yourself
  • Visit a Pharmacy
  • Have a Webchat with a nurse
  • Or have a telphone Callback
  • Or Referred to GP


Various costs and the potential saving to the NHS were given from:


£219 to call out an ambulance £95 For a visit to A & E Or £32 to see your GP.

Whereas online you can be dealt with for £8-12

While with self analysis it is as little as .O5p


Sitecore Leverages content

Permalink
Share post
Design Museum

Are you in KAI terms an 'adapter' or an 'innovator?'

Visible to anyone in the world
Edited by Jonathan Vernon, Saturday, 3 Nov 2012, 12:50

Adaption-Innovation

There are two styles of decision making. (Kirton, 1976, 1977, 1980)

Adaptors ’stretch’ existing agreed definitions. They proceed within the established mores. Dominates management.

Innovators ’reconstruct’ the problem, they separate it, emerging with much less expected and probably less acceptable solutions.

'They are less concerned with 'doing things better' than with 'doing things differently'.

Across a population, Kirton and others have tens of thousands of people to go on from completed inventories to go on, there is a Normal curve of distribution (Kirton, 1977)

I am an innovator and somewhat out on the far edge of the scale. Does this render me and people I have met who are ’innovators’ unemployable? With certain teams, in certain orgsnisations we are incompatible unless you want us there to act as a catalyst, consultant or communicator.


Any problem goes through a series of stages:

 

  • Perception of the problem
  • Analysis of the problem
  • Analysis of the solution
  • Agreement to change
  • Delegation
  • Implementation for most was two/three years after the problem became apparent, whilst a few were tackled with the bare minimum of analysis. Objections were often only overcome (then collectively forgotten) as a result of some crisis. Rejection was often based on WHO was putting the idea forward.


Cf. P111


Disregard of convention when in pursuit of their own ideas has the effect of isolating innovators in a similar way to Roger's (1957) creative loners.


32-item inventory, theoretical range of 32-160 and a mean of 96.
Cultural innovativeness see Indian Women p114
Solutions sought within the structure by adaptors so nothing changes.


'Tolerance of the innovator is thinnest when adaptors feel under pressure from the need for imminent radical change.' Kirton (2011:115)


It is unlikely (as well as undesirable), that any organization is so monolithic in its structure and in the ’demands’ on its personnel that it produces a total conformity of personality types. P115


How an innovator or adaptor can be an agent of change where all around have a cognitive style alien to his own. Kirton (2011:117)


Reference


Kirton. M.J. (1984) Long Range Planning 17, 2, 137-43 in Henry.J. Creative Management & Development 3rd ed. pp109 (2011) Ch8 Adaptors and Innovators: why new initiatives get blocked. M.J.Kirton
Kirton.M.J.(1977) Manual of the Kirton Adaption-Innovation Inventory.
Rogers.C.R. (1957) Towards a theory of creativity. In H.H, Andersen. Creativity and its cuktivation. Harper.

Permalink
Share post
Design Museum

B822 Applied creative think for a creative industry

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 07:44
5.00am reading Book 3 Creativity, Innovation & the Organisation.

8.30am Doctor, My colestrol is too high. I have to take simvastatin and chane my diet.

9.00am Opticians

9.15am Barber

9.48 am Train to London

11.30am Picasso Exhibtion, Tate

1.00pm School of Communication Arts

5.20pm Leave having spent between 30-50 minutes with each six creative teams (art director and copywriter).

7.17pm Train Home.

10.00pm writing it up.
Permalink
Share post
Design Museum

Enter@random

Visible to anyone in the world
It's the button I want here. One for my blog, another for everyone else. I believe in serendipity over Google.
Permalink
Share post
Design Museum

What does it take for an organisation to foster innovation?

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 19:18

I've got it down to five words, reduced from several week's reading:

  • Recognition
  • Realised
  • Rewarded
  • Routine
  • Retention

Those who come up with ideas are recognised for their input and achievement.

Their ideas are realised; they go into production or become reality.

Resistance to the idea and to change is overcome.

They receive reward which might be a bonus, or shares or promotion beyond a handshake and some time at the top table.

It is everyday, routine, part of the culture of the place not a bolt on fad like TQM and Quality Circles of the 1990s.

People stay in, they are retained because of the above and so go on to innovate again rather than for themselves or the competition.

Permalink Add your comment
Share post
Design Museum

Dee Panger

Visible to anyone in the world

Driving 63 miles to a Tutorial yesterday morning I caught something about Dee Panger on Saturday Live BBC Radio 4.

I'd just be listening to a poem by Selina Godden on Spring, which was composed like a blog post from London to Winter.

There were inheritance tracks from the Speaker of the House of Commmons, John Bercow:

Ziggy Stardust : David Bowie

Peter Gabriel & Kate Bush

 

 

 

Permalink 2 comments (latest comment by Jonathan Vernon, Sunday, 26 Feb 2012, 18:07)
Share post
Design Museum

B822 Book 3 Activity 5.3 Total Quality Management

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 17:38

Is Total Quality Management a liberating force for the people who work with it or is it intrinsically exploitative and if so why?

I've experienced huge successes and outright failure using TQM.

The success was in an organisation where the CEO was the champion, and though a UK company they embraced all the collegiate and collective brotherhood ethos that was a blend of US and Japan. It was a way of life, a permanent culture shift in which people were recognised for relevant achievements, rewarded, retained and given further responsibility.

In contrast, the other organisation were ticking boxes, the CEO was a distant, Eton educated Grenadier Guard who I never saw 'at the workface' it was an effort to find examples worth turning into short films (my job) and it was apparent that some were a fudge. It was being used by middle managers to secure their place at the expense of others.

Permalink
Share post
Design Museum

B822 : Book 3 : Creative Swiping pp74-75

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 8 Mar 2012, 15:23

Over the course of a single working day, keep an eye out for examples of good practice wherever you may find them.

During a commute, reading a newspaper, magazine or journal, observing 'things' (tangible products) in action or experiencing some service delivery. 

How could any of these be adapted to suit your organisation?

Try and discover a good idea that could be adapted to suit your organisation from the experiences of as many of the following as you can:

A member of your family (at work or school or wherever)
A friend
A colleague
A supplier
A competitor
A customer

  • Tesco customer suggestions and response board
  • Free content on Facebook; pay for the piece of paper.
  • OMU plasticated wall for planning
  • Electronic sign in at Doctor's Surgery
  • Barcode entry to Gamesmaker Training
  • Rotating three lanes at swimming club so each in turn gets the attention of the coach.
  • Self-service check-out at WHSmith, Victoria Yo Sushi conveyor-belt food servings
  • Social Media Marketing eLearning from MMC learning


What has anyone else come across?

Permalink Add your comment
Share post
Design Museum

Online vs face to face

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 17:41

I try to concentrate during a face to face tutorial but as a MAODE student who isn't supposed to ever meet anyone I constantly feel that doing this elective offers some vital insights and contrasts.

Face to face is very like the online equivalent ( or should that be the other way around? ) the 2 hours 30 I have spent today could have been an Elluminate Session, with breakout rooms combined with lots said in the Tutor Group Forum.

The advantage online, certainly with the forums, is to have everyone's thoughts and ideas as notes.

Permalink Add your comment
Share post
Design Museum

Candle Power

Visible to anyone in the world
A power cut. I use the iPad as a torch to locate matches, have candles on the dining room table and the gas stove heating up water. I don't need to rummage around for a book as it is loaded into iBooks. I'll see where 3 hours reading and note taking gets me (Part 4 of Book 3 I hope) then off to Surrey and a tutorial. Although a came to an MBA module as an elective of the MAODE I may well do the entire MBA as for the fourth time I may be going down the route of setting up my own business.
Permalink Add your comment
Share post
Design Museum

B822 : Book 3 : Notes

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 17:08

B822 Book 3

The best possible way to take on board all the design considerations is to involve all the affected parties right from the outset vs. institutionalised redesign.


3M

Keep teams small  
Tolerate Failure  
Motivate the champions  
Stay close to the customer  
Share the wealth  
Don't kill the project


Mitchell (1989)


In Book 3 P45 Innovation in Practice


"Find the inventors and don't get in their way'. Theodore Rosevelt. Mitchell (1989.181)


"The public does not know what we can do .. Any amount of market research would not have told Sony what to do." Akio Morita (1988:188)

 

Mitchell, R. "Masters of innovation: how 3m keeps its products coming". 10th April 1989, Business Week. Also in Henry,J and Walker,D (eds) 1991b


Morita, A (1988) Made in Japan. Glasgow. Fontana  Nurturing and involving people.  Pfeffer (1994) p57 BK 3, Competitive Advantage through people. California Management Review. 36, 2 Winter. Also in Henry, J and Mayle, D (eds) 2002

 

Permalink
Share post
Design Museum

36 hour catch-up

Visible to anyone in the world
Edited by Jonathan Vernon, Wednesday, 7 Mar 2012, 17:42

Never one in the last two years to get behind I am now playing 36 hour catch-up.

I got through six hours of reading overnight, there's a tutorial tomorrow that must count for something, then another 6 on Sunday. Maybe a few hours on the train on Monday and perhaps another 6 on Tuesday, even Wednesday.

Next weekend I'm coaching Saturday then in London for a day of Gamesmaker Training ahead of the Olympics.

Can an EMA be written in transit?

Permalink
Share post
Design Museum

B822 : Book 3 : Contextual Uncertainty

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 19 Apr 2012, 13:42

Do you share the view of a chaotic and uncertain future?

If both the content (course materials) and the means for interaction (social media) are available online for free where does that leave universities?

Why not get a job and study at the same time?

If the university 'infrastructure' is a software package too, what do you pay for?

Assessment and the qualification?

And whilst there are standards to meet to give out accredited qualifications who sets the price?

An accountancy course delivered entirely on Facebook for example, for free.

You pay for a qualificaton and only if you pass.

But what matters more, the piece of paper at the end or being able to apply the learning?

Permalink Add your comment
Share post
Design Museum

B822 : Book 3 Activity 2.5 Radical Innovation

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 19 Apr 2012, 14:01

Is there a large element of luck in radical innovation or is it directed by highly tuned intuition!

Is it the nature of radical innovations to be so far ahead of the market that market research can contribute nothing?

Can you think of an example from your experience that succeeded?

Can you think of another that failed?

With the benefit of hindsight could the success / failure be discerned at the time?

Permalink
Share post
Design Museum

B822 : Book 3 : Activity 2.4 Types of Innovation

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 19 Apr 2012, 13:50

Think of examples of innovative practice in your workplace and decide where they might fit on Pearson's matrix.

Pearsons%2520Matrix%2520SNIP.JPG

Which type of innovation seems most vital to your organisation?

NOT exploratory like a pharmaceutical company doing R&S, whether big or baby bio.

PROBABLY development engineering in which, like Microsoft bringing out a new operating system, a new module takes years to realise.

NOT finding new ways to use old stuff, like for the most part 3m. Then again, reversioning content for the web, especially for social media is exactly what is going on. Like at the free accountancy course on Facebook.

REFERENCE

Pearson. P48 Book 3 reference pearson a w 1991:22 managing innovation: an uncertainty reduction process.inHenry,J and Wakker, D. (eds) 1991b

Permalink
Share post
Design Museum

B822 Activity 1.5 Origins of Change

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 23 Feb 2012, 13:00

Think back to new products or services you have experienced.

What was the stimulus for their creation.

Intermitten wipers. A better and safer driving experience in light rain.

Stoppers on skis. I can remind having a strap around the ankle, which would snap or come lose. You'd fall over and the ski would vanish. Safer for people who used to be hit by skis ... though you still lose a ski a deep snow.

Contact lenses. Vanity. No more glasses to fog up. Sport (especially swimming). A market.

Amazon. Thought I was saving money by not shopping on the High Street at Christmas only to spend far too much online. The new way of doing things.

PayPal. Convenience of online payments. A need.

iPad. Online 24/7 sad Tried tablets before and failed, this works.

Kindle. Using 'The Swim Drills Book' and showing young swimmers images on the Kindle by the side of the pool. Reading The Isles by Norman Davies and able to carry it about. I'd like an A4 size version.

Sony Alpha digital camera body. It takes Minolta lenses I bought 25 years ago. Brilliant.

Brushes: iPad App used by David Hockney for 'painting'. It works. Brings painting and drawing up to date alongside wordprocessing.

 

 

 

 

 

 

 

 

 

Permalink
Share post
Design Museum

B822 : Activity 1.2

Visible to anyone in the world
Edited by Jonathan Vernon, Thursday, 23 Feb 2012, 12:45

Can you think of examples of suboptimization as a result of cost? Where concentrating on one local cost saving has ultimately resulted in a considerable cost saving elsewhere ?

I can't think of any, can you?

 

 

Permalink
Share post

This blog might contain posts that are only visible to logged-in users, or where only logged-in users can comment. If you have an account on the system, please log in for full access.

Total visits to this blog: 13205494